Pratica di Shadowing: Columbo Bluffs the Murderer | Columbo - Impara a parlare inglese con i video

Creazione lezione...
1
Where the devil is...
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Columbo.
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Why, Mr. Dirk?
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Miss Stanhope?
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Mr. Frame?
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Oh, and Lieutenant.
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You're beginning to look exactly like a Londoner.
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Oh, you mean this?
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No, no, no, ma'am.
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No, I just bought this.
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You see, ever since I've been in London, I've been thinking and thinking what would be the best souvenir to bring back to Los Angeles.
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I thought you'd be on your way back home by now.
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Right, but I sort of missed the plane.
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Anyway, it suddenly struck me an umbrella.
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Mr. Jones, did someone ask you to invite us here?
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What are those curtains doing there?
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I thought we were going to get to see an exhibit.
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Jones?
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Oh, yes.
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Yes, I'm dying to see it.
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After all that silly business we had modeling for it, There you are, sir.
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Quite remarkable.
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Yes, it is.
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Do I really look like that?
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Marvelous.
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Let me tell you, I don't want to repeat myself, but the other night when I saw that performance that you two...
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Dirk, will you please explain what we're doing here?
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Why don't you ask the tour guide?
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Well, what about the other one?
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Isn't Mr. Havisham ready?
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Oh, yes, yes.
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I'm sure you want to see this too as part of the exhibit.
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Look at that.
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Boy, isn't that something?
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Of course, I didn't know him the way you folks did.
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I guess you were closer to him than anybody.
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Poor Roger.
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Kind of shakes you, doesn't it?
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Do you know they have stuff in the chamber of Horace here that actually makes my skin crawl?
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I think it's disgusting.
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Putting him on display.
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Listen, I know how you must feel.
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And I sympathize with you.
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But you know somebody's been murdered?
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And you know what they tell me?
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They tell me folks around here they kind of enjoy that sort of thing.
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You want to bet they hang up a figure of Mr. Tanner, too?
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Most people, Columbo, have frightful taste, yourself included.
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I don't have to excuse us.
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Come along, Lilly.
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Not just yet, sir.
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Well, if you think we're going to play some sort of charade with this ridiculous...
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Mr. Frame, I'm always getting you angry.
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I'm sorry about that.
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It must be my accent or something.
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But I wanted you here because I wanted you to help me prove something.
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Um, I think I'll get rid of this.
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I don't think Mr. Tanner killed anybody like the newspapers are saying.
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I think it was you.
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Oh, Lieutenant, just when I was beginning to like you.
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This is going to sound silly, but Sir Roger, he was killed someplace else, and his body was moved later on,
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and if I can only prove where it was that he drove that night, prove who it was that he went to see,
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then everything will start falling into place.
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Well, he did not come to see us.
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Now, how many times...
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No, sir, not to your dressing room in the theater.
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It was to yours.
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That's where the umbrellas come in.
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I guess umbrellas are the kind of thing that I can understand.
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You know, I've been watching people to see what they do with umbrellas when they come in out of the rain.
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They close the umbrella.
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They give it a shake like this.
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And they find someplace to lean it against.
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But they never fasten this strap because then it won't dry properly.
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Fascinating.
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There's only one problem with that.
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Sometimes things drop in.
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Almost anything can drop in.
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So I got to thinking, if maybe that's what Sir Roger did with his umbrella, and something dropped into it that night,
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Well, then maybe, uh, got these things here somewhere.
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Just give me a moment, won't you?
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Oh, forgive me.
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Amazing likeness, isn't it? Where was I?
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Oh, yes.
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Uh, ma'am, the other night I stepped on a pearl in your dressing room.
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I have some more just like it.
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I got it from your costumer.
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She says she makes them.
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Oh, yes.
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Well, maybe.
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If the necklace was broken in the fight, like you said.
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But, but, that, that was Nicky and I.
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Uh, Jones, bring us that umbrella, would you?
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Oh, yes.
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Yes.
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Well, there's a chance.
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There's a pretty good chance that if the fight was with Sir Roger...
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No, no, it wasn't.
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Well, there's no point speculating.
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Mr. Jones, could we move back just a little, give the gentleman room?
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Mr. Jones, would you open the umbrella, sir?
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Why, it's the same.
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Exactly the same.
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Well, ma'am?
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Sir?
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Sir.
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Sir.
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Tomorrow.
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Tomorrow.. and tomorrow...
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Mickey, stop it!
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He put it there!
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Can't you see before we came?
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He put it there!
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Jones, has anybody but you touched that umbrella?
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No, sir.
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I'll testify to that.
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Then he must have done it when we weren't looking.
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Oh, Mickey, please!
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.. have lighted tools!
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He was mad, don't you see?
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He didn't know what he was doing!
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I know he didn't.
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And Sir Roger, that was my fault.
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I understand.
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It was in Amsterdam.
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I swear it.
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Mr. Strutzen...
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Oh, Mr. Jones.
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It was his hour.
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Don't be too hard on me.
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You must try to understand.
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Yes, well, I think we can settle all this at the yard.
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Smythe, will, you take over, eh?
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Very good, sir. And Fiore.
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Tomorrow. And tomorrow.
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Thank you, Mr. Jones.
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Now I believe you can replace the umbrella and open your doors.
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Anything from the yard, Mr. Dirk.
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It's been very interesting.
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Ah, bit of luck, eh?
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Hmm?
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How did you know that bead was in there?
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Oh, just the odds.
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The odds were very poor, and you know it.
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Come now, you can do better than that.
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Off the record, eh?
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Well, Mr. Dirk, when you were maybe in the third or fourth grade...
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...and there was a pretty redheaded girl in the front row...
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...and you couldn't get her attention...
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Um...
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Well, go on.
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Just a little trick I learned.
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Excuse me.
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Throat.
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Amazing likeness.
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Bye, Jeff.
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Just one more thing.

