쉐도잉 연습: Netzwerk neu B1 Kursbuch Audio Kapitel 9 Hörtexte - 영상으로 영어 말하기 배우기
레슨 만드는 중...
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The State Museum in Innsbruck is showing a new show “City of Art” from Friday this week.
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For this reason, we at Radio 6020 ask our listeners where they can come across art in Innsbruck.
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What are your favorite works of art in Innsbruck and why?
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Call us: 0800 / 60 20 60 20.
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We're excited to hear what you tell us.
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Ah, we already have the first listener on the line.
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Please, Ms. Ritter.
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Good day! I think that there are a lot of works of art in public spaces in Innsbruck, especially many beautiful buildings.
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I don't just mean the old town and the Golden Roof, there are also beautiful new buildings.
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I like new architecture when it's good.
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I particularly like the stations on the Hungerburgbahn.
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I drive it almost every day because I live up in the Hungerburg district and work in the old town.
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The round shapes, the green glass, the view of the landscape, it's just beautiful.
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Where else can you drive straight up into the mountains from the city center?
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But I don't like everything new.
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The new Landhausplatz is just concrete, everything is gray.
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It's good for the skaters, that's true, but it's not nice.
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Thank you, Ms. Ritter.
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And we have another listener.
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Who is talking, please?
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Yes, hello, this is Clemens.
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Hello. What do you like best, Clemens?
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Where is the most interesting piece of art for you?
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There is not just one work of art, there are several.
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I just love the graffiti from HNRX.
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They're incredibly good, you can always find something new from him on a wall.
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There is always a surprise.
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I just think it's great when he not only puts fruit on a skewer, but also an espresso pot.
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He has such fun ideas!
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I'm also happy that he's having so much success internationally and is still spraying new works in Innsbruck.
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I also love his graffiti because he knows his craft: art comes from “can” and he can do what he does.
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Thank you, Clemens.
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Then we hope that HNRX will soon find a new area where he can become active again.
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Our next caller is Ms. Walde.
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Hello? Yes, hello!
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Well, I can't understand the two callers from before.
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There is such beautiful art in Innsbruck.
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Why do they like the modern stuff?
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That just ruins the beautiful Innsbruck.
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Our question is: What are your favorite works of art in Innsbruck?
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What do you like best, Ms. Walde?
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There is the Leopoldsbrunnen, that is art.
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The wonderful figures around the fountain and above the statue of Emperor Leopold on horseback.
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It's so old and still so beautiful.
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The water ripples, it's pleasant in the shade, perfect.
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The square is actually very nice, opposite the Hofburg.
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But now they have put a modern building there, the House of Music.
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All I can say is: Terrible!
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It's a shame about the beautiful place.
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All I can do is sit with my back to the thing so I don't have to see it.
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Thank you, Ms. Walde!
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We're taking a short break, but of course you can still call: Radio 6020.
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Our number is 0800 / 60 20 60 20.
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Look, they look like us!
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What do you mean?
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Should these be people?
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I can't see anything.
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But look, the woman is on the left and the man is on the right.
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Oh right. And it’s also called “He and She”.
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Well, that's fine.
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I really like the picture.
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It's abstract, but you can see things clearly.
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Well, I find it rather boring.
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That's somehow not my taste.
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Aha. What do you mean by “Aha”?
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Don't like the picture?
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I don't know.
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I find it quite confusing.
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Real? I think it's really great.
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This is a particularly good example of abstract art.
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Well, I find it strange that the man doesn't have a real face.
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What does that mean?
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Maybe that's the back of his head and the woman is looking at him.
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Yes, it could be.
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Or is he blind with love?
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Phew, yes, maybe.
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Come on, let's move on.
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And what do you think of that picture over there...?
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“He and She” by Heimrad Prem. Hmm.
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I think that's particularly good.
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Well, it doesn't really appeal to me.
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Well, I find it relatively funny.
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What do you think, are these two in love?
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I think they're holding hands, right?
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And the colors… The background is pink.
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The artist really chose appropriate colors.
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I really like it.
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No, that's really not for me.
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Come on, look over there, I like that better.
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1a is known b is active 2a with ideas b with friends 3a old radio b old car 4a every morning b every evening 5a from us b from you 1 It's not easy to organize everything on your own.
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That's why we work in a team.
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2 We enjoy writing our own play and being active on stage.
