Pratica di Shadowing: EDIT your vlogs like a movie in 11 minutes - Impara a parlare inglese con i video
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12 months ago when I made my first cinematic vlog, I honestly had no idea what I was doing.
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But after a year of experimenting and a lot of mistakes, I finally learned how to make my vlogs actually feel like a movie.
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So in this video, I'm going to share all my editing secrets that completely changed the way I edit.
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Hello, welcome back.
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If you're new here, my name is Terry.
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I like to make vlogs and share the process to you guys so you can do the same thing.
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So this is the third part of my mini series where i share about my creative process on planning filming
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and editing a vlog so yeah
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if you haven't watched the first two parts i'll leave a link in the description below
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so you can watch it later all right now we're ugly let's get into it
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so this is the number one important thing
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when it comes to editing especially for youtube because this pretty much makes
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or breaks your video
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if your goal is to get more people to watch it
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i'll go into a bit deeper later on on how i actually edit the video
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but this part i just want to emphasize it first
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because it is that important what i like to do is to start off with a question something
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that can drive the audience curiosity so to keep them watching
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so i like to put some of the best visuals during this part as well
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so i can retain the viewership
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and i will pair it usually with some faster upbeat music
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to keep the excitement as well as the caption on screen
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of course there are many different ways to plan out your intro.
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Life of Risa for example, she does it beautifully in a totally different way but this is what works for me.
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And if you're a perfectionist, this is the part you want to be absolutely perfect.
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So I don't recommend being a perfectionist.
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The software that I use is the DaVinci Resolve Studio which is the paid version.
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There is a free version.
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In the beginning I was using that for probably a couple of months
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and then decided to go all in
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and i have to say yeah it's one of the best purchases i made it is good
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but i think even for the free version i was able
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to do i think most of the stuff i was still
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making videos for those like i didn't have any problem with it i used don't be premiere before
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but i just found davinci is bit user friendly i guess
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i can have all my workflow on one software rather than
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switching from premiere to davinci cap cut i haven't really tried it a few people asked me about that
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but I've never personally tried it myself so I can't really comment on that.
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All my edits are on my laptop.
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I've never used my phone to edit pretty much.
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It's just not intuitive.
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Basically yeah as long as you can edit just find what's the most convenient and accessible to you.
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One of the most challenging things is where do you even start when it comes to editing?
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Well this is where organization comes in.
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To be honest, I'm not a very organized person so if I can do it, you can do it.
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I like to encrypt the footage in different scenes.
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I think it's a good way to kickstart a fresh project so you don't get overwhelmed.
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And since I like to edit in chronological order, it's pretty easy.
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I just dump everything onto the timeline and then just cut it accordingly.
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It's probably the easiest and fastest way to edit, I would say.
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Okay so you've got your footage organized in different scenes so what now apart from just stitching them together?
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Well glad you asked.
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Think about how to build a story around it.
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What I mean is what do you want to express in this scene?
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What sort of feelings are you feeling while you're recording?
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What sort of emotions you want to bring it to your audience?
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So there's this scene that felt kind of heavy while I was recording in Hong Kong.
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It was an ex-jail and I really wanted to show how I felt during
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that time so this is what I did since it's a bit heavy is not something
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that I usually like to give to my audience
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but at the same time I want them to feel how I felt at the moment
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so I chose musics that's a bit more gloomy I'm really
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trying to tone down the aperture a bit to give
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that sense of hopelessness in despair and yeah if you can it's best to figure out the
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emotions or vibes that you want to go for during recording I think that will really help
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okay now let's get into a bit more practical as I just mentioned music really drives the emotion
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so what I like to do is to pick a track
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that fits the vibe with that scene because
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that can really set the tone for the video
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and this is probably more important than you think let me show you an example.
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This is with track A.
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And this is with track B.
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As you can see the whole vibe of the video changes
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because of the different tempo and the different emotion that is driving.
