쉐도잉 연습: Why humans need fiction, according to neuroscience - YouTube로 영어 말하기 배우기

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The behavior comes out.
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The behavior comes out.
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And then there's this little narrator up there that turns it into a story that makes us feel coherent and unified.
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Turns out it's a thing in the left hemisphere that does this and we called it the interpreter.
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Consciousness is not a linear flow of what's happening around us, but sort of a convenient narrative of what's happening around us, created for our viewing pleasure by the unconscious brain.
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It's a very powerful force in the human condition, and it's always trying to figure out and seek explanations for our behavior.
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In my early part of my career, I studied patients who had their two brains disconnected, working out the functions of each hemisphere.
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Test results show that speech is localized in only one half brain.
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Doctor Gazzaniga now reconstructs the test.
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We would put a question to the right non-speaking hemisphere, and it, in effect, would direct the left hand to do something.
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So the patient would do that. - And Joe sees two words simultaneously.
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Bell goes to his non-speaking right brain — Music to his speaking left brain.
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When asked to point to a picture of what he saw, he chooses Bell.
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And then we would simply say to the patient, well, why did you do that?
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We found out that in the left brain, there's a special system that seems to always want to explain actions and moods that we have after they occurred.
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Why do you pick that one?
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Music. - Music?
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There was music and bell.
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And it was a few minutes ago.
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The last time I heard any music was coming from the bells out here.
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Banging away.
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So the bells outside here.
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What's extraordinary is that Joe's speaking left brain concocts a plausible story of why he pointed to Bell, even when some of the other pictures more obviously represent music.
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We're learning and appreciating the ways in which we produce our perception, our cognition and our consciousness and all the rest of it.
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There's evidence that consciousness is not really what it seems to be.
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We feel our subjective experiences unfolding in the world around us in sort of this linear narrative in which B follows A, in which C follows B and D follows C, but in reality it seems that our conscious narrative might not be that linear.
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If you think of something like speech, you're probably not aware of my speech in a syllable-by-syllable, word-by-word manner.
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So, for example, the word mouse could mean a rodent, or it could be the mouse pad of a computer.
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Well if I say, "The mouse pad was beside the computer," in that case, the mouse can only be understood as a mouse pad.
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So it seems to be this chunking that happens, in which your unconscious mind reaches a point of analysis by sampling everything that's happening around it to deliver something a nice narrative of the world around us into our conscious mind.
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I think the human as a storytelling animal, as some people put it, is because the system is continually trying to keep the story coherent, even though these actions may be coming from processors going on outside of, initially, of conscious awareness.
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It's one of the reasons why people are different too, because people have different experiences, so they have different things they're trying to explain.
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So your experiences are different than my experiences and so your storyline, and we may start off with the same interpreter, but because all your experiences are different, your actual environmental experience, your temperament differences and all the rest of it, that's going to color everything in a little different way and this interpreter is going to make up a different story about it.
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Why does the human always seem to like fiction?
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Could it be that that prepares us for unexpected things that happen in our life?
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because we've already thought about them in our fantasy world, saw how those characters acted, and so then when we're confronted with it, we're writing it.
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We've sort of lived through that movie, as it were.
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So why do we like that stuff?
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Well, maybe that's a reason why we like it.
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And to think of all of those things, it seems to me, just to make it all richer, a richer experience.

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왜 이 비디오로 말하기 연습을 해야 할까요?

이 비디오는 뇌과학을 바탕으로 허구의 필요성에 대해 다루고 있습니다. 이 주제를 통해 영어 회화 연습을 하는 데 많은 도움을 받을 수 있습니다. 특히, 비디오의 내용은 우리가 일상에서 경험하는 다양한 상황과 의사소통을 이해하는 데 큰 도움이 됩니다. 허구의 이야기를 통해 복잡한 감정과 행동을 탐구하는 과정은 실생활에서의 대화에도 적용될 수 있습니다. 이처럼 풍부한 주제를 바탕으로 shadow speech를 활용하여 반복적으로 말하기 연습을 함으로써 보다 자연스러운 회화 능력을 기를 수 있을 것입니다.

문맥 속의 문법 및 표현

  • “How about…?” - 대화에서 제안을 할 때 유용하게 쓰이는 표현입니다. 예를 들어, “How about going to the movies?”와 같이 사용할 수 있습니다.
  • “It seems that…” - 의견이나 추론을 표현할 때 사용합니다. “It seems that he is not interested”와 같은 문장으로 활용 가능합니다.
  • “Because…” - 이유를 설명할 때 매우 유용한 연결어입니다. “I enjoy fiction because it helps me understand human behavior.”와 같은 응용이 가능합니다.

이러한 표현을 연습하면 IELTS 스피킹 준비에도 큰 도움이 됩니다.

발음의 일반적인 함정

비디오에서 등장하는 몇 가지 어려운 발음 단어나 억양을 살펴보겠습니다. “coherent”와 “narrative”는 발음이 tricky할 수 있습니다. 특히 “narrative”는 강세를 잘못 놓기 쉬우므로 주의가 필요합니다. 이러한 단어를 반복적으로 연습하면 영어 회화 연습하는 데에 도움이 됩니다. 또한, 언어의 억양을 잘 인지하는 것이 쉬운 발음으로 이어질 수 있습니다.

이러한 요소들을 통해 학습자는 보다 효과적인 shadowspeak 연습을 할 수 있으며, 자연스러운 대화 능력을 기르는데 기여할 것입니다.

쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법

쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.

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