Pratica di Shadowing: Death Note but it's L's best moments part 1 - Impara a parlare inglese con i video

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187 frasi
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1
Greetings to all of you at the ICP -O.
2
I am out.
3
What's wrong?
4
You got nothing else to say?
5
I had to test this just in case, but I never thought it would actually happen.
6
Kira, it seems you can kill people without having to be there in person.
7
I wouldn't have believed it if I hadn't just witnessed it.
8
Listen to me, Kira.
9
If you did indeed kill Lindell Taylor, the man who you just saw die on television, I should tell you that he was an inmate whose execution was scheduled for today.
10
That was not me.
11
What?
12
The police arrested him in absolute secrecy, so you wouldn't have heard about him on TV or through the internet.
13
It appears that not even you have access to information about these types of criminals.
14
But I assure you, L is real.
15
I do exist.
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Now, try to kill me.
17
Well, Kira, it seems that you can't kill me after all.
18
So there are some people you can't kill.
19
You've given me a useful hint.
20
Let me return the favor.
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I'll tell you something that I think you'll find interesting.
22
Although this was announced as a worldwide broadcast, the truth is, we are only broadcasting in the Kanto region of Japan.
23
I had planned to broadcast this message around the world until we found you, but it looks like that won't be necessary.
24
I now know where you are.
25
This L guy is pretty good.
26
Kira, it seems we're getting closer to each other in equal steps.
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It's only a matter of time before we collide.
28
So be it.
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I'm ready to show my face.
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I'll make my first public appearance as L.
31
If you ever managed to find out about these secret meetings, I'm sure you'd feel compelled to move in.
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That's what I'm counting on.
33
Oh, mama.
34
Huh?
35
Huh?
36
IML This is him?
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Hmm.
38
He's nothing like I thought he'd be.
39
Huh?
40
Hmm.
41
I'm Yagami, of the NPA.
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Uh, Matsuda.
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I'm Aizawa.
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Mugi.
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Yukita.
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I'm very sorry we're late.
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Currently, the five of us are...
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Bang!
49
What the hell was that?
50
If I were Kira, you'd be dead, Mr. Soichiro Yaganichi of the NPA.
51
Kira needs a face and a name in order to commit murder, but I'm sure you've already figured that much out, haven't you?
52
Please do not give out your name so carelessly.
53
Instead, let's value our lives.
54
Kira is childish and he hates losing.
55
But how do you.. just what do you mean?
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Well, I'm also childish and I hate to lose.
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That's how I know.
58
Actually, Ryuzaki, I do have one question for you.
59
And it pertains to what you said to us earlier about how you hate to lose.
60
Does the fact that you've shown us your face mean that you've lost?
61
By just being here, are you admitting defeat to Kira?
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That's right.
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By showing my face to you now and by sacrificing the lives of 12 FBI agents, I have lost the battle.
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But I'm not going to lose the war.
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This is the first time I've ever put my life on the line.
66
I want to show Kira that we're all willing to risk our lives if that's what it takes.
67
And that justice will prevail no matter what.
68
Mr. Matsuda, it's okay for you to turn on your cell phone now.
69
Actually, please turn it on right away.
70
Sure.
71
Yes, this is Suzuki, head of Kira's Investigation Public Information Division.
72
Ray Pember's fiancée.
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Naomi Misora.
74
I've heard that name before. So it's her.
75
She's from the Los Angeles baby murder case.
76
That's right.
77
She was working under me.
78
I guess she must have come to Japan with her fiancée.
79
Everyone, at this point I'd like to focus our investigation on only those people who Ray Pember was tailing.
80
In particular, he was assigned to two police officers and those closest to him.
81
Very well.
82
Who are these two individuals he was investigating?
83
Deputy Director Kitamura, along with Detective Superintendent Yagami and their families.
84
At this stage, I'd like to place wiretaps and surveillance cameras in both households.
85
I don't believe it.
86
I never knew he went to such great lengths.
87
