Pratica di Shadowing: iPhone 18 Pro vs Osmo Pocket 4P - Watch Before you Buy!! - Impara a parlare inglese con i video

Scegli una modalità di pratica

Ogni modalità apre una sala di pratica a schermo intero.

234 frasi

Se le frasi sono troppo corte o troppo lunghe, clicca su Edit per modificarle.

There's a two -part process to every story you create.

There's the hunter -gatherer part where you go out

and collect your shots that help you tell the story and then there's putting everything together in post -production.

Now I don't know which one is more important but I do know which one I love the most.

The final shot.

This is the iPhone 18 Pro and this is the Osmo Pocket 4P.

And this has got to be one of my favorite comparisons lately.

This is not a sponsored video, I bought both cameras with my own money, both Apple and DJI did not send me these either.

Also, nothing in this video was created using AI, not even the thumbnail.

People are wondering whether it makes sense to buy a dedicated pocket camera like this

when they already carry a pretty capable camera in their pocket everywhere they go.

So let's unpack that question.

First, see if you can guess which camera is which while I tell you a little bit about both.

The iPhone 18 Pro starts at $1 ,199 US.

It has a more versatile camera system overall.

It's got three cameras on the back, a 13mm ultra -wide, a 24mm main, and that also has a variable aperture, and a 100mm 4x telephoto.

The Pocket 4P right now is selling for about $550 - $650 US, depending on where you get it from.

And it is more of a video -focused camera.

It uses a 1 -inch main sensor with a 20mm equivalent lens, plus a separate 60mm equivalent 3x telephoto.

And if you wanted to use full manual exposure control on the iPhone, including ISO, so then I would absolutely download the Blackmagic camera app.

By the way, I left some free project files in the description

if you want to download some of the footage that I got with both of these cameras.

That way, you can edit the footage as you follow along.

Now, if you decide to pick up the Pocket 4P, I created a comprehensive course on how to use it, set it up from scratch, and go out and get amazing cinematic shots with it.

Also, I created film look luts for both of these cameras.

I'll leave links to those products in the description.

All right, are you ready?

Let's go.

the iphone 18 pro was camera a and the pocket 4p was camera b

if you knew which one was

which please let me know how you knew now the first

shot of the day we're looking at this 4k 120 shot

notice how the osmo pocket 4p looks a little bit more saturated than the 18 pro

but that's not what we're going to be focusing on for

this particular shot the 18 pro looks way more realistic here in my opinion

and the whole mushroom is in focus top to bottom front to back

and that's the variable aperture doing a lot of

that work now with the 4p my aperture is set in place

so the stem is very sharp but look at the front of the cap of

that mushroom it's all out of focus the 18 pro is definitely the one

that i would use for a shot like this now let's

flip both cameras over to their log profiles the right side is the flat log footage

and the left i graded with my generation slip pack right now what you're seeing is

that flat log footage we got apple log 2 with the 18 pro and D -Log 2 with the Pocket 4P.

Both cameras look fantastic in my opinion.

With the 18 Pro, the sky holds onto those clouds, the graffiti colors come right back, and there's a lot of detail in that wall.

I just love the overall look of this shot.

And with the 4P, the colors land in about the same place, but in real -world shooting situations, I would go with the 18 Pro if I was shooting in log.

Now, that was in a well -lit environment, but what happens when we're in a lower -lit environment like this?

I think both log profiles have a lot of dynamic range.

With the 18 Pro, I don't know the exact amount, but i'm able to push and pull the shadows and push

that saturation to get pretty much the color

that i was going for the packet 4p same thing here

i feel like i have a little bit less noise in those shadows

but i am restricted to only using the one times camera

when i'm shooting d -log too that could be a potential problem

but most people aren't shooting in log anyways

so let's look at the shots that most people get in the standard color profile

and i think

that happens to be skin tone with the 18 pro there's

no doubt about it it's pretty much oversaturates my skin tone just like every single iPhone

that I have shot with before it.

Not sure why they still haven't fixed that issue yet.

Now with the 4P, it absolutely looks better in my opinion.

