Prática de Shadowing: How Does A Writer Find The Right Idea? - Byron Q. - Aprenda a falar inglês com vídeo
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Film Courage, How do you know you have a good concept for a movie?
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I asked my manager I don't know I think I do have to kind of bounce
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that idea off of people I always think I have a great concept
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but from what I've learned is I have to let
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that settle a little bit and then really kind of just keep thinking about
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that idea and now I have a manager so he will tell me
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if he's seen like a thousand of these ideas already or not
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but yeah so do you think
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that you also have to know for yourself though I mean what
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if your manager says oh this is great
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but you don't feel committed to the work yeah I mean first
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and foremost you have to believe in it right
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but for me I always believe in my concept
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so my problem is more like I always believe in it
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so I need somebody else to tell me if it's actually not
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that great and not everything my manager would say I agree with
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so and there are some well one film
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that I want to do where I know it's a great story and concept
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so that's the one I'm going to do not as a
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live action oh with unreal engine yeah you're going to do it with
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like using real people in real time okay yeah interesting do writers come up with ideas
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or are ideas just revealed to them I think the ideas are revealed
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because and that goes into like creativity right like where does imagination come from
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and I don't think it'll be very egotistical to say
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that oh I'm the one that comes up with an idea because if you think about thought
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thoughts thoughts just pop into your head
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and sometimes just random thoughts would come from out of nowhere
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so it's like where do those thoughts come from it's coming
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from the same source where your imagination your creativity will come from so it's really just about you
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capturing that and being open to it
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when it arrives yeah I think there's a book thoughts are things
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and so yeah just that it's thoughts or energy of course
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and yeah that we could be you know you know
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when they they we pick up things that are in the zeitgeist
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or whatever it's it's you know this energy
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that we're tapping into yeah why do you have a hard time coming up with ideas
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so I think I I don't have a hard time coming up with ideas
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because I get a bunch of ideas all the time
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but it's really about me choosing the right idea that I'm interested in and
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a lot of times I just have to let it marinate
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a little bit until I it's the ideas I keep going back to those are the ones
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that ultimately I'll write a script for do you think in
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some ways you might be stopping yourself from coming up with ideas or or maybe too critical judging them too
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I think a lot of times I come up with an idea that is really just
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there's not enough substance to it it's just like a gimmick idea like oh what
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if one day you wake up
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and the world is upside down say okay then what like what is your actual story like who's your character
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because there has to be more than just like the concept
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and a lot of times I get stuck on that
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which is like I have like maybe a gimmicky kind of idea or interesting idea but it's like
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what is the actual story so that's usually where I get stuck like I need that story
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to fit into that idea
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so it's it's one thing to have like a cool movie idea we talked about one
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that I had off camera but it's another to actually flush it out
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and spend time on yeah like what is the actual story like what is it really about the character
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and the journey of this character so a lot of times like
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that takes a lot of time to really bring out
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and for me it takes like multiple rewrites before I actually see what the story is about oh
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so you may not even have an idea of the ending
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or the whole character arc until you actually start the writing
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process I might have kind of an idea of what the ending is going to be like
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but sometimes I have to just start writing
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and then more of it will come to me like in the middle of typing
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as I'm typing a scene out it'll start going in a different direction
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and I'll just okay I'll go in that direction and then later
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when I look back on that scene I'm like oh wow
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this is like what the movie is about like it kind
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of just came out you know as I was typing it Film Courage, How do you know an idea is yours that you were the one to bring it to life?
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I don't think I'm the one to…I don't think any ideas are mine.
