Shadowing Practice: 마고 로비에게 직접 질문한 투바투 연준‼️ 영화 "폭풍의 언덕" 패션 비하인드 | VOGUE MEETS - Learn English Speaking with Video
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172 sentences
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Memorable scene in the rain where
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Key clip instinctively reaches out to shield
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Cat's face that she looks up at him.
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It's a bit futile when you think about it because it doesn't really do anything.
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I know.
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It was a small one.
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And I hope that whenever it rains people go up to each other on the street
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and we go like this and learn something.
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Hi, BOG.
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Tomorrow by 2GWITHER, 연주입니다.
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Today, I'm going to talk about BOG and the 폭풍의 언덕 영화 interview.
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I'm so excited to see you in the movie.
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I'm so excited to see you in the movie.
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I'm so excited to see you in the movie.
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I'm so excited to see you in the movie.
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I'm so excited to see you in the movie.
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I'm so excited to see you in the movie.
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I'm so excited to see you in the movie.
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I'm so excited to see you in the movie.
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I'm so excited to see you in the movie.
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I'm so excited to see you in the movie.
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I think I can't see a movie in a little bit.
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I can't see a movie on the plane.
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It's my healing time.
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Before I go to the United States, I've seen a movie at least five times.
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I'm so excited to see a movie in the movie.
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Let's see in a moment.
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Hi everyone, I'm Yeonjun from Tomorrow by Together a K -pop group in Korea
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and I'll be your host for today's interview to get us started could you introduce yourself
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and tell us a bit about the characters
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you play in the film my name is Margot Robbie I play Catherine in the movie Wuthering Heights Kathy
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and Heathcliff the character Jacob plays in this doomed love story
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that really affects the other people around them and I play I play Heathcliff.
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An obsessive but absolute lover.
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My name's Alison Oliver and I play Isabella who is Edgar's sister who ends up marrying Heathcliff.
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Oh by the way you guys look wonderful today.
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This is my first question for all.
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When you first heard about the project what went through your mind um i was just
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so excited for emerald because i i knew how much this book meant to her
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so i was just so excited
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that emerald was going to be um adapting her version of of the story yeah likewise i was just
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so intrigued what emerald's take would be i feel like she always has such a
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unique perspective on things in a way of telling a story
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that results in a visceral experience for an audience
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so i was really excited to see what she would do
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with this with this material my next thought was oh should i go read the book before reading her script
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or should i let the script be my very first introduction to wuthering heights
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because i've never read the book before and
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so i ended up letting the script be my first impression of um this story
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which i'm really really glad i did
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and obviously since then i've read the book a bunch of times
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and it's magnificent this was for Jacob the five years after
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Heathcliff leaves Kathy Arendt explicitly shown in the film what do you imagine
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he endured during those unseen years how did you feel in
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that emotional gap in your performance I imagine he was on a ship
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somewhere on a boat is in the beginning of the film he's he's closed off
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and he's hunched over and he's hiding from the world
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and I had these dramatic images of him rigging the masts
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and pulling his carriage upright so he would learn to stand up straight when he returned.
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Next one is for Margo.
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I also heard that you color -coded the script using shades of pink, red and blue to reflect Kathy's emotion.
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What did each of these colors symbolize to you?
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I found it easier to relate to Kathy's emotional journey in the form of colors
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and I could kind of orient myself because of course
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when you make a movie you shoot everything out of order
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so you might be flipping you know from one moment you're doing a scene towards the end of the movie
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and the next moment you're in a very different emotional state.
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I find it helpful to kind of have some way to navigate the emotional journey
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and colors seemed more resonant with Kathy I think
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because she's such a passionate
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and deep feeling person you know sometimes I fill my scripts with a lot of writing
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and more cerebral thoughts but
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that didn't feel like it made sense for Kathy she felt more um instinctual um you know
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and reacting to her emotions and impulses so
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i needed yeah i did
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that with the use of color uh fashion is a powerful
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story telling soul in the film is there a particular look worn by your co -star
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that left the strongest impression on you
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Yeah, I feel like everyone's costumes were... So epic.
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We had the most amazing costume designer called Jacqueline Duran.
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Each character's sort of journey through their clothes and you find such individuality with like, I found with my character Isabella,
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she sort of has like a palette of like three or four sort of baby colours,
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like baby pink and all of her clothes were quite youthful
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and childlike so much of the story is told
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and the characters journey through the clothes me
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and Margot would come out every day in our new outfits
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and just like scream like little children because the clothes were
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so amazing and I think they're a huge part of what makes the film so special.