My skin tone looks a lot more realistic and it looks more natural.

Here's another angle of a talking head shot where I'm getting more of

that upper torso and you can see that oversaturation happening again with the 18 Pro.

Now I was curious on which version of iPhone was going to fix this.

I thought it was going to be the 18 Pro, but I guess it's not.

4P, I think the skin tones look great.

I probably should have shot this particular shot, though, in the three times camera to give my headshot more of a natural look.

But it's not just the skin tone that gets oversaturated.

Going through all of these comparisons, I started to notice pretty much the same exact thing.

And look at what happens when I shoot the sun this low in the sky.

That orange is pushed up way too far.

And just look at that ugly flare out of the iPhone.

With the 4P, it still holds onto that color.

It's pretty solid color.

And the sky looks right to me.

The trees stay clean with that silhouette look.

Now we're going to switch gears to low light because I want to show you this turn of events that I noticed.

The 18 Pro gives me a better looking talking head, at least in this particular low light environment.

I'm shooting on the one -times camera with both of these, by the way.

I'm not sure why that would be.

The 4P, on the other hand, some of those skin tones start to look a little bit more blotchy, and it just doesn't have that realistic, natural look that we were seeing when we were in a well -lit environment.

But if I'm just shooting some travel -type shots like this, I really couldn't tell the difference between these two other than their stabilization.

But side -by -side, if we're only looking at colors, the 18 Pro lifts up those mid -tones.

The whole place looks a little bit more brighter.

Kind of just looks like it was shot on a phone.

Whereas with the 4P, it holds on to those deeper colors.

It gives it more contrast for my taste that's what I

prefer now in this low light shot there's a couple of things going on just look at

that coke sign first watch all the shadows around it with

the 18 pro I was exposing both cameras the same by

the way it looks a little bit more overexposed on

that coke sign but the mid -tones are being lifted

so you can see more of my shirt and the hat

and anything that's in

that mid -tone range with the 4p I think it actually looks better here

100

because it looks more realistic there's more contrast and the reason why is

101

because it doesn't lift up those mid -tones like we were seeing with the iPhone, which gives it more of a movie look, in my opinion.

102

Now, when we get into extreme darkness like this with just one light source, it's really gonna show us how both sensors deal with noise.

103

The 18 Pro at one time looks decent from far away, but once we did that zoom in, the trees turn into mush, and the noise all around that light just doesn't look very good at all.

104

With the 4P, same kind of thing, looks great from far away, but once we zoom in, you can really start to see noise, and I don't think either one of these two cameras do very well in extreme darkness.

105

Some of those splotchy spots that we were seeing in the light might be from the camera glass lens itself.

106

So I walked right up to that light and I wanted to see how they both look.

107

The 18 Pro definitely looks more smeared to my eye.

108

I don't really like how the light rolls off that glass.

109

And also just look at that green ghost flare that kind of moves all around.

110

The Pocket 4P, the flare holds together a lot more around the light, almost like a real camera lens.

111

It separates those different color flares a lot better and I prefer that look.

112

Now we haven't been able to talk about stabilization yet, but this is a very good shot to talk about it

113

because low light is where stabilization usually starts to fall apart with the 18 pro

114

and the reason i say that is because this camera uses electronic stabilization

115

so everything is being smoothed out in software and that means

116

that it has to work a lot harder

117

and you also see a lot of artifacts with

118

that now with the 4p it has a mechanical gimbal

119

so the camera itself is physically staying level the whole time

120

so it's not affected by any internal software that's trying to stabilize the footage

121

and that's one of the main benefits of having the pocket 4p the mechanical gimbal head.

122

Now, when I have a little bit more light to work with, stabilization definitely improves with the 18 Pro, but I still prefer the 4P.

123

And the same thing here, even in this really well -lit environment, I think the 4P wins on stabilization, although this could be a little bit of user error as I age.

124

With the 18 Pro, I may have overexposed this shot a little bit.

125

It doesn't really help, but even with that, it just doesn't give me that same exact smooth look that you get with the 4P.

