シャドーイング練習: Quentin Tarantino on Story Problems - 動画で英語スピーキングを学ぶ

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Halloween 2, Deborah Hill and John Carpenter do the cheapest thing just to throw a little whammy in the movie,

and they make it that Laurie and Michael Myers are brother and sister.

And that taints every single Halloween sequel that happens afterwards, because he's not her brother.

She's not his sister.

That's just bullshit.

That literally was them coming up with a stupid idea at the last minute.

Yeah, but it's the cheapest thing.

Nobody was coming from that point of view when they were making the first one.

And what makes the first one so good is the fact

that you don't know what it is that makes Michael Myers go, her!

Yeah.

It's not a sister thing.

Piranha, directed by Joe Dante and written by John Sayles.

I only have two problems with the whole movie.

One problem that you have about the way the piranhas get loose in the ocean is, you know, it's not elegant.

Into the river.

Yeah, yeah, in the river, yeah.

In the river.

It's not elegant.

It doesn't serve our heroin.

It doesn't, they could have done better.

Oh, hey, what's this?

Okay, they could have done better.

Hey, what's this wheel?

Let's turn it.

Woody Allen's Anything Else.

That's the Jason Diggs one.

But the only, like, you know, but like the person I had watched the most, because it's one of the things I'm really anal about,

is I have people make references, and it just kills me when I know people don't know what they're talking about.

How do you mean?

Well, what I mean is, it's like, you know, I can, you know, well, okay, I'll give you a big example.

Okay.

Yeah, you got that.

Okay.

It's like when you're watching a Woody Allen movie and Juliette Lewis

and Jimmy Fallon are sitting there talking and they're talking about Lena Riefenstahl and Triumph of Will

and the White Hill of Pizu Pizu

and they're talking about Gertrude Stein's second lover and we know they don't know what they're talking about.

and the fact

that like it not only is Jimmy Fallon you randomly having a conversation about Lena Riefenstahl

but he's actually written a monograph that is about Lena Riefenstahl in Vanity Fair in the movie and I know

Jimmy Fallon doesn't know who Lena Riefenstahl is.

I don't really care for natural -born killers I don't really recognize it as as what I wrote.

In fact it was funny I didn't see this

but I was like my got the friends of mine at the video store

you know they'd read the script for two years before it was ever yes and then

And then they're like, oh my God, Quentin, there's this whole scene in the movie where Mickey is fucking Mallory.

And then he looks at a female victim who's tied up in the corner and he starts fantasizing about her.

And they go, Mickey would never do that.

Mallory would never cheat.

Mickey would.

I mean, the point of the thing is they unnaturally live for each other at the expense of everybody else on the planet Earth.

Something Wild was always that kind of like movie for me, like when I saw it

and i remember i took a buddy of mine who wasn't part of the video archives group he was like uh

uh he was a writer and you know it kind of had had a harder life

and i took him to go see it

and he's really enjoying it he pointed out something amiss about the movie

and he told me about it and i knew it was right

but i immediately dismissed it because i didn't want anything to ruin the film

and i i did was able to dismiss it i watched it again in 2017.

I hadn't seen it in a long time and I watched it again

and when the scene happens it completely took me out of the movie.

Okay so here's the scene.

It's when he goes and has this confrontation with with Ray Liotta in the coffee shop with Melanie Griffith there.

Now there's a lot of things going on in here.

He wants to take on Ray Liotta.

He wants to get Melanie Griffith away from Ray Liotta but he wants her to see him standing up to the guy.

He wants her to see him save her and work it all out so it's going on now we know

Ray Liot is not a joke this is a dangerous cat man

and you know you're playing with fire here then cops come into the diner

and sit in the booth behind them it's like well tell the fucking cops I mean she's practically kidnapped

but even if maybe

that might not work out as well in her eyes all right as far as getting her away

but if this guy is as dangerous as he proves to be

and as we think he already is

and as he should know he is just tell the cops

he witnessed an entire robbery they brutalized the asian kid

you know he pistol whipped the asian kid in in the store

he has enough to get ray liotta arrested right then

and there okay well why it's there is for a comedy moment

that he can't really do anything

because the cops are there he can't just punch jeff daniels all right

because the cops are there

and then jeff downs was like hey officers how you doing you know

so there's a so there's a joke and that always got a laugh

but my friend who was street was watching the movie why isn't

he just telling the cops i mean he witnessed an entire robbery they're looking for

that robber that kid is in the hospital with a purple face anyway it's just like i couldn't get past it

It was a big flaw.

It was a big story flaw.

It wasn't then.

No, it definitely dimmed for me, but that doesn't matter.