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So make sure to choose something that matches with your vision.
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Sometimes it can be frustrating when you find bang a track that you love but it just doesn't fit with the edit.
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If you've been there, you know how much time it will take and it just kills your momentum.
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That's why I use Epidemic Sound.
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It's a platform with over 50,000 original tracks by real artists and over 200,000 sound effects.
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I've been using it since day one on my channel and it really helped to elevate my content.
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They even have a DaVinci Resolve plugin, which honestly is a game changer.
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I don't know how many hours it has saved me.
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You just simply drag your track and drop it into your timeline.
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It just makes my editing so much smoother now, especially when I'm trying to push out one video a week.
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And now they have launched a new AI power tool called Adapt, where you can change the mood of a track to match a scene,
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adjust the length of the track or even rearrange a section so it lines up perfectly with your video.
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This just makes editing so much more simpler and easier and
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because the music are still produced by real artists they get to earn more
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because now the tracks can be used in more different ways so
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if you want to try epidemic sound i got a link
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in the description for you where you can get 30 days
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free trial thank you epidemic sound for sponsoring this segment of this video
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so once you have your track down i usually like to
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match it with the music i'll often try to cut the
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video to the beat unless it was like a voice over
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or i'm talking in the video during those parts i'll try to prioritize what i'm telling in the story
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so it could be i'm talking about this particular dish
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and then i'll add some b-rolls on top of it this
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can help give more context on what i'm talking about
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and to take it to the next level sound effects are a great way to enhance
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that scene or just add some impact to your video
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so the next part some of the tips and techniques I've found super useful so make sure to listen up.
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So first is the J cut and L cut.
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So for J cut is when the audio ends before the visual
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which makes the transition a bit more seamless and
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because it looks like a J on the timeline that's why it's called J cut
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and L cut is pretty much the reverse.
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Kill your darlings.
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I think this down really comes down to experience.
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The more that you do it the better you get better at it.
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What I mean by that is to be ruthless to your footy like you You don't need
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that full 10 seconds of you pouring your coffee into the mug.
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Just cut off the part that is non-essential to the video.
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Next one is cut on action.
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What it means is to go to the next scene while you are in that motion.
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So here's an example how I did that.
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So I was walking towards the rock, sit down, tick on my notebook and start scribbling.
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Think in sequences, not shots.
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Just like the previous example, I think about how the scene will play out rather than
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every single shot like after figuring out the whole story like
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me walking to the rock sitting on the rock that's another
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step kind of thing then from then you can get a clear visual on what sort of shots
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that you want in that scene match cut this is something really fun
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and cool especially for transitions
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so in here i sort of use this oval shape to
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take it to the next scene you can do it differently like just having yourself on the same spot
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and then jump to the next location something like that
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or just simply turn around and back that's a common one
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and the last one is more like um a tip it's not really a technique.
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It's try to edit as soon as possible while your story and the footage is still fresh.
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Because the longer you leave it, the more likely you'll forget.
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To be fair, most of my travel vlogs I leave it till like months until I start editing.
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And sometimes I already forgot what was happening during those moments.
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So yeah, try to be as fast as you can.
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The next part is my favorite part which is the colors and effects and that's where all the magic happens here.
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By the way there are many different ways to do this.
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There's no right or wrong but yeah this is just a workflow that I like to do.
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I'll try to break it down as simple as possible.
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It's not as complicated as it sounds like but yeah just to keep that in mind.
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So first if you were able to properly expose your footage this shouldn't be too hard.
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Since I'm a big fan of that filmic look.
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The first thing I do is to convert to that.
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Output here I'm using the Sinon film lock.
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Honestly I don't actually understand this bit.
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This was a workflow that I learned from Rena Gauss video.
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I've kept some of it and developed my own to simplify my workflow.
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And now here's the magic.
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Put on that LUT and boom already looking super nice.
