Pratique du Shadowing: Why Eminem NEVER Feared Diddy - Apprendre l'anglais à l'oral avec la vidéo
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161 phrases
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I had never made a call to Diddy, really.
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Diddy had connections everywhere.
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Politicians, billionaires, superstars, rap legends.
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Even 50 Cent once stood by his side before their paths split and they became enemies.
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But in the entire industry, there was one artist who kept his distance more than anyone else.
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One artist who wanted nothing to do with Diddy's world.
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Not in the 90s, not in the 2000s, not ever.
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And that artist was Eminem.
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The line from Fuel hits incredibly hard, but here's the important part.
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By the time Eminem dropped it, he'd already been throwing jabs and direct shots at Diddy for years.
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When Eminem was just starting his rap career, Diddy was already the most influential businessman in hip -hop.
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His label, Bad Boy Records, was the dream destination for almost any artist, but not for Em.
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Marshall chose a different path, the one he'd always dreamed of, signing with Aftermath Records and working with Dr. Dre.
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And together, they began making history.
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But even when Eminem was still a nobody, he had already taken a shot at Puff.
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It happened in 1996 on the track, Fucking Crazy.
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It was a subtle, early indication that Eminem wasn't afraid to take on industry giants.
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At the same time, Eminem also had tension with another so -called industry giant, Suge Knight.
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He ran Death Row Records, home to legends like Tupac, Snoop Dogg, and Dr. Dre.
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People called him the boogeyman of the hip -hop industry.
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Suge didn't just intimidate, he dominated.
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Known for using fear, violence, and straight -up cruelty, night built his empire by any means necessary
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they was not scared of suge knight they was terrified of suge knight
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but em didn't care about suge's street reputation that became obvious
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when suge knight suddenly showed up with a crew of mexican gangsters on the set of 50 cents in the club video.
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Suge's outside!
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Suge's outside!
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Everybody's like, shit!
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He was running, dropping shit.
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So Suge came, he had some Mexican niggas.
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Now we from New York.
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You ain't never seen a nigga with a tattoo on his forehead.
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The 118th Street crew!
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I'm like, what the fuck?
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But Eminem didn't flinch.
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Instead, he walked right outside to face Suge and his crew.
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This is when I knew Eminem was real.
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He's like, I don't give a fuck, man.
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this is what i knew i'm like damn eminem is a real nigga
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50 niggas outside what's up
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and then the nigga shook just walked away the mexican niggas
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look kind of confused like they didn't know what's going on after
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that m even recorded a diss track aimed at shook
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but it never came out because dre asked him not to saying it wasn't his beef
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but that diss leaked not too long ago
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and it was brutal responsible for the deaths of the two
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greatest rappers to ever grace the face of this planet and
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if eminem was willing to stand up to suge knight
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then why would he be afraid of diddy honestly considering everything puff has done throughout his career
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it's not even clear anymore who is actually more dangerous suge or diddy
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but anyway let's get back to the main topic eminem continued dissing diddy in 2000 on the marshall mathers lp
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if this line wasn't that harsh because you love me
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that y 'all expect
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so much of me you little poopy get off me go puffy
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then this one where m mentions diddy's then girlfriend Jennifer Lopez describing what he would do to her
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if he had the chance was much darker. And then he says,
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I have a son and a new brother at the same time and just say that it ain't mine.
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What's my name?
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Puff never responded to these lines, but I think it's obvious he didn't find them funny at all.
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Overall, despite the bold lyrics, there was no open conflict between Eminem and Diddy in the early 2000s.
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Each of them was busy with their own world.
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Eminem was dropping multi -platinum albums under Dr. Dre's wing,
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while Sean Combs was expanding the bad boy empire and changing stage names from Puff Daddy to P.
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Diddy.
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Their paths barely crossed aside from award shows and industry events where they appeared as superstars.
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Actually, Diddy once handed Eminem a Grammy in 2003 for Best Rap Album.
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to be honest their interaction looked a bit tense and the winner is eminem the eminem show
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eminem the eminem show it's telling
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that diddy himself has always acknowledged eminem's talent in a 2003
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rolling stone interview combs spoke about him with respect placing him among the greatest emcees
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i think eminem's up there with the best of him diddy said in that interview
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He added that, of course, Biggie and Tupac were, quote, a different caliber, but in his view, Eminem was incredible in his own right.
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In other words, Diddy publicly gave Marshall his due.
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Nevertheless, through mutual connections, their stories occasionally crossed paths.
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In the early 2000s, Diddy was interested in the new hot rapper 50
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Cent, but chose not to sign him because of 50s street conflicts with Ja Rule.
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As a result, 50
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Cent soon ended up under Eminem and Dre's wing, which led to tens of millions of records sold.
