쉐도잉 연습: How Jane Austen Changed Fiction Forever - 영상으로 영어 말하기 배우기
연습 모드 선택
각 모드는 전체 화면 연습실로 열립니다.
74 문장
문장이 너무 짧거나 길면 Edit를 눌러 조정하세요.
1
In the first chapter of the first book that
2
Jane Austen ever published, Sense and Sensibility, she did something that changed fiction forever.
3
The narrator of the book begins by describing the situation of the Dashwood family.
4
John Dashwood has come into a big inheritance from his father,
5
Henry, who on his deathbed makes John promise to take care of his three half -sisters.
6
When he gave his promise to his father,
7
he meditated within himself to increase the fortunes of his sisters by the present of a thousand pounds apiece.
8
He then really thought himself equal to it.
9
The prospect of four thousand a year made him feel capable of generosity.
10
Yes, he would give them three thousand pounds.
11
It would be liberal and handsome.
12
It would be enough to make them completely easy.
13
Three thousand pounds he could spare so considerable a sum with little inconvenience.
14
He thought of it all day long and for many days successively and he did not repent.
15
So what stands out in this passage?
16
Which of these things is not like the rest?
17
Well, it's this part here.
18
Before this, the narrator is describing the thoughts and feelings of John Dashwood.
19
But in the highlighted section, something changes.
20
It's suddenly as if we're inside John's mind.
21
And yet, the point of view doesn't change.
22
We're still in the third person.
23
Now, Austin could have reported John's thoughts directly here, writing, I will give them 3 ,000 pounds or I can spare so considerable a sum,
24
but she doesn't.
25
Instead, she does something new in English literature, what's called free indirect speech.
26
Now, Austen isn't the first to use this technique, but she's the first author to do so consistently, the first to really explore its possibilities.
27
And in the process, she effectively adds a new tool to the writer's toolbox. But why?
28
What is free indirect style good for?
29
Why not just use direct thought?
30
Well, if you're familiar with Jane Austen, you know that all of her books have a really strong narratorial voice.
31
The narrator has full control over the story, painting a universe of manners, making witty asides to the reader,
32
and using irony to critique characters and social conventions.
33
To accomplish her goals, Austen needed her narrator to have critical distance from the story,
34
but this ironic distance has the potentially negative side effect of distancing the characters from the reader.
35
I mean she still needs us to be emotionally involved with these people after all.
36
Free indirect speech is Austen's intuitive and revolutionary solution for having it both ways.
37
Okay, let's look at another Suttler example from Emma as the
38
matchmaking title character thinks about the suitability of Mr. Elton for her friend Harriet Smith.
39
The longer she considered it, the greater was her sense of its expediency.
40
Mr. Elton's situation was most suitable, quite the gentleman himself and without low connections.
41
He had a comfortable home for her and Emma imagined a very sufficient income, for though the vicarage of Highbury was not large,
42
he was known to have some independent property, and she thought very highly of him as a good -humored, well -meaning, respectable young man.
43
Like the first passage, this one begins firmly in the first -person narratorial voice with she considered and her sense.
44
Then in the second sentence, it seamlessly switches to free indirect speech and were inside
45
Emma's mind, which you can tell by phrasing like most suitable and quite the gentleman.
46
After this, it starts to get tricky.
47
Austin begins to weave in and out of free indirect speech within individual sentences.
48
The narrator returns with phrases like
49
Emma imagined and she thought.
50
And as critic Daniel Gunn points out, this return and the distance it creates reminds us to be wary of Emma's judgments and imaginings.
51
But then we slip right back into her spirit again, her subjectivity, subjectivity, in clauses like a good -humored, well -meaning, respectable young man.
52
In Emma especially, Austin uses free indirect speech with extraordinary finesse,
53
dipping in and out of several minds without ever interrupting the flow of narration.
54
Representing subjectivities, as Dunn says, with great immediacy, while still providing a frame within which that subjectivity can be understood.
55
At the end of the novel, we get the amazing convergence of these two voices, as Emma's self -deception becomes self -knowledge,
56
as her inner voice finally aligns with what the narrator and the reader have seen all along.