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I think they come from this other realm,
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this other place and I'm just the one that's
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interpreting that idea and bringing it out, expressing it
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and that's why a lot of times they say there's no
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original idea anymore like every story has been told already
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but it's like how you tell that same story
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because everything really comes from just like a human nature aspect
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but we retell it in the context of like a modern society
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or retell it in the context of a science fiction world so yeah if an idea comes too easy
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do you trust it yeah I think I think if it's a good idea it doesn't matter how this idea comes because
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if it pops in your head and it's and you'll know
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when it's like oh wow there's there's something to this like it speaks to you
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but it doesn't matter how it came about
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and a lot of times for me I have to put myself in an environment where the ideas can come
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so for me it's like
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as I'm writing ideas will come to me
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so that's like a meditative state as I'm writing
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or I go for a walk or if I travel somewhere
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or if I go to a park
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and just sit there surfing like just gotta find a place where your thoughts can move freely
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and you're able to really be in tune with
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that do you think there's a correlation between sort of like navigating waves
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and and thoughts
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and writing is there like a hmm I mean I've always thought of surfing as a great analogy for life
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so I think there's something to what you just said
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because the waves will keep coming right but you kind of have to be ready first of all for the wave
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and second of all you have to pick the right wave like if you try to paddle for every wave
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you'll just eat it maybe on a few of them
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but you got to pick the right wave the right shape
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and you have to be in the right position to get
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that wave and then you'll ride like a really nice wave
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because you said that some of these ideas were just gimmicks
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so is that almost like you're also picking the wave you're trying to decide what's what's a gimmick
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and what's actually a good
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yeah that's it right
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so idea is too glassy you can't I don't know I don't know the surfing metaphor okay
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but is that something that you really took partake is
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that something you did lot
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when you were in san diego you were surfing in san diego
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but also out here yeah I live pretty close to the beach
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so I can surf I'm like 10 minutes from the beach
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is there a difference in the in the san diego surf
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community versus la yeah I think la they're a little bit more aggressive
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oh really in terms of like getting their little spot in
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the water yeah yeah oh wow okay san diego it's more
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like hey man yeah it's all good okay yeah I think
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that's sort of a metaphor for the area too yeah
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but do you prefer being around an energy where you kind of have to fight for your spot
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or do you like to be more in a harmonious I
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I tend to stay away from the other surfers I mean I really don't care
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if the waves are good in one spot I'll be where those waves are
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but generally like
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and I think for most surfers you kind of want to
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have your space yeah most people probably don't go into the water just to you know be social it's more about
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finding something in them some kind of interesting
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but do you do you see that same analogy in in the film world
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because you know there's a lot of judgment on oh well this film
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and these credentials from this festival do you think you take
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that same like I just want to find my little spot
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in the film world
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and just make my movies yeah I mean I really don't like going out to the film events
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and doing that whole thing and I do think there is a lot of like judgment and
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this idea of like oh they got an award and this film didn't get an award
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like with the oscars and all that so for me now
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I just want to focus on why I initially got into filmmaking
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which is like to be creative to tell stories
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and that's the part that I like I don't like the aspect of like outside validation
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and having festivals or like critics approve your film as like a good film
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or not you know you can put it out to the audience
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and the audience can tell you if like they like it
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or not I guess that goes back to the original question
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when we first asked you when we first started rolling
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which was why do you stop or or why did you stop chasing success
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which sort of ties into
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that maybe yeah yeah festivals are great for watching other films sorry yeah I love festivals
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but you gotta recognize them for what they are
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which is it's just a celebration of films it's not like a place where you get validated although it's become
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that in the industry for sure especially with places like Sundance or Cannes
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but yeah you kind of have to I mean at least
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for me maybe some other filmmakers are really gunning for that
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but for me like I'm just really focused on creating something
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that is interesting for me and something that I think a specific audience might like
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what's fascinating about the surfing the nature of the mindset in one area versus another
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yeah there's a lot of analogy with surfing
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and life have you ever been told to like you're in my little area I'm trying to catch this wave
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or I'm trying to do no mostly most times people will just
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if you drop in on someone when they're surfing
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or they'll drop in on you that's usually when there's some conflict that happens but I've definitely had some
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run -ins with surfers but I think after a few experiences like
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that it's like hey I'm just trying to go out
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and surf I don't want to go out surf
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and then come back feeling like I just had argument with someone
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because then both people don't feel great for the rest of the day
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I'll rather just like ignore you
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if you drop in I'll be like okay I'll just paddle away I don't care what does
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that mean to drop in like if somebody's on the wave already
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and then you paddle for the wave
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and kind of like dropping in front of them like cut them off ah okay I drop in
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gotcha okay interesting how common is it for you to work
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on a movie idea only to abandon it months later you
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said sometimes you you get it out of your system when you write a script
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yeah I've definitely done
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that a lot I would say I've had few scripts where I wrote maybe a draft
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or two and then kind of just left it
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yeah I would say a lot of projects kind of go through a few drafts and then get left aside so
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yeah but that's kind of like my process like I have to write
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that story for me to realize oh this is like wasn't really it
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and and for me like it's the process of discovery
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like what was I interested in with
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that story once I write it then maybe there wasn't something
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that was that interesting anymore
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so I go to the next thing how long does it
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take you to write the first draft it could be like well
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because it takes some time for me to get to
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that first draft like I first have to like write a treatment
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or an outline and that process would take a
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while it could take like two months maybe
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but to write the actual draft once I have my outline it could just be like maybe a couple weeks
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so it's worth it to you to spend that much time
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and decide okay I've gone through a couple drafts I'm actually not sure about this story
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it's okay yeah yeah for me I like the process of writing
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so I don't mind doing that and And I am getting better as a writer when I do that.
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It's like practicing, it's like you're going to the gym.
