쉐도잉 연습: Quentin Tarantino on Story Problems - 영상으로 영어 말하기 배우기

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167 문장

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Halloween 2, Deborah Hill and John Carpenter do the cheapest thing just to throw a little whammy in the movie,

and they make it that Laurie and Michael Myers are brother and sister.

And that taints every single Halloween sequel that happens afterwards, because he's not her brother.

She's not his sister.

That's just bullshit.

That literally was them coming up with a stupid idea at the last minute.

Yeah, but it's the cheapest thing.

Nobody was coming from that point of view when they were making the first one.

And what makes the first one so good is the fact

that you don't know what it is that makes Michael Myers go, her!

Yeah.

It's not a sister thing.

Piranha, directed by Joe Dante and written by John Sayles.

I only have two problems with the whole movie.

One problem that you have about the way the piranhas get loose in the ocean is, you know, it's not elegant.

Into the river.

Yeah, yeah, in the river, yeah.

In the river.

It's not elegant.

It doesn't serve our heroin.

It doesn't, they could have done better.

Oh, hey, what's this?

Okay, they could have done better.

Hey, what's this wheel?

Let's turn it.

Woody Allen's Anything Else.

That's the Jason Diggs one.

But the only, like, you know, but like the person I had watched the most, because it's one of the things I'm really anal about,

is I have people make references, and it just kills me when I know people don't know what they're talking about.

How do you mean?

Well, what I mean is, it's like, you know, I can, you know, well, okay, I'll give you a big example.

Okay.

Yeah, you got that.

Okay.

It's like when you're watching a Woody Allen movie and Juliette Lewis

and Jimmy Fallon are sitting there talking and they're talking about Lena Riefenstahl and Triumph of Will

and the White Hill of Pizu Pizu

and they're talking about Gertrude Stein's second lover and we know they don't know what they're talking about.

and the fact

that like it not only is Jimmy Fallon you randomly having a conversation about Lena Riefenstahl

but he's actually written a monograph that is about Lena Riefenstahl in Vanity Fair in the movie and I know

Jimmy Fallon doesn't know who Lena Riefenstahl is.

I don't really care for natural -born killers I don't really recognize it as as what I wrote.

In fact it was funny I didn't see this

but I was like my got the friends of mine at the video store

you know they'd read the script for two years before it was ever yes and then

And then they're like, oh my God, Quentin, there's this whole scene in the movie where Mickey is fucking Mallory.

And then he looks at a female victim who's tied up in the corner and he starts fantasizing about her.

And they go, Mickey would never do that.

Mallory would never cheat.

Mickey would.

I mean, the point of the thing is they unnaturally live for each other at the expense of everybody else on the planet Earth.

Something Wild was always that kind of like movie for me, like when I saw it

and i remember i took a buddy of mine who wasn't part of the video archives group he was like uh

uh he was a writer and you know it kind of had had a harder life

and i took him to go see it

and he's really enjoying it he pointed out something amiss about the movie

and he told me about it and i knew it was right

but i immediately dismissed it because i didn't want anything to ruin the film

and i i did was able to dismiss it i watched it again in 2017.

I hadn't seen it in a long time and I watched it again

and when the scene happens it completely took me out of the movie.

Okay so here's the scene.

It's when he goes and has this confrontation with with Ray Liotta in the coffee shop with Melanie Griffith there.

Now there's a lot of things going on in here.

He wants to take on Ray Liotta.

He wants to get Melanie Griffith away from Ray Liotta but he wants her to see him standing up to the guy.

He wants her to see him save her and work it all out so it's going on now we know

Ray Liot is not a joke this is a dangerous cat man

and you know you're playing with fire here then cops come into the diner

and sit in the booth behind them it's like well tell the fucking cops I mean she's practically kidnapped

but even if maybe

that might not work out as well in her eyes all right as far as getting her away

but if this guy is as dangerous as he proves to be

and as we think he already is

and as he should know he is just tell the cops

he witnessed an entire robbery they brutalized the asian kid

you know he pistol whipped the asian kid in in the store

he has enough to get ray liotta arrested right then

and there okay well why it's there is for a comedy moment

that he can't really do anything

because the cops are there he can't just punch jeff daniels all right

because the cops are there

and then jeff downs was like hey officers how you doing you know

so there's a so there's a joke and that always got a laugh

but my friend who was street was watching the movie why isn't

he just telling the cops i mean he witnessed an entire robbery they're looking for

that robber that kid is in the hospital with a purple face anyway it's just like i couldn't get past it

It was a big flaw.

