Pratica di Shadowing: Chapter 1 - Impara a parlare inglese con i video
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The Opera House in Paris is a very famous and beautiful building.
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It is the biggest opera house in the world.
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Work on the building began in 1861, finished in 1875, and cost 47 million francs.
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It has seventeen floors, ten above the ground, and seven under the ground.
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Behind and under the stage, there are stairs and passages, and many, many rooms.
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Chapter One The Dancers Quick, quick, close the door.
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It's him.
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Annie Sorelli ran into the dressing room, her face white.
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One of the girls ran and closed the door, and then they all turned to Annie Sorelli. Who? Where?
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What's the matter? they cried.
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It's the ghost, Annie said.
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In the passage, I saw him.
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He came through the wall in front of me.
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And, and I saw his face.
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Most of the girls were afraid.
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But one of them, a tall girl with black hair, laughed.
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Poo, she said.
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Everybody says they see the opera ghost.
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But there isn't really a ghost.
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You saw a shadow on the wall.
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But she did not open the door or look into the passage.
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Lots of people see him, a second girl said.
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Joseph Bouquet saw him two days ago.
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Don't you remember?
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Then all the girls began to talk at once.
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Joseph says the ghost is tall and he wears a black evening coat.
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He has the head of a dead man with a yellow face and no nose.
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And no eyes, only black holes.
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Then, little Megjiri spoke for the first time.
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Don't talk about him.
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He doesn't like it.
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My mother told me.
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Your mother, the girl with black hair said, what does your mother know about the ghost?
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She says that Joseph Bouquet is a fool.
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The ghost doesn't like people talking about him.
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And one day, Joseph Bouquet is going to be sorry, very sorry.
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But what does your mother know?
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Tell us, tell us, all the girls cried.
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Oh dear, said Meg, but please don't say a word to anyone.
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You know my mother is the doorkeeper for some of the boxes in the opera house.
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Well, box five is the ghost's box.
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He watches the operas from that box and sometimes he leaves flowers for my mother.
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The ghost has a box and leaves flowers in it.
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Oh, Meg, your mother's telling you stories.
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How can the ghost have a box?
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It's true.
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It's true, I tell you, Meg said.
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Nobody buys tickets for Box 5, but the ghost always comes to it on opera nights.
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So, somebody does come there.
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Why, no, the ghost comes, but there is nobody there.
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The dancers looked at Meg.
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But how does your mother know? one of them asked.
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There's no man in a black evening coat with a yellow face.
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That's all wrong.
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My mother never sees the ghost in Box 5, but she hears him.
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He talks to her, but there is nobody there.
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And he doesn't like people talking about him.
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But that evening, the dancers could not stop talking about the opera ghost.
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They talked before the opera, all through the opera, and after the opera.
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But they talked very quietly, and they looked behind them before they spoke.
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When the opera finished, the girls went back to their dressing room.
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Suddenly, they heard somebody in the passage, and Madame Giry, Meg's mother, ran into the room.
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She was a fat, motherly woman with a red, happy face.
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But tonight her face was white.
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Oh, girls! she cried.
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Joseph Bouquet is dead!
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You know he works a long way down, on the fourth floor under the stage.
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The other stage workers found his dead body there an hour ago, with a rope around his neck.
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It's the ghost!' cried Meggiri.
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The ghost killed him!
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Thank you.
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Thank you.
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Informazioni su questa lezione
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.