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I don't go to the gym, I hate going to the gym but it's kind of like
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that idea you're just exercising your muscles so
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that you can write the next script that will be a great script that you're really passionate about.
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Vocabulário e dicas de fala para esta lição
Esta aula de conversação de nível B2 usa o vídeo “How Does A Writer Find The Right Idea? - Byron Q”. Este vídeo tem 195 frases e 2394 palavras para praticar shadowing. A fala dura 14:49. O falante fala em ritmo natural, cerca de 162 palavras por minuto, próximo de uma conversa do dia a dia. 87% das palavras estão entre as 3.000 mais comuns do inglês, por isso o vocabulário é fácil de acompanhar.
Vocabulário principal deste vídeo
As 15 palavras mais avançadas do vídeo, com pronúncia e significado:
| Palavra | Pronúncia | Significado |
|---|---|---|
| surf verbo | /sɝf/ | surfar |
| gimmick substantivo | /ˈɡɪm.ɪk/ | artimanha |
| paddle substantivo | /ˈpædl̩/ | remo |
| surfer substantivo | /ˈsɜː(ɹ)fə(ɹ)/ | surfista |
| analogy substantivo | /əˈnæləd͡ʒi/ | analogia |
| metaphor substantivo | /ˈmɛt.ə.fɚ/ | metáfora |
| outline substantivo | /ˈaʊtlaɪn/ | contorno |
| creativity substantivo | /kri.eɪˈtɪv.ᵻ.ti/ | criatividade |
| credential substantivo | /kɹɪˈdɛnʃəl/ | credencial |
| fascinate verbo | /ˈfæsɪneɪt/ | fascinar |
| gotcha | /ˈɡɑ.tʃə/ | te peguei, ter de |
| harmonious adjetivo | /hɑɹˈmoʊni.əs/ | harmonioso |
| marinate verbo | /ˈmæɹɪneɪt/ | marinar |
| partake verbo | /pɑɹˈteɪk/ | participar |
| rewrite verbo | /ɹiˈɹaɪt/ | reescrever, reformular |
Phrasal verbs que você vai ouvir
| Palavra | Pronúncia | Significado |
|---|---|---|
| come up with verbo | pensar (em), alcançar | |
| go out verbo | sair | |
| come back verbo | voltar | |
| come out verbo | /ˌkʌm ˈaʊt/ | sair, partir |
| pick up verbo | pegar | |
| wake up verbo | /ˌweɪk ˈʌp/ | acordar, despertar |
Gramática neste vídeo
As estruturas que o falante mais usa, com as palavras exatas do vídeo:
| Estrutura | No vídeo |
|---|---|
| Frases condicionais if + oração, will/would + verbo — uma condição e seu resultado | if you drop in I'll be |
| Present perfect have/has + particípio passado — uma ação passada que ainda importa agora | I've learned · has been told · I've always thought |
| Voz passiva be + particípio passado — o foco está no que acontece, não em quem faz | are revealed · has been told · been told |
Pronúncia para ficar de olho
O falante usa 70 contrações e formas reduzidas, como don't, I'm, you're. Diga-as na forma curta, do jeito que você ouve.
- Os sons de “sh” e “zh”: credential /kɹɪˈdɛnʃəl/, validation /ˌvæl.əˈdeɪ.ʃən/, flush /ˈflʌʃ/, correlation /ˌkɔɹ.əˈleɪ.ʃən/, passionate /ˈpæʃənɪt/
- Palavras longas — acerte a sílaba tônica: analogy /əˈnæləd͡ʒi/, creativity /kri.eɪˈtɪv.ᵻ.ti/, egotistical /ˌi.ɡoʊˈtɪs.tɪk.(ə)l/, harmonious /hɑɹˈmoʊni.əs/, meditative /ˈmɛdɪˌteɪtɪv/
Sons difíceis para falantes de português:
- Consoante final — sem acrescentar um “i” depois: gimmick /ˈɡɪm.ɪk/, fascinate /ˈfæsɪneɪt/, marinate /ˈmæɹɪneɪt/, partake /pɑɹˈteɪk/, rewrite /ɹiˈɹaɪt/
- /l/ final — a língua toca o céu da boca, não vira “u”: retell /ɹiˈtɛl/, credential /kɹɪˈdɛnʃəl/, egotistical /ˌi.ɡoʊˈtɪs.tɪk.(ə)l/, unreal /ʌnˈɹi.əl/
Como praticar com este vídeo
- Ouça o vídeo inteiro uma vez sem falar e anote as palavras que você não conhece.
- Comece na velocidade 0,75×, faça shadowing frase por frase e volte à velocidade normal quando ficar fácil.
- Grave a sua voz e compare com o original, prestando atenção a palavras como surf, gimmick, paddle.
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.