126

Now, with the 4P, don't forget, it does have a wider field of view generally a wider

127

field of view is going to give you a smoother look with all

128

that being said

129

that was all video now let's talk about photography for a

130

couple of different shots the 18 pro has a 48 megapixel sensor

131

and the 4p has a 37 ish megapixel sensor

132

when you're shooting in a well lit environment like this you're not really going to tell the difference

133

so what i'm really looking for with photos in both of these cameras isn't really the sharpness

134

or the megapixel it's more about the color difference

135

and you can see here with this boardwalk shot what i'm talking about The 18 Pro is more saturated here.

136

It has a little bit of an almost yellow tint to it.

137

Just look at the wood on the railing and the boards on the walkway, and then also look how those mid -tones get lifted.

138

With the 4P, I think the colors look more realistic, more cinematic.

139

There's more contrast.

140

I just like the overall look of this shot better with the 4P.

141

But when I get into a situation like this, where I think I was even being backlit, a lot of that color in the frame with the 4P starts to drown out.

142

I actually ended up liking the 18 Pro better for this shot.

143

You can see it lifts up those mid -tones

144

and we do have some computational photography going on but overall the shot just looks better.

145

Now with the 4p we get more saturation and more contrast

146

and in this shot I mean I like it but it just comes out a little too digital for my liking.

147

If I tried to raise the exposure in post -production it would blow out that sky.

148

Now let's get back to that boardwalk and let's just say you're a travel vlogger.

149

The color difference that we were seeing with photography also carries over to video.

150

With the 18 Pro you can see

151

that we've got those mid -tones lifted again

152

so the whole frame looks a lot brighter especially

153

that walkway in the sky and with the 4p you get more contrast just look at

154

that railing and those clouds

155

and to me it just looks a lot more like a movie

156

and with the foliage i'm kind of thinking the same thing i like the way

157

that the 4p looks better overall the 18 pro it kind of gives you the lime green look

158

and it just mushes all of

159

that foliage together i don't know i just don't like the way that looks

160

but with the 4p it looks a lot more realistic i wouldn't say it looks like a movie

161

but it definitely gives us more realistic looking colors.

162

Now for a shot like this, this is at the crack of dawn.

163

It really comes down to what your preference is.

164

The 18 Pro does do a very good job here.

165

You get almost like an orange sherbet type of sky

166

and it holds on to a lot more of that road

167

and the grass in the foreground

168

and with the 4p it gives you more of a purple gradient up at top there

169

and it keeps the trees darker

170

so it feels a little bit more like early morning

171

and you'll also see what i'm talking about here

172

when we talk about this color difference

173

that we were seeing with the foliage shot the 18 pro you get

174

that same lime green type of look in the trees as

175

i'm driving by just look at the ones on the right side

176

and with the 4p the greens are darker there's more contrast

177

so the trees look a lot more realistic for my taste

178

i prefer the pocket 4p for driving shots now i have

179

talked about how the 18 pro lifts up mid -tones

180

which i can't really control A lot of times it's not an issue, but here it is.

181

With the 18 Pro, just look at the pavement.

182

There is such a big reflection on that.

183

It almost pushes the whole bottom of the frame into overexposure territory.

184

Whereas with the 4P, it's able to hold onto that darker look on the pavement.

185

And to me, that gives an overall more realistic looking frame.

186

So what are we to make of all this?

187

I always wondered if the iPhone was gonna come out and fix a lot of the issues that previous iPhones had.

188

And maybe in some regard it has, you know, when you're shooting like

189

that mushroom shot i don't think i could have got

190

that same exact shot same exact looking shot in the past with previous iphones

191

but skin tones are still an issue it doesn't really have

192

that much of a change as i was hoping for

193

and after using it in like all these different real world scenarios

194

and putting it onto my actual editor

195

and looking at the shots i'd say it's like not too exciting of an upgrade with

196

that being said the 18 pro is not a bad phone at all it's got a great camera

197

if you're on a budget i would recommend for you to pick up the pocket 4p

198

and maybe like the 17 pro or 16 pro as your beat cam instead of going all in with the 18 Pro.