Informazioni su questa Lezione

In questa lezione, gli studenti avranno l'opportunità di immergersi in un dialogo intrigante tratto dalla serie "Columbo". Praticando con questa conversazione, gli studenti non solo miglioreranno la loro comprensione orale, ma apprenderanno anche a utilizzare espressioni colloquiali tipiche della lingua inglese. Inoltre, il dialogo offre un perfetto contesto per imparare a esprimere emozioni e reazioni, aiutando a sviluppare le abilità necessarie per una pratica di conversazione in inglese più naturale.

Vocabolario e Frasi Chiave

  • Where the devil is... - Dove diavolo è...
  • You're beginning to look exactly like a Londoner. - Cominci a sembrare esattamente come un londinese.
  • What would be the best souvenir to bring back? - Quale sarebbe il miglior souvenir da riportare?
  • After all that silly business. - Dopo tutte quelle sciocchezze.
  • Isn't that something? - Non è qualcosa?
  • It makes my skin crawl. - Mi fa venire la pelle d'oca.
  • I sympathize with you. - Ti comprendo.
  • They kind of enjoy that sort of thing. - A loro piace un po' quel genere di cose.

Consigli per la Pratica

Per ottenere il massimo da questa lezione, suggeriamo di utilizzare una tecnica chiamata shadow speech. Mentre guardi il video, cerca di ripetere immediatamente ciò che senti, mantenendo il ritmo e il tono dei parlanti. La velocità del dialogo in questo episodio di "Columbo" è moderata, il che la rende ideale per la pratica. Presta attenzione alle intonazioni e alle pause; questo ti aiuterà a migliorare la tua pronuncia e fluidità nella lingua inglese.

Inizia con brevi frasi, quindi aumenta gradualmente la lunghezza delle tue ripetizioni. Utilizzare shadowspeaks ti permette di affinare le tue capacità di ascolto e produzione orale, mentre pratichi conversazioni più complesse. Ricorda che il segreto è la costanza: dedica ogni giorno del tempo alla tua pratica di conversazione in inglese, e vedrai tangibili miglioramenti.

Infine, non dimenticare di divertirti mentre impari l'inglese con YouTube; ogni video offre una nuova opportunità di apprendimento e scoperta.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.