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1
The Hey,
2
Jane.
3
Got a positive ID on the victim.
4
Victor Mendelson, 62.
5
He was a diamond cutter.
6
He has a shop in the San Francisco Diamond with an electric rotary saw.
7
Excuse me.
8
Your toe?
9
Careful.
10
Sorry.
11
Is it me or does Jane seem a little bit off since the feds took Lorelai?
12
Does Jane seem a little bit off since the feds took Lorelai?
13
Only spent six months setting a trap for Red John.
14
He has nothing to show for it.
15
What do you feel?
16
Maybe we should invite him out for a night with the boys.
17
All right, you ask him.
18
Well, I came out this morning to snip my herbs.
19
It's always best to do that right after the morning dew evaporates.
20
And when I didn't see Victor, I got a really bad feeling.
21
Do you usually see him in the morning?
22
Every morning.
23
We chat over the fence.
24
Hey, Jane, this is Betty Fortford.
25
She lives next door.
26
Patrick, Jane.
27
So did Victor tell you about anybody who might want to hurt him?
28
No. Although, last night when I was getting ready for bed, I did hear him arguing with a man in his house.
29
What were they arguing about?
30
Flowers.
31
Really?
32
Blue orchids, to be exact.
33
They were shouting.
34
Victor never shouts.
35
A glimpse of the other man?
36
Well, I tried to snoop, but I couldn't see into the kitchen.
37
That's where they were having it out.
38
What's that noise?
39
I have absolutely no idea, but I will investigate.
40
I'm
41
going to
42
go to the next video.
43
I'm
44
going to
45
go to the next episode.
46
I'm sorry.
47
Everything okay in there?
48
Everything's fine.
49
Oh.
50
What are you doing in there?
51
Rabbit stew.
52
Yummy.
53
They just fatten you up.
54
Come on, fella.
55
What time did you get to the house this morning?
56
Same time every Monday.
57
This morning, he didn't answer the door, so I looked in the window.
58
Wow, you did the right thing.
59
Calling the police.
60
Very brave.
61
Very brave.
62
I told Mr. Mendelson something bad was coming, but he didn't listen to me.
63
Why did you think something bad was on its way?
64
The black ants.
65
For two weeks, I come now and I clean black ants from the house.
66
Black ants.
67
In some South American countries, it's said that if black ants enter your house, then someone in your family might die.
68
Ay, gracias a Dios, you understand.
69
This is an eagle's claw.
70
He will help you find who did this.
71
Take it, Pete.
72
Honey, you're so funny.
73
Here, Briggs, can you hold this?
74
Has anyone seen a rabbit around here?
75
Excuse me, did you happen to see a rabbit?
76
Yeah.
77
Thank you.
78
Hello, fella.
79
I'm gonna find him.
80
Gotcha.
81
You found him.
82
I take it this belongs to you.
83
Yeah, it's the third time he's escaped.
84
Certainly took your time getting here.
85
You're expecting me?
86
Yeah, of course.
87
You know something about the murder?
88
Yeah, poor old Mr. Mendelsohn.
89
You know anything that can help us?
90
You tell me.
91
How can I know what you know?
92
How can I know what I know will help you?
93
You're testing me.
94
Why?
95
You don't have issues with authority figures.
96
You know you're the smartest person in most rooms.
97
What's your name?
98
Am I required to tell you?
99
I'm just a consultant.
100
You don't have to tell me anything.
101
Then I won't.
102
Okay.
103
Have it your way.
104
Who's playing who?
105
You think you can manipulate me with reverse psychology?
106
Seems to be working.
107
Well, it's not.
108
I'll help you.
109
But not because of your lame attempt to prey on my ego.
110
I'm bored.
111
Not a whole lot's going on in my world.
112
In what world's that?
113
Come on.
114
Mr. Mendelson.
115
Have you been inside before?
116
No, but I've seen him go in a lot.
117
He spent all of his time here.
118
Wow.
119
This place is so cool.
120
Weird is what it is.
121
Like a place in a dream.
122
Close.
123
No cigar.
124
You're getting warmer, though.
125
What? Who are you?
126
What's your name?
127
All the time.
128
What are you hiding?
129
You tell me.
130
You're the mentalist.
131
I never said I was a mentalist.
