Pratica di Shadowing: Girl on a Motorcycle | Crime & Mystery | Bookworms Starter | AmE - Impara a parlare inglese con YouTube
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Chapter 1.
⏸ In Pausa
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Chapter 1.
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Is there a motel?
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Kenny is going across America by bus.
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One evening, in summer, his bus arrives in a little town in California.
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I want to stop here tonight,
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says Kenny to the bus driver.
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Is there a motel, do you know?
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Yes, says the bus driver.
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There's a nice motel across the river.
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It's not expensive.
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Is there a bus to San Francisco tomorrow, asks Kenny.
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Yes, says the bus driver.
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There's a bus every day.
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Kenny gets off the bus with his bag.
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Chapter 2 Give Me the Money In a street in Los Angeles,
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somebody is robbing a security guard outside a supermarket.
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The robber is sitting on a motorcycle and has a gun.
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Give me the money, the robber tells the security guard.
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Okay, okay, says the security guard and gives the robber the money.
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Then the robber rides away,
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but a camera is taking pictures.
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After the robbery, the supermarket manager phones the police.
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Yes, he says, a robbery.
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Yes, long blonde hair and with a motorcycle.
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A man or woman?
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We don't know.
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Yes, we have some pictures.
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Okay, quickly.
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Chapter 3 Room 23 In the little town,
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50 kilometers away from Los Angeles,
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Kenny goes into the motel and asks for a room.
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Room 23, says the man at the desk.
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He gives Kenny a key.
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Thank you, says Kenny.
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and he goes up to his room.
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An hour later, Kenny comes down to eat.
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I'm hungry, he thinks.
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He sees a girl arrive on a motorcycle.
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She walks to the front desk and the woman gives her a key.
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Room 17, says the woman at the desk.
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I think I know her face, thinks Kenny.
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Is she somebody famous?
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Chapter 4 Is it her?
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Early the next morning, Kenny puts on the TV in his room.
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A newsreader is talking about the supermarket robbery.
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There are some pictures from the supermarket camera.
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Kenny watches the news.
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The robber is somebody with long blonde hair and with a motorcycle,
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says the news reader.
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Suddenly, Kenny remembers the girl at the motel desk.
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Is it her?
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He thinks.
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Is she the robber?
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Chapter 5 Can I Sit Here?
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He goes for breakfast.
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The girl is eating her breakfast at a table near the window.
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Kenny looks at her.
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Is it her? he thinks.
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I think I know her, but...
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He walks across to her table.
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Can I sit here?
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He asks.
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The girl looks up.
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Well, okay, she says.
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Kenny sits down.
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My name's Kenny, he says.
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Pleased to meet you, she says.
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I'm Mel.
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Where are you from?
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Asks Kenny.
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San Francisco, says Mel.
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I'm going there later this morning.
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Where are you from?
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Boston, says Kenny.
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I'm going across America by bus.
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and I'm going to San Francisco later this morning too.
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Are you, the girl says.
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I don't like buses.
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I like motorcycles.
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Look, excuse me.
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I need to make a phone call.
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She gets up and leaves the room.
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Chapter 6 Not the Police A young man near the door is watching Mel.
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Why is he watching her?
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thinks Kenny.
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Does he know her face too?
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Is he thinking she's the girl from the robbery too?
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Kenny goes to sit next to the young man.
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Hi, he says.
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My name's Kenny Muir.
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Hi, says the young man.
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I'm Ned.
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They begin talking.
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Kenny tells Ned about the news of the robbery on TV.
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He looks across at Mel.
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Are you thinking that's the same girl?
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He asks Ned.
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Ned looks across at her.
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I don't know, he says.
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Perhaps it is.
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What can we do, says Kenny.
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She's leaving soon.
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Let's phone the police.
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I think it's her.
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No, Ned says quickly.
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Not the police.
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Wait.
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Kenny looks carefully at him.
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What's the matter?
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Are you afraid of something?
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He asks.
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No, but perhaps she's got a gun, says Ned.
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Chapter 7 Perhaps I'm Wrong Is it her?
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thinks Kenny.
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I want to know.
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Perhaps the money from the robbery is in her room.
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Kenny goes upstairs.
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Suddenly, he sees the girl again.
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She is coming out of room 17.
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Kenny watches her.
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She locks her door and goes downstairs.
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How can I get into her room, he thinks.
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Then Kenny sees a woman working in the motel Excuse me,
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says Kenny Can you open the door of my room?
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My key's in the car It's room 17 Yes,
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of course, she says And opens the door of room 17
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thank you says Kenny and he goes into the room Kenny searches the room
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but he cannot find the money from the robbery perhaps I'm
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wrong about her he thinks then he hears somebody opening the door with a key.
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It's Mel.
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Chapter 8.
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I Must Get Away.
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Kenny runs into the bathroom.
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A minute later, he hears Mel talking into the phone.
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Hi, Fran, says Mel.
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No, I'm at the motel.
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No, I'm leaving in an hour.
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Yes, okay.
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Kenny looks out carefully from the bathroom.
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He cannot get to the door,
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but he can get to the window.
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He moves quickly.
