Pratica di Shadowing: Chapter 3 - Impara a parlare inglese con i video

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Chapter 3 Christine Daillet Monsieur Fermat was right.
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All Paris talked about the new Margarita in Faust, the girl with the beautiful voice, the girl with the voice of an angel.
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People loved her.
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They laughed and cried and called for more.
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Daae was wonderful, the best singer in the world.
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Behind the stage, Meg Giry looked at Annie Sorelli.
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Christine Daae never sang like that before, she said to Annie.
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Why was she so good tonight?
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Perhaps she's got a new music teacher, Annie said.
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noise in the Opera House went on for a long time.
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In box 14, Philippe, the Comte de Charny, turned to his younger brother and smiled.
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Well, Raoul, what did you think of Daye tonight?
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Raoul, the Vicomte de Charny, was 21 years old.
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He had blue eyes and black hair and a wonderful smile.
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The Chagny family was old and rich, and many girls in Paris were in love with the young Vicomte.
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But Raoul was not interested in them.
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He smiled back at his brother.
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What can I say?
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Christine is an angel, that's all.
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I'm going to her dressing room to see her tonight.
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Philippe laughed.
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He was twenty years older than Raoul and was more like a father than a brother.
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Ah, I understand, he said.
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You are in love.
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But this is your first night in Paris, your first visit to the opera.
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How do you know Christine Di?
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You remember four years ago when I was on holiday by the sea in Brittany?
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Raoul said.
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Well, I met Christine there.
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I was in love with her then, and I'm still in love with her today.
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The Comte de Chagny looked at his brother.
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Hmm, I see, he said slowly.
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Well, Raoul, remember she is only an opera singer.
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We know nothing about her family.
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But Raoul did not listen.
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To him, good families were not important, and young men never listened to their older brothers.
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There were many people in Christine Dyer's dressing room that night.
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But there was a doctor with Christine, and her beautiful face looked white and ill.
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Raoul went quickly across the room and took her hand.
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Christine, what's the matter?
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Are you ill?
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He went down on the floor by her chair.
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Don't you remember me?
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Raoul de Chani, in Brittany.
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Christine looked at him and her blue eyes were afraid.
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She took her hand away.
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No, I don't know you.
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Please go away.
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I'm not well.
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Raul stood up, his face red.
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Before he could speak, the doctor said quickly, Yes, yes, please go away.
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Everybody, please leave the room.
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Mademoiselle Dye needs to be quiet.
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She is very tired.
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He moved to the door and soon everybody left the room.
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Christine Dye was alone in her dressing room.
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Outside in the passage, the young vicomte was angry and unhappy.
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How could Christine forget him?
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How could she say that to him?
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He waited for some minutes, then, very quietly and carefully, he went back to the door of her dressing room.
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But he did not open the door, because just then, he heard a man's voice in the room.
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Christine, you must love me, the voice said.
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Then Raoul heard Christine's voice.
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How can you talk like that when I sing only for you?
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Tonight, I gave everything to you, everything.
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And now I'm so tired.
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Her voice was unhappy and afraid.
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You sang like an angel, the man's voice said.
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Raoul walked away.
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So, that was the answer.
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Christine Daae had a lover.
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But why was her voice so unhappy?
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He waited in the shadows near her room.
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He wanted to see her lover.
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his enemy.
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After about ten minutes, Christine came out of her room,
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alone, and walked away down the passage.
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Raoul waited, but no man came out after her.
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There was nobody in the passage, so Raoul went quickly up to the door of the dressing room,
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opened it, and went in.
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He closed the door quietly behind him, then called out, Where are you?
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I know you're in here.
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Come out.
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There was no answer.
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Raoul looked everywhere, under the chairs, behind all the clothes, in all the dark corners of the room.
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There was nobody there.
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Thank you.
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Thank you.
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Thank you.
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Obiettivi di parlato per questo clip

Questo video è perfetto per lavorare sulla fluidità nella narrazione e sulla comprensione di contesti conversazionali con personaggi con personalità diverse. Imparerai a seguire una storia con più voci, a captare emozioni come l'amore, la sorpresa e la confusione, e a riprodurre frasi naturali in contesti reali. È anche ottimo per esercitarti nel shadowing in inglese, poiché il dialogo ha un ritmo variato ma accessibile, ideale per imitare la pronuncia e l'intonazione.

Banca di frasi riutilizzabili

  • "All Paris talked about..." (Tutta Parigi parlava di...): Per descrivere un argomento popolare.
  • "What did you think of...?" (Cosa ne pensavi di...?): Per chiedere un'opinione.
  • "I'm still in love with her today" (Sono ancora innamorato di lei oggi): Per esprimere un sentimento duraturo.
  • "Don't you remember me?" (Non mi ricordi?): Per richiamare un incontro passato.
  • "Please go away" (Per favore, vattene): Per chiedere a qualcuno di lasciare.

Correggi i tuoi punti deboli

Il video aiuta a migliorare la pronuncia di consonanti dolci come in "Christine" o "Raoul", e a gestire la ritmica delle frasi lunghe senza perdere la chiave. Inoltre, con l'esercizio del shadow speak, potrai lavorare sull'intonazione delle domande e delle emozioni: ad esempio, la sorpresa in "Why was she so good tonight?" o la preoccupazione in "What's the matter?". Se vuoi imparare l'inglese con YouTube, questo clip è un'ottima scelta perché combina storia coinvolgente con pratica concreta. Prova a ripetere le frasi subito dopo i personaggi, cercando di imitare il tono e il tempo: è il modo migliore per rafforzare la tua capacità di parlare in modo naturale!

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

Tecnica dello shadowing: leggi la guida completa passo dopo passo →