132
Spooky.
133
So how did I know?
134
You're playing a little game with me.
135
I want to know why. Who are you?
136
What's your name?
137
Charlotte.
138
Okay, well, that's half a name.
139
It's a start.
140
Half a nice name.
141
And a daughter named Charlotte.
142
I know.
143
Oh.
144
No, you don't.
145
Who put you up to this, Red John?
146
Red John, Red John, Red John, I- I thought it was murdered.
147
I found her body.
148
You are safe, you are loved, and you are wise.
149
You told you those words.
150
You did.
151
Every night when you took me in the bed.
152
Hey Jake, how'd you find this place before we did?
153
Well it's been good, could you run a background check on this girl?
154
She's playing a con on me, a very good one.
155
And who are you miss?
156
Hello, I'm his daughter, Charlie.
157
I've heard so much about you, it's nice to meet you.
158
Come on buddy, why don't you have a seat?
159
What is wrong with you?
160
It's alright.
161
We'll explain it all to you.
162
We'll tell you everything.
163
Just sit down first.
164
Oh.
165
Charlotte's dead.
166
Everything okay in there?
167
What's going on?
168
Oh my god. Did he ingest anything?
169
Tea.
170
He drank hot tea.
171
His heartbeats irregular.
172
He was dilated.
173
His skin is unusually dry.
174
Right here.
175
Give that to the lab.
176
In fact, extend the primary crime scene into the kitchen.
177
No need for the lab.
178
It's Belladonna, the devil's cherry.
179
Known from working narcotics.
180
Belladonna is highly toxic.
181
That's what users dilute it with tea.
182
The berries have a sweet flavor sweet flavor.
183
This sake gives you instant hallucinations.
184
If the victim was tripping, it would make him a lot easier to kill.
185
Is he gonna be okay?
186
He's holding his own.
187
That's a good sign, but we need to get him to a hospital and pump his stomach.
188
I'm gonna go with Jane.
189
Cho, you're in charge.
190
You two pushed on the investigation.
191
Can you have his client list?
192
Yeah, you should see this thing.
193
Leaders of industry, royalty, Hollywood stars.
194
Yeah, we need to run them down.
195
I'm all over it.
196
I already had to call him to Clooney.
197
Preliminary forensics report.
198
There were no usable prints in the teapot or bowl.
199
Well, except for Jane's prints.
200
Great.
201
Smudging fingerprints, stringing evidence.
202
Just like a drunk uncle.
203
What about the electric saw that was used on the victim?
204
Two sets of prints.
205
One belongs to Mendelssohn, the other unidentified.
206
Emmy puts time of death around midnight.
207
Now, Lisbon said the next-door neighbor heard Mendelssohn arguing with a man in his kitchen last night.
208
Did Mendelssohn live alone?
209
He was sharing his home with his daughter and Melaina.
210
I guess she had hard times last year and moved in.
211
She writes children's books.
212
Where was you last night?
213
Big Sur rented a cabin to work.
214
No workers?
215
An assistant named Julian Galleto.
216
Bring it in.
217
Let me know what you're buying.
218
All right.
219
Sorry, I got it.
220
CBI.
221
Oh, yeah, Mr. Clooney.
222
Yeah, this is Agent Cho.
223
I just have a couple questions for you.
224
This way, this way please.
225
Is he gonna be all...
226
Victor was like Stradivari.
227
You could hear a flaw in the diamond by the way his grinding wheel changed it so...
228
How long did you work for him?
229
Yesterday.
230
We spent the whole day in the workshop together.
231
I see him.
232
Yesterday.
233
We spent the whole day in the workshop together.
234
He was showing me how to open a window.
235
A window?
236
Before making the first cut, Victor would spend weeks getting to know a rare gem.
237
You have to polish a window in the cloudy surface of the stone so that you can peer into its heart.
238
Sounds romantic.
239
It is.
240
A careless cut can shatter your treasure.
241
Did your boss come into possession of any rare gems lately?
242
Oh, yes.
243
A hundred and two-carat blue diamond.
244
Most master cutters will turn into old men and never touch a diamond over 50 carats.
245
One hundred carats?
246
Twenty million dollars.
247
And where is that diamond?
248
Victor took it home with him.
249
He took all of his clients' stones home with him at night.
