Pratica di Shadowing: Chapter 1 1 - Impara a parlare inglese con i video
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Chapter 1 The Creature in the Shop My name is Dr. Frederick Treves.
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I am a doctor at the London Hospital.
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One day, in 1884, I saw a picture in the window of a shop near the hospital.
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I stopped in front of the shop and looked at the picture.
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At first, I felt interested.
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Then I felt angry.
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Then afraid.
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It was a horrible, ugly picture.
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There was a man in the picture, but he did not look like you and me.
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He did not look like a man.
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He looked like an elephant.
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I read the writing under the picture.
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It said, Come in and see the elephant man, two pence.
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I opened the door and went in.
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There was a man in the shop.
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He was a dirty man, in an old coat, with a cigarette in his mouth.
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What do you want? he asked.
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I'd like to see the elephant man, please, I said.
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The man looked at me angrily.
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Well, you can't, he said.
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The shop's closing now.
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You can come back tomorrow.
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I'm sorry, I said, but I would like to see him now.
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I have no time tomorrow.
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I have a lot of work to do.
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But I can give you more than two pence.
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The man looked at me carefully.
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Then he took the cigarette out of his mouth and smiled with his yellow teeth.
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All right, sir, he said.
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Give me twelve pence, then.
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I gave him the money, and he opened a door at the back of the shop.
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We went into a little room.
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The room was cold and dark, and there was a horrible smell in it.
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A creature sat on a chair behind a table.
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I say a creature, because it was not a man or a woman, like you or me.
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The creature did not move or look at us.
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It sat very quietly on the chair, in the cold, dark, dirty room, and looked at the table.
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The creature had a cloth over its head, because of the cold.
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On the table in front of it, there was a dead flower.
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Stand up, said the shopkeeper loudly.
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The creature stood up slowly.
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It took the old cloth off its head, and put it on the chair.
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I looked at the creature and felt sad.
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I am a doctor, so I know a lot about accidents and ill people.
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I see horrible, ugly things every day.
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But this creature, this thing, was the worst of all.
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There were no men or women in the hospital like him.
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He wore some old trousers, but no shirt, coat or shoes, so I could see his body very well.
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His head was the most interesting thing.
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It was very, very big, like an enormous bag with a lot of books in it.
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The head did not have much hair, and there was another bag of brown,
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dirty skin at the back of it.
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This skin came down below his neck.
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I could not see one of his eyes very well, because a lot of skin came down in front of his face, too.
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An enormous red tooth came out of his mouth, under his nose.
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It looked like an elephant's tooth.
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The mouth and nose were like holes in the face.
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The face could not smile or laugh or look angry or sad, because the skin could not move.
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It was dead, like an elephant's face.
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There were more bags of dirty skin on the front and back of the creature's body.
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These bags came down to his legs.
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The right arm was enormous, and there were bags of skin on it, too.
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The right hand was like a man's foot.
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But the left hand, the left arm and the left hand, were beautiful.
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The left arm had wonderful skin, and the fingers of the left hand were long and beautiful.
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It was like a young woman's hand.
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Walk, Merrick, said the shopkeeper angrily.
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Come on, quickly, move.
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He hit the creature with his hand.
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Slowly, the creature walked across the room.
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But he could not walk well.
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His legs were very big and fat, and he had a bad back.
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He could not walk far without a stick.
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All right, thank you, I said.
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Let him sit down.
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I don't want to see any more.
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I felt ill, and the smell in the room was very bad.
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Yes, sir, said the shopkeeper.
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Sit down, Merrick.
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We went out of the room and closed the door.
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The shopkeeper smiled at me with his yellow teeth.
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Wonderful, sir, isn't it? he said.
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The best elephant man in England.
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Hundreds of people come to see him, you know.
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Hundreds.
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I take him all over the country, I do.
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Yes, very interesting, I said.
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Can I sit down?
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Yes, sir, of course.
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Here's a chair.
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He looked at me, smiling.
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Would you like a glass of water, sir?
