シャドーイング練習: The Secret Garden Chapter Three - 動画で英語スピーキングを学ぶ
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The Secret Garden by Frances Hodgson, Burnett, Chapter 3
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Across the Moor She slept a long time, and when she awakened, Mrs. Medlock had bought a lunch basket at one of the stations,
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and they had some chicken and cold beef and bread and butter, and some hot tea.
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The rain seemed to be streaming down more heavily than ever, and everybody in the station wore wet and glistening waterproofs.
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The guard lighted the lamps in the carriage, and Mrs. Medlock cheered up very much over her tea and chicken and beef.
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She ate a great deal, and afterward fell asleep herself, and Mary sat and stared at her, and watched her fine bonnet slip on one side,
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until she herself fell asleep once more in the corner of the carriage, lulled by the splashing of the rain against the windows.
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It was quite dark when she awakened again.
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The train had stopped at a station and Mrs. Medlock was shaking her.
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You have had a sleep, she said.
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It's time to open your eyes.
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We're at Thwaite Station and we've got a long drive before us.
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Mary stood up and tried to keep her eyes open while Mrs. Medlock collected her parcels.
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The little girl did not offer to help her, because in India, native servants always picked up or carried things,
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and it seemed quite proper that other people should wait on one.
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The station was a small one, and nobody but themselves seemed to be getting out of the train.
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The station master spoke to Mrs Medlock in a rough, good -natured way, pronouncing his words in a queer, broad fashion, which
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Mary found out afterward was Yorkshire.
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I see thou's got back, he said, and thou's brought the young 'n with thee.
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Aye, that's her, answered Mrs Medlock, speaking with a Yorkshire accent herself, and jerking her head over her shoulder toward Mary.
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How's the missus?
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Wellie now, the carriage is waiting outside for thee.
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A brougham stood on the road before the little outside platform.
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Mary saw that it was a smart carriage and that it was a smart footman who helped her in.
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His long waterproof coat and the waterproof covering of his hat were shining and dripping with rain,
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as everything was the burly stationmaster included.
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When he shut the door, mounted the box with the coachman and they drove off, the little girl found herself seated in a comfortably cushioned corner,
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but she was not inclined to go to sleep again.
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She sat and looked out of the window,
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curious to see something of the road over which she was being driven to the queer place Mrs. Medlock had spoken of.
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She was not at all a timid child, and she was not exactly frightened,
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but she felt that there was no knowing what might happen in a house with a hundred rooms nearly all shut up,
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a house standing on the edge of a moor.
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What is a moor, she said suddenly to Mrs Medlock.
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Look out of the window in about ten minutes and you'll see, the woman answered.
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We've got to drive five miles across Missalmoor before we get to the manor.
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You won't see much because it's a dark night, but you can see something.
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Mary asked no more questions, but waited in the darkness of her corner, keeping her eyes on the window.
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The carriage lamps cast rays of light a little distance ahead of them, and she caught glimpses of the things they passed.
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After they had left the station, they had driven through a tiny village, and she had seen whitewashed cottages and the lights of a public house.
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Then they had passed a church and a vicarage and a little shop window, or so, in a cottage,
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with toys and sweets, and odd things set out for sale.
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Then they were on the high road and she saw hedges and trees.
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After that, there seemed nothing different for a long time, or at least it seemed a long time to her.
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At last the horses began to go more slowly, as if they were climbing uphill,
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and presently there seemed to be no more hedges and no more trees.
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She could see nothing, in fact, but a dense darkness on either side.
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She leaned forward and pressed her face against the window, just as the carriage gave a big jolt.
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Eee, we're on the moor now, sure enough, said Mrs Medlock.
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The carriage lamps shed a yellow light on a rough -looking road, which seemed to be cut through bushes,
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and low -growing things, which ended in the great expanse of dark, apparently spread out before and around them.
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A wind was rising and making a singular wild low rushing sound.
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It's...