It was a big story flaw.

It wasn't then.

No, it definitely dimmed for me, but that doesn't matter.

What really matters was how exuberant I thought it was at the time when I needed exuberance.

I really got a kick out of it.

Oh, yeah.

Yeah, I thought it was really good.

Me and Paul have talked about this, though.

I mean, I actually think there's a slight flaw in Boogie Nights.

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And the flaw in Boogie Nights is the perception of the Burt Reynolds character.

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And what I mean by that is this.

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Paul can say he's not based on the director Gerard Damiano, who directed Devil and Mrs. Jones and Deep Throat.

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He is.

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He obviously is.

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He looks exactly like him.

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And Gerard Damiano has a very unique look.

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So you have to actually make him, Burt Reynolds doesn't look like that.

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So you actually have to go out of your way to make him look like Gerard Damiano with the gray and black

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Van Dyke that he wore and the kind of wavy gray hair that he wore.

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That's not Burt Reynolds' look.

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That is Gerard Damiano's look.

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So he went out of his way to make the guy look like his exact double.

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So you can't say, I didn't mean to be that guy.

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Yes, he did.

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Here's my problem with the film though.

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Yes, I do think it's honest about being a filmmaker

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but my problem with it though is

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when he makes the cop movie the porno cop movie

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and he's killing himself doing it

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and then you see the film the film looks like a piece of shit

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it looks horrible now i've seen i believe me i i've seen more porno movies than paul have

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because i worked at the porno theater all right

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and i saw a lot of movies crappy like that but he has the Burt Reynolds' character say,

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I think, you know, he says it in the full -on, moving the close -up in him, I think this is my greatest work yet.

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This is the best work we've ever done.

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I think this is my finest work yet.

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Gerard Damiano was a better director than that.

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Gerard Damiano's better footage looked drastically better than that cop crap.

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Yes, exactly.

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Gerard Damiano was a good enough filmmaker to know the difference between, oh, wow, this is the best movie I've ever done.

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And no, this one has a little bit of a story, but we still shot it on 16 millimeter,

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you know, in crappy daylight with no light.

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And, you know, and it looks like what it looks like.

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Burt Reynolds suggests that he's more of a director than that, that he would know the difference.

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Gerard Damiano definitely would know the difference.

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And he's playing Gerard Damiano.

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So I think it's a cheap line because that character would know

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that that work is not the best work he could possibly do.

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Yeah, you can definitely lose perspective, but you don't think some piece of junk that you did is the best work you've ever going to do.

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The movie is called Delirium.

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The thing about Delirium that is absolutely positively ridiculous is the entire story you hear about him the night before,

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because you just see him as a raving lunatic that every woman he sees, he kills.

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But apparently the night before, he's like vibing with a girl and they're really hitting it off.

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He's partying with her and her roommate.

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Who the fuck is that guy?

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It never mentions what set him off to such a degree that now he's just a terminator on kill.

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You using the Silence of the Lambs example, that sequence is magnificent.

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I will push back on one aspect of it done

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i've seen some movies before i did not think jodie foster was going to die at

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that point in the movie i would have been i would have been surprised

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if it ended with buffalo bill killing jodie foster no i've seen too many movies to think

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that that was actually going to happen i was caught up in the moment

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but i still have a movie brand going on are you saying are you saying

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that it would be a better film

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if the film ended with buffalo bill wearing jodie foster no no no no

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i'm i'm i'm i'm i'm using it i'm using it to go back to once my time in in hollywood

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because one of the reasons that that scene works so effectively is because cliff could die.

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Narratively, movie -wise, in every way, shape, and form.

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He could die in that sequence.

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Put that down.

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What's going on here?

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What are you doing?

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What are you doing?

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Can you not talk to me? Are you...

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So you know she's not just a guy from around here.

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You're actually a paparazzi guy.

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But if that was off, I'd be whipping your ass up and down.

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이 레슨의 어휘와 말하기 포인트

이 말하기 레슨은 영상 “Quentin Tarantino on Story Problems”을(를) 바탕으로 합니다. 가장 자주 반복되는 단어는 다음과 같습니다: movie, Gerard, cop, Damiano. 이 영상에는 섀도잉할 문장 167개와 단어 1830개가 있습니다. 말하는 구간의 길이는 9:59입니다. 화자는 분당 약 183단어로 빠르게 말하므로 연음과 약하게 발음되는 소리가 많습니다. 단어의 82%가 영어에서 가장 많이 쓰이는 3,000단어에 속합니다. 나머지는 연습 전에 미리 확인해 두세요.

