Luyện nói tiếng Anh bằng Shadowing qua video: Netzwerk neu B1 Kursbuch Audio Kapitel 9 Hörtexte
Đang tạo bài học...
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The State Museum in Innsbruck is showing a new show “City of Art” from Friday this week.
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For this reason, we at Radio 6020 ask our listeners where they can come across art in Innsbruck.
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What are your favorite works of art in Innsbruck and why?
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Call us: 0800 / 60 20 60 20.
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We're excited to hear what you tell us.
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Ah, we already have the first listener on the line.
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Please, Ms. Ritter.
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Good day! I think that there are a lot of works of art in public spaces in Innsbruck, especially many beautiful buildings.
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I don't just mean the old town and the Golden Roof, there are also beautiful new buildings.
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I like new architecture when it's good.
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I particularly like the stations on the Hungerburgbahn.
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I drive it almost every day because I live up in the Hungerburg district and work in the old town.
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The round shapes, the green glass, the view of the landscape, it's just beautiful.
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Where else can you drive straight up into the mountains from the city center?
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But I don't like everything new.
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The new Landhausplatz is just concrete, everything is gray.
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It's good for the skaters, that's true, but it's not nice.
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Thank you, Ms. Ritter.
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And we have another listener.
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Who is talking, please?
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Yes, hello, this is Clemens.
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Hello. What do you like best, Clemens?
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Where is the most interesting piece of art for you?
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There is not just one work of art, there are several.
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I just love the graffiti from HNRX.
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They're incredibly good, you can always find something new from him on a wall.
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There is always a surprise.
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I just think it's great when he not only puts fruit on a skewer, but also an espresso pot.
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He has such fun ideas!
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I'm also happy that he's having so much success internationally and is still spraying new works in Innsbruck.
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I also love his graffiti because he knows his craft: art comes from “can” and he can do what he does.
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Thank you, Clemens.
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Then we hope that HNRX will soon find a new area where he can become active again.
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Our next caller is Ms. Walde.
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Hello? Yes, hello!
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Well, I can't understand the two callers from before.
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There is such beautiful art in Innsbruck.
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Why do they like the modern stuff?
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That just ruins the beautiful Innsbruck.
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Our question is: What are your favorite works of art in Innsbruck?
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What do you like best, Ms. Walde?
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There is the Leopoldsbrunnen, that is art.
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The wonderful figures around the fountain and above the statue of Emperor Leopold on horseback.
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It's so old and still so beautiful.
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The water ripples, it's pleasant in the shade, perfect.
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The square is actually very nice, opposite the Hofburg.
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But now they have put a modern building there, the House of Music.
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All I can say is: Terrible!
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It's a shame about the beautiful place.
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All I can do is sit with my back to the thing so I don't have to see it.
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Thank you, Ms. Walde!
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We're taking a short break, but of course you can still call: Radio 6020.
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Our number is 0800 / 60 20 60 20.
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Look, they look like us!
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What do you mean?
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Should these be people?
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I can't see anything.
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But look, the woman is on the left and the man is on the right.
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Oh right. And it’s also called “He and She”.
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Well, that's fine.
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I really like the picture.
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It's abstract, but you can see things clearly.
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Well, I find it rather boring.
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That's somehow not my taste.
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Aha. What do you mean by “Aha”?
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Don't like the picture?
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I don't know.
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I find it quite confusing.
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Real? I think it's really great.
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This is a particularly good example of abstract art.
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Well, I find it strange that the man doesn't have a real face.
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What does that mean?
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Maybe that's the back of his head and the woman is looking at him.
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Yes, it could be.
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Or is he blind with love?
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Phew, yes, maybe.
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Come on, let's move on.
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And what do you think of that picture over there...?
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“He and She” by Heimrad Prem. Hmm.
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I think that's particularly good.
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Well, it doesn't really appeal to me.
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Well, I find it relatively funny.
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What do you think, are these two in love?
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I think they're holding hands, right?
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And the colors… The background is pink.
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The artist really chose appropriate colors.
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I really like it.
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No, that's really not for me.
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Come on, look over there, I like that better.
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1a is known b is active 2a with ideas b with friends 3a old radio b old car 4a every morning b every evening 5a from us b from you 1 It's not easy to organize everything on your own.
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That's why we work in a team.
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2 We enjoy writing our own play and being active on stage.
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3 Our course is in the evening and then we all go out to eat together.
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Hello and welcome to Schlaufunk, as always your Alina Wenders on the microphone.
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Today it's about improv theater and I'm very happy to have a very nice guest here in my studio.
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I welcome Andreas Wolf from Munich.
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He is a co-founder of the improv theater “fastfood” and a real expert.
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Hi Andreas!
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Hello! Andreas, maybe you can tell us briefly or explain what improv theater actually is and where the idea comes from.
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Impro is the abbreviation for improvisation, i.e. something unforeseen, something I don't know yet.
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And that's exactly the difference to the normal theater I know, with texts and production.
