シャドーイング練習: The Beatles - Roundup Interview (1964) [REUPLOAD] - YouTubeで英語スピーキングを学ぶ
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Let's meet the Beatles.
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154 文
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Let's meet the Beatles.
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I've got Paul and John.
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John.
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And Paul's talking to George and Ringo.
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Well, I said in my intro, and you were listening to it, that there have been a lot of changes since this time last year.
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Well, we've seen them, you know, we've seen you making films and doing all sorts of marvellous things, but what have the changes meant to you?
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Nothing, really.
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I think the main changes are in people's attitudes to you.
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How?
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I don't know.
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But it's people who change rather than you.
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You know, we feel exactly the same, really.
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Got a new suit, though.
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But you've made a film since then.
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Mm-hmm.
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And you've just finished it.
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Yeah.
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Why did you make a film?
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Well, it's the logical step, isn't it?
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And I believe it's quite lucrative.
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Anyway, someone asked us.
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Yeah, we're asked to do it.
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And we said, yeah.
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And Alan Owen wrote it and we changed it and we're all...
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It's called A Hard Day's Night.
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At your local cinema now.
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Not now.
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Not now.
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Soon.
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Did you prefer this time last year or do you really like the big time?
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I like whatever's happening at the moment.
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Yeah, there's good in both of the stages.
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You know, it was great then.
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It's lovely now.
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Despite whether people are rude or not.
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Oh, I think that.
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What do you think about people who maybe, you know, didn't like you then or said something nice to you or just didn't bother about you then, but are terribly nice to you now?
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We didn't bother about them then.
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We don't bother about them now.
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Do you know something?
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What?
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I believe it.
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Yeah, it's true.
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What difference is there since last June up to now?
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What sort of things have happened to you since then?
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The main difference is that we've got more money and less time to ourselves.
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You know, everything's speeded up and we're just running around like mad.
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And which of the two would you prefer to have?
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More money and less time?
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Well...
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More money and less time.
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I think.
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If you ever manage to get away from the crowds, what sort of things do you like to do?
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Sleep, see films, go to nightclubs, drive my car and that's it.
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Play records, watch TV, just ordinary things.
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What sort of records do you like listening to?
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Listening to all my records are sort of American ones.
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People who you probably haven't heard of.
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Arthur Askey, Bert Whedon.
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Do you find any difficulty in keeping up your public image?
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No.
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What image?
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It's our image is just us.
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You know, as we were.
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We didn't try and make an image.
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It just happened, and so we don't have to keep it up.
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We just remain ourselves.
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Don't we, Ringo?
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Well, we do.
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The other two are worried about it.
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You write very good songs.
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Don't you?
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Thank you.
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do you write songs?
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Well, you know, we just depend, sometimes we write them on old pianos and anything that's lying around, you know, old tramps.
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It doesn't do the piano any good, does it?
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No, it's murder getting them to the recording studio.
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I've got a song, George, on a great big piano.
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But guitars and things, you know, normally we sit down and try and bash one out or anything.
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But then again, there's no formula,
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because he can come up with one one day completely finished we still say we both wrote it though
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when did you start writing songs i was about two i think i wrote past me the bread mother
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no no it's more like when you're about about 13 or 14 when i got a guitar writing them seriously what's the one you wrote down that's me boom
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Well funny songs then.
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Mine was I lost my little girl.
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Did you know each other when you were 13?
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Yeah, that's when we met.
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Really?
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Yeah.
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Tell us about the meeting.
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I was playing at a garden fight in the village where I lived on.
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Playing for what?
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Playing with a group, you know, a skipper group.
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And he came along and we met.
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I knew one of his mates, you know, Ivan, who was a mutual mate.
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Hey!
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mutual mate of ours and he introduced us and things.
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In those days has your...
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Go on.
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In those days has your attitude to fans changed since then?
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No, no, there's just more of them to watch.
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But they all scream when they're listening to you.
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Yeah, but we love that.
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Do you really?
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Yeah, really.
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Because in Edinburgh, you know, I mean, you know, Glasgow tonight.
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Yesterday, last week.
