跟讀練習: Rosamund Pike's Closet Picks - 通過影片學習英語口語
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37 句
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1
Hi everyone, I’m Rosamund Pike and I am feeling unbelievably lucky to be in the Criterion Closet.
2
And I’m going to start with I Am Curious because I am curious.
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And I’m also interested in the depiction of sex and sexuality on screen.
4
I think it’s very interesting, the debate, where it’s taking us these days.
5
Are we entering an age of prudery?
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I’m interested in the way that wellness is taking over our lives, and yet sex seems to be taking a backseat.
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So that’s my first pick.
8
I’m then going to try and head to Italy.
9
Yes, I’m going to head to Italy, to Antonioni and L’eclisse because well, actually, sentimentally, my first car was… is – still have it – is a Citroën DS which I bought when I was making Pride & Prejudice, and it was owned by Monica Vitti.
10
There’s a postage stamp on the dashboard, which I always sentimentally believe came from an important letter that was sent to her, so… Monica Vitti’s coming with me.
11
Oh, you know what?
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I think I gotta go to England.
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I think I’ve got to go to the British realism.
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A Taste of Honey.
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There was something very exciting that happened to British cinema, and I think all the actors of this generation have held a kind of awe for me.
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They obviously were able to make films before all the extra stuff that sort of clouds our vision nowadays.
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They were able to be creative and immersed, and not have to be so self-aware, which is something I crave.
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So, A Taste of Honey is coming with me back to London.
19
While I’m here, I’m going to introduce you, if you don’t already know it, to a surrealist gem, which is Daisies. It’s a Czech film by Věra Chytilová.
20
I’ve just spent five years living in the Czech Republic, making a television series, The Wheel of Time.
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And the Czechs are fiercely witty and… they have a dark humor that’s actually very aligned with British humor.
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And I think what happened in the Czech New Wave was super exciting and avant-garde.
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And, you know, so much attention is paid to the French New Wave and much less to the Czech New Wave, so I’m putting Daisies in and I’m now going to hunt for a Miloš Forman film, which… Ah, here we go.
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Miloš Forman, Loves of a Blonde, which, of course, you know, a Czech hero.
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And so, in honor to my new lived second country, I’m taking a bit of the Czech Republic with me.
26
So I’m in New York, and when I’m in New York, I can never be in New York without thinking of Martin Scorsese.
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I actually watched Goodfellas on the plane on the way over and ended up landing feeling very jumpy, in the way that Scorsese can, in breaking with every… sort of seemingly making a masterpiece and yet breaking form at every turn, and you think, how can you have one person narrate and then just change narrator in the middle?
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I always marvel anew at the way he tells story and the number of characters he handles and the way he… he goes from humor to tenderness and then, you know, puts all this violence, underscored by “Frosty the Snowman.” So it’s made me want to see Mean Streets again.
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So Mean Streets is coming with me, and I’ve heard that Criterion have released some of Scorsese’s early shorts. Now, in the shorts is a short film that stars Scorsese’s mother.
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She plays Tommy’s mother in Goodfellas and in Scorsese Shorts, which is right here, we get a very early glimpse of Scorsese’s work with his mum.
31
Well, I think it’s almost time to go.
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So, as a final pick, I’m going to end where I started, with an exploration of the body.
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And I’m going to take Agnès Varda’s magnificent collection.
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I can’t believe that the Criterion Collection have gathered all of her work together in this beautiful edition, complete with essays and all the films and some of the photographs, all collected.
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She was an unbelievable photographer. What an image-maker.
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And I think as a… female working in films, the depiction of womanhood in all its stages, never losing interest, pursuing female identity as it changes, Agnès Varda gave that experience honestly and openly and daringly to all of us.
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So, thank you, Agnès. And you’re coming with me, and thank you for having me.
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背景與背景
在這段影片中，著名演員羅莎蒙德·派克分享了自己對不同電影及其影響的見解。她提到了一些經典電影和導演，同時探討當前社會中性與性別表現的變化。對於英語學習者而言，派克的表達方式和思考過程不僅展示了她的個性，也為學習者提供了一種如何在日常對話中表達自己觀點的良好示範。通過她的分享，學習者能更好地理解文化背景及影視藝術在生活中的重要性。
日常交流中的五大短語
- I think it’s very interesting...（我覺得這非常有趣……）
- I’m interested in...（我對……感興趣）
- I believe that...（我相信……）
- I actually watched...（我實際上看了……）
- So, as a final pick...（所以，作為最後的選擇……）
這些短語在日常對話中都非常實用，能有效幫助學習者表達觀點和體驗。同時，運用這些短語進行雅思口語練習時，可以提高英語發音的準確性，增強自信心。
逐步跟讀指南
為了提高你的英語口語能力，尤其是在跟讀（shadowing）過程中，你可以遵循以下步驟：
- 選擇片段：從影片中選擇一小段，注意錄音中的語調和停頓。
- 傾聽與模仿：多次聽這段錄音，嘗試模仿說話者的發音和語調。這是提高英語發音的有效方法。
- 分段練習：對每個句子進行單獨的跟讀練習，確保每個單詞的正確發音，注重連讀現象。
- 記錄與糾正：錄下自己的朗讀，與原音訊進行對比，找出不同之處並進行調整。
- 多次練習：在逐步掌握後，反覆進行跟讀，增強流利度和自信感。
通過這種逐步的跟讀方法，學習者可以在shadow speech訓練中提高自己的口語流利度，甚至在雅思口語考試中表現得更出色。
影片中的語法
說話人最常用的結構，並附上影片中的原話：
| 結構 | 影片中的用法 |
|---|---|
| 現在完成時 have/has + 過去分詞 — 過去發生但與現在仍有關聯的事 | have held · I've just spent · I've heard |
| 被動語態 be + 過去分詞 — 強調發生了什麼，而不是誰做的 | was owned · was sent · is paid |
| 定語從句 who / which + 從句 — 補充說明人或事物 | aware, which is · gem, which is · Shorts, which is |
什麼是跟讀法？
跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧，最初開發用於專業口譯員的培訓，並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大：您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同，跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性，語調，節奏，連讀，聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。