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It's not the sea, is it? said
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Mary, looking round at her companion.
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No, not it, answered Mrs Medlock.
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Nor it isn't fields nor mountains.
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It's just miles and miles and miles of wild land
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that nothing grows on but heather and gorse and broom and nothing lives on but wild ponies and sheep.
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I feel as if it might be the sea, if there were water on it, said Mary.
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It sounds like the sea just now.
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That's the wind blowing through the bushes, Mrs Medlock said.
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It's a wild, dreary enough place to my mind, though there's plenty that likes it, particularly when the heather's in bloom.
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On and on they drove through the darkness, and though the rain stopped, the wind rushed by and whistled and made strange sounds.
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The road went up and down, and several times the carriage passed over a little bridge,
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beneath which water rushed very fast with a great deal of noise.
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Mary felt as if the drive would never come to an end
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and that the wide bleak moor was a wide expanse of black ocean through
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which she was passing on a strip of dry land.
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I don't like it, she said to herself.
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I don't like it.
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And she pinched her thin lips more tightly together.
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The horses were climbing up a hilly piece of road when she first caught sight of a light.
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Mrs Medlock saw it as soon as she did and drew a long sigh of relief.
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Hey, I am glad to see that bit of light twinkling, she exclaimed.
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It's the light in the lodge window.
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We shall get a good cup of tea after a bit at all events.
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It was after a bit, as she said, for when the carriage passed through the park gates,
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there were still two miles of avenue to drive through, and the trees, which nearly met overhead,
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made it seem as if they were driving through a long, dark vault.
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They drove out of the vault into a clear space
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and stopped before an immensely long but low -built house which seemed to ramble round a stone court.
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At first Mary thought that there were no lights at all in the windows,
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but as she got out of the carriage she saw that one room in a corner upstairs showed a dull glow.
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The entrance door was a huge one, made of massive curiously shaped panels of oak,
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studded with big iron nails and bound with great iron bars.
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It opened into an enormous hall, which was so dimly lighted,
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that the faces in the portraits on the walls and the figures in the suits of armour,
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made Mary feel that she did not want to look at them.
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As she stood on the stone floor, she looked a very small,
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odd little black figure, and she felt as small and lost and odd as she looked.
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A neat, thin old man stood near the manservant who opened the door for them.
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You are to take her to her room, he said in a husky voice.
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He doesn't want to see her.
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He's going to London in the morning.
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Very well, Mr. Pitcher, Mrs. Medlock answered so long as I know what's expected of me I can manage.
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What's expected of you, Mrs. Medlock, Mr. Pitcher said,
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is that you make sure that he's not disturbed and that he doesn't see what he doesn't want to see.
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And then Mary Lennox was led up a broad staircase
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and down a long corridor and up a short flight of steps
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and through another corridor and another until a door opened in a wall
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and she found herself in a room with a fire in it and a supper on a table.
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Mrs. Medlock said unceremoniously, Well, here you are.
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This room and the next are where you'll live and you must keep to them.
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Don't you forget that.
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It was in this way
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Mistress Mary arrived at Misselthwaite Manor and she had perhaps never felt quite
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so contrary in all her life and so ends the third chapter of Mary Lennox's story.
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Chapter 4 Martha is just around the corner.
