Pratica di Shadowing: Hoc tiếng anh qua phim Extra Tập 2 - Impara a parlare inglese con i video
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This is
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the story of Bridget and Annie who share a flat in London
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and the boys next door Nick and his friend Hector from Argentina.
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Hector and Annie were in love but now things are not
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so good Bridget has given up on love and Nick well his mom loves him stand by for extra Hector?
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Yes?
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Please, could you pass the salt?
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Yes.
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Hector?
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Yes?
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Please, could you pass the pepper? Of course.
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Hector?
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Let me guess.
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Can I pass the sugar, coffee, tea?
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Actually, I was going to say we should talk.
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So now you want to talk to me.
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It's only been a week.
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I was hurt.
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Well, you hurt me too.
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I didn't go out with Eunice.
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I didn't go out with Eunice.
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Yes, you did.
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And you stayed out till three o'clock in the morning.
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There were other people there too. Who?
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People who work on the program.
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You mean other women who work on the program?
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Yes, and men.
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Why not?
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I knew it. So, who is she? Who?
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The other woman.
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There is no other woman.
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Annie, listen.
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Excuse me.
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Hello?
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Ha ha.
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Hi, Debbie.
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How are you?
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Good.
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Uh, okay.
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That'll be okay.
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Perfect.
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See you then.
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Bye. So was that her? Who?
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Debbie.
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The other woman.
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That was Debbie from the makeup department.
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Confirming my call time for tomorrow.
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Some excuse!
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Hector?
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Yes?
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Please, could you pass me your fork?
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Here.
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I'm going.
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You can have my dinner!
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You should have seen Eunice's face.
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She was furious.
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When Eunice gets angry, she is a very scary lady.
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Oh.
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Hello?
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Yes?
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Excuse me.
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No, no, er, to he.. er...
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Bye, Bridget.
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Oh.
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Alright, Hector.
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Bye.
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Hola, lola.
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Ah...
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Guess what?
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Prince William wants to marry you?
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I know that.
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No, I've got a promotion.
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That's nice.
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Nice?
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Nice?
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It's fantastic.
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I am editor of Channel 9 Live.
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Eunice is no longer my boss. Is that you, Grant?
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It's Bridget Evans here.
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Call me Gigi, editor of Channel 9 Live.
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Are we still on for lunch at Claridge's today?
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Oh, bab, ciao!
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Eunice is so jealous.
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Now that is good news.
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Annie, what are you doing?
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I'm doing my own editing.
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Why are you cutting out photos of you and Hector?
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because Hector is no longer my boyfriend.
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Really?
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Why?
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Because he is having an affair.
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Really? Who with?
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Well, I thought it was Eunice, but now I think it's Debbie.
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What?
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I just heard him on the phone to Lola.
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Lola?
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Who's she?
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Eunice, Debbie, Lola?
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He's really mad!
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Guess what?
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I've got a new job!
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I am editor of Channel 9 Live!
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It's fantastic!
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I am editor of Channel 9 Live!
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Eunice is no longer my boss!
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Oh, and I overheard Hector talking to Lola on the phone.
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Hola Lola!
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Very suspicious.
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Hector is no longer my boyfriend.
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I'm sure he is seeing someone else.
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First, I thought it was Eunice.
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I didn't go out with Eunice.
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Yes, you did.
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And you stayed out till three o'clock in the morning.
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But now I think it's Debbie. So is that her? Who?
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Debbie, the other woman.
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Hi Nick.
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What are you doing?
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I am not doing, I am being.
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Oh.
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What are you being?
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Can't you guess?
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A man on the toilet?
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A sumo wrestler?
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Can't you see?
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I am an egg.
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Oh, of course.
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You are an egg.
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Now, what sort of egg am I?
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Hard-boiled.
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Scrambled.
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Scrambled?
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Fried.
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Really?
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Poached.
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Oh, yeah, of course.
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You are a poached egg.
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Yeah.
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Well, you're making a mess on your bed.
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Anyway, why are you being a poached egg?
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It's my new acting class.
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Total being.
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Oh.
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What are you next week?
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A piece of wood?
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A piece of wood?
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Yeah.
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Then it would be wooden acting.
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anyway can poached eggs talk don't be silly of course poached eggs can't talk no no i mean
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when you are being a poached egg can you talk
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oh yeah anyway i want to stop now my arms are hurting Hector,
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what do you want to talk about?