What really matters was how exuberant I thought it was at the time when I needed exuberance.

I really got a kick out of it.

Oh, yeah.

Yeah, I thought it was really good.

Me and Paul have talked about this, though.

I mean, I actually think there's a slight flaw in Boogie Nights.

100

And the flaw in Boogie Nights is the perception of the Burt Reynolds character.

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And what I mean by that is this.

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Paul can say he's not based on the director Gerard Damiano, who directed Devil and Mrs. Jones and Deep Throat.

103

He is.

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He obviously is.

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He looks exactly like him.

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And Gerard Damiano has a very unique look.

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So you have to actually make him, Burt Reynolds doesn't look like that.

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So you actually have to go out of your way to make him look like Gerard Damiano with the gray and black

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Van Dyke that he wore and the kind of wavy gray hair that he wore.

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That's not Burt Reynolds' look.

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That is Gerard Damiano's look.

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So he went out of his way to make the guy look like his exact double.

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So you can't say, I didn't mean to be that guy.

114

Yes, he did.

115

Here's my problem with the film though.

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Yes, I do think it's honest about being a filmmaker

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but my problem with it though is

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when he makes the cop movie the porno cop movie

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and he's killing himself doing it

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and then you see the film the film looks like a piece of shit

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it looks horrible now i've seen i believe me i i've seen more porno movies than paul have

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because i worked at the porno theater all right

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and i saw a lot of movies crappy like that but he has the Burt Reynolds' character say,

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I think, you know, he says it in the full -on, moving the close -up in him, I think this is my greatest work yet.

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This is the best work we've ever done.

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I think this is my finest work yet.

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Gerard Damiano was a better director than that.

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Gerard Damiano's better footage looked drastically better than that cop crap.

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Yes, exactly.

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Gerard Damiano was a good enough filmmaker to know the difference between, oh, wow, this is the best movie I've ever done.

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And no, this one has a little bit of a story, but we still shot it on 16 millimeter,

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you know, in crappy daylight with no light.

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And, you know, and it looks like what it looks like.

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Burt Reynolds suggests that he's more of a director than that, that he would know the difference.

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Gerard Damiano definitely would know the difference.

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And he's playing Gerard Damiano.

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So I think it's a cheap line because that character would know

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that that work is not the best work he could possibly do.

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Yeah, you can definitely lose perspective, but you don't think some piece of junk that you did is the best work you've ever going to do.

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The movie is called Delirium.

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The thing about Delirium that is absolutely positively ridiculous is the entire story you hear about him the night before,

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because you just see him as a raving lunatic that every woman he sees, he kills.

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But apparently the night before, he's like vibing with a girl and they're really hitting it off.

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He's partying with her and her roommate.

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Who the fuck is that guy?

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It never mentions what set him off to such a degree that now he's just a terminator on kill.

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You using the Silence of the Lambs example, that sequence is magnificent.

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I will push back on one aspect of it done

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i've seen some movies before i did not think jodie foster was going to die at

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that point in the movie i would have been i would have been surprised

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if it ended with buffalo bill killing jodie foster no i've seen too many movies to think

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that that was actually going to happen i was caught up in the moment

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but i still have a movie brand going on are you saying are you saying

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that it would be a better film

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if the film ended with buffalo bill wearing jodie foster no no no no

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i'm i'm i'm i'm i'm using it i'm using it to go back to once my time in in hollywood

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because one of the reasons that that scene works so effectively is because cliff could die.

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Narratively, movie -wise, in every way, shape, and form.

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He could die in that sequence.

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Put that down.

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What's going on here?

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What are you doing?

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What are you doing?

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Can you not talk to me? Are you...

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So you know she's not just a guy from around here.

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You're actually a paparazzi guy.

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But if that was off, I'd be whipping your ass up and down.

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このレッスンの語彙とスピーキングのポイント

このスピーキングレッスンは、動画「Quentin Tarantino on Story Problems」を教材にしています。繰り返し出てくる語は次のとおりです：movie, Gerard, cop, Damiano。この動画には、シャドーイング用の文が167文、単語が1830語あります。音声の長さは9:59です。話す速さは速く、1分あたり約183語です。音のつながりや弱く発音される音が多くなります。単語の82%は英語の頻出3,000語に含まれます。残りは練習の前に確認しておきましょう。