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In improv theater I don't know at all - or the player doesn't know either - what he's playing, but very often he just waits for instructions, for example from the audience.
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A word is thrown in and then he plays a scene.
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Mmm, that definitely sounds interesting.
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When did you start “fastfood”?
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We founded “fastfood” in 1992 as students and experimented with the theater form because it was not yet known at the time, especially not in Germany.
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In English-speaking countries, quite a bit.
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Mmm. And then we suddenly became so successful, without it being planned, spontaneously, so to speak, and then we earned our money with it as students and stuck with it.
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OK. You just said that it's all spontaneous and the audience also throws in ideas.
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That means that the big difference for the actors compared to normal theater is that they don't have any text.
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Exactly, and that's why they have themselves.
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So you have to pay very close attention to what kind of game your partner offers.
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So, a game offer can be, for example, that he sits down on a chair and says a sentence.
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A greeting, for example.
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Mmm. If my mind is somewhere else, then I don't hear the greeting at all and just say whatever comes to mind, and then the audience will say: "Hmm, boring!" They don’t understand each other.” Makes no sense.
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Makes no sense, exactly.
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That's why I have to listen carefully as a playing partner.
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He greets me.
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Who is he actually?
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What kind of character?
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And respond and react exactly to it.
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And so we play ping-pong in the scenes, back and forth and that's how the stories are created: always listening carefully and reacting to the partner.
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That sounds exciting.
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So I feel like trying it out too.
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Could I learn that, i.e. improv theater?
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Yes, you can… Exactly, you can learn that.
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That's actually not difficult, because you actually do it - or the two of us are already doing it here, talking to each other and actually having no idea what exactly we're going to say.
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The sentences arise in conversation and I can only think about them for about three seconds at most.
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The rest just happens.
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And then I have to wait again to see how you react to it so that I can react to it again, and then we have a good conversation.
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And a good conversation means that I have listened to you and am responding to you.
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And I'm not in my thoughts and that's what makes good improvisational theater that I hear exactly what the other person is actually saying and I react to that.
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That's correct. But there are actually courses, right?
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Exactly. In which you show those interested how you can learn this.
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Exactly, we founded our improvisation school in 1994 and the goal back then, because improvisation was not yet known, was to show people that what we do on stage is not magic.
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Not only “genius” people can do this, but anyone can improvise.
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And you can learn these principles in our courses.
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They build on each other in the fast food improv school.
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That means everyone is actually a little actor.
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That's what he can become, exactly.
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I think I'd like to try out an improv story with you now.
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Do you feel like?
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Yes, sure! So, I'll give you the genre, you start a story and I'll gradually tell you a few terms that you have to spontaneously incorporate into the story.
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OK. So, of course you don't know the terms.
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That means, dear listeners, we really haven't discussed the terms.
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Nope. Are you ready, Andreas?
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Yes, okay. So, I would like a crime novel from you.
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OK. Then I would like to have you tell me the place where this crime thriller takes place.
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So, it can be a very unusual setting.
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Then let’s take… a department store!
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A shopping center. Good.
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Like every day, Philipp spent hours in one of the city's large department stores.
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He loved going to department stores.
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After school he wandered around the different departments, looked at different things that he liked, read books for hours in some corner...
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The bee. ... and tracked, for example, when a bee had wandered into the department store.
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Like yesterday when he followed that bee and saw it stinging a saleswoman in the women's department and she dropped dead on the spot because of a bee allergy.
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The pot. At that moment, people only saw Philip, who was holding a pot in his hand that he had taken from the household goods department and actually wanted to bring back, but he was immediately arrested as a thief by the department store detective, Mr. Schmidt.
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The Rose. Mr. Schmidt took him into his windowless office and accused Philipp of manslaughter against the saleswoman.
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“Yes, you hit the pot over your head.” And at that moment Philipp saw a rose lying in the corner.
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He thought: “Man, listen, Mr. Private Dete..., Mr. Department Store Detective!
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Look, a rose!” The detour.
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At that moment the detective only thought about the detour that he had put in place, where people weren't supposed to go to the third floor because there... because there had been renovations there and the little rose cards had been sold there.
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He wanted to keep Philipp there, but at the same time he wanted to go up because the diversion wasn't finished.
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There was no sign.
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Maybe people would go up the escalator and pour into the department...
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The Shadow.
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He was torn.
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He looked away.
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At that moment Philipp disappeared out the door.
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He... The department store detective only saw a shadow, ran after him, held Philipp...
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and at that moment Philipp began to cry.
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“It wasn’t me, it was a bee!” The department store detective saw that Philipp was only 13 years old, a boy.
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Could it really have been him?
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And when he examined the victim again closely, the woman from the women's department, he saw that she didn't have a bruise or any skull injury, but a big, runny pimple on her upper arm that had been caused by a bee sting.
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He apologized to Philipp, gave him a rose and so Philipp was able to go home relieved.
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That was pretty impressive.
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Thank you very much.
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Thank you! Thanks too.
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The thoughts are free, but who can guess it?
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They fly by like night shadows.