250
He got them close in a hidden shoulder wallet.
251
There was no shoulder wallet found on Victor's body.
252
Did anyone have it in for your boss?
253
Fahad.
254
Fahad threatened him.
255
Who's that?
256
Fahad Ranjani, another diamond cutter, a minor talent.
257
The Blue Orchid is a career-making stone.
258
Fahad thought it was going to him.
259
The Blue Orchid?
260
Blue Orchid?
261
That's right.
262
When was your last contact with your father, Malena?
263
Yesterday morning.
264
He was so excited about that new stone.
265
According to his assistant Julian, he liked to hide his client's gems on his body.
266
Dad never took off that beat up shoulder pouch.
267
Even in bed.
268
He drove Mom crazy.
269
And why would he do that?
270
He was raised not to trust security services.
271
His father was a German Jew who survived the Holocaust only to have the bank steal the family money.
272
And did anyone other than you and Julian know about the shoulder pouch?
273
We're the only ones you trusted.
274
Marlena, are you a tea drinker?
275
I am.
276
We found a toxic substance inside your teapot.
277
Can anyone confirm that you were in Big Sur last night?
278
No. I rent a remote cabin for solitude.
279
Would you consent to a forensics exam and an examination of your vehicle?
280
No. Let me go ahead.
281
Do whatever you need to.
282
You're not real.
283
You're an hallucination.
284
Depends on your point of view, I suppose.
285
It's the only reality that I know.
286
I'm not.
287
Listen.
288
Set suction to 125 intermittent.
289
Check his IV and get an electrolyte bag just in case.
290
Yes, darling.
291
Well, how about that? So.
292
You're my daughter.
293
Well, at least I imagine my daughter to be all grown up.
294
Do I mean your approval?
295
You're a bit living.
296
Yeah, I get that from you.
297
Yeah, sorry.
298
Not really crazy about that.
299
I hate you didn't exactly turn it the way I expected.
300
What's that supposed to mean?
301
What happened to you?
302
I'm rich on.
303
Mom would not be happy.
304
My relationship with your mother is, uh, it's my business.
305
Show them the respect.
306
Hello, figment of your imagination and show yourself some respect.
307
This is what I've been missing out of all these years?
308
When are you going to college again?
309
You can't even be real.
310
This is what doesn't even exist.
311
Does anyone know who you are?
312
Yes. Who?
313
Well, come on, who?
314
This, Ben.
315
Hey.
316
Hey, Jane.
317
Hey, I'm back.
318
Yeah.
319
You're gonna be okay?
320
I pumped your stomach.
321
It took some kind of...
322
Hallucinogen.
323
Hallucinogen.
324
Is it in the tea?
325
Bellidonna leaves.
326
The doctor says it could take a few hours to leave your system.
327
You're gonna be okay, though.
328
You're gonna be okay though, you just need some rest.
329
Yeah.
330
How you feeling?
331
I'm not sure.
332
It's so thirsty.
333
Can you get me out of the water?
334
I'm not sure.
335
Right, Mark.
336
You're still here.
337
You're still tripping.
338
It would seem so.
339
You really shouldn't be driving.
340
And you especially should not be driving an ambulance.
341
I'll have some strong tea.
342
Uh-oh.
343
Now you're stealing an ambulance.
344
No, I'm just admiring the interior.
345
Wicked GPS.
346
How much do you think one of these rigs goes for?
347
You need bed rest.
348
I need to go back to the crime scene.
349
Attention. In bed, now.
350
When I was in the victim's kitchen, I made a breakthrough in the case.
351
At least I thought I did.
352
That's about when the wacky T kicked in.
353
Fine, I will have Van Pelt come down here with crime scene photos.
354
Not the same.
355
I have to be there.
356
Hallucinations are part of the subconscious.
357
Mine could be clues.
358
We'll go when you're lucid.
359
But when I'm lucid, I could forget everything.
360
But right now, let me tell you, right now, my visions are very, very real.
361
In other words, you want to use drugs as off-case.
362
Some great minds did their best work on hallucinogens.
363
And now you have a great mind.
364
I like her.
365
Oh, you're funny.
366
Double act, huh?
367
Jake, you're scaring me.
368
I would choose, but it's been chosen for me, so I must stay the course.