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and I said that, you know, I don't know, I've lost track of time.
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Anyway, the atmosphere in the theatre, it's really, it's marvellous, you know, it must come.
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I will do, I'll try to come.
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Good.
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John, about your book, how did you go about writing this book?
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Well, sort of pen and paper and that.
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In words, too.
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I just sort of wrote it, you know, the hobby.
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Is this a stage that you went through, writing in this sort of gorbled language that you've got out of now, have you?
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No, because a lot of people can't go.
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I was rather more polite or more rude, you know, one extreme to the other.
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To the other, where's he gone?
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Clapses.
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What's the most interesting person that you've ever met?
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I should say, who's the most interesting person you've ever met?
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John Lennon.
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George?
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Um, Harry Seacombe, I think.
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I like him.
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Is that the kind of person that you like?
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Yeah.
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Have you ever been frightened of your fans?
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A time when they've really frightened you?
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Paul's frightened me a few times.
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Only times when getting in and out of places, when there's thousands of them all together, but when you usually only meet about the most six or seven, you know, if you were sort of running along the road,
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and then there's not enough of them then is it to sort of make you fly?
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You don't mind that too much?
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Do you never feel lonely sitting at the back?
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No, no, no, that's where I am, you see.
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The drummer should always be at the back.
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The drummer should be heard and not seen.
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Ringo, how do you feel about sitting playing on stage and being showered with things like jelly babies, boots, girls, things like that?
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Well, I'm lucky being at the back, you know, the other three have it worse than I do.
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Sometimes it's a bit of a drag.
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It's not much fun, actually.
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You know, off your stove.
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Yeah, because if...
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Actually, we've had things hit us in the eye.
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And if you're listening, don't throw them in your eye.
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It's dangerous, you know.
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Bad!
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Hello, boys.
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How are you doing?
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Hello, chaps.
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How are you doing?
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You can get up now.
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I pronounce you man and wait.
📱
Shadowing English
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5.0
この動画でスピーキングを練習する理由
ビートルズのインタビュー動画は、英語スピーキング練習に最適なリソースです。この動画では、著名なバンドのメンバーがカジュアルな会話を通じて、彼らの経験や意見をシェアしています。特に、彼らの自然な会話のスタイルを真似ることで、リスニングスキルを向上させることができます。また、英語のネイティブスピーカーが使用する実際の表現を学ぶことができ、英語の発音を良くするための貴重な機会ともなります。さらに、普段の生活に役立つフレーズや言い回しを学ぶことで、IELTS スピーキング対策にも役立ちます。YouTubeで英語学習を進めながら、ビートルズの魅力的な会話に触れることができるのは大きなメリットです。
文法と表現の分析
このインタビューの中で使用されているいくつかの重要な文法構造や表現を以下に分析します。
- 「I think the main changes are in people's attitudes to you.」 - この文は、自分の意見を述べる際の基本的な構文を示しています。「I think」という表現は、個人の見解を強調するためによく使われます。
- 「We feel exactly the same, really.」 - 「exactly the same」などの表現を使うことで、感情や意見の一致を強調しています。
- 「It's the logical step, isn't it?」 - これは反応を求める疑問文の良い例で、相手に同意を促す効果があります。
- 「We didn't bother about them then.」 - 使われている「bother」という単語が、気にかけるという意味で使われており、カジュアルな会話でよく見られる表現です。
一般的な発音の罠
この動画にはいくつかの発音のトラップがあります。特に注目すべき点は以下の通りです。
- 「would you prefer to have?」 - 「would」の発音に注意が必要で、ネイティブは非常にスムーズに発音します。ここでの発音練習は、英語の流暢さを鍛えるのに役立ちます。
- 「made a film since then」 - 「since」の発音がコツです。特に会話の流れの中で、瞬時に発音できるように繰り返し練習しましょう。
- 「more money and less time」 - ここでは「money」と「time」の強調が重要です。どちらも中間の音節をしっかりと発音することで、より明瞭な英語が話せます。
英語スピーキング練習において、これらのポイントを意識することで、リスニングや発音のスキルを高められます。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。