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It is Annie.
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Huh?
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She thinks I'm having an affair. Who is?
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Eunice. And Debbie.
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What?
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Two women, Hector?
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You cheeky thing.
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But I am not.
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Oh.
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So tell Annie then.
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I have, but she doesn't believe me.
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Why not?
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I don't know.
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Excuse me.
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Hola Lola.
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I'll take this outside.
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How are you Lola?
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So, it's not Eunice, it's not Debbie.
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Could it be Lola?
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Hey, hey, stop, please.
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I knew it.
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It had to be a selfish man, driver.
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Please, I have a voucher.
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I'm sorry, I've started, so I'll finish.
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Luke, I am Zeus.
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Why are you so angry?
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I'm not.
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I'm just doing my job.
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Zeus?
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People park on yellow lines and then are surprised when they get a parking ticket.
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There was this one guy today.
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Please, I have a voucher.
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No excuse.
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Mind you, he was quite cute.
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Nick?
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Nick?
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Are you okay?
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Bridget?
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Oh, it's you, Hector.
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There's something wrong with Nick.
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I could have told you that.
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No, he won't speak, he won't move.
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Oh, I know.
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He is being a poached egg what?
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for his new acting class hi Nick let me guess you are being
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a potato do I look like a potato yes,
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a couch potato What about a fish?
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Yes, a frozen fish!
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I am not a fish.
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I am pain.
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You are a pain.
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Yes, Nick is a pain.
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No, I am pain.
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Agony.
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So, how was your first day as editor, Bridget?
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What a day!
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I had a very important meeting, big decisions to make.
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Ooh, like which celebrities?
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New programme ideas?
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No, like which pen to use at my meeting.
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Blue, black...
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Oh, which one did you choose?
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Blue.
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Oh, bad choice.
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You think so?
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Oh no!
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Eunice is so jealous of Bridges' new job, she won't talk to anyone.
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Not even you?
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Not even me.
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It is great.
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You don't want her to talk to you?
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Really?
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Really?
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Oh, Annie, I hate it when we argue.
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So do I.
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I miss you.
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I miss...
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Oh, hola, lola.
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Right.
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Two can play that game.
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I have started my totally being acting classes.
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It is fantastic.
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I am not doing, I am being.
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A man on the toilet?
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Yesterday I was a poached egg.
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Yeah.
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today I was pain I am NOT a fish I am pain oh
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and I think Hector is seeing someone called Lola it's not Eunice it's not Debbie could it be Lola
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but I don't I don't think Annie knows.
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Hector is definitely no longer my boyfriend.
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It's not Debbie, it's Lola.
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Hola Lola.
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Anyway, I've met a really cute guy called Zeus.
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Luke, I am Zeus.
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Why are you so angry?
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I'm just doing my job, Zeus.
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Hello again.
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Hello.
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We meet again.
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You're happier today.
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Yes, I am now.
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But I'm sorry.
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I...
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I parked here so you would come back.
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Oh, you wanted to see me again.
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You are so beautiful.
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Well, I'm sorry, but I am going to have to give you...
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No. This.
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My phone number.
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Call me. Who needs Hector?
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Hi, Bridget.
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Oh.
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What, oh?
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I know.
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No, Superman.
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What?
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Ah, I mean Clark Kent.
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You are being Clark Kent for your acting class.
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No, I'm not.
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I'm long-sighted.
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Oh.
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You're being long-sighted?
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No, I am long-sighted.
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I need to wear glasses for reading.
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They suit you.
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Oh, huh.
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Thank you.
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So, why are you not at Channel 9 today?
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Oh, I'm working from home today.
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I've so much to do.
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Brigid, what's the matter?
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I can't do it.
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Eunice hates me.
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Eunice hates everybody.
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They all hate me.
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No, they don't.
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They all look at me.
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Bridget, you are their boss.
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I have to use the executive lube!
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What's the matter with that?
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I want to chat to all the girls!
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Oh!
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Bridget, you are one of the cleverest, most beautiful women I know!
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Really?
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Well, who are the others?
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What do you mean?
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You said I was only one of the cleverest, most beautiful girls you know.
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Bridget, you can do this job.
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Channel 9 needs you.
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Thank you, Nick.