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And with the long veil on Cathy's wedding dress were there any like practical challenges during filming?
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Yeah in the case of the veil
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which was really really long we were out on location the whole crew ended up having to step in
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and hold the veil up
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and right before we'd call action everyone would throw it in the air
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and run out of frame and then we would walk across
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and it was made out of this really beautiful silk like you know jacqueline
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and her team found the lightest most beautiful silk they could of course
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when you're out in the moors there's twigs and sticks
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and things that that can destroy your clothes quite quickly
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so we were all very worried for the veil
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but it looked beautiful on camera it all worked out yeah it was it was beautiful
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Next one is for Jacob.
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There is a particularly memorable scene in the rain where Heathcliff
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instinctively reaches out to shield Kathy's face as she looks up at him.
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How did that moment come together?
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Was it scripted or did it happen naturally on set?
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It happened naturally because Mark was a bit wet in the rain.
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It's a bit futile when you think about it because it doesn't really do anything.
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It was a small one.
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Yeah, it was really sweet.
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How do you hope Wuthering Heights will resonate with audiences?
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I think Emerald has built such a unique world for everyone to kind of step into
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when they go to hopefully see it in the cinema that I find like whenever I've seen it,
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I feel like I just sort of escape into the world of it.
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And I think that's a really lovely feeling when you go to the cinema that you just really step into another universe.
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And so I hope people just enjoy it and feel the feelings of the characters, I guess.
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And I hope that whenever it rains, people go up to each other on the street and go like this.
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Learn something.
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That's good.
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This is going to be the last question for you all.
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Ultimately, what is the core question you hope this film leaves with audiences? my hope is
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that um that everyone loves more and
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and wears their hearts on the outside of their chests and
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and bears themselves to each other and let emotion in and
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and let it out and sort of open up a bit
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and i hope more filmmakers feel emboldened to you know have difficult characters in their story
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and and trust
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that the audience will stick with them especially the character
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i played is pretty awful um to a lot of the other people in the movie
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and i feel like the temptation for storytellers to make everyone likable
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and make things very easy
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and digestible for audiences doesn't necessarily mean
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you're going to have the most entertaining experience i think
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i mean it's part of the reason i love korean films
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so much i feel like so many directors in korea are
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so bold and so daring and and kind of trust
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that the audience is going to stick with the film despite the swings
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they're making yeah i hope i hope more filmmakers make keep making bold choices like emerald does uh thank you
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so much for joining us today uh it was a real pleasure speaking with you
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and we'll be rooting for bothering hearts thank you
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so much thank you very Thank you so much.
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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Do you want to say something?
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I felt like it was big and big.
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I felt a lot of deep and unique feelings that I felt like it was a lot.
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What was the movie that was written?
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I think the next title song is the love story.
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Let me know what it is.
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I've watched a lot of the movie in the afternoon.
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I've watched a few years ago.
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I've watched a few years ago.
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It's been a long time since I've watched a lot of videos
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and I can't wait to see you in the end of the show.
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It's been a long time and fun.
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I'll see you next time.
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Thank you so much.
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Bye!
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Vocabulary and speaking notes for this lesson
This speaking lesson is built on the video “마고 로비에게 직접 질문한 투바투 연준‼️ 영화 "폭풍의 언덕" 패션 비하인드”. The speaker keeps coming back to these words: movie, excited, film, character. This video has 172 sentences and 1770 words to shadow. The speech runs for 10:34. The speaker talks at a natural 168 words per minute, close to everyday conversation. 83% of the words are among the 3,000 most common in English; the rest is worth studying before you start.
