Shadowing Practice: Mamma Mia 4 Act 1 Scene 4 a2 Chiquitita & Dancing Queen - Learn English Speaking with Video

Les maken...
1
Hey!
2
Flo, don't suck.
3
So, let's see what you're doing for the wedding.
4
You're kidding.
5
What?
6
Oh, as if.
7
Well, you could have been making some sort of statement on the tyranny of one lock.
8
You'd know more about that than me.
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Oh, darling, you'll find your mister, right?
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I have.
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I did.
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And all they wanted was to settle down and have babies.
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No thanks.
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No, children can become such subversive little buggers.
15
I mean, who'd have thought that Donna,
16
the iconic female independence, would have had a daughter committing matrimonies for me?
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Why are we so trendy?
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What's wrong with these kids?
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Remember those t-shirts we used to wear?
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Marriage is an institution for people who belong in an institution.
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Girls today seem to think that a woman's greatest achievement is finding a man.
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You have three husbands.
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I lost my case.
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Ooh!
25
Look!
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Oh my lord!
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Oh, we were so young.
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I don't know what the gals at the Home Woman Press would say about my outfit.
29
Hey, we should do a number tonight for Sophie's party.
30
I can wear this as an eye patch.
31
Where's Sophie?
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Haven't seen her.
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Why?
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I have to find her now.
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Ta-da!
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What the hell is that about?
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We found this in the trunk.
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You should hang it up in the bar.
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Show Sophie what a funky mom she has got.
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No!
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Get rid of it!
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Burn it!
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I don't want to ever see it again!
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What's wrong?
45
What's happened?
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I thought it was over.
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The past I've almost forgotten, but it isn't.
48
What is it?
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Nothing.
50
Leave me alone.
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I can't talk about it.
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You know, all my life it's been tapping at my shoulder.
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Of course it has to come out now.
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God, what you been such a stupid little geek!
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Cheeky pig, ah, tell me what's wrong.
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I have never seen such sorrow In your eyes,
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and the wedding is tomorrow.
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How I hate to feel like this.
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There is no way you can deny it.
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I can see that you're all so sad, so quiet.
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Chicky tita, tell me the truth.
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I'm a shoulder, you can't cry alone.
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You're our best friend I'm the one you must be by your You were always sure it's your turn
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Now I see you broke in your father
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I hope we can patch it up together Take it deep to you and I know
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How the heart is gonna take off and start failing me You'll be dancing once again At the fate will end,
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there will be no time for me Chicky teens are young in my life But the sun is still in the sky,
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you're shining above you Let me hear you sing once more,
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like you did before I'm a new watcher in the world I try one star like I did before
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Sam, you know so?
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It's your dad.
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Who's dad?
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Sophie.
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You know how I always sat with Sam the architect?
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The one who went home to get married faster than a typical man.
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Well, I'm not really sure it was him.
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You see, there were a couple of others.
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Donna Sharon, a new dark horse!
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Why didn't you tell us?
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Because I didn't think I'd ever have to.
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I didn't think all three would be sitting at the bar the day before your daughter's wedding.
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What?
83
In the bar?
84
Shh.
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Don't let them speak.
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Stop.
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I can't see anyone.
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Who are they?
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Are you sure?
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Of course I'm sure.
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You think I forget my own daughter's dad?
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There was Sam, Bill Austin, and Harry Hendrick.
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Not!
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Why have they all turned up like this?
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It's like some horrible twist of fate.
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It is very great.
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Do they know?
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They can't know.
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I've never told anyone.
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Why are they here to ruin Sophie's wedding?
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I thought you weren't very keen on this wedding.
102
I don't want them to boil it.
103
What the hell have they ever done for their daughter?
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Donna, be fair.
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They didn't know she existed.
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And they don't need to know.
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I did a damn good job with Sof all by myself,
108
and now, now, I'm going to be muscled out by ejaculation.
109
No, you're not.
110
Keep calm.
111
You're safe this evening.
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It's a mail-free zone at Sophie's party,
113
and tomorrow, Tanya and I will take a fishing.
114
Fishing?
115
Oh, please.
116
What do you suggest we do with three men?
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Now that takes me back home.
118
Donna, you should have told us.
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I remember Dawson's key.
120
He was a hot place of beef cake.
121
Of course, Dawson's men are the two of you.
122
But I was the one who got pregnant.
123
I suppose it just about serves me right.
124
Oh my god, you sound just like your mother.
125
I do not.
126
Yes, you do.
127
Whatever happened to our Donna?
128
Life and soul of the party,
129
a rough cheeks to female?
130
She grew up, that's all.
131
Well, grow that down again.
132
You haven't done anything to be ashamed of.
133
Yeah, screw this, they can't take a joke.
134
You can dance, you can try,
135
having the time of your love who,
136
do you see thy girl watch thy scene see the dancing queen?
137
My right eye dot the sun probing a informal place together that putting my funeral a giving it away Oh,
138
you're not for a place to go Whether it's a rock music,
139
can we be the same?
140
You're not for a year Anybody could be that guy I'm young,
141
I'm feeling it's a time With a little rock music,
142
everything's fine You're the proof for that That's when you get the chance You are a dancing queen
143
Young as we only seventeen Dancing queen Feel body across the tampereen Oh yeah,
144
oh You can dance You enjoy having the time of your life See that girl,
145
watch that scene, see you dancing please umm
146
You see that you're coming home
147
You've been burning down and you're in control
148
Look you not in front of the earth You want to do sun hopefully And when you get the chance
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You are the dancing queen Young and sweet,
150
only seventeen Dancing queen, you are the ring Called the damboree,
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oh yeah You can dance,
152
you can die, having the fun of the sun.
153
We've got love, what's that scene?
154
We've got dancing, we've got to be.
155
We've got dancing, we've got to be.
156
See the ghost, watch the sea,
157
hear the death is sweet