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Hey, it was nothing.
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You really look handsome in those glasses.
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Oh, hi, Annie.
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Oh, hi, Hector.
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You look smart.
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Yes, I am going to meet someone.
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Oh, Annie, I have something to tell you.
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Oh, sorry.
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Oh, Lola.
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Okay.
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Yes, yes, I'm going.
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See you later.
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Oh, Nick.
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Stop it!
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Is everybody happy apart from me?
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Hello?
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Zeus!
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Hi!
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Well, of course I remember you.
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A drink?
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Tonight?
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I'd love to.
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Stop it, you're tickling me.
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Zeus, meet my friends, Bridget and Nick.
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Hi!
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Hi!
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Well, hello, Zeus!
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Annie, where did you find him?
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Yeah, but he doesn't wear glasses, though, does he?
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Hmm?
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We've had a lovely evening, haven't we, Zeus?
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Wonderful, Henny.
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Now I must say goodnight.
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Please, first, may I ask your bathroom?
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Certainly.
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Thank you.
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Zeus is such a gentleman.
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He certainly is a man.
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Hi.
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Annie, I must talk to you.
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What about your date with Lola?
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My date with Lola?
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Lola?
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Annie, Lola is a 60 year old chief executive for ATV.
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What's ATV?
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Argentinian television.
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And she wants me to return to Argentina to present their number one show.
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But I don't want to go.
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I want to stay here with you.
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That's better.
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Um, Hector, this is...
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Zeus, my new boyfriend.
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We've had a lovely evening, haven't we?
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Come on, I'll say goodbye to you downstairs.
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So, Hector, will you take the job?
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What do you think I should do, Annie?
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So we must say goodbye to our friends for now.
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Will Hector stay or go back to Argentina?
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Will Annie go with him?
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And will Nick ever give up on Bridget?
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Extra!
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Will the story continue?
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Che cosa imparerai in questa lezione?
Questa lezione si basa su un dialogo intimo tra Hector e Annie, due personaggi di un video che vivono in un appartamento a Londra. Attraverso la loro conversazione, potrai esercitarti a capire e riprodurre l'italiano colloquiale, con un focus sulla shadowing in inglese – una tecnica efficace per migliorare pronuncia e flusso. Osserva come i sentimenti (dolore, rabbia, confusione) influenzano l'intonazione e la velocità, e preparati a ripetere frasi in tempo reale!
Parole e frasi chiave da notare
- "Could you pass the salt?": Una richiesta educata per chiedere qualcosa. Perfetta per esercitare la pronuncia di "could" e "pass".
- "I was hurt": Esprime il dolore emotivo. Nota come "was" si usa per descrivere un sentimento passato.
- "Confirming my call time": Farsi confermare un appuntamento. Utile per situazioni professionali o quotidiane.
- "Some excuse!": Una reazione ironica o scettica. Ottima per lavorare sull'intonazione accentuata.
- "Stand by for extra": Un invito a continuare a seguire. Ideale per esercitare la velocità di parlare.
Consigli per esercitarti con lo shadowing
Lo shadowing è una tecnica fantastica per migliorare la pronuncia e la fluidità. In questo video, il dialogo ha una velocità media e un tono emozionale vario – perfetto per esercitarti! Ecco come fare: Ripeti ogni frase subito dopo il personaggio, cercando di imitare non solo le parole ma anche l'intonazione e il ritmo. Usa un shadowing site per riprodurre il video a velocità ridotta se serve, poi aumenta gradualmente. Concentrati sulle frasi con emozione, come "I was hurt" o "Some excuse!", perché l'intonazione è chiave per capire il contesto. Ricorda: lo shadow speak non è solo ripetere, ma capire il senso dietro le parole. Prova a fare pause e a riflettere su cosa stanno dicendo Hector e Annie – questo aiuterà a memorizzare le frasi in modo naturale. Con la pratica, noterai che la tua pronuncia diventerà più fluida e le frasi ti salteranno in mente senza sforzo!
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | has given · It's only been · I've started |
| Frasi relative who / which + frase — un’informazione in più su una persona o una cosa | People who work · women who work |
| Consigli con “should” should + verbo — dire che cosa è meglio fare | should talk · should have · should do |
| Superlativi the -est / the most … — il massimo o il minimo di un gruppo | the cleverest |
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.