이 영상의 핵심 어휘

영상에 나오는 익혀 둘 만한 단어 15개를 발음, 뜻과 함께 정리했습니다.

단어	발음	뜻
gray 형용사	/ɡɹeɪ/	회색(灰色)의, 잿빛의
sequence 명사	/ˈsiː.kwəns/	순서
buffalo 명사	/ˈbʌf.ə.loʊ/	물소, 야우
whip 명사	/ˈwɪp/	채찍
robbery 명사	/ˈɹɑbəɹi/	강도
elegant 형용사	/ˈɛləɡənt/	우아한
dismiss 동사	/dɪsˈmɪs/	해고하다
killer 명사	/ˈkɪlɚ/	살인자
ridiculous 형용사	/ɹɪˈdɪk.jə.ləs/	웃으운
horrible 형용사	/ˈhɔɹ.ɪ.bəl/	끔찍하다
aspect 명사	/ˈæspɛkt/	양상
script 명사	/skɹɪpt/	문서, 문장
theater 명사	/ˈθi(ə)tɚ/	극장
punch 명사	/pʌnt͡ʃ/	펀치
purple 명사	/ˈpɝ.pl̩/	자주색, 보라색

영상에 나오는 구동사

단어	뜻
point out 동사	가리키다

따라 말해 볼 만한 문장

영상에 나오는 짧고 완결된 문장으로, 일상 대화에서 그대로 쓸 수 있습니다:

It doesn't serve our heroin.
How do you mean?
Here's my problem with the film though.
This is the best work we've ever done.
Can you not talk to me?

이 영상의 문법

화자가 가장 많이 쓰는 문형을 영상 속 실제 표현과 함께 정리했습니다.

문형	영상 속 표현
현재완료 have/has + 과거분사 — 과거의 일이 지금도 관련이 있을 때	have talked · i've seen · we've ever done
수동태 be + 과거분사 — 누가 하는지보다 무슨 일이 일어나는지에 초점	is called · was caught

주의할 발음

화자는 I'm, they're, don't 같은 축약형과 약화된 형태를 50번 사용합니다. 들리는 대로 짧게 발음하세요.

“th” 소리: theater /ˈθi(ə)tɚ/, booth /buθ/
“sh”와 “zh” 소리: perception /pɚˈsɛpʃ(ə)n/, confrontation /ˌkɑn.fɹənˈteɪ.ʃən/
긴 단어 — 강세 위치에 주의: ridiculous /ɹɪˈdɪk.jə.ləs/, practically /ˈpɹæk.tɪ.k(ə.)li/, magnificent /mæɡˈnɪfəsənt/, positively /ˈpɑ.zɪ.tɪv.li/, confrontation /ˌkɑn.fɹənˈteɪ.ʃən/

한국어 화자가 어려워하는 소리:

/f/ — ㅍ(/p/)으로 바꾸지 말고 윗니를 아랫입술에 대기: flaw /flɔ/, foster /ˈfɒstə/, buffalo /ˈbʌf.ə.loʊ/, afterwards /ˈæf.tɚ.wɚdz/, footage /ˈfʊtɪd͡ʒ/
/v/ — ㅂ(/b/)과 구별하기: lover /ˈlʌvɚ/, archive /ˈɑɹˌkaɪv/, vibe /vaɪb/, positively /ˈpɑ.zɪ.tɪv.li/, rave /ɹeɪv/
/z/ — ㅈ이 아니라 성대를 울리는 /s/: afterwards /ˈæf.tɚ.wɚdz/, positively /ˈpɑ.zɪ.tɪv.li/, exuberance /ɪɡˈzjuːbəɹəns/, exuberant /ɪɡˈzuːbəɹənt/, fantasize /ˈfæntəˌsaɪz/

이 영상으로 연습하는 방법

먼저 말하지 않고 영상을 끝까지 듣고 모르는 단어를 적어 둡니다.
0.75배속으로 한 문장씩 섀도잉을 시작하고, 익숙해지면 보통 속도로 돌아갑니다.
자신의 목소리를 녹음해 원본과 비교하고, gray, sequence, buffalo 같은 단어에 특히 주의합니다.

쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법

쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.

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쉐도잉 연습: Quentin Tarantino on Story Problems - 영상으로 영어 말하기 배우기

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