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3 Our course is in the evening and then we all go out to eat together.
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Hello and welcome to Schlaufunk, as always your Alina Wenders on the microphone.
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Today it's about improv theater and I'm very happy to have a very nice guest here in my studio.
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I welcome Andreas Wolf from Munich.
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He is a co-founder of the improv theater “fastfood” and a real expert.
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Hi Andreas!
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Hello! Andreas, maybe you can tell us briefly or explain what improv theater actually is and where the idea comes from.
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Impro is the abbreviation for improvisation, i.e. something unforeseen, something I don't know yet.
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And that's exactly the difference to the normal theater I know, with texts and production.
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In improv theater I don't know at all - or the player doesn't know either - what he's playing, but very often he just waits for instructions, for example from the audience.
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A word is thrown in and then he plays a scene.
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Mmm, that definitely sounds interesting.
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When did you start “fastfood”?
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We founded “fastfood” in 1992 as students and experimented with the theater form because it was not yet known at the time, especially not in Germany.
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In English-speaking countries, quite a bit.
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Mmm. And then we suddenly became so successful, without it being planned, spontaneously, so to speak, and then we earned our money with it as students and stuck with it.
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OK. You just said that it's all spontaneous and the audience also throws in ideas.
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That means that the big difference for the actors compared to normal theater is that they don't have any text.
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Exactly, and that's why they have themselves.
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So you have to pay very close attention to what kind of game your partner offers.
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So, a game offer can be, for example, that he sits down on a chair and says a sentence.
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A greeting, for example.
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Mmm. If my mind is somewhere else, then I don't hear the greeting at all and just say whatever comes to mind, and then the audience will say: "Hmm, boring!" They don’t understand each other.” Makes no sense.
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Makes no sense, exactly.
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That's why I have to listen carefully as a playing partner.
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He greets me.
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Who is he actually?
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What kind of character?
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And respond and react exactly to it.
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And so we play ping-pong in the scenes, back and forth and that's how the stories are created: always listening carefully and reacting to the partner.
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That sounds exciting.
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So I feel like trying it out too.
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Could I learn that, i.e. improv theater?
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Yes, you can… Exactly, you can learn that.
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That's actually not difficult, because you actually do it - or the two of us are already doing it here, talking to each other and actually having no idea what exactly we're going to say.
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The sentences arise in conversation and I can only think about them for about three seconds at most.
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The rest just happens.
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And then I have to wait again to see how you react to it so that I can react to it again, and then we have a good conversation.
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And a good conversation means that I have listened to you and am responding to you.
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And I'm not in my thoughts and that's what makes good improvisational theater that I hear exactly what the other person is actually saying and I react to that.
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That's correct. But there are actually courses, right?
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Exactly. In which you show those interested how you can learn this.
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Exactly, we founded our improvisation school in 1994 and the goal back then, because improvisation was not yet known, was to show people that what we do on stage is not magic.
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Not only “genius” people can do this, but anyone can improvise.
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And you can learn these principles in our courses.
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They build on each other in the fast food improv school.
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That means everyone is actually a little actor.
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That's what he can become, exactly.
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I think I'd like to try out an improv story with you now.
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Do you feel like?
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Yes, sure! So, I'll give you the genre, you start a story and I'll gradually tell you a few terms that you have to spontaneously incorporate into the story.
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OK. So, of course you don't know the terms.
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That means, dear listeners, we really haven't discussed the terms.
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Nope. Are you ready, Andreas?
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Yes, okay. So, I would like a crime novel from you.
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OK. Then I would like to have you tell me the place where this crime thriller takes place.
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So, it can be a very unusual setting.
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Then let’s take… a department store!
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A shopping center. Good.
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Like every day, Philipp spent hours in one of the city's large department stores.
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He loved going to department stores.
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After school he wandered around the different departments, looked at different things that he liked, read books for hours in some corner...
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The bee. ... and tracked, for example, when a bee had wandered into the department store.
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Like yesterday when he followed that bee and saw it stinging a saleswoman in the women's department and she dropped dead on the spot because of a bee allergy.
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The pot. At that moment, people only saw Philip, who was holding a pot in his hand that he had taken from the household goods department and actually wanted to bring back, but he was immediately arrested as a thief by the department store detective, Mr. Schmidt.