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So, 50 became a shared point of interest.
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Diddy missed out on an artist that Eminem eventually turned into a superstar.
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Everything then goes quiet for a long time.
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However, in 2015, a documentary
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Murder Rap Inside the Biggie and Tupac Murders is released, in which retired LAPD officer Greg Kading presents his investigation
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and says that it was Diddy who ordered Tupac's murder for $1 million, and that one of the shooters was Keefy D.
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50 Cent immediately picked up this news, claiming that Diddy really was behind Pac's killing.
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I told you, I told you you can't trust these niggas.
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Now, Puffy done killed Tupac, man.
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Eminem followed as well, though a bit later.
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In 2018, Em released a diss on the Machine Gun Kelly Kill Shot,
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where he raps, but in the final line of the track,
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he says, I'm just playing Diddy, you know I love you.
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The reaction came instantly.
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The internet exploded with discussions.
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Fans argued whether Eminem had gone too far.
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Many wondered what if there was a grain of truth in his words.
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After all, he didn't just say it for nothing.
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As Joe Budden said on his podcast, Combs was extremely unhappy when he heard Killshot.
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Puff said it's in his hands and he said I can say it and that's the end of that.
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Have fun with that one.
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He said there's nothing to say about it.
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It's in my hands.
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If in the past Diddy could ignore
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Em's jabs and not react, This time, he couldn't stay calm.
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For Diddy, Tupac is a painful topic.
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He tries in every way to deny any involvement and dodge his questions whenever he can.
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Now, let's talk some hip -hop shit, man.
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I want to talk to Puff right now.
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Yes, yes.
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Now, it was this documentary that claimed, which we know wasn't true.
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Yeah, yeah, we don't talk about things that are nonsense.
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We don't even entertain nonsense, my brother
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so we're not even gonna even go there with all due respect
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but i appreciate you as a journalist asking all right thank you
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and i say later when eminem discussed the mgk beef in an interview he hinted that he
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and diddy have nothing in common not even each other's numbers
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i never made a fucking made a call to diddy really
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i got diddy's number just hit him up yo diddy what up never happened.
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And it would seem that after 2018 Eminem and Diddy would stay far away from each other.
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But just a couple of years later their names appeared together again.
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In 2020 Eminem released music to be murdered by and in the hit track Godzilla he briefly mentions Diddy.
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But the piece didn't last long.
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June 2020 was marked by a small scandal.
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An unreleased him an inverse leaked online recorded the year before
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for the remix of conway the machine's bank in this original
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version of the verse marshall outright dissed diddy's media company revolt
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tv telling them off in a very direct way shout the puffy carls
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but revolt less than a day later marshall apologized he quickly posted a statement on twitter explaining
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that the harsh verse was recorded in the heat of the moment
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but he never intended to release it and that he respects revolt
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But the most dramatic chapter of the story unfolded only recently.
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The fall of 2023 brought Diddy a series of serious troubles.
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Several women filed accusations of sexual assault and abuse against him.
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The biggest news was the lawsuit from Cassie, Diddy's longtime former girlfriend, who described in detail years of mistreatment,
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beatings, and forced sexual action.
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And then, Keefy D was arrested for going on YouTube channels and openly talking about his friendship with Diddy. and help.
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Puff supposedly asked him to help kill
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Pac, a murder he claimed to have been involved in.
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Sure just ducked his head, and the first bullet went in his head, and the next one's hit him.
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It was like he was doing a break dance trying to jump in the back seat or something.
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And on this wave, Eminem released the album
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The Death of Slim Shady, where he goes after Diddy harder than ever before.
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In Bad One, he raps about the so -called Diddy parties, And me offering yous nothing new, it's what I love to do.
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This is subterfuge, just to screw with you.
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And yeah, this much is true.
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In the track Antichrist, Marshall recalls the horrifying video where Diddy is seen beating his ex -girlfriend Cassie.
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But the harshest lines about Diddy come from the track Fuel.
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So basically R -A -P -P -E -R, spelled without a P, spells raper or rapist, and the S -A's, short for sexual assaults.
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And after that he continues, R -I -P, rest in peace Biggie.
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And Pac, both of y 'all should be living, but I ain't trying to beef with him,
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because he might put a hit on me like Keefy D get him.
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What's most interesting is that in the remix of Fuel, he continues the topic of Diddy's alleged involvement in the murders of Pac and Biggie.
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He says that the murder of Biggie Smalls was simply the domino effect of Tupac's murder.
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I think after everything Eminem said about Diddy on this album, they're definitely not friends.
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Eminem will stand on 50
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Cent's side, which means he's never going to associate with Diddy.
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And Diddy, too, is taking this seriously.