What could he be hiding in there that he doesn't want anyone else to see?
88
For a 17 -year -old kid, I wouldn't say this kind of behavior is particularly abnormal.
89
When I was his age, I did strange things, too.
90
I can't believe my son is looking at those magazines.
91
It's normal for a 17 -year -old.
92
But it seems contrived.
93
It's too obvious.
94
The only reason he didn't want anyone in his room was because he had his magazine.
95
That's what he wants us to think.
96
Hey, that's my son you're talking about.
97
Are you honestly telling me that you suspect him?
98
I do suspect him.
99
That's why I placed wiretaps and surveillance cameras in your house and the deputy director's house.
100
So, something tells me I'm not wrong to suspect you.
101
But you're just too perfect.
102
If you are Kira, I can't think of anything that would put more pressure on you than this little scenario.
103
This is just a friendly game of tennis, nothing more in and of itself.
104
It won't determine if light is Kira.
105
But I know Kira hates to lose.
106
You humored me with a tennis match.
107
The least I can do is answer some of your questions.
108
But before this conversation goes any further, there's something I must tell you.
109
What's that?
110
I suspect that you, Light Yagami, are in fact Kira.
111
Now, if you still want to ask me something, then please go ahead.
112
Thanks for showing me this place.
113
I can see why you like it.
114
Not to mention we're so out of the way here.
115
No one's going to give you a hard time about the way you sit.
116
I don't sit like this because I want to.
117
I have to sit like this.
118
You see, if I were to sit normally, my deductive skills would immediately be reduced by roughly 40%.
119
But it's a bit of a double -edged sword.
120
The more impressive my answer is, the more of a suspect I become.
121
Yes, it's about 3 % now.
122
However, it's made me that much more determined to work with you on this investigation.
123
You see, I'm in a position where even if you are Kira, it would still be to my benefit to have you working alongside us.
124
You sure talk a lot, don't you, Light?
125
Typical for someone who hates losing.
126
I think that's 7%.
127
Could it really be him?
128
This doesn't seem like an act to me.
129
Or if it is, it's too cheesy.
130
Well, we still have three days before it happens.
131
Maybe we can find some countermeasure.
132
After all this, it would really annoy me.
133
If I'm killed by the first person to jump on the Kuro bandwagon...
134
Ryuzaki, what do you mean by that?
135
That there's a strong possibility that this Kira's a fake.
136
No, we should think of him more as a second Kira.
137
Ryuzaki, if you had to put a number on it, what's the probability of a second Kira?
138
This time I'd say it's more than 70%.
139
I really don't like the way he operates.
140
It's not like Kira.
141
Not like him?
142
In the past, he has traditionally avoided killing innocent people, with the exception of those who were trying to catch him.
143
Anyway, if we can capture one Kira, I think that will provide us with a lot of insight into how we can find the other one.
144
Mr. Yagami, I'd like your permission to ask your son to cooperate with us on this investigation.
145
It's decided then.
146
First, we must focus on stopping this copycat.
147
From what we've seen, he sympathizes with the real Kira, but clearly lacks his sophistication.
148
I think he might even be willing to obey the original.
149
If so, we could lure him into a trap by sending our own message from the real Kira.
150
I guess I shouldn't be surprised.
151
You literally took the words right out of my mouth.
152
Oh, and Light, I would like you to play the part of the real Kira.
153
Huh?
154
Me as Kira?
155
Yes, you're the only one I can think of who'd be able to pull something like this off.
156
At any rate, we don't have time to waste.
157
Do you think you could script a message from Kira in time for it to be aired on this evening's national news?
158
Please tell me how I can meet you without the police knowing.
159
You'll think of something.
160
And when we meet, we can confirm our identities by showing our Shinigami to each other.
161
Shinigami?
162
He's a liability.
163
If I don't do something about him quickly...
164
A -A -A -A -A -A -A -A -A -A -A
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-A -A -A -A -A -A
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-A -A -A -A -A -A -A obvious.
175
If there's a message here written in some code that only people who have this Shinigami power can understand, there'd be no way for me to decipher it.
176
Still, it would only make sense for us to look into all of the places that were mentioned in the journal.
177
Twenty -second, he's meeting a friend in Aoyama.
178
Twenty -fourth, meeting another friend in Shibuya.
179
We have to be prepared for the possibility that all of our efforts will be fruitless.
180
Let's keep an eye out for people with notebooks in Aoyama, and people in clothing stores in Shibuya.
181
Yes?
182
It's Ryozaki.
183
When you two are working together, I want you to keep a close eye on light the entire time.
184
And please keep this between you and me.
185
Uh, sure.
186
Yeah, I understand.
187
Mm -hmm.