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Then I'll fiddle around with the primary just to get the desired look.
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Here I try not to do too much because I quite like the image already.
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Also one important thing, try to separate things on a different note so you can easily adjust them if you have to.
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Think of it as layering in winter time.
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You have your beanie, your heat tag, your leggings.
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You can always take one part off from your body.
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Well, maybe not the leggings but you get the point.
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Next, I like my footage to look a bit warmer
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so I'll dial up the temperature a little bit and usually I like less magenta.
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but I think it's a bit too green here so I'm just gonna turn it up a notch.
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Now all the basics are pretty much done but personally like to stylize it with my own flare.
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I'm putting some glow, not too much otherwise it will be too bright.
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Relation just to make things sparkle a little bit.
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Turning down the sharpness as I like the image to be a bit softer mimicking
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that filmic look and finally my secret sauce which is the radial blur.
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Sort of gives the edge a bit of blur to simulate that Film look and that is it.
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Hope you guys enjoyed it.
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This is the final part of this series Thank you
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so much for watching throughout the series I hope you can find some valuable information from this.
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So what do you guys want me to talk about next?
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Let me know in the comment section down below and if you watch until this part
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Make sure to drop like a director I don't know this emoji
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and if you've been thinking about documenting your life
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but not sure how to start make sure to check out this video peace
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Prima impressione: perché questo video è ottimo per la pratica
Questo video su come editare vlog come un film è un tesoro per chi vuole praticare la conversazione in inglese in modo naturale. La lingua usata è colloquiale, con frasi semplici ma ricche di espressioni everyday, e l'intonazione è vera e propria, come se Terry stesse parlando direttamente con te. È perfetto per il shadowspeak, perché la velocità è accessibile e le pause permettono di seguire senza stress. Inoltre, parla di un argomento moderno (editing video), il che rende il lessico utile e attuale. Se vuoi imparare l'inglese con YouTube, questo è un ottimo punto di partenza!
Analizziamo le frasi: perché suonano naturali
Ecco tre frasi chiave e il loro segreto:
- "I honestly had no idea what I was doing": L'uso di "honestly" aggiunge sincerità, e la struttura "had no idea what..." è tipica nel parlato per dire di non sapere qualcosa. La forma past continuous ("was doing") rende la frase fluida e reale.
- "If you're a perfectionist, this is the part you want to be absolutely perfect": Il condizionale "if" e la struttura "this is the part you want to..." sono molto comuni nella conversazione. L'uso di "absolutely" enfatizza l'importanza, come si fa nel parlare everyday.
- "It's just not intuitive": "Just" qui serve a sottolineare una opinione personale, e "intuitive" è una parola utile per descrivere cose che non sono facili da capire. La frase è corta ma efficace, come nella vita reale.
Routine di pratica: il loop repeat-and-record
Per migliorare con il shadowing, prova questa routine semplice:
- Scegli un frammento di 30 secondi del video (es. l'introduzione su come iniziare l'editing).
- Ascolta attentamente, notando l'intonazione e le pause.
- Ripeti la frase immediatamente dopo, cercando di imitare la velocità e l'accento. Usa un shadowing site per registrare te stesso se vuoi.
- Confronta la tua registrazione con l'originale: noti le differenze? Ripeti finché la frase suona naturale.
- Passa al prossimo frammento e ripeti. Fare questo per 10 minuti al giorno ti aiuterà a migliorare la pronuncia e la fluidità.
Non preoccuparti di sbagliare: l'importante è la pratica costante. Con questo video, praticare la conversazione in inglese diventa divertente e produttivo!
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Present perfect continuous have/has been + -ing — un’azione iniziata prima e ancora in corso | I've been using · you've been thinking |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | haven't watched · haven't really tried · I've never personally tried |
| Frasi relative who / which + frase — un’informazione in più su una persona o una cosa | Studio which is · part which is · sauce which is |
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | are still produced · is cut |
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.