Key vocabulary in this video
15 words from the video worth learning, with pronunciation and meaning:
| Word | Pronunciation | Meaning |
|---|---|---|
| script noun | /skɹɪpt/ | A writing; a written document. |
| cloth noun | /klɒθ/ | A fabric, usually made of woven, knitted, or felted fibres or filaments, such as used in dressing, decorating, cleaning or other practical use. Sometimes… |
| veil noun | /veɪl/ | Something hung up or spread out to hide or protect the face, or hide an object from view; usually of gauze, crepe, or similar diaphanous material. |
| emerald noun | /ˈɛm.(ə.)ɹəld/ | Any of various green gemstones, especially a green transparent form of beryl, highly valued as a precious stone. |
| emotion noun | /ɪˈməʊ.ʃən/ | A person's internal state of being and involuntary physiological response to an object or a situation, based on or tied to physical state and sensory data. |
| naturally adverb | /ˈnæt͡ʃ.(ə.)ɹə.li/ | In a natural manner. |
| impression noun | /ɪmˈpɹɛʃn̩/ | The indentation or depression made by the pressure of one object on or into another. |
| shield noun | /ˈʃild/ | A broad piece of defensive armor, held in hand, formerly in general use in war, for the protection of the body. |
| bold adjective | /ˈbəʊld/ | Courageous, daring. |
| leaf noun | /lif/ | The usually green and flat organ that represents the most prominent feature of most vegetative plants. |
| costume noun | /ˈkɑsˌt(j)um/ | A style of dress, including garments, accessories and hairstyle, especially as characteristic of a particular country, period or people. |
| cinema noun | /ˈsɪn.ə.mə/ | A movie theatre, a movie house. |
| silk noun | /sɪlk/ | A fine fiber excreted by the silkworm or other arthropod (such as a spider). |
| memorable adjective | /ˈmɛm.(ə)ɹə.bl̩/ | Worthy to be remembered; very important or remarkable. |
| filmmaker noun | A producer or director of films/movies. |
Phrasal verbs you will hear
| Word | Pronunciation | Meaning |
|---|---|---|
| end up verb | To bring to a conclusion. | |
| close off verb | To seal or block the entrance to a road, an area, or a building so that people cannot enter. | |
| come out verb | /ˌkʌm ˈaʊt/ | To be discovered; to be revealed. |
| come together verb | /ˈkʌm tʊˈɡɛðɚ/ | To assemble; to congregate; to combine. |
| go through verb | To travel from one end of something to the other. | |
| make out of verb | To construct from; to create (something) using (a material or substance). | |
| open up verb | To open. | |
| stand up verb | To rise from a lying or sitting position. |
Sentences worth repeating
Short, complete lines from the video that you can reuse in everyday conversation:
- I'm so excited to see you in the movie.
- I can't see a movie on the plane.
- Let's see in a moment.
- What did each of these colors symbolize to you?
- Do you want to say something?
Grammar in this video
The structures the speaker uses most, with the exact words from the video:
| Structure | In the video |
|---|---|
| Present perfect have/has + past participle — a past action that still matters now | I've seen · i've never read · i've read |
| Passive voice be + past participle — the focus is on what happens, not who does it | is told · was made · was written |
Pronunciation to watch
The speaker uses 39 contractions and reduced forms, such as I'm, I've, you're. Say them the short way, as you hear them.
- The “th” sounds: cloth /klɒθ/, bother /ˈbɑðɚ/, youthful /ˈjuθfəl/, wuther /ˈwʌðɚ/
- The “sh” and “zh” sounds: emotion /ɪˈməʊ.ʃən/, impression /ɪmˈpɹɛʃn̩/, shield /ˈʃild/, shade /ʃeɪd/, passionate /ˈpæʃənɪt/
- Long words — get the stress right: naturally /ˈnæt͡ʃ.(ə.)ɹə.li/, necessarily /ˌnɛs.əˈsɛɹ.ə.li/, magnificent /mæɡˈnɪfəsənt/, instinctively /ɪnˈstɪŋktɪvli/, digestible /daɪˈdʒɛstəbəɫ/
How to practise with this video
- Listen to the whole video once without speaking and note the words you do not know.
- Start at 0.75× speed, shadow it sentence by sentence, then go back to normal speed once it feels easy.
- Record yourself and compare with the original, paying attention to words like script, cloth, veil.
What is the Shadowing Technique?
Shadowing is a science-backed language learning technique originally developed for professional interpreter training and popularized by polyglot Dr. Alexander Arguelles. The method is simple but powerful: you listen to native English audio and immediately repeat it out loud — like a shadow following the speaker with just a 1–2 second delay. Unlike passive listening or grammar drills, shadowing forces your brain and mouth muscles to simultaneously process and reproduce real speech patterns. Research shows it significantly improves pronunciation accuracy, intonation, rhythm, connected speech, listening comprehension, and speaking fluency — making it one of the most effective methods for IELTS Speaking preparation and real-world English communication.