シャドーイング練習: Rosamund Pike's Closet Picks - YouTubeで英語スピーキングを学ぶ
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Hi everyone, I’m Rosamund Pike and I am feeling unbelievably lucky to be in the Criterion Closet.
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Hi everyone, I’m Rosamund Pike and I am feeling unbelievably lucky to be in the Criterion Closet.
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And I’m going to start with I Am Curious because I am curious.
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And I’m also interested in the depiction of sex and sexuality on screen.
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I think it’s very interesting, the debate, where it’s taking us these days.
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Are we entering an age of prudery?
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I’m interested in the way that wellness is taking over our lives, and yet sex seems to be taking a backseat.
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So that’s my first pick.
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I’m then going to try and head to Italy.
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Yes, I’m going to head to Italy, to Antonioni and L’eclisse because well, actually, sentimentally, my first car was… is – still have it – is a Citroën DS which I bought when I was making Pride & Prejudice, and it was owned by Monica Vitti.
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There’s a postage stamp on the dashboard, which I always sentimentally believe came from an important letter that was sent to her, so… Monica Vitti’s coming with me.
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Oh, you know what?
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I think I gotta go to England.
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I think I’ve got to go to the British realism.
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A Taste of Honey.
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There was something very exciting that happened to British cinema, and I think all the actors of this generation have held a kind of awe for me.
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They obviously were able to make films before all the extra stuff that sort of clouds our vision nowadays.
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They were able to be creative and immersed, and not have to be so self-aware, which is something I crave.
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So, A Taste of Honey is coming with me back to London.
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While I’m here, I’m going to introduce you, if you don’t already know it, to a surrealist gem, which is Daisies. It’s a Czech film by Věra Chytilová.
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I’ve just spent five years living in the Czech Republic, making a television series, The Wheel of Time.
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And the Czechs are fiercely witty and… they have a dark humor that’s actually very aligned with British humor.
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And I think what happened in the Czech New Wave was super exciting and avant-garde.
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And, you know, so much attention is paid to the French New Wave and much less to the Czech New Wave, so I’m putting Daisies in and I’m now going to hunt for a Miloš Forman film, which… Ah, here we go.
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Miloš Forman, Loves of a Blonde, which, of course, you know, a Czech hero.
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And so, in honor to my new lived second country, I’m taking a bit of the Czech Republic with me.
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So I’m in New York, and when I’m in New York, I can never be in New York without thinking of Martin Scorsese.
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I actually watched Goodfellas on the plane on the way over and ended up landing feeling very jumpy, in the way that Scorsese can, in breaking with every… sort of seemingly making a masterpiece and yet breaking form at every turn, and you think, how can you have one person narrate and then just change narrator in the middle?
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I always marvel anew at the way he tells story and the number of characters he handles and the way he… he goes from humor to tenderness and then, you know, puts all this violence, underscored by “Frosty the Snowman.” So it’s made me want to see Mean Streets again.
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So Mean Streets is coming with me, and I’ve heard that Criterion have released some of Scorsese’s early shorts. Now, in the shorts is a short film that stars Scorsese’s mother.
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She plays Tommy’s mother in Goodfellas and in Scorsese Shorts, which is right here, we get a very early glimpse of Scorsese’s work with his mum.
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Well, I think it’s almost time to go.
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So, as a final pick, I’m going to end where I started, with an exploration of the body.
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And I’m going to take Agnès Varda’s magnificent collection.
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I can’t believe that the Criterion Collection have gathered all of her work together in this beautiful edition, complete with essays and all the films and some of the photographs, all collected.
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She was an unbelievable photographer. What an image-maker.
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And I think as a… female working in films, the depiction of womanhood in all its stages, never losing interest, pursuing female identity as it changes, Agnès Varda gave that experience honestly and openly and daringly to all of us.
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So, thank you, Agnès. And you’re coming with me, and thank you for having me.
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この動画を使ってスピーキングを練習する理由
ロザムンド・パイクの「Criterion Closet」での発言は、映画、セクシュアリティ、そして女性の表現についての興味深い洞察を提供しています。このようなトピックは、英語を学ぶ人々にとって非常に魅力的です。英語での会話能力を向上させるためには、様々な文脈での表現を理解し、実践することが重要です。YouTubeで英語学習を通じて、聴覚的な刺激を受け、実際の会話で使われる自然なフレーズを身につけることができます。動画を観ながら自分の声で繰り返すことで、shadow speechの技術を向上させることができるでしょう。
文法と表現の分析
- I'm going to - 未来の計画や意図を表すためによく使われます。例えば、パイクが「イタリアに行く」と述べる際に使用しています。
- It's interesting that... - 自分の興味を示す時に効果的なフレーズです。また、意見を述べるトピックを引き立てます。
- So, I’m taking... - 何かを選ぶ時の表現で、選択肢を紹介する際に使います。
- She was an unbelievable photographer. - 形容詞（unbelievable）を使って人物の才能を強調する表現も特徴的です。
一般的な発音の罠
この動画の中で、いくつかの発音が難しい単語やフレーズが見受けられます。例えば、「Miloš Forman」や「Agnès Varda」のような名前は、多くの英語学習者にとって発音が難しいかもしれません。また、「surrealist gem」や「Czech New Wave」というフレーズも、注意して発音する必要があります。shadow speaksの練習を通じて、これらの発音に慣れていくことが大切です。
この動画を活用して、楽しみながら英語のスピーキング能力を高めていきましょう！
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。