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Yes, please, I said.
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Then I looked at the things in the dirty shop.
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There were two or three bad apples, and some old black bananas.
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That was all.
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Uh, no. No, thank you.
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I'm all right, I said.
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Did you.. did you call the creature Merrick?
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That's right, sir.
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Joseph Merrick.
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The best elephant man in England.
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I take him all over the country, you know.
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Lots of people want to see him.
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Yes, I see.
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Do you get a lot of money?
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Well, sometimes we do, sir, yes.
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But it's difficult, you see, sir, because of the police.
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The police don't like us, you see, sir.
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So we can't stay in a town very long.
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We usually move every week.
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Yes, I see.
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Well, anyway, Mr...
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Uh...
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Silcock, sir.
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Simon Silcock.
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Yes, well, Mr. Silcock, I'm a doctor at the London Hospital.
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My name is Dr. Treves.
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I think this, uh, this man, Joseph Merrick, is very interesting, and I would like to see him at the hospital.
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I want to look at him more carefully, you see.
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Yes, sir.
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I see.
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But how can he get to the hospital?
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It's going to be difficult.
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Why, man?
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The hospital's not far from here.
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Well, yes, sir.
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I know.
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But you see, Merrick can't walk very well.
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He needs help.
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You can come with him.
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Do you want more money?
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Is that it?
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Well, yes, sir, I do.
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But you see, people are afraid of him, too.
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In the road, little boys always run after him and hit him.
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Then the police get angry, because people are afraid.
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Sometimes they take us to prison.
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"'I see,' I said.
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"'Well, how can he come to the hospital, then?' "'Bring a cab, sir,' said Silcock.
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"'You can take him to the hospital in a cab.'
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Thank you.
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Thank you.
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Perché praticare il parlato con questo video?
Questo video è una risorsa perfetta per la pratica di conversazione in inglese e per esercitarti con la tecnica del shadowspeak. Il dialogo tra Dr. Treves e il proprietario del negozio offre un contesto reale, con espressioni colloquiali e una narrazione che mixa descrizioni e interazioni. Attraverso lo shadowing (ripetere immediatamente dopo il parlante), migliori la fluidità, l'intonazione e la comprensione auditiva. È ideale per chi vuole passare da esercizi generici a situazioni concrete, come chiedere informazioni o negoziare, tipiche della vita quotidiana.
Grammatica e espressioni nel contesto
Ecco 3 strutture chiave da analizzare:
- "I felt interested. Then I felt angry.": L'uso di "felt" + aggettivo per esprimere emozioni. Utile per descrivere reazioni in conversazione. Esempio di ripetizione: "I felt surprised when I saw the movie."
- "I have no time tomorrow. I have a lot of work to do.": "Have + no + nome" per negare la disponibilità, e "have + lavoro + to do" per esprimere impegni. Ottimo per organizzare appuntamenti: "I have no money to spend, but I have a project to finish."
- "He took the cigarette out of his mouth and smiled.": Verbi in sequenza per narrare azioni. Aiuta a creare descrizioni dinamiche: "She opened the door and looked inside."
Trappole di pronuncia comuni
Nel video, alcuni vocaboli possono creare difficoltà. Ecco come affrontarli:
- "Creature": La pronuncia corretta è /ˈkriːtʃər/, con l'accento sulla prima sillaba. Evita di pronunciare "crea-tura" come in italiano; la "t" è molle, quasi una "ch".
- "Horrible": /ˈhɒrəbəl/ (in inglese britannico). La "h" è aspirata, e la "o" ha un suono simile a "or" in italiano. Non confondere con "terrible", che ha un accento diverso.
- "Enormous": /ɪˈnɔːməs/. L'accento è sulla seconda sillaba, e la "o" è lunga. Pratica a ripetere "enor-mous" per non sbagliare l'intonazione.
Usando un shadowing site e concentrandoti su questi punti, migliorerai la pronuncia inglese in modo efficace. Ricorda: la chiave è la ripetizione costante!
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.