Shadowing Practice: Chapter 3 - Learn English Speaking with Video

Les maken...
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Chapter 3 Christine Daillet Monsieur Fermat was right.
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All Paris talked about the new Margarita in Faust, the girl with the beautiful voice, the girl with the voice of an angel.
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People loved her.
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They laughed and cried and called for more.
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Daae was wonderful, the best singer in the world.
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Behind the stage, Meg Giry looked at Annie Sorelli.
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Christine Daae never sang like that before, she said to Annie.
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Why was she so good tonight?
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Perhaps she's got a new music teacher, Annie said.
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noise in the Opera House went on for a long time.
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In box 14, Philippe, the Comte de Charny, turned to his younger brother and smiled.
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Well, Raoul, what did you think of Daye tonight?
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Raoul, the Vicomte de Charny, was 21 years old.
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He had blue eyes and black hair and a wonderful smile.
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The Chagny family was old and rich, and many girls in Paris were in love with the young Vicomte.
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But Raoul was not interested in them.
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He smiled back at his brother.
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What can I say?
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Christine is an angel, that's all.
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I'm going to her dressing room to see her tonight.
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Philippe laughed.
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He was twenty years older than Raoul and was more like a father than a brother.
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Ah, I understand, he said.
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You are in love.
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But this is your first night in Paris, your first visit to the opera.
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How do you know Christine Di?
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You remember four years ago when I was on holiday by the sea in Brittany?
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Raoul said.
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Well, I met Christine there.
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I was in love with her then, and I'm still in love with her today.
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The Comte de Chagny looked at his brother.
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Hmm, I see, he said slowly.
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Well, Raoul, remember she is only an opera singer.
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We know nothing about her family.
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But Raoul did not listen.
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To him, good families were not important, and young men never listened to their older brothers.
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There were many people in Christine Dyer's dressing room that night.
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But there was a doctor with Christine, and her beautiful face looked white and ill.
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Raoul went quickly across the room and took her hand.
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Christine, what's the matter?
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Are you ill?
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He went down on the floor by her chair.
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Don't you remember me?
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Raoul de Chani, in Brittany.
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Christine looked at him and her blue eyes were afraid.
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She took her hand away.
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No, I don't know you.
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Please go away.
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I'm not well.
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Raul stood up, his face red.
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Before he could speak, the doctor said quickly, Yes, yes, please go away.
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Everybody, please leave the room.
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Mademoiselle Dye needs to be quiet.
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She is very tired.
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He moved to the door and soon everybody left the room.
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Christine Dye was alone in her dressing room.
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Outside in the passage, the young vicomte was angry and unhappy.
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How could Christine forget him?
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How could she say that to him?
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He waited for some minutes, then, very quietly and carefully, he went back to the door of her dressing room.
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But he did not open the door, because just then, he heard a man's voice in the room.
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Christine, you must love me, the voice said.
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Then Raoul heard Christine's voice.
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How can you talk like that when I sing only for you?
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Tonight, I gave everything to you, everything.
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And now I'm so tired.
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Her voice was unhappy and afraid.
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You sang like an angel, the man's voice said.
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Raoul walked away.
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So, that was the answer.
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Christine Daae had a lover.
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But why was her voice so unhappy?
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He waited in the shadows near her room.
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He wanted to see her lover.
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his enemy.
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After about ten minutes, Christine came out of her room,
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alone, and walked away down the passage.
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Raoul waited, but no man came out after her.
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There was nobody in the passage, so Raoul went quickly up to the door of the dressing room,
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opened it, and went in.
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He closed the door quietly behind him, then called out, Where are you?
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I know you're in here.
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Come out.
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There was no answer.
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Raoul looked everywhere, under the chairs, behind all the clothes, in all the dark corners of the room.
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There was nobody there.
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Thank you.
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Thank you.
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Thank you.

What You'll Learn from This Video Clip

This engaging dialogue is perfect for IELTS speaking practice and building real-world communication skills. You’ll practice expressing emotion through tone—notice how Raoul’s voice softens when he asks about Christine’s health, or how Christine’s fear comes through in her short, sharp replies. You’ll also learn to navigate social cues, like Philippe’s gentle warning to Raoul, which uses indirect language (“remember she is only an opera singer”). Plus, it’s a great chance to practice narrating past events (Raoul’s story of meeting Christine in Brittany) for english speaking practice.

Listen For These Sounds

The video is full of connected speech patterns that native speakers use. Listen for linking in phrases like “What can I say?” where “can I” blends into “can I” (no pause). Notice reduction in “I’m going to her dressing room” where “going to” becomes “gonna” in fast speech. Also, pay attention to how “don’t you remember” shortens to “doncha remember” in casual conversation—these small changes make your speech sound more natural, whether you’re using a shadowing app or practicing with a partner.

Say It Like a Native

To mirror the speakers’ rhythm, focus on stress: in “Christine is an angel, that’s all,” stress “Christine,” “angel,” and “all” to emphasize Raoul’s admiration. For pacing, slow down when characters are emotional—like Christine’s “Please go away. I’m not well,” where each word is deliberate to show her discomfort. Try shadow speak by repeating lines right after the video: copy the rise in Raoul’s voice when he asks, “Don’t you remember me?” and the flat tone in Philippe’s “Hmm, I see.” This practice will help you sound more confident, whether you’re preparing for IELTS or just learning english with youtube clips like this one.

By focusing on these details, you’ll turn a simple story into a powerful tool for improving your speaking skills—proving that even a short video can be a key part of your English learning journey.

Wat is de Shadowing-techniek?

Shadowing is een wetenschappelijk onderbouwde taalleermethode die oorspronkelijk is ontwikkeld voor professionele tolkentraining en gepopulariseerd door polyglot Dr. Alexander Arguelles. De methode is eenvoudig maar krachtig: je luistert naar native Engelse audio en herhaalt het onmiddellijk hardop — als een schaduw die de spreker volgt met slechts 1–2 seconden vertraging. In tegenstelling tot passief luisteren of grammaticadrills, dwingt shadowing je hersenen en mondspieren om echte spraakpatronen tegelijkertijd te verwerken en te reproduceren. Onderzoek toont aan dat het de uitspraaknauwkeurigheid, intonatie, ritme, verbonden spraak, luisterbegrip en spreekvaardigheid aanzienlijk verbetert — waardoor het een van de meest effectieve methoden is voor IELTS Speaking-voorbereiding en echte Engelse communicatie.

Shadowing-techniek: lees de volledige stap-voor-stap-gids →