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After 50 Cent's documentary, he even sent 50 funeral flowers.
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So it's entirely possible he's holding a grudge against Eminem as well.
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All of this shows that Eminem has never been afraid of anyone, whether it was Suge Knight or Diddy.
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The next video I recommend watching is why Diddy is accused of ordering Tupac's murder.
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Leave a like, subscribe to the channel, and see you soon!
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Vocabulaire et conseils d’expression pour cette leçon
Cette leçon d’expression orale s’appuie sur la vidéo « Why Eminem NEVER Feared Diddy ». Les mots qui reviennent le plus souvent : diddy, eminem, suge, murder, puff. Cette vidéo contient 161 phrases et 1854 mots à répéter en shadowing. La partie parlée dure 12:20. Le locuteur parle à un rythme naturel d’environ 150 mots par minute, proche d’une conversation courante. Seuls 75 % des mots font partie des 3 000 mots les plus courants en anglais, le vocabulaire est donc exigeant.
Vocabulaire clé de cette vidéo
15 mots de la vidéo à retenir, avec leur prononciation et leur sens :
| Mot | Prononciation | Sens |
|---|---|---|
| puff nom | /pʌf/ | souffle |
| knight nom | /ˈnaɪ̯t/ | chevalier |
| topic nom | /ˈtɑpɪk/ | sujet, thème |
| documentary nom | /ˌdɒk.jʊˈmɛn.tɹi/ | documentaire, film documentaire |
| harsh adjectif | /ˈhɑɹʃ/ | sévère, rude |
| superstar nom | /ˈsuː.pəˌstɑː/ | superstar |
| revolt nom | /ɹɪˈvoʊlt/ | révolte |
| comb nom | /koʊm/ | peigne |
| assault nom | /əˈsɔlt/ | assaut, agression |
| legend nom | /ˈlɛd͡ʒ.ənd/ | légende |
| spell nom | /spɛl/ | charme, maléfice |
| shake verbe | /ˈʃeɪk/ | secouer, agiter |
| involvement nom | /ɪnˈvɑlv.mənt/ | implication |
| nonsense nom | /ˈnɒn.səns/ | bêtise, absurdité |
| verse nom | /ˈvɝs/ | vers |
Les verbes à particule que vous entendrez
| Mot | Prononciation | Sens |
|---|---|---|
| come out verbe | /ˌkʌm ˈaʊt/ | sortir |
| end up verbe | se terminer, se finir | |
| get off verbe | descendre, faire descendre | |
| pick up verbe | soulever | |
| stand up to verbe | tenir tête |
La grammaire de cette vidéo
Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :
| Structure | Dans la vidéo |
|---|---|
| Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait | is released · be murdered · was marked |
| Present perfect have/has + participe passé — une action passée qui compte encore maintenant | has done · has always acknowledged · has never been |
Prononciation à surveiller
Le locuteur utilise 27 contractions et formes réduites, comme didn't, wasn't, ain't. Prononcez-les sous leur forme courte, telles que vous les entendez.
- Les sons « sh » et « zh »: harsh /ˈhɑɹʃ/, shake /ˈʃeɪk/, reputation /ˌɹɛpjʊˈteɪʃən/, associate /əˈsoʊʃi.ət/, friendship /ˈfɹɛn(d)ʃɪp/
- Mots longs — placez bien l’accent: documentary /ˌdɒk.jʊˈmɛn.tɹi/, reputation /ˌɹɛpjʊˈteɪʃən/, associate /əˈsoʊʃi.ət/, occasionally /əˈkeɪʒənəli/, incredibly /ɪŋˈkɹɛdɪbli/
Les sons difficiles pour les francophones :
- /h/ — il se souffle, il n’est pas muet: harsh /ˈhɑɹʃ/, hint /hɪnt/, unhappy /ʌnˈhæpi/, forehead /ˈfɔɹ.hɛd/, horrify /ˈhɒɹɪfaɪ/
- /tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: legend /ˈlɛd͡ʒ.ənd/, journalist /ˈd͡ʒɝnəlɪst/, mutual /ˈmjuːt͡ʃuəl/, acknowledge /əkˈnɑ.lɪd͡ʒ/, apologize /əˈpɑləˌd͡ʒaɪz/
- /r/ anglais — langue recourbée, sans frotter la gorge: documentary /ˌdɒk.jʊˈmɛn.tɹi/, harsh /ˈhɑɹʃ/, revolt /ɹɪˈvoʊlt/, rap /ɹæp/, remix /ˈɹiːˌmɪks/
Comment s’entraîner avec cette vidéo
- Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
- Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
- Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme puff, knight, topic.
Qu'est-ce que la technique du Shadowing ?
Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.