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The Rose. Mr. Schmidt took him into his windowless office and accused Philipp of manslaughter against the saleswoman.
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“Yes, you hit the pot over your head.” And at that moment Philipp saw a rose lying in the corner.
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He thought: “Man, listen, Mr. Private Dete..., Mr. Department Store Detective!
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Look, a rose!” The detour.
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At that moment the detective only thought about the detour that he had put in place, where people weren't supposed to go to the third floor because there... because there had been renovations there and the little rose cards had been sold there.
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He wanted to keep Philipp there, but at the same time he wanted to go up because the diversion wasn't finished.
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There was no sign.
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Maybe people would go up the escalator and pour into the department...
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The Shadow.
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He was torn.
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He looked away.
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At that moment Philipp disappeared out the door.
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He... The department store detective only saw a shadow, ran after him, held Philipp...
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and at that moment Philipp began to cry.
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“It wasn’t me, it was a bee!” The department store detective saw that Philipp was only 13 years old, a boy.
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Could it really have been him?
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And when he examined the victim again closely, the woman from the women's department, he saw that she didn't have a bruise or any skull injury, but a big, runny pimple on her upper arm that had been caused by a bee sting.
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He apologized to Philipp, gave him a rose and so Philipp was able to go home relieved.
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That was pretty impressive.
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Thank you very much.
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Thank you! Thanks too.
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The thoughts are free, but who can guess it?
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They fly by like night shadows.
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No one can know them, no hunter can shoot them.
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The fact remains: thoughts are free!
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And if they lock me up in a dark dungeon, all of this will be a waste of time.
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Because my thoughts tear the barriers and walls apart: my thoughts are free!
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Well said: Thoughts Oh no, I forgot your birthday!
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I am so sorry.
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Don't worry about it.
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I've probably forgotten your birthday too.
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Would you like to sing in our choir?
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Actually, I'd like to, but I still have to think about it.
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I have so little time and I already sing in a band.
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Hey, hello Gina, don't you know me anymore?
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Oh, Leana, hello!
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Sorry, I was totally lost in thought.
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Have you actually heard anything from Bruno?
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Hmm, unfortunately he's not doing so well.
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His band no longer exists because the singer moved to Hamburg.
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That makes him pretty sad.
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Well, hopefully he'll change his mind soon or find a new band.
이번 수업에 대하여
이번 수업에서는 인스브루크의 예술 작품에 대한 다양한 의견을 듣고, 영어로 의견을 표현하는 연습을 합니다. 특히, 도시 내 예술과 건축물에 대한 이야기와 함께 그에 대한 개인적인 선호를 나누는 것을 목표로 합니다. 이 영상을 통해 당신은 영어 회화 연습을 하며 자연스러운 말하기와 표현력을 향상시킬 수 있습니다. 또한, 쉐도잉 기술을 활용하여 리스닝과 발음을 개선할 수 있습니다.
주요 어휘 및 구문
- 작품 (work of art) - 예술작품을 이야기할 때 자주 사용하는 표현입니다.
- 예술 공간 (public spaces) - 공공 장소에서의 예술을 설명할 때 유용합니다.
- 신축 건물 (new buildings) - 최신 건축물에 대한 대화를 나눌 때 쓰입니다.
- 그래피티 (graffiti) - 거리 예술 형태로, 현대적인 예술을 논의할 때 유용합니다.
- 건축물 (architecture) - 건축에 대한 다양한 의견을 표현할 때 사용합니다.
- 전통 vs 현대 (traditional vs modern) - 예술이나 건축 스타일에 대한 논의를 할 때 자주 등장하는 주제입니다.
연습 팁
이번 영상의 발음과 속도에 맞춰 쉐도잉 연습을 할 때, 발음이 간결하고 명확하다는 것을 느낄 수 있습니다. 유튜브 영어 공부에서 제공하는 다양한 음성을 따라잡으며 shadow speech 기술을 활용해 보세요. 처음에는 느린 속도로 따라해 보고, 점차 속도를 올려 발음을 더욱 자연스럽게 만들어 보세요. 매일 최소 10분간 영어 쉐도잉 연습을 통해 당신의 영어 회화 실력을 향상시킬 수 있습니다. 영어 쉐도잉을 통해 발음과 억양을 습득하고, 듣기 능력 또한 향상시킬 수 있습니다.
쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법
쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.