쉐도잉 연습: The Secret Garden Chapter Three - 영상으로 영어 말하기 배우기

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The Secret Garden by Frances Hodgson, Burnett, Chapter 3
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Across the Moor She slept a long time, and when she awakened, Mrs. Medlock had bought a lunch basket at one of the stations,
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and they had some chicken and cold beef and bread and butter, and some hot tea.
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The rain seemed to be streaming down more heavily than ever, and everybody in the station wore wet and glistening waterproofs.
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The guard lighted the lamps in the carriage, and Mrs. Medlock cheered up very much over her tea and chicken and beef.
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She ate a great deal, and afterward fell asleep herself, and Mary sat and stared at her, and watched her fine bonnet slip on one side,
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until she herself fell asleep once more in the corner of the carriage, lulled by the splashing of the rain against the windows.
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It was quite dark when she awakened again.
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The train had stopped at a station and Mrs. Medlock was shaking her.
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You have had a sleep, she said.
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It's time to open your eyes.
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We're at Thwaite Station and we've got a long drive before us.
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Mary stood up and tried to keep her eyes open while Mrs. Medlock collected her parcels.
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The little girl did not offer to help her, because in India, native servants always picked up or carried things,
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and it seemed quite proper that other people should wait on one.
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The station was a small one, and nobody but themselves seemed to be getting out of the train.
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The station master spoke to Mrs Medlock in a rough, good -natured way, pronouncing his words in a queer, broad fashion, which
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Mary found out afterward was Yorkshire.
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I see thou's got back, he said, and thou's brought the young 'n with thee.
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Aye, that's her, answered Mrs Medlock, speaking with a Yorkshire accent herself, and jerking her head over her shoulder toward Mary.
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How's the missus?
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Wellie now, the carriage is waiting outside for thee.
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A brougham stood on the road before the little outside platform.
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Mary saw that it was a smart carriage and that it was a smart footman who helped her in.
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His long waterproof coat and the waterproof covering of his hat were shining and dripping with rain,
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as everything was the burly stationmaster included.
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When he shut the door, mounted the box with the coachman and they drove off, the little girl found herself seated in a comfortably cushioned corner,
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but she was not inclined to go to sleep again.
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She sat and looked out of the window,
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curious to see something of the road over which she was being driven to the queer place Mrs. Medlock had spoken of.
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She was not at all a timid child, and she was not exactly frightened,
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but she felt that there was no knowing what might happen in a house with a hundred rooms nearly all shut up,
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a house standing on the edge of a moor.
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What is a moor, she said suddenly to Mrs Medlock.
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Look out of the window in about ten minutes and you'll see, the woman answered.
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We've got to drive five miles across Missalmoor before we get to the manor.
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You won't see much because it's a dark night, but you can see something.
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Mary asked no more questions, but waited in the darkness of her corner, keeping her eyes on the window.
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The carriage lamps cast rays of light a little distance ahead of them, and she caught glimpses of the things they passed.
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After they had left the station, they had driven through a tiny village, and she had seen whitewashed cottages and the lights of a public house.
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Then they had passed a church and a vicarage and a little shop window, or so, in a cottage,
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with toys and sweets, and odd things set out for sale.
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Then they were on the high road and she saw hedges and trees.
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After that, there seemed nothing different for a long time, or at least it seemed a long time to her.
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At last the horses began to go more slowly, as if they were climbing uphill,
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and presently there seemed to be no more hedges and no more trees.
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She could see nothing, in fact, but a dense darkness on either side.
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She leaned forward and pressed her face against the window, just as the carriage gave a big jolt.
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Eee, we're on the moor now, sure enough, said Mrs Medlock.
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The carriage lamps shed a yellow light on a rough -looking road, which seemed to be cut through bushes,