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Vocabolario e note di pronuncia per questa lezione

Questo video contiene 187 frasi e 1715 parole da ripetere con lo shadowing. Il parlato dura 10:31. Chi parla ha un ritmo naturale di circa 163 parole al minuto, vicino a una conversazione quotidiana. Solo il 78% delle parole rientra nelle 3.000 più comuni dell’inglese, quindi il lessico è impegnativo.

Vocaboli chiave di questo video

15 parole del video che vale la pena imparare, con pronuncia e significato:

ParolaPronunciaSignificato
broadcast sostantivo/ˈbɹɔːd(ˌ)kɑːst/trasmissione, emissione
tennis sostantivo/ˈtɛnɪs/tennis
surveillance sostantivo/sɚˈveɪ.ləns/sorveglianza
childish aggettivo/ˈt͡ʃaɪldɪʃ/infantile, bambinesco
clothing sostantivo/ˈkloʊðɪŋ/abbigliamento, vestiti
household aggettivo/ˈhaʊshoʊld/domestico, casalinghi
impressive aggettivo/ɪmˈpɹɛsɪv/impressionante, spettacolare
alongside/əˌlɔŋˈsaɪd/a fianco, congiuntamente
innocent aggettivo/ˈɪnəsənt/innocente
capture verbo/ˈkæp.(t)ʃɚ/catturare, riprendere
skill sostantivo/skɪl/abilità, capacità
confirm verbo/kənˈfɝm/cresimare
sword sostantivo/soɹd/spada, brando
roughly avverbio/ˈɹʌf.li/aprprossimativamente, a grosso modo
script sostantivo/skɹɪpt/scritto

I phrasal verb che sentirai

ParolaPronunciaSignificato
go ahead verbo/ˌɡoʊ əˈhɛd/procedere, andare avanti

La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

StrutturaNel video
Frasi condizionali if + frase, will/would + verbo — una condizione e il suo risultatoIf I were Kira, you'd be · if you are Kira, it would still
Present perfect have/has + participio passato — un’azione passata che conta ancora adessoYou've given · you've already figured · you've shown
Forma passiva be + participio passato — conta ciò che accade, non chi lo fawas scheduled · was announced · was assigned
Frasi relative who / which + frase — un’informazione in più su una persona o una cosaman who you · people who Ray · someone who hates

Pronuncia a cui fare attenzione

Chi parla usa 60 contrazioni e forme ridotte, come I'm, don't, can't. Pronunciale nella forma breve, così come le senti.

  • I suoni “sh” e “zh”: childish /ˈt͡ʃaɪldɪʃ/, capture /ˈkæp.(t)ʃɚ/, exception /əkˈsɛpʃən/, execution /ˌɛk.sɪˈkjuː.ʃən/, assure /əˈʃʊɹ/
  • Parole lunghe — attenzione all’accento: investigate /ɪnˈvɛs.tə.ɡeɪt/, execution /ˌɛk.sɪˈkjuː.ʃən/, liability /laɪəˈbɪlɪti/, traditionally /tɹəˈdɪʃ.ə.nə.li/, probability /ˌpɹɑ.bəˈbɪl.ə.ti/

Come esercitarsi con questo video

  1. Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
  2. Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
  3. Registrati e confronta con l’originale, facendo attenzione a parole come broadcast, tennis, surveillance.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

Tecnica dello shadowing: leggi la guida completa passo dopo passo →