369
Please, I implore you, take me back to the crime scene.
370
The Maharaja of Jodhpur owns the Blue Orchid.
371
His Royal Highness called personally to inquire about my services.
372
The commission was mine, until Victor Mendelssohn used his flashy credentials to steal my job.
373
I was told you threatened Victor.
374
I did.
375
Did you kill him too?
376
Come again?
377
It means, barking dogs seldom bite.
378
If I intended to kill Victor, I wouldn't broadcast my intentions.
379
Oh, things happen in the heat of the moment.
380
Things we can't control.
381
Right before he was murdered in dog, Fahad, you just said so yourself.
382
Were you barking at Victor last night?
383
What do you want from me?
384
Do you want to arrest me?
385
Then arrest me.
386
If not, I'm going back to work.
387
What do you have to say to that?
388
You're a person of interest, Fahad interest, Fahad.
389
Don't leave town without notifying CBI.
390
Did that sound like the man you heard yelling last night?
391
It might.
392
No, he didn't sound...
393
I don't think that was him.
394
The man I heard yelling didn't have an accent like that.
395
Last thing I remember was admiring this beautiful butterfly.
396
Right here.
397
Real or imagine?
398
Both.
399
What was in the pot?
400
A rabbit.
401
Like that, gobbet?
402
Yeah, just like that.
403
But my rabbit was real with a diamond necklace.
404
That is some of those much.
405
She's kind of cute.
406
You mean, have you guys ever...
407
You be quiet.
408
Pressing on, I carried the rabbit to the foyer.
409
I jumped from my hands and hopped out the door.
410
And I moved down the walkway looking, where's the bunny?
411
Here, little bunny, bunny.
412
And I went through the gawking here.
413
I met this lovely Scandinavian couple that spotted the rabbit hopping up that path.
414
They're Scandinavian?
415
Yes.
416
It's a clue, right?
417
Scandinavia.
418
Reindeer.
419
Reindeer at Christmas.
420
I might have just figured out that the killer has a disability.
421
Did the couple you met kinda look like them?
422
You must have walked by them on your way to the backyard.
423
Classic.
424
Still waiting for those subconscious clues to kick in, Jane.
425
They will.
426
Follow me.
427
This is wrong.
428
What's wrong?
429
This yard's different.
430
In my hallucination, this was a manicured garden with a...
431
Look at that pool.
432
...ring in it.
433
Okay, so tell me what happened back here in your vision.
434
The water's great.
435
It's very much, Charlotte.
436
Charlotte?
437
My daughter.
438
Is that who you've been talking to?
439
Yes.
440
Is she here right now?
441
Yeah.
442
What is she doing?
443
She's doing the backstroke.
444
I taught her that.
445
Crime scene.
446
Maybe it's on your daughter.
447
Why?
448
I don't know.
449
Can we go back to the hospital now?
450
Workshop.
451
What?
452
Charlotte took me to the diamond cutters workshop.
453
Last stop, I promise.
454
If we don't find anything, I will tuck myself in the bed and sleep it off.
455
I'm gonna hold you to that.
456
Hey. In the back here. And who are you?
457
CBI.
458
We're investigating victim Mendelson's murder.
459
Yours, assistant?
460
Jolene Gallego.
461
I work here.
462
It's not what I imagine.
463
You mind if we take a look around?
464
Not at all.
465
I'm just packing up.
466
Please.
467
Thank you.
468
I like the other workshop better.
469
This is so dull.
470
Why do you even work for this?
471
Okay, whatever.
472
What does that mean?
473
Okay, whatever.
474
To be honest, Dad, your obsession is a little creepy and weird, you know?
475
What?
476
To vote for you and your mom?
477
Yeah.
478
And I hate to be the one to break this to you, Dad, but...
479
There's nothing that you can do for us.
480
We don't give a damn what happens to Red John... When we're dead.
481
Gone.
482
You need to start dealing with that.
483
I deal with it every day.
484
Maybe that's it.
485
Don't roll your eyes at me.
486
You don't need to go in there.
487
That's just my stuff.
488
You found it.
489
You found the blue market?
490
Yes. In your stuff.
491
What's a 20 million dollar missing diamond doing in your bag?
492
Victor's daughter say he kept it on his body at all times.
