跟读练习: Rosamund Pike's Closet Picks - 通过YouTube学习英语口语
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Hi everyone, I’m Rosamund Pike and I am feeling unbelievably lucky to be in the Criterion Closet.
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Hi everyone, I’m Rosamund Pike and I am feeling unbelievably lucky to be in the Criterion Closet.
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And I’m going to start with I Am Curious because I am curious.
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And I’m also interested in the depiction of sex and sexuality on screen.
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I think it’s very interesting, the debate, where it’s taking us these days.
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Are we entering an age of prudery?
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I’m interested in the way that wellness is taking over our lives, and yet sex seems to be taking a backseat.
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So that’s my first pick.
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I’m then going to try and head to Italy.
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Yes, I’m going to head to Italy, to Antonioni and L’eclisse because well, actually, sentimentally, my first car was… is – still have it – is a Citroën DS which I bought when I was making Pride & Prejudice, and it was owned by Monica Vitti.
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There’s a postage stamp on the dashboard, which I always sentimentally believe came from an important letter that was sent to her, so… Monica Vitti’s coming with me.
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Oh, you know what?
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I think I gotta go to England.
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I think I’ve got to go to the British realism.
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A Taste of Honey.
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There was something very exciting that happened to British cinema, and I think all the actors of this generation have held a kind of awe for me.
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They obviously were able to make films before all the extra stuff that sort of clouds our vision nowadays.
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They were able to be creative and immersed, and not have to be so self-aware, which is something I crave.
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So, A Taste of Honey is coming with me back to London.
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While I’m here, I’m going to introduce you, if you don’t already know it, to a surrealist gem, which is Daisies. It’s a Czech film by Věra Chytilová.
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I’ve just spent five years living in the Czech Republic, making a television series, The Wheel of Time.
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And the Czechs are fiercely witty and… they have a dark humor that’s actually very aligned with British humor.
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And I think what happened in the Czech New Wave was super exciting and avant-garde.
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And, you know, so much attention is paid to the French New Wave and much less to the Czech New Wave, so I’m putting Daisies in and I’m now going to hunt for a Miloš Forman film, which… Ah, here we go.
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Miloš Forman, Loves of a Blonde, which, of course, you know, a Czech hero.
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And so, in honor to my new lived second country, I’m taking a bit of the Czech Republic with me.
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So I’m in New York, and when I’m in New York, I can never be in New York without thinking of Martin Scorsese.
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I actually watched Goodfellas on the plane on the way over and ended up landing feeling very jumpy, in the way that Scorsese can, in breaking with every… sort of seemingly making a masterpiece and yet breaking form at every turn, and you think, how can you have one person narrate and then just change narrator in the middle?
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I always marvel anew at the way he tells story and the number of characters he handles and the way he… he goes from humor to tenderness and then, you know, puts all this violence, underscored by “Frosty the Snowman.” So it’s made me want to see Mean Streets again.
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So Mean Streets is coming with me, and I’ve heard that Criterion have released some of Scorsese’s early shorts. Now, in the shorts is a short film that stars Scorsese’s mother.
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She plays Tommy’s mother in Goodfellas and in Scorsese Shorts, which is right here, we get a very early glimpse of Scorsese’s work with his mum.
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Well, I think it’s almost time to go.
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So, as a final pick, I’m going to end where I started, with an exploration of the body.
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And I’m going to take Agnès Varda’s magnificent collection.
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I can’t believe that the Criterion Collection have gathered all of her work together in this beautiful edition, complete with essays and all the films and some of the photographs, all collected.
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She was an unbelievable photographer. What an image-maker.
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And I think as a… female working in films, the depiction of womanhood in all its stages, never losing interest, pursuing female identity as it changes, Agnès Varda gave that experience honestly and openly and daringly to all of us.
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So, thank you, Agnès. And you’re coming with me, and thank you for having me.
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背景与背景
在这段视频中，著名演员罗莎蒙德·派克分享了自己对不同电影及其影响的见解。她提到了一些经典电影和导演，同时探讨当前社会中性与性别表现的变化。对于英语学习者而言，派克的表达方式和思考过程不仅展示了她的个性，也为学习者提供了一种如何在日常对话中表达自己观点的良好示范。通过她的分享，学习者能更好地理解文化背景及影视艺术在生活中的重要性。
日常交流中的五大短语
- I think it’s very interesting...（我觉得这非常有趣……）
- I’m interested in...（我对……感兴趣）
- I believe that...（我相信……）
- I actually watched...（我实际上看了……）
- So, as a final pick...（所以，作为最后的选择……）
这些短语在日常对话中都非常实用，能有效帮助学习者表达观点和体验。同时，运用这些短语进行雅思口语练习时，可以提高英语发音的准确性，增强自信心。
逐步跟读指南
为了提高你的英语口语能力，尤其是在跟读（shadowing）过程中，你可以遵循以下步骤：
- 选择片段：从视频中选择一小段，注意录音中的语调和停顿。
- 倾听与模仿：多次听这段录音，尝试模仿说话者的发音和语调。这是提高英语发音的有效方法。
- 分段练习：对每个句子进行单独的跟读练习，确保每个单词的正确发音，注重连读现象。
- 记录与纠正：录下自己的朗读，与原音频进行对比，找出不同之处并进行调整。
- 多次练习：在逐步掌握后，反复进行跟读，增强流利度和自信感。
通过这种逐步的跟读方法，学习者可以在shadow speech训练中提高自己的口语流利度，甚至在雅思口语考试中表现得更出色。
什么是跟读法？
跟读法 (Shadowing) 是一种有科学依据的语言学习技巧，最初开发用于专业口译员的培训，并由多语言者Alexander Arguelles博士普及。这个方法简单而强大：您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同，跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性，语调，节奏，连读，听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。