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and low -growing things, which ended in the great expanse of dark, apparently spread out before and around them.
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A wind was rising and making a singular wild low rushing sound.
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It's...
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It's not the sea, is it? said
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Mary, looking round at her companion.
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No, not it, answered Mrs Medlock.
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Nor it isn't fields nor mountains.
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It's just miles and miles and miles of wild land
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that nothing grows on but heather and gorse and broom and nothing lives on but wild ponies and sheep.
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I feel as if it might be the sea, if there were water on it, said Mary.
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It sounds like the sea just now.
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That's the wind blowing through the bushes, Mrs Medlock said.
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It's a wild, dreary enough place to my mind, though there's plenty that likes it, particularly when the heather's in bloom.
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On and on they drove through the darkness, and though the rain stopped, the wind rushed by and whistled and made strange sounds.
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The road went up and down, and several times the carriage passed over a little bridge,
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beneath which water rushed very fast with a great deal of noise.
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Mary felt as if the drive would never come to an end
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and that the wide bleak moor was a wide expanse of black ocean through
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which she was passing on a strip of dry land.
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I don't like it, she said to herself.
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I don't like it.
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And she pinched her thin lips more tightly together.
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The horses were climbing up a hilly piece of road when she first caught sight of a light.
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Mrs Medlock saw it as soon as she did and drew a long sigh of relief.
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Hey, I am glad to see that bit of light twinkling, she exclaimed.
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It's the light in the lodge window.
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We shall get a good cup of tea after a bit at all events.
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It was after a bit, as she said, for when the carriage passed through the park gates,
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there were still two miles of avenue to drive through, and the trees, which nearly met overhead,
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made it seem as if they were driving through a long, dark vault.
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They drove out of the vault into a clear space
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and stopped before an immensely long but low -built house which seemed to ramble round a stone court.
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At first Mary thought that there were no lights at all in the windows,
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but as she got out of the carriage she saw that one room in a corner upstairs showed a dull glow.
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The entrance door was a huge one, made of massive curiously shaped panels of oak,
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studded with big iron nails and bound with great iron bars.
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It opened into an enormous hall, which was so dimly lighted,
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that the faces in the portraits on the walls and the figures in the suits of armour,
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made Mary feel that she did not want to look at them.
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As she stood on the stone floor, she looked a very small,
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odd little black figure, and she felt as small and lost and odd as she looked.
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A neat, thin old man stood near the manservant who opened the door for them.
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You are to take her to her room, he said in a husky voice.
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He doesn't want to see her.
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He's going to London in the morning.
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Very well, Mr. Pitcher, Mrs. Medlock answered so long as I know what's expected of me I can manage.
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What's expected of you, Mrs. Medlock, Mr. Pitcher said,
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is that you make sure that he's not disturbed and that he doesn't see what he doesn't want to see.
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And then Mary Lennox was led up a broad staircase
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and down a long corridor and up a short flight of steps
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and through another corridor and another until a door opened in a wall
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and she found herself in a room with a fire in it and a supper on a table.
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Mrs. Medlock said unceremoniously, Well, here you are.
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This room and the next are where you'll live and you must keep to them.
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Don't you forget that.
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It was in this way
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Mistress Mary arrived at Misselthwaite Manor and she had perhaps never felt quite
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so contrary in all her life and so ends the third chapter of Mary Lennox's story.
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Chapter 4 Martha is just around the corner.