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Mel puts down the phone.
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Kenny watches her through the window.
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I must get away from here, he thinks.
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Kenny cannot go back into room 17,
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but he can open the window to room 18.
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Chapter 9 You're the Robber Kenny climbs into room 18.
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There is nobody there.
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He goes across to the door,
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but then he sees something.
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What's that? he thinks.
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Is it a wig?
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It is.
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It's a blonde wig.
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Kenny searches the room.
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Here's a black motorcycle coat, he says to himself.
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And what's this in this bag?
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The money from the robbery.
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Kenny hears somebody coming.
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He wants to get out of the room, but he cannot.
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Ned comes into the room.
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He sees Kenny.
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What are you doing in my room?
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Says Ned.
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Then he sees the blonde wig and the money.
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He looks at Kenny again.
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You know, says Ned.
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Yes, I know, says Kenny.
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You're the Los Angeles supermarket robber.
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Suddenly, Ned takes a gun from his coat.
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Don't move, he says.
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And he takes the bag from Kenny.
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You can't get away, says Kenny.
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Yes, I can, says Ned.
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He hits Kenny on the head.
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Then he locks him in Room 18.
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Chapter 10 I Can't Swim A minute later,
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Mel is looking across at the river from her room.
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Suddenly, she sees a man running.
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What's the matter with him? she thinks.
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Why is he running?
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Then she sees Kenny come out of the next room That man,
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says Kenny He's the Los Angeles supermarket robber Stop him,
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somebody Ned hears him and looks up Then he gets on his motorcycle and drives off quickly
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I can stop him, says Mel.
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She climbs down from her room.
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She runs around the motel,
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gets on her motorcycle, and goes after Ned.
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Mel rides her motorcycle quickly towards the river.
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When she gets to the river,
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she jumps across the river on the motorcycle and stops in front of Ned.
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He cannot stop, and his motorcycle goes into the river.
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Help!
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Help!
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He cries.
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I can't swim!
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Chapter 11 Can We Go Slowly, Please?
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Some people help Ned out of the water.
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More people are coming from the motel.
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Kenny runs across to Mel.
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Are you okay?
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He asks her.
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yes I'm okay she says are you all right yes says Kenny I'm all right
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soon after the police arrive and take Ned away Kenny tells a policeman his story then Mel tells the policewoman her story
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Do I know your face?
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The policewoman asks Mel.
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Are you famous?
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Mel laughs.
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Perhaps you do, she says.
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I'm on TV sometimes.
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Now I remember you, Kenny says to Mel.
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You're Mel Palmer, the famous stunt girl.
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I see you on Stunt Girls USA, on TV sometimes.
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Mel smiles.
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Yes, that's me, she says.
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Now, do you want to come to San Francisco on my motorcycle,
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or do you want to go on the bus?
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I'm coming with you, says Kenny, laughing.
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But can we go slowly, please?
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Contesto e Sfondo
Il video "Girl on a Motorcycle" è il primo capitolo di una storia misteriosa che si svolge negli Stati Uniti, dove seguiamo le avventure di Kenny, un giovane viaggiatore. Attraverso il suo viaggio, gli spettatori possono esplorare i dialoghi e le situazioni tipiche dell'inglese americano. Questo tipo di contenuto è estremamente utile per chi desidera migliorare la propria pronuncia inglese e familiarizzarsi con frasi colloquiali attraverso la pratica di conversazione in inglese.
Le 5 Frasi Chiave per la Comunicazione Quotidiana
- Is there a motel? - È una domanda fondamentale per chi viaggia.
- Yes, there's a nice motel across the river. - Un’affermazione che offre informazioni utili.
- I want to stop here tonight. - Espressione del desiderio di fermarsi in un luogo.
- Give me the money. - Una frase da riconoscere in contesti di emergenza.
- Room 23, please. - Indicando il numero di una stanza durante una prenotazione.
Guida Passo dopo Passo per il Shadowing
Il shadowing in inglese è una tecnica di apprendimento che permette di migliorare la fluidità e la pronuncia. Ecco come affrontare le sfide di questo video specifico:
- Ascolta il video con attenzione: Concentrati sul modo in cui i parlanti pronunciano le parole e le frasi. Metti in evidenza le emozioni e le intonazioni.
- Ripeti ad alta voce: Inizia a ripetere le frasi subito dopo averle ascoltate. Questo ti aiuterà a migliorare la tua pronuncia inglese e a sentirti più sicuro mentre parli.
- Registra la tua voce: Registrati mentre pratichi il shadow speech e confronta le tue registrazioni con l'audio originale per identificare aree di miglioramento.
- Fai feedback con un amico: Se possibile, pratica con un compagno di conversazione per ricevere feedback immediato e migliorare ulteriormente la tua capacità comunicativa.
- Pratica regolarmente: La chiave per il miglioramento è la pratica costante. Dedica quotidianamente del tempo al shadowing per ottenere i migliori risultati.
Utilizzando queste tecniche e le frasi chiave estratte dal video, sarai in grado di migliorare significativamente la tua conversazione in inglese e costruire una base solida per affrontare situazioni quotidiane.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.
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