493
I don't know how it got in there.
494
Wait, you're...
495
...last night about a diamond.
496
Was that man you, Julian?
497
No. I mean...
498
Okay, yes, I was there.
499
So you lied to Agent Van Pelt?
500
No, she never directly asked me if I was at Victor's house last night.
501
You should have told her.
502
How would that have sounded?
503
That you fought with your boss, drugged him, stole his client's diamonds, and then killed him.
504
We had the creative argument over how to shape this stone.
505
We're both artists, passionate.
506
I didn't kill Victor.
507
I idolized him.
508
Turn around and put your hands behind your head.
509
What? Do it.
510
Hey!
511
Come here!
512
Well, that certainly was easy.
513
Yeah, you're just saying that because I found the diamond.
514
You wish.
515
Come on.
516
When I don't need to tell you where I'm going.
517
No, yeah, I know.
518
You're coming back.
519
I love you, Dad.
520
Hey, Jane.
521
No, not now.
522
Wait.
523
Julian's in holding.
524
The DA likes the case. Is Charlotte...
525
Go on.
526
T-war off.
527
It's all too easy.
528
What are you talking about?
529
Well, I've never been to that workshop.
530
I've never even met the apprentice.
531
How would I know his stashing stolen goods, sir? Who cares?
532
You found the rock.
533
That doesn't mean we found the killer.
534
We got a match for the second set of prints on the murder weapon.
535
Any lines of Julian?
536
Eh, you coppers in your evidence.
537
You always let it confuse everything.
538
Of course Julian's prints are going to be on his boss's tools.
539
They would master an apprentice, right?
540
You're really serious about this.
541
Yes, there's something I am not seeing.
542
Grigsby, where's that necklace?
543
What necklace?
544
The one I handed you from the maid that found the body.
545
The gardener found the body.
546
Well, that means I hallucinated the mess.
547
Water eagles don't answer that.
548
They're hunters in the sky with excellent vision.
549
Just after I poured the tea, I was looking through the kitchen window,
550
watching a butterfly, and I saw the bedroom of that, uh, neighbor lady.
551
What was her name?
552
Betty.
553
Betty, yes.
554
Her bedroom was on the second floor up high with an eagle's view.
555
How do you know it was her bedroom?
556
She had lace curtains and blackout shades.
557
You bet he told me she couldn't see the kitchen from her bedroom window.
558
She lied.
559
Hi.
560
How's the, uh, investigation going?
561
Well, to tell you the truth, uh, we're a little stuck.
562
Oh, well, if I can be of any more help.
563
There's an idea.
564
Oh, uh, would you like to come inside?
565
Only if there's a cup of tea involved.
566
I'd love a cup of tea.
567
Ha, sure.
568
Come on.
569
Fantastic.
570
We're closing in on Victor's killer, but before we make an arrest, we need to find his client's diamonds.
571
The blue orchid.
572
I've been following the news all day.
573
Oh, no, we found that.
574
The blue orchid was hidden in the bag of Victor's apprentice.
575
Oh, so you have your killer?
576
No, we don't think so.
577
Orchid.
578
It's hard to move such a high-profile piece quietly.
579
Oh, I see.
580
A smart killer would use the blue orchid to frame an innocent man for murder and keep the small diamonds.
581
They're easier to fence, but still worth a couple million.
582
Does anyone want lemon with their tea?
583
Just, uh, something out there.
584
Thank you.
585
There's just one thing I don't understand.
586
Why don't you believe that Julian killed Victor?
587
Victor, doesn't that make more sense?
588
It's more plausible than somebody framing Julian?
589
Framing him was the easy part.
590
After Victor was dead, all the killer had to do was take his keys, drive to his workshop, and plant the blue orchid in Julian's bag.
591
Well, if that was the easy part, what was the hard part?
592
Why?
593
Something is tickling my toe.
594
Oh, there it...
595
Where did that...
596
Oh!
597
Where did that come from?
598
Where did what come from?
599
The rabbit!
600
What rabbit?
601
I have no idea.
602
The rabbit!
603
There's a rabbit right here in my house!
604
Where did it come from?
605
We're schneiden van hane.
606
We schneiden van hane.
607
Ah!
608
Vinstraubit!
609
Vinstraubit!
610
Ah-ha!