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AI 발음 평가문장마다 점수 확인
IPA 발음 연습모든 소리 마스터
단어 학습나만의 단어장 만들기
단어 게임놀면서 외우기

같은 채널

FOR YOU

추천 영상

이 레슨의 어휘와 말하기 포인트

이 말하기 레슨은 영상 “The Secret Garden Chapter Three”을(를) 바탕으로 합니다. 가장 자주 반복되는 단어는 다음과 같습니다: Medlock, Mary, carriage, window, seemed. 이 영상에는 섀도잉할 문장 109개와 단어 1497개가 있습니다. 말하는 구간의 길이는 9:05입니다. 화자는 분당 약 165단어로, 일상 대화에 가까운 자연스러운 속도로 말합니다. 영어에서 가장 많이 쓰이는 3,000단어에 속하는 단어가 81%뿐이라 어휘가 어려운 편입니다.

이 영상의 핵심 어휘

영상에 나오는 익혀 둘 만한 단어 15개를 발음, 뜻과 함께 정리했습니다.

단어발음뜻
carriage 명사/ˈkæɹɪd͡ʒ/마차
darkness 명사/ˈdɑɹk.nɪs/암흑, 어두움
lamp 명사/ˈlæ̝mp/램프, 전등
thin 형용사/ˈθɪn/가늘다, 얇다
asleep 형용사/əˈsliːp/잠들다
climb 동사/ˈklaɪ̯m/오르다
cottage 명사/ˈkɒt.ɪd͡ʒ/시골집, 오두막
vault 명사/vɑlt/궁륭
corridor 명사/ˈkɒɹɪdɔː/복도, 회랑
manor 명사/ˈmænəɹ/장원
hedge 명사/ˈhɛd͡ʒ/울타리
gate 명사/ˈɡeɪ̯t/문, 대문
curious 형용사/ˈkjʊɹ.i.əs/호기심이 많은, 궁금하다
avenue 명사/ˈæv.əˌn(j)u/거리, 가로수길
butter 명사/ˈbʌtɚ/버터, 빠다

영상에 나오는 구동사

단어발음뜻
go up 동사올라가다
pick up 동사줍다
shut up/ʃʌt ʌp/시끄러워, 닥쳐
stand up 동사일어서다

따라 말해 볼 만한 문장

영상에 나오는 짧고 완결된 문장으로, 일상 대화에서 그대로 쓸 수 있습니다:

  • It's time to open your eyes.
  • It's not the sea, is it?
  • I don't like it, she said to herself.

주의할 발음

화자는 doesn't, don't, we're 같은 축약형과 약화된 형태를 14번 사용합니다. 들리는 대로 짧게 발음하세요.

  • “th” 소리: thin /ˈθɪn/, beneath /bɪˈniːθ/, heather /ˈhɛðɚ/
  • “sh”와 “zh” 소리: rush /ɹʌʃ/, shake /ˈʃeɪk/, sheep /ˈʃiːp/, shine /ʃaɪn/, splash /splæʃ/
  • 긴 단어 — 강세 위치에 주의: curiously /ˈkjʊɹ.i.əs.li/, stationmaster /ˈsteɪʃənˈmɑːstə/

한국어 화자가 어려워하는 소리:

  • /f/ — ㅍ(/p/)으로 바꾸지 말고 윗니를 아랫입술에 대기: waterproof /ˈwɔt̬ɚˌpruf/, afterwards /ˈæf.tɚ.wɚdz/, beef /bif/, comfortably /ˈkʌmftɚbli/, frighten /ˈfɹaɪ.tən/
  • /v/ — ㅂ(/b/)과 구별하기: vault /vɑlt/, avenue /ˈæv.əˌn(j)u/, servant /ˈsɝvənt/, overhead /ˈəʊvəˌhɛd/, manservant /ˈmænˌsɜː(ɹ)vənt/
  • /z/ — ㅈ이 아니라 성대를 울리는 /s/: afterwards /ˈæf.tɚ.wɚdz/, upstairs /ˌʌpˈstɛɹz/, presently /ˈpɹɛzəntli/, missus /ˈmɪs.əz/

이 영상으로 연습하는 방법

  1. 먼저 말하지 않고 영상을 끝까지 듣고 모르는 단어를 적어 둡니다.
  2. 0.75배속으로 한 문장씩 섀도잉을 시작하고, 익숙해지면 보통 속도로 돌아갑니다.
  3. 자신의 목소리를 녹음해 원본과 비교하고, carriage, darkness, lamp 같은 단어에 특히 주의합니다.

쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법

쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.

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