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このレッスンの語彙とスピーキングのポイント
このスピーキングレッスンは、動画「The Secret Garden Chapter Three」を教材にしています。 繰り返し出てくる語は次のとおりです：Medlock, Mary, carriage, window, seemed。 この動画には、シャドーイング用の文が109文、単語が1497語あります。 音声の長さは9:05です。 話す速さは1分あたり約165語で、日常会話に近い自然なペースです。 英語の頻出3,000語に含まれる単語は81%だけなので、語彙は難しめです。
この動画の重要語彙
動画に出てくる覚えておきたい単語15語を、発音と意味つきで紹介します。
| 単語 | 発音 | 意味 |
|---|---|---|
| carriage 名詞 | /ˈkæɹɪd͡ʒ/ | キャリッジ, 馬車 |
| rush 動詞 | /ɹʌʃ/ | 急ぐ, 駆け付ける |
| darkness 名詞 | /ˈdɑɹk.nɪs/ | 闇, 暗黒 |
| lamp 名詞 | /ˈlæ̝mp/ | ランプ, 明かり |
| waterproof 形容詞 | /ˈwɔt̬ɚˌpruf/ | 防水の |
| thin 形容詞 | /ˈθɪn/ | 薄い, 細い |
| afterwards 副詞 | /ˈæf.tɚ.wɚdz/ | その後, それから |
| asleep 形容詞 | /əˈsliːp/ | 寝ている, 眠っている |
| climb 動詞 | /ˈklaɪ̯m/ | 登る |
| cottage 名詞 | /ˈkɒt.ɪd͡ʒ/ | コテージ, 小屋 |
| vault 名詞 | /vɑlt/ | ヴォールト, ボールト |
| corridor 名詞 | /ˈkɒɹɪdɔː/ | 廊下, 回廊 |
| manor 名詞 | /ˈmænəɹ/ | 荘園 |
| hedge 名詞 | /ˈhɛd͡ʒ/ | 垣根 |
| gate 名詞 | /ˈɡeɪ̯t/ | 門, 大門 |
動画に出てくる句動詞
| 単語 | 発音 | 意味 |
|---|---|---|
| cheer up 動詞 | 勇む, 勇み立つ | |
| find out 動詞 | 見出す, 調べる | |
| go up 動詞 | 上がる, 登る | |
| pick up 動詞 | 拾う, 拾い上げる | |
| shut up | /ʃʌt ʌp/ | だまれ, うるさい |
| stand up 動詞 | 立ち上がる |
繰り返し練習したい文
動画に出てくる短く完結した文です。日常会話でそのまま使えます。
- It's time to open your eyes.
- It's not the sea, is it?
- I don't like it, she said to herself.
注意したい発音
話し手はdoesn't, don't, we'reなど、短縮形や弱形を14回使っています。聞こえたとおりの短い形で発音しましょう。
- 「th」の音: thin /ˈθɪn/, beneath /bɪˈniːθ/, heather /ˈhɛðɚ/
- 「sh」と「zh」の音: rush /ɹʌʃ/, shake /ˈʃeɪk/, sheep /ˈʃiːp/, shine /ʃaɪn/, splash /splæʃ/
- 長い単語（アクセントの位置に注意）: curiously /ˈkjʊɹ.i.əs.li/, stationmaster /ˈsteɪʃənˈmɑːstə/
日本語話者が苦手な音：
- /r/ と /l/ の区別 — /l/ は舌先を歯茎につけ、/r/ はどこにもつけない: presently /ˈpɹɛzəntli/, parcel /ˈpɑɹsəl/, curiously /ˈkjʊɹ.i.əs.li/, ramble /ˈɹæmbəl/
- /v/ — /b/ にならないように、上の歯を下唇に当てる: vault /vɑlt/, avenue /ˈæv.əˌn(j)u/, servant /ˈsɝvənt/, overhead /ˈəʊvəˌhɛd/, manservant /ˈmænˌsɜː(ɹ)vənt/
- /f/ — 「フ」ではなく、上の歯と下唇で出す: waterproof /ˈwɔt̬ɚˌpruf/, afterwards /ˈæf.tɚ.wɚdz/, beef /bif/, comfortably /ˈkʌmftɚbli/, frighten /ˈfɹaɪ.tən/
この動画での練習方法
- まず声を出さずに動画を最後まで聞き、知らない単語をメモします。
- まず0.75倍速で一文ずつシャドーイングし、慣れてきたら通常の速度に戻します。
- 自分の声を録音して元の音声と比べます。carriage, rush, darknessなどの単語に特に注意しましょう。
シャドーイングとは？英語上達に効果的な理由
シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。