611
What is wrong with you people?
612
Why are you...
613
Oh, no. Oh, my lord.
614
Which tea did you serve me?
615
Yeah, yeah!
616
Oh, lord.
617
Oh, lord.
618
Oh, lord.
619
Oh, my god.
620
No, no, no, no, no, no, no, no!
621
No, no, no, please, let me go.
622
Let me go!
623
What do you got there?
624
No!
625
I need help!
626
Get your shoulder pouch.
627
No, I need medical help, please!
628
I just drank some Belladonna!
629
I need help!
630
You drank raspberry hibiscus.
631
Sweet like Belladonna, doesn't pack the punch.
632
Believe me.
633
The rabbit?
634
Local pet store.
635
You tricked me.
636
Yaya.
637
I'm...
638
I'm...
639
I'm...
640
I'm...
641
You tricked me.
642
Your finances are a mess, Betty.
643
The money from your late husband's insurance policy long gone.
644
You couldn't make next month's rent.
645
Two million in stolen diamonds would have kept you living in style for...
646
Jules?
647
He was begging for it.
648
How did you know he carried him on him?
649
Oh, please, I've known for years.
650
His kitchen window's right across from my bedroom.
651
Every night I would lie in bed thinking, how can I get my hands on that pouch?
652
The blue orchid was your shot.
653
Oh, framing Julian was one of like a dozen plans I've had over the years.
654
The daughter was at the cabin, and when I saw the two of them in the kitchen with that big rock, I knew it was now or never.
655
Once Julian left, I just...
656
I went on autopilot.
657
Where'd you get the belladonna?
658
I've had it for months for just such an occasion.
659
All I had to do was drop in and offer him a pot of tea.
660
The hallucinations made it easier to kill him.
661
It was the craziest thing.
662
He became so delusional, I convinced him to take his own life.
663
What do you mean?
664
How?
665
I told Victor that the diamonds were trapped in his stomach.
666
I'm
667
going to
668
go to the next episode.
669
I'm sorry.
670
I'm sorry.
671
Thank you.
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Obiettivi di parlato per questo clip
Questo frammento dal video è perfetto per lavorare sulla fluidità nella conversazione spontanea e sulla capacità di seguire un dialogo con interruzioni e cambi di argomento. Gli interlocutori passano da informazioni tecniche (identificazione della vittima) a commenti personali (lo stato d'animo di Jane) e dettagli del caso (l'argomento della lite), insegnando a gestire la varietà di contesti nella lingua inglese. È anche un'occasione per esercitare il shadowing in inglese, imitando il tono e il ritmo delle frasi per rendere la propria pronuncia più naturale.
Banca di frasi riutilizzabili
- "Got a positive ID on the victim" – Ottenuta un'identificazione certa della vittima.
- "He has nothing to show for it" – Non ha niente da mostrare per i suoi sforzi.
- "I got a really bad feeling" – Ho avuto una brutta sensazione.
- "We chat over the fence" – Parliamo oltre la recinzione.
- "They were having it out" – Stavano litigando duramente.
Queste espressioni sono utili per descrivere situazioni investigative, emozioni e interazioni quotidiane, e possono essere integrate facilmente nelle conversazioni.
Correggi i tuoi punti deboli
Il dialogo presenta molti shadow speech (frasi pronunciate con un tono e un ritmo specifici) che aiutano a migliorare la pronuncia inglese. Nota come le interruzioni ("Excuse me. Your toe? Careful.") e le domande retoriche ("Is it me or does Jane seem a little bit off?") hanno un accento e una pausa particolari. Per esercitarti, usa un shadowing site per ripetere le frasi immediatamente dopo l'audio, concentrandoti su:
- La intonazione nelle domande (aumento del tono alla fine).
- La riduzione di alcune parole ("got a" invece di "got a").
- Il ritmo nelle conversazioni veloci, senza perdere la chiarezza.
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Present perfect continuous have/has been + -ing — un’azione iniziata prima e ancora in corso | I've been missing · you've been talking · I've been following |
| Frasi condizionali if + frase, will/would + verbo — una condizione e il suo risultato | If the victim was tripping, it would make · If we don't find anything, I will tuck |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | Have you been · I've seen · it's been |
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | was murdered · are loved · was dilated |
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.