199

The variable aperture is great

200

but you do need an ND filter to try to stop down especially

201

when you're in a brighter environment so it's just one extra thing that you'll have to bring.

202

The one thing that I do love is being able to control the aperture.

203

That gives me a little bit more creative freedom.

204

Now before you go I want to tell you about my talking head course

205

which is going to help you take your talking heads to a whole new level and look more professional.

206

Thanks for watching this video.

207

I'm Joe with the Film Alliance and I'll see you in the next one.

208

Have you ever wished you could get your video talking heads

209

to go from looking something like this to something like this here's how

210

but first let's go back i've shot over 600 headshots over the past 10 years

211

that is my very first headshot in 2016 and one thing

212

that i've learned over these years is it's not about the camera

213

or the lens it's not about the budget or the lighting

214

that i had available it's just knowing

215

and understanding the basic fundamentals that's what makes all of the difference

216

and that's exactly why i created this course by the way this is an ai free zone everything

217

that i teach you was built on real experience real environments

218

and proven fundamentals

219

that i've personally learned over the last decade this course includes

220

over 50 structured lessons walking you through framing psychology camera sensor

221

and lens decisions framing and composition considerations camera settings

222

that optimize your talking head videos different lighting setups one light two light

223

and three light systems performance in front of the camera

224

and how to develop confidence teleprompter use and techniques post -production tips

225

and tricks tripod and accessory setup and real world workflow systems plus

226

so much more all to help you level up your talking head videos

227

and the reason i'm teaching this is simple whether you're filming youtube videos recording courses creating online programs

228

or filming client interviews

229

if you master this your value will go up dramatically in

230

this course i've left no stones unturned i'm giving you everything

231

that i've got and i kept the price as low as i can go

232

because i really want to see you succeed with your talking head videos

233

if you're fired up and excited to learn this lifelong skill click on the link below

234

and i'll show you how i can't wait to see you in the first lesson.

Scarica l'app

Tutto ciò che serve per parlare fluentemente

Pronuncia con IAVoto per ogni frase

Pratica IPAPadroneggia ogni suono

VocabolarioCostruisci il tuo lessico

Gioco di vocabolarioImpara giocando

Scansiona QR

Download on theApp Store Get it onGoogle Play

Stesso Canale

I Used the Osmo Pocket 4P for 100 Days

Daily ConversationWorking Adults

FOR YOU

Video consigliato

30 frasi

$Anker soundcore SPACE 2 Pro \ BEST HEADPHONES FOR CALLS HANDS DOWN🔥$ B2

230 frasi

Anker soundcore SPACE 2 Pro \ BEST HEADPHONES FOR CALLS HANDS DOWN🔥

Daily ConversationWorking Adults

Vocabolario e note di pronuncia per questa lezione

Questa lezione di conversazione di livello B2 si basa sul video “iPhone 18 Pro vs Osmo Pocket 4P - Watch Before you Buy!!”. Le parole che ritornano più spesso: pro, shot, camera, tone, color. Questo video contiene 234 frasi e 3085 parole da ripetere con lo shadowing. Il parlato dura 13:20. Chi parla va veloce, circa 231 parole al minuto: aspettati suoni legati e ridotti. Il 82% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare.

Vocaboli chiave di questo video

Le 15 parole più avanzate del video, con pronuncia e significato:

Parola	Pronuncia	Significato
realistic aggettivo	/ˌɹɪəˈlɪs.tɪk/	realistico
stabilization sostantivo	/ˌsteɪ.bəl.ɪzˈeɪ.ʃən/	stabilizzazione
aperture sostantivo	/ˈæp.ɚˌt͡ʃʊɹ/	apertura
sensor sostantivo	/ˈsɛn.sɚ/	sensore
lens sostantivo	/lɛnz/	lentille, lente
flare sostantivo	/flɛɚ̯/	bagliore
foliage sostantivo	/ˈfoʊliɪd͡ʒ/	fogliame
megapixel sostantivo		megapixel
variable aggettivo	[ˈvæɹ.i.ə.bl̩]	variabile, regolabile
gimbal sostantivo	/ˈd͡ʒɪmbəl/	sospensione cardanica
kinematic aggettivo	/kɪn.əˈmæt.ɪk/	cinematico
mush sostantivo	/mʌʃ/	poltiglia, pastone
saturation sostantivo		saturazione
walkway sostantivo	/ˈwɔkˌweɪ/	passerella
pavement sostantivo	/ˈpeɪvm(ə)nt/	pavimentazione stradale, pavimentazione