57
Free indirect speech is a formal innovation that changed the course of literature.
58
Now, it's impossible to say who Austen influenced directly, but she effectively created a tool that thousands and thousands of authors used and still use,
59
including some of the most famous ever, like George Eliot, Henry James, James Joyce, and Virginia Woolf.
60
Unlike these other authors, Jane Austen is often belittled for her seemingly lightweight marriage comedies,
61
but that critique misses the complex formal dynamics that are working under the surface.
62
If you really want to see Austen's genius, you have to look deeper.
63
You have to look at the language.
64
Hey everybody, thank you so much for watching.
65
If you like this video, check out my book of essays, Escape into Meaning, which is currently on sale at the link below.
66
This episode was brought to you by Squarespace.
67
If you don't know, Squarespace is the all -in -one website platform for entrepreneurs to stand out and succeed online.
68
Whether you're just starting out or managing a growing brand, Squarespace makes it easy to create a beautiful website, engage with your audience,
69
and sell anything from products to content to time all in
70
one place all on your terms their templates are flexible their blogging tools are super easy to use
71
and squarespace provides you with all the analytics you need to iterate
72
and grow your business head over to squarespace .com for a free trial and
73
when you're ready to launch go to squarespace .com nerdwriter for 10 off your first purchase thanks guys
74
i'll see you next time.
앱 다운로드
유창하게 말하는 데 필요한 모든 것
AI 발음 평가문장마다 점수 확인
IPA 발음 연습모든 소리 마스터
단어 학습나만의 단어장 만들기
단어 게임놀면서 외우기
같은 채널
FOR YOU
추천 영상
C12
47 문장
Pride and Prejudice | Summary & Analysis | Jane Austen
Daily ConversationUniversity Students
C13
272 문장
Highly Intelligent Women Have These 10 Strange Habits (Backed by Psychology)
Daily ConversationUniversity StudentsWorking Adults
C19
347 문장
Horse at Night: On Writing Audiobook by Amina Cain
Daily ConversationUniversity Students
C13
83 문장
3 Books That Will Change Your Life
Daily ConversationUniversity StudentsWorking Adults
C110
42 문장
Story Structure: Advice
Daily ConversationUniversity Students
C11
504 문장
The Great Gatsby Chapter 1 | Audiobook
Daily ConversationUniversity Students
C17
141 문장
Can You Speak Like This? | Victorian Era Shadowing
British AccentTravel EnglishDaily ConversationUniversity Students
C11
28 문장
Middlemarch by George Eliot | Brief Plot Summary
Daily ConversationUniversity Students
B22
119 문장
Why Jane GAVE UP on Nicole — The Mentalist Moment Fans STILL Argue About
Daily ConversationUniversity StudentsWorking Adults
C15
46 문장
The Heart Structures and Agency
Daily ConversationUniversity Students
C11
224 문장
Fluent Forever
American AccentDaily ConversationUniversity StudentsWorking Adults
B2122
33 문장
ANNE WITH AN E "No one but you is allowed to dictate what you're worth"
Business EnglishTeensDaily Conversation
이 레슨의 어휘와 말하기 포인트
이 말하기 레슨은 영상 “How Jane Austen Changed Fiction Forever”을(를) 바탕으로 합니다. 가장 자주 반복되는 단어는 다음과 같습니다: indirect, Austen, squarespace, narrator, thousand. 이 영상에는 섀도잉할 문장 74개와 단어 1007개가 있습니다. 말하는 구간의 길이는 5:45입니다. 화자는 분당 약 175단어로, 일상 대화에 가까운 자연스러운 속도로 말합니다. 영어에서 가장 많이 쓰이는 3,000단어에 속하는 단어가 80%뿐이라 어휘가 어려운 편입니다.
