Pratique du Shadowing: Why humans need fiction, according to neuroscience - Apprendre l'anglais à l'oral avec YouTube

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The behavior comes out.
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39 phrases
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The behavior comes out.
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And then there's this little narrator up there that turns it into a story that makes us feel coherent and unified.
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Turns out it's a thing in the left hemisphere that does this and we called it the interpreter.
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Consciousness is not a linear flow of what's happening around us, but sort of a convenient narrative of what's happening around us, created for our viewing pleasure by the unconscious brain.
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It's a very powerful force in the human condition, and it's always trying to figure out and seek explanations for our behavior.
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In my early part of my career, I studied patients who had their two brains disconnected, working out the functions of each hemisphere.
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Test results show that speech is localized in only one half brain.
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Doctor Gazzaniga now reconstructs the test.
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We would put a question to the right non-speaking hemisphere, and it, in effect, would direct the left hand to do something.
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So the patient would do that. - And Joe sees two words simultaneously.
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Bell goes to his non-speaking right brain — Music to his speaking left brain.
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When asked to point to a picture of what he saw, he chooses Bell.
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And then we would simply say to the patient, well, why did you do that?
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We found out that in the left brain, there's a special system that seems to always want to explain actions and moods that we have after they occurred.
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Why do you pick that one?
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Music. - Music?
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There was music and bell.
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And it was a few minutes ago.
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The last time I heard any music was coming from the bells out here.
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Banging away.
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So the bells outside here.
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What's extraordinary is that Joe's speaking left brain concocts a plausible story of why he pointed to Bell, even when some of the other pictures more obviously represent music.
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We're learning and appreciating the ways in which we produce our perception, our cognition and our consciousness and all the rest of it.
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There's evidence that consciousness is not really what it seems to be.
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We feel our subjective experiences unfolding in the world around us in sort of this linear narrative in which B follows A, in which C follows B and D follows C, but in reality it seems that our conscious narrative might not be that linear.
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If you think of something like speech, you're probably not aware of my speech in a syllable-by-syllable, word-by-word manner.
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So, for example, the word mouse could mean a rodent, or it could be the mouse pad of a computer.
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Well if I say, "The mouse pad was beside the computer," in that case, the mouse can only be understood as a mouse pad.
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So it seems to be this chunking that happens, in which your unconscious mind reaches a point of analysis by sampling everything that's happening around it to deliver something a nice narrative of the world around us into our conscious mind.
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I think the human as a storytelling animal, as some people put it, is because the system is continually trying to keep the story coherent, even though these actions may be coming from processors going on outside of, initially, of conscious awareness.
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It's one of the reasons why people are different too, because people have different experiences, so they have different things they're trying to explain.
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So your experiences are different than my experiences and so your storyline, and we may start off with the same interpreter, but because all your experiences are different, your actual environmental experience, your temperament differences and all the rest of it, that's going to color everything in a little different way and this interpreter is going to make up a different story about it.
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Why does the human always seem to like fiction?
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Could it be that that prepares us for unexpected things that happen in our life?
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because we've already thought about them in our fantasy world, saw how those characters acted, and so then when we're confronted with it, we're writing it.
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We've sort of lived through that movie, as it were.
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So why do we like that stuff?
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Well, maybe that's a reason why we like it.
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And to think of all of those things, it seems to me, just to make it all richer, a richer experience.

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Why practice speaking with this video?

Engaging with the video titled "Why humans need fiction, according to neuroscience" offers a unique opportunity to improve your English speaking skills through an intriguing subject matter. The content not only stimulates your mind, making it enjoyable to practice speaking, but it also invites conversation about complex topics like consciousness and storytelling. Utilizing the shadowing technique, you can enhance your pronunciation and rhythm by mimicking the speaker's intonation and pace. This method is beneficial because it helps you internalize the language patterns the speaker uses, leading to a more natural flow in your own speech. As you practice, think about how the insights shared can be integrated into your narratives, enriching your daily conversations and enhancing your ability to express complex ideas clearly.

Grammar & Expressions in Context

In this video, the speaker employs several compelling grammar structures and expressions that can serve as valuable learning tools:

  • Conditional phrases: Phrases like "If you think of something like speech," demonstrate how to create hypothetical situations, essential for discussing varied perspectives.
  • Complex sentences: The speaker states, "It seems our conscious narrative might not be that linear." This structure shows how to articulate nuanced thoughts and emphasizes the importance of understanding cause and effect in storytelling.
  • Descriptive language: Expressions like "convenient narrative" and "rich experience" allow learners to see how adjectives enhance ideas, making your speech more vivid and engaging.
  • Direct speech: Utilizing phrases like “we found out that” can guide you on how to share findings or insights effectively during discussions.

Common Pronunciation Traps

As learners practice using the shadowing technique with this video, they may encounter specific pronunciation challenges:

  • Consciousness: This word can trip up learners; focus on the syllable breaks to pronounce it as "con-scious-ness."
  • Interpreter: Watch out for the emphasis on the second syllable: “in-TER-pre-ter.” Practice stressing the right parts to improve clarity.
  • Explanations: Pronounce “ex-plan-a-tions” clearly, noting the emphasis that helps differentiate similar-sounding words.
  • Behavior: The American pronunciation sounds like “be-HAY-vior,” where the emphasis on the second syllable can often be overlooked.

By focusing on these pronunciation traps, English learners can refine their speaking skills, making conversations more fluid and understandable. Don’t forget to leverage this video and other valuable resources to learn English with YouTube, making language acquisition an engaging adventure!

Qu'est-ce que la technique du Shadowing ?

Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.

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