I phrasal verb che sentirai

Parola	Significato
go out verbo	uscire, andare fuori
pick up verbo	tirare su, sollevare
end up verbo	andare a finire, finire
go back verbo	tornare
go through verbo	attraversare
go up verbo	salire

Frasi da ripetere

Frasi brevi e complete del video che puoi riutilizzare nella conversazione di tutti i giorni:

I'll leave links to those products in the description.
All right, are you ready?
I'm not sure why that would be.

La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

Struttura	Nel video
Frasi condizionali if + frase, will/would + verbo — una condizione e il suo risultato	if you're on a budget i would recommend · if you master this your value will go
Forma passiva be + participio passato — conta ciò che accade, non chi lo fa	was created · is set · is pushed
Present perfect have/has + participio passato — un’azione passata che conta ancora adesso	have shot · haven't fixed · haven't been

Pronuncia a cui fare attenzione

Chi parla usa 64 contrazioni e forme ridotte, come I'm, you're, don't. Pronunciale nella forma breve, così come le senti.

I suoni “sh” e “zh”: stabilization /ˌsteɪ.bəl.ɪzˈeɪ.ʃən/, mushroom /ˈmʌʃˌɹuːm/, mush /mʌʃ/, sherbet /ˈʃɝ.bət/, computational /ˌkɑmpjʊˈteɪʃənəl/
Parole lunghe — attenzione all’accento: stabilization /ˌsteɪ.bəl.ɪzˈeɪ.ʃən/, kinematic /kɪn.əˈmæt.ɪk/, teleprompter /ˈtɛləˌpɹɑmptəɹ/, computational /ˌkɑmpjʊˈteɪʃənəl/, accessory /əkˈsɛs.(ə.)ɹi/

I suoni difficili per chi parla italiano:

Consonante finale — senza aggiungere una vocale dopo: realistic /ˌɹɪəˈlɪs.tɪk/, lens /lɛnz/, foliage /ˈfoʊliɪd͡ʒ/, boardwalk /ˈbɔɹdˌwɔk/, kinematic /kɪn.əˈmæt.ɪk/
/æ/ — più aperta della “e”: aperture /ˈæp.ɚˌt͡ʃʊɹ/, variable [ˈvæɹ.i.ə.bl̩], kinematic /kɪn.əˈmæt.ɪk/, artifact /ˈɑɹtɪfækt/, backlight /ˈbæk.laɪt/

Come esercitarsi con questo video

Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
Registrati e confronta con l’originale, facendo attenzione a parole come realistic, stabilization, aperture.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

Tecnica dello shadowing: leggi la guida completa passo dopo passo →

Pratica di Shadowing: iPhone 18 Pro vs Osmo Pocket 4P - Watch Before you Buy!! - Impara a parlare inglese con i video

Scegli una modalità di pratica

Scarica l'app

I Used the Osmo Pocket 4P for 100 Days

Apple iPhone 7 Pro MAX/Air series - Finally, the WAIT is OVER! 🚀

Why Android is Simply Better Than iOS

5 Things Under $20 Every ARCHITECT Needs

Signs upgrading will make your life worse

Laziest Ways to Make Money with AI (For Beginners)

What they got right! iPhone Duo

2026 Mac Mini - CRAZY FAST! (M5 Pro / M5 Ultra)

7 Easy & Cinematic B-Roll Shots for YouTube Vlogs

Matt vs Japan's Ideal Shadowing Setup - How to Shadow

ZV-E10 Low Light - Best Picture Profile