この動画の重要語彙

動画に出てくる覚えておきたい単語15語を、発音と意味つきで紹介します。

単語	発音	意味
cop 名詞	/kɑp/	おまわりさん, 察
flaw 名詞	/flɔ/	ひび
gray 形容詞	/ɡɹeɪ/	灰色, 鼠色
sequence 名詞	/ˈsiː.kwəns/	順序
buffalo 名詞	/ˈbʌf.ə.loʊ/	野牛
whip 名詞	/ˈwɪp/	鞭
robbery 名詞	/ˈɹɑbəɹi/	強盗
elegant 形容詞	/ˈɛləɡənt/	優雅な, 立派な
dismiss 動詞	/dɪsˈmɪs/	解雇する
filmmaker 名詞		映画製作者
killer 名詞	/ˈkɪlɚ/	殺人者, キラー
ridiculous 形容詞	/ɹɪˈdɪk.jə.ləs/	馬鹿らしい
horrible 形容詞	/ˈhɔɹ.ɪ.bəl/	恐ろしい
afterwards 副詞	/ˈæf.tɚ.wɚdz/	その後, それから
aspect 名詞	/ˈæspɛkt/	様相

動画に出てくる句動詞

単語	意味
point out 動詞	指す, 指し示す

繰り返し練習したい文

動画に出てくる短く完結した文です。日常会話でそのまま使えます。

It doesn't serve our heroin.
How do you mean?
Here's my problem with the film though.
This is the best work we've ever done.
Can you not talk to me?

この動画の文法

話し手がよく使っている文型を、動画の実際の表現とともに紹介します。

文型	動画での表現
現在完了形 have/has + 過去分詞 — 過去の出来事が今も関係している	have talked · i've seen · we've ever done
受動態 be + 過去分詞 — 誰がするかより、何が起きるかに焦点を当てる	is called · was caught

注意したい発音

話し手はI'm, they're, don'tなど、短縮形や弱形を50回使っています。聞こえたとおりの短い形で発音しましょう。

「th」の音: theater /ˈθi(ə)tɚ/, booth /buθ/
「sh」と「zh」の音: perception /pɚˈsɛpʃ(ə)n/, confrontation /ˌkɑn.fɹənˈteɪ.ʃən/
長い単語（アクセントの位置に注意）: ridiculous /ɹɪˈdɪk.jə.ləs/, practically /ˈpɹæk.tɪ.k(ə.)li/, magnificent /mæɡˈnɪfəsənt/, positively /ˈpɑ.zɪ.tɪv.li/, confrontation /ˌkɑn.fɹənˈteɪ.ʃən/

日本語話者が苦手な音：

/r/ と /l/ の区別 — /l/ は舌先を歯茎につけ、/r/ はどこにもつけない: ridiculous /ɹɪˈdɪk.jə.ləs/, horrible /ˈhɔɹ.ɪ.bəl/, practically /ˈpɹæk.tɪ.k(ə.)li/, randomly /ˈɹændm̩li/, unnaturally /ʌnˈnæt͡ʃ(ə)ɹəli/
/v/ — /b/ にならないように、上の歯を下唇に当てる: lover /ˈlʌvɚ/, archive /ˈɑɹˌkaɪv/, vibe /vaɪb/, positively /ˈpɑ.zɪ.tɪv.li/, rave /ɹeɪv/
/f/ — 「フ」ではなく、上の歯と下唇で出す: flaw /flɔ/, foster /ˈfɒstə/, buffalo /ˈbʌf.ə.loʊ/, afterwards /ˈæf.tɚ.wɚdz/, footage /ˈfʊtɪd͡ʒ/

この動画での練習方法

まず声を出さずに動画を最後まで聞き、知らない単語をメモします。
まず0.75倍速で一文ずつシャドーイングし、慣れてきたら通常の速度に戻します。
自分の声を録音して元の音声と比べます。cop, flaw, grayなどの単語に特に注意しましょう。

シャドーイングとは？英語上達に効果的な理由

シャドーイング（Shadowing）は、もともとプロの通訳者養成プログラムで開発された言語学習法で、多言語習得者として知られるDr. Alexander Arguelles によって広く普及されました。方法はシンプルですが非常に効果的：ネイティブスピーカーの英語を聞きながら、1〜2秒の遅延で声に出してすぐに繰り返す——まるで「影（shadow）」のように話者を追いかけます。文法ドリルや受動的なリスニングと異なり、シャドーイングは脳と口の筋肉が同時にリアルタイムで英語を処理・再現することを強制します。研究により、発音精度、抑揚、リズム、連音、リスニング力、そして会話の流暢さが大幅に向上することが確認されています。IELTSスピーキング対策や自然な英語コミュニケーションを目指す方に特におすすめです。

シャドーイングのやり方: ステップ別の完全ガイドを読む →

シャドーイング練習: Quentin Tarantino on Story Problems - 動画で英語スピーキングを学ぶ

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