Prática de Shadowing: Chapter 3 - Aprenda a falar inglês com vídeo

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Chapter 3 Christine Daillet Monsieur Fermat was right.
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All Paris talked about the new Margarita in Faust, the girl with the beautiful voice, the girl with the voice of an angel.
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People loved her.
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They laughed and cried and called for more.
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Daae was wonderful, the best singer in the world.
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Behind the stage, Meg Giry looked at Annie Sorelli.
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Christine Daae never sang like that before, she said to Annie.
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Why was she so good tonight?
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Perhaps she's got a new music teacher, Annie said.
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noise in the Opera House went on for a long time.
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In box 14, Philippe, the Comte de Charny, turned to his younger brother and smiled.
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Well, Raoul, what did you think of Daye tonight?
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Raoul, the Vicomte de Charny, was 21 years old.
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He had blue eyes and black hair and a wonderful smile.
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The Chagny family was old and rich, and many girls in Paris were in love with the young Vicomte.
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But Raoul was not interested in them.
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He smiled back at his brother.
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What can I say?
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Christine is an angel, that's all.
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I'm going to her dressing room to see her tonight.
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Philippe laughed.
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He was twenty years older than Raoul and was more like a father than a brother.
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Ah, I understand, he said.
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You are in love.
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But this is your first night in Paris, your first visit to the opera.
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How do you know Christine Di?
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You remember four years ago when I was on holiday by the sea in Brittany?
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Raoul said.
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Well, I met Christine there.
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I was in love with her then, and I'm still in love with her today.
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The Comte de Chagny looked at his brother.
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Hmm, I see, he said slowly.
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Well, Raoul, remember she is only an opera singer.
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We know nothing about her family.
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But Raoul did not listen.
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To him, good families were not important, and young men never listened to their older brothers.
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There were many people in Christine Dyer's dressing room that night.
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But there was a doctor with Christine, and her beautiful face looked white and ill.
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Raoul went quickly across the room and took her hand.
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Christine, what's the matter?
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Are you ill?
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He went down on the floor by her chair.
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Don't you remember me?
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Raoul de Chani, in Brittany.
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Christine looked at him and her blue eyes were afraid.
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She took her hand away.
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No, I don't know you.
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Please go away.
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I'm not well.
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Raul stood up, his face red.
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Before he could speak, the doctor said quickly, Yes, yes, please go away.
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Everybody, please leave the room.
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Mademoiselle Dye needs to be quiet.
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She is very tired.
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He moved to the door and soon everybody left the room.
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Christine Dye was alone in her dressing room.
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Outside in the passage, the young vicomte was angry and unhappy.
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How could Christine forget him?
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How could she say that to him?
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He waited for some minutes, then, very quietly and carefully, he went back to the door of her dressing room.
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But he did not open the door, because just then, he heard a man's voice in the room.
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Christine, you must love me, the voice said.
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Then Raoul heard Christine's voice.
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How can you talk like that when I sing only for you?
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Tonight, I gave everything to you, everything.
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And now I'm so tired.
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Her voice was unhappy and afraid.
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You sang like an angel, the man's voice said.
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Raoul walked away.
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So, that was the answer.
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Christine Daae had a lover.
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But why was her voice so unhappy?
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He waited in the shadows near her room.
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He wanted to see her lover.
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his enemy.
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After about ten minutes, Christine came out of her room,
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alone, and walked away down the passage.
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Raoul waited, but no man came out after her.
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There was nobody in the passage, so Raoul went quickly up to the door of the dressing room,
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opened it, and went in.
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He closed the door quietly behind him, then called out, Where are you?
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I know you're in here.
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Come out.
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There was no answer.
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Raoul looked everywhere, under the chairs, behind all the clothes, in all the dark corners of the room.
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There was nobody there.
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Thank you.
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Thank you.
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Thank you.
📺 Mesmo canal
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Sobre esta lição

Nesta prática, você vai mergulhar em um diálogo cheio de emoções e detalhes do vídeo "Chapter 3", focando em compreensão oral, pronúncia e imitação de tons naturais. Você vai aprender a identificar nuances na fala, como expressões de surpresa e afeto, e praticar a "shadow speech" para melhorar sua fluência. Além disso, a história envolve personagens com relações complexas, o que ajuda a treinar a compreensão de contextos sociais em inglês.

Vocabulário e frases-chave

  • Angel (anjo): Usado para descrever a voz de Christine, uma metáfora comum em elogios.
  • Box 14 (casa 14): Refere-se a um lugar específico na ópera, mostrando termos de localização em contextos culturais.
  • Dressing room ( camarim): Espaço onde atores se preparam, útil para vocabulário de ambientes teatrais.
  • Good families (boas famílias): Expressão que reflete valores sociais, importante para entender contextos históricos.
  • To be in love (estar apaixonado): Frase fundamental para falar de sentimentos, com uso frequente na conversação.

Dicas de prática

Para praticar "shadowing em inglês" com este vídeo, siga estes passos: primeiro, assista o trecho várias vezes para captar o ritmo — a fala é moderada, com pausas naturais entre as frases, o que facilita a imitação. Em seguida, repita cada linha imediatamente após o personagem, focando na pronúncia de palavras como "Christine" (kris-tin) e "Chagny" (shag-nee). Preste atenção ao tom: Raoul fala com emoção, enquanto Philippe tem uma voz mais calma. Isso ajuda a melhorar a pronúncia em inglês e a expressividade. Use a história para criar diálogos próprios: imagine como Raoul explicaria seu amor por Christine a um amigo, usando frases do vídeo. Isso também fortalece a prática de conversação em inglês. Lembre-se: a chave é a consistência — mesmo 10 minutos por dia de shadowing podem fazer uma grande diferença. Aprender inglês com YouTube nunca foi tão prático!

O que é a Técnica de Shadowing?

Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.

Técnica de shadowing: leia o guia completo passo a passo →