Why practice speaking with this video?

Practicing your spoken English with clips from popular videos like "Mamma Mia" can enhance your language skills in various ways. This excerpt offers a dynamic conversational context filled with emotions, humor, and cultural references. Engaging with such content allows learners to dive into the nuances of English speaking practice, making it more relatable and enjoyable. By shadowing the characters, you not only mimic their intonation and rhythm but also absorb everyday vocabulary and expressions that are crucial for real-life communication.

Grammar & Expressions in Context

This scene provides a rich opportunity to observe and learn several key language structures and expressions:

  • Conditional Statements: Phrases like "You could have been making some sort of statement" illustrate conditional structures that express hypothetical situations.
  • Conversational Questions: The use of rhetorical questions, such as "Who'd have thought...?" engages listeners and drives the conversation forward, making it a useful tool for effective discourse.
  • Colloquial Expressions: Informal phrases like “Ooh! Look!” and “What the hell is that about?” showcase everyday speaking styles that are vital for learners aiming to understand and participate in casual conversations.
  • Expressing Emotion: Exclamations and varying tones within direct speech reflect personal feelings, which is important for learners to practice in order to convey emotions more authentically.

Common Pronunciation Traps

Certain words and phrases from this video may pose pronunciation challenges, especially due to their informal context and idiomatic expressions. Pay close attention to the following:

  • “Matrimonies”: The correct pronunciation is often tripped up by learners; practice saying it slowly and in rhythm.
  • “Subversive”: This word's complex structure can be daunting; ensure clarity on the syllables when pronouncing it.
  • Expressive Exclamations: Words like “Oh my lord!” require correct intonation to express surprise or disbelief, which can significantly affect understanding and response in conversations.

By incorporating this learn English with YouTube approach into your study routine, you can effectively engage with authentic language and improve your shadow speech. Utilizing a shadowing site can also help structure your practice, making it easier to refine your pronunciation and fluency.

Wat is de Shadowing-techniek?

Shadowing is een wetenschappelijk onderbouwde taalleermethode die oorspronkelijk is ontwikkeld voor professionele tolkentraining en gepopulariseerd door polyglot Dr. Alexander Arguelles. De methode is eenvoudig maar krachtig: je luistert naar native Engelse audio en herhaalt het onmiddellijk hardop — als een schaduw die de spreker volgt met slechts 1–2 seconden vertraging. In tegenstelling tot passief luisteren of grammaticadrills, dwingt shadowing je hersenen en mondspieren om echte spraakpatronen tegelijkertijd te verwerken en te reproduceren. Onderzoek toont aan dat het de uitspraaknauwkeurigheid, intonatie, ritme, verbonden spraak, luisterbegrip en spreekvaardigheid aanzienlijk verbetert — waardoor het een van de meest effectieve methoden is voor IELTS Speaking-voorbereiding en echte Engelse communicatie.