Prática de Shadowing: How to Create a Character with Samuel L. Jackson | Discover MasterClass | MasterClass - Aprenda a falar inglês com vídeo
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If there's source material, read it, especially if it's a book.
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Read a book, because writers tend to give you vital info about who the character is, where he came from, what he does.
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Sometimes they even try and explain why he's doing it, why he's doing a particular thing.
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And after you've done that, reread the story again to get the story in your mind.
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And after you've read that, figure out how you feel about that character, and why he's doing those things that he's doing inside that script.
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And once you think you know why that character is doing those things, then you figure out OK, where'd he come from?
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Who is he? How old is he?
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Does he feel that way about this character because he has a brother or sister that is that way?
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Who are his parents?
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What's his educational background?
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Does he have a military background?
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Did he go into the army?
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Has he ever been in jail?
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Is he out of jail?
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How educated is he?
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Is he smart, sort of smart, very smart?
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It's not there.
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And sometimes, you will never have to explain that to an audience, or to the other cast members.
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But it's important to you as a person, because all those kinds of things determine how you feel about people, how you look at them, how you interpret their actions, what your prejudices are toward those people in a particular way.
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Are they smarter than me?
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Do I like that?
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Do I not like that?
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Is he dumber than me?
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Am I going to manipulate him because of it?
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And it's stuff that an audience might-- or they probably won't, ever know.
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But for you as the actor, when you're interacting with that character that you think you're smarter than, it interprets how you approach that character, and how you accept what they say to you, or what you think of it, or what you're trying to do.
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And all those things are dictated by what kind of person I am.
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And if there's no source material to tell me what kind of person I am, then it's incumbent upon me to create a human being that's inside that story, that has a full life, that feels a certain way about things, because this happened to him, that happened to him, this didn't happen to him.
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He didn't have this advantage growing up, or he had this advantage.
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Or he had a woman who left him, so he can't relate to women, because he thinks women are all whatever, and he just cannot deal with them, or he doesn't understand the female psyche.
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Or his mom did something to him, so he can't handle family life.
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And he doesn't know how to be a father, because he didn't have a father, or the father he had, had no idea how to treat him, or he watched him treat his mother a certain way, or didn't do this.
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All kinds of things that you can make up about that person, but what you need is a whole person.
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Which is something Lloyd Richards imposed upon me, Douglas Turner Ward imposed upon me, that says whenever you're on stage, you're coming from somewhere, and you're going somewhere when you leave.
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And do you want people to go with you when you go?
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So when you show up in there, you-- boom, you hit that moment.
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And when you leave, everybody is like, "Well, I wanna go with him.
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Where is he going?
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That was, uh, he looks like he has something on his mind." And then I had another actor tell me once, he's like, "Look, every time a camera passes you when you're on set, always look like there's something on your mind.
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Don't be standing there waiting on your line." You know, thinking about something, either what that character just said, or how you feel about the thing that character said.
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Or even if you thinking about "I need to get out of here.
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I'm sick of being here," people need to see that on your face, not just-- unless you're playing an idiot.
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Vocabulário e dicas de fala para esta lição
Este vídeo tem 42 frases e 697 palavras para praticar shadowing. A fala dura 4:12. O falante fala em ritmo natural, cerca de 166 palavras por minuto, próximo de uma conversa do dia a dia. 92% das palavras estão entre as 3.000 mais comuns do inglês, por isso o vocabulário é fácil de acompanhar.
Vocabulário principal deste vídeo
12 palavras menos comuns do vídeo, com pronúncia e significado:
- interpret /ɪnˈtɜː.pɹɪt/ (verbo) — interpretar. To decode the meaning of a topic and then act, whether to continue researching the topic, follow through, act in opposition, or further the understanding…
- vital /ˈvaɪtəl/ (adjetivo) — vital. Relating to or characteristic of life.
- script /skɹɪpt/ (substantivo) — escrito. A writing; a written document.
- boom /bum/ (verbo) — estrondear, ribombar. To make a loud, hollow, resonant sound.
- psychology /saɪˈkɑ.lə.d͡ʒi/ (substantivo) — psicologia. The study of the human mind.
- relate /ɹɪˈleɪt/ (verbo) — relatar. To tell in a descriptive way.
- interact /ɪn.təˈɹækt/ (verbo) — interagir. To engage in communication and other shared activities (with someone).
- educate /ˈɛd͡ʒ.əˌkeɪt/ (verbo) — educar, instruir. To instruct or train.
- prejudice /ˈpɹɛd͡ʒədɪs/ (substantivo) — preconceito. An adverse judgment or opinion formed beforehand or without knowledge of the facts.
- manipulate /məˈnɪp.jʊ.leɪt/ (verbo) — manipular, manusear. To move, arrange or operate something using the hands
- dictate /ˈdɪkˌteɪt/ (verbo) — ordenar, comandar. To order, command, control.
- reread /ɹiːˈɹiːd/ (verbo) — reler. To read again.
Phrasal verbs que você vai ouvir
- come from (verbo) — vir de, ser de. To have as one's origin, birthplace or nationality.
- figure out (verbo) — descobrir, deduzir. To come to understand; to discover or find a solution; to deduce.
- think about /ˈθɪŋk əˌbaʊt/ (verbo) — pensar em, pensar sobre. To ponder.
- deal with (verbo) — lidar. To handle verbally or in some form of artistic expression; to address or discuss as a subject.
- grow up (verbo) — crescer. To mature and become an adult.
- look at (verbo) — observar, ver. To observe or watch.
Pronúncia para ficar de olho
O falante usa 23 contrações e formas reduzidas, como you're, didn't, can't. Diga-as na forma curta, do jeito que você ouve.
- Palavras longas — acerte a sílaba tônica: psychology /saɪˈkɑ.lə.d͡ʒi/, manipulate /məˈnɪp.jʊ.leɪt/
Como praticar com este vídeo
- Ouça o vídeo inteiro uma vez sem falar e anote as palavras que você não conhece.
- Comece na velocidade 0,75×, faça shadowing frase por frase e volte à velocidade normal quando ficar fácil.
- Grave a sua voz e compare com o original, prestando atenção a palavras como interpret, vital, script.
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.