이 영상의 핵심 어휘
영상에 나오는 익혀 둘 만한 단어 15개를 발음, 뜻과 함께 정리했습니다.
| 단어 | 발음 | 뜻 |
|---|---|---|
| narrator 명사 | /ˈnæˌɹeɪ.təɹ/ | 이야기꾼, 내레이터 |
| reader 명사 | /ˈɹi.dɚ/ | 독자, 읽는 사람 |
| formal 형용사 | /ˈfɔɹməl/ | 형식적 |
| phrase 명사 | /ˈfɹeɪ̯z/ | 어구, 구 |
| gentleman 명사 | /ˈd͡ʒɛn.təl.mən/ | 신사, 젠틀맨 |
| technique 명사 | /tɛkˈniːk/ | 기술 |
| fiction 명사 | /ˈfɪkʃən/ | 소설, 픽션 |
| remind 동사 | /ɹəˈmaɪnd/ | 생각나게 하다, 상기(想起)시키다 |
| extraordinary 형용사 | /ɪksˈtɹɔːrdɪn(ə)ɹi/ | 특별한 |
| genius 명사 | /ˈd͡ʒin.jəs/ | 천재 |
| innovation 명사 | /ˌɪn.əˈveɪ.ʃən/ | 혁신 |
| explore 동사 | /ɪkˈsploɹ/ | 탐험하다 |
| fortune 명사 | /ˈfɔːtjuːn/ | 운명 |
| slip 동사 | /ˈslɪp/ | 미끄러지다 |
| essay 명사 | /ˈɛs.eɪ/ | 수필, 에세이 |
영상에 나오는 구동사
| 단어 | 뜻 |
|---|---|
| point out 동사 | 가리키다 |
이 영상의 문법
화자가 가장 많이 쓰는 문형을 영상 속 실제 표현과 함께 정리했습니다.
| 문형 | 영상 속 표현 |
|---|---|
| 수동태 be + 과거분사 — 누가 하는지보다 무슨 일이 일어나는지에 초점 | be emotionally involved · was known · can be understood |
| 현재완료 have/has + 과거분사 — 과거의 일이 지금도 관련이 있을 때 | has come · have seen |
주의할 발음
화자는 you're, doesn't, we're 같은 축약형과 약화된 형태를 10번 사용합니다. 들리는 대로 짧게 발음하세요.
- “sh”와 “zh” 소리: fiction /ˈfɪkʃən/, potentially /pəˈtɛnʃ(ə)li/, innovation /ˌɪn.əˈveɪ.ʃən/, sufficient /səˈfɪʃənt/, revolutionary /ˌɹɛvəˈluʃənɛɹi/
- 긴 단어 — 강세 위치에 주의: considerable /kənˈsɪdəɹəbl̩/, potentially /pəˈtɛnʃ(ə)li/, extraordinary /ɪksˈtɹɔːrdɪn(ə)ɹi/, innovation /ˌɪn.əˈveɪ.ʃən/, consistently /kənˈsɪstəntli/
한국어 화자가 어려워하는 소리:
- /f/ — ㅍ(/p/)으로 바꾸지 말고 윗니를 아랫입술에 대기: formal /ˈfɔɹməl/, phrase /ˈfɹeɪ̯z/, fiction /ˈfɪkʃən/, sufficient /səˈfɪʃənt/, fortune /ˈfɔːtjuːn/
- /v/ — ㅂ(/b/)과 구별하기: innovation /ˌɪn.əˈveɪ.ʃən/, revolutionary /ˌɹɛvəˈluʃənɛɹi/, inconvenience /ɪnkənˈvinjəns/, intuitive /ɪnˈtjuːɪtɪv/, weave /wiːv/
- /z/ — ㅈ이 아니라 성대를 울리는 /s/: phrase /ˈfɹeɪ̯z/, clause /klɔːz/
이 영상으로 연습하는 방법
- 먼저 말하지 않고 영상을 끝까지 듣고 모르는 단어를 적어 둡니다.
- 0.75배속으로 한 문장씩 섀도잉을 시작하고, 익숙해지면 보통 속도로 돌아갑니다.
- 자신의 목소리를 녹음해 원본과 비교하고, narrator, reader, formal 같은 단어에 특히 주의합니다.
쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법
쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.