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No one can know them, no hunter can shoot them.
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The fact remains: thoughts are free!
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And if they lock me up in a dark dungeon, all of this will be a waste of time.
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Because my thoughts tear the barriers and walls apart: my thoughts are free!
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Well said: Thoughts Oh no, I forgot your birthday!
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I am so sorry.
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Don't worry about it.
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I've probably forgotten your birthday too.
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Would you like to sing in our choir?
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Actually, I'd like to, but I still have to think about it.
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I have so little time and I already sing in a band.
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Hey, hello Gina, don't you know me anymore?
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Oh, Leana, hello!
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Sorry, I was totally lost in thought.
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Have you actually heard anything from Bruno?
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Hmm, unfortunately he's not doing so well.
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His band no longer exists because the singer moved to Hamburg.
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That makes him pretty sad.
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Well, hopefully he'll change his mind soon or find a new band.
Tại sao nên luyện nói với video này?
Việc luyện nói với video "Netzwerk neu B1 Kursbuch Audio Kapitel 9 Hörtexte" có nhiều lợi ích cho những ai đang học tiếng Anh. Đầu tiên, video cung cấp một bối cảnh hấp dẫn khi thảo luận về nghệ thuật và kiến trúc tại Innsbruck, giúp người nghe dễ dàng liên kết và nhớ kiến thức hơn. Thứ hai, thông qua việc tham gia vào các cuộc gọi của thính giả, người học có thể luyện tập khả năng phản xạ, ứng xử và tổ chức ý tưởng khi giao tiếp bằng tiếng Anh. Cuối cùng, video dạy bạn cách biểu đạt cảm xúc và ý kiến một cách tự nhiên, điều này cực kỳ quan trọng trong luyện nói tiếng Anh. Hãy thử áp dụng phương pháp shadow speak để cải thiện kỹ năng của bạn, như việc lặp lại và cùng thực hiện các đoạn hội thoại trong video để tăng cường khả năng nói.
Ngữ pháp & Biểu thức trong bối cảnh
Trong video này, một số cấu trúc ngữ pháp và biểu thức quan trọng đã được sử dụng, bao gồm:
- “Tôi thích…” (I like...) : Cấu trúc đơn giản giúp diễn đạt sở thích cá nhân. Ví dụ, "Tôi thích kiến trúc mới khi nó đẹp."
- “Tôi không thích…” (I don’t like...) : Một cách thể hiện sự không đồng tình về một vấn đề nào đó. Ví dụ, "Tôi không thích những công trình hiện đại làm hỏng vẻ đẹp của thành phố."
- “Có nhiều…” (There are many...) : Cấu trúc này giúp mô tả số lượng và đa dạng. Ví dụ, "Có rất nhiều tác phẩm nghệ thuật ở không gian công cộng."
Các biểu thức này không chỉ giúp người học đặt câu hỏi mà còn tạo dựng các phản hồi trong giao tiếp hàng ngày. Sẽ rất hữu ích nếu bạn thực hành shadowspeak theo cách lặp lại các cấu trúc này sau khi nghe video.
Các cạm bẫy phát âm thường gặp
Khi nghe và luyện nói theo video, có một số từ và cách phát âm có thể gây khó khăn cho người học:
- “graffiti” : Âm 'g' và 'ti' có thể dễ gây nhầm lẫn, hãy chú ý phát âm rõ ràng.
- “concrete” : Một từ có thể phát âm sai nếu không chú ý, hãy luyện tập với nhiều nhấn âm để cải thiện.
- “Hungerburg” : Từ này có âm tiết dài và có thể khó khăn cho người học mới, hãy thực hành lặp lại nhiều lần.
Các cạm bẫy phát âm này là lý do tại sao việc luyện nói shadow speech trở nên cần thiết. Thực hành phát âm sẽ giúp bạn tự tin hơn khi giao tiếp.
Phương Pháp Shadowing Là Gì?
Shadowing là kỹ thuật học ngôn ngữ có cơ sở khoa học, ban đầu được phát triển cho chương trình đào tạo phiên dịch viên chuyên nghiệp và được phổ biến rộng rãi bởi nhà đa ngôn ngữ học Dr. Alexander Arguelles. Nguyên lý cốt lõi đơn giản nhưng cực kỳ hiệu quả: bạn nghe tiếng Anh của người bản xứ và lặp lại to ngay lập tức — như một "cái bóng" (shadow) đuổi theo người nói với độ trễ chỉ 1–2 giây. Khác với luyện ngữ pháp hay học từ vựng bị động, Shadowing buộc não bộ và cơ miệng phải đồng thời xử lý và tái tạo ngôn ngữ thực tế. Các nghiên cứu khoa học xác nhận phương pháp này cải thiện đáng kể phát âm, ngữ điệu, nhịp điệu, nối âm, kỹ năng nghe và độ lưu loát khi nói — đặc biệt hiệu quả cho người luyện IELTS Speaking và muốn giao tiếp tiếng Anh tự nhiên như người bản ngữ.