Prática de Shadowing: Inside Madonna’s London Home, Filled With Wonderful Objects | Vogue - Aprenda a falar inglês com vídeo
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Now we're in my bathroom, which is also referred to as my office.
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Get a lot of work done here because it's kind of the only room that people leave me alone in.
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Hi Vogue, it's Mother.
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Welcome to my London home.
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Tonight I'm going to be showing you some of my favorite things.
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The objects of my affection.
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I'm standing in my office.
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This is the mothership.
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Actually, I don't do a lot of work at my desk.
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It's a bit too formal.
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Mostly, I have an excellent sound system in here.
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So when I'm listening to mixes of my music that I'm working on, I sit on this couch, I dim the lights, I light some incense and vibe.
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Tonight I want to show you one of my favorite objects in the whole world.
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It's a painting that Frida Kahlo painted of herself.
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She often painted herself with monkeys on her shoulders.
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She did have a lot of monkeys, but the reason that she had them is
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because she trained them to let her know when her husband had been sleeping with another woman.
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If he came home from a studio and he was having a good time with one of his female models,
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which he did often, the monkeys would go mad and then she would know and then she would punish him accordingly.
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But then there's a history of the painting and how I came to have it in high school.
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There was only one museum that you could go to.
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It was called the Detroit Institute of Arts.
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The first time I came there, there were these huge Diego Rivera paintings all over the wall, murals.
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But what I was really drawn to were these small photographs kind of hidden away of this beautiful Mexican woman.
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And I just was really taken by her self-possession and unique beauty.
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And it really moved me.
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And she became a kind of eternal muse for me.
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A few years later, I moved to New York from Detroit, Michigan, and I started walking around and there was a street fair and I saw this postcard and it was this painting.
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This is my first five minutes in New York and the first person I see is Frida.
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From that day on I kept her with me wherever I went.
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I got a thumbtack or a nail, nailed it to the wall and she was like my guardian angel
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and I vowed to myself one day I would own that painting.
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Cut to 11 years later that painting came on auction and she was mine.
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If you're a struggling artist and a woman struggling in the world
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and you feel like an outsider then you can make a connection to Frida.
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She's just so like don't fuck with me so she gives me a lot of strength.
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We are now in the hallway which has now become a dressing room
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because I don't have any room for any more clothes.
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What I want to show you next are my beloved YSL boots that were made for me
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21 years ago when I was doing shows for Confessions part one.
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I love these boots and they really lasted and stood the test of time.
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They fit incredibly well.
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They're really comfortable for dancing.
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I like being connected to the Confessions part one, now that I'm doing Confessions part two.
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And there's like energy in them, and they support my feet.
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And they, I'm sure they have something to do with my dancing.
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I don't know, they're just the perfect shoe.
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Worn other boots, I've worn other shoes, and these are magic.
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I like to have art in my bathroom as well.
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A few of my favorite pieces are these penis sculptures, or my collection of cocks as I like to refer to them.
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I have four, too small and too big.
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The name of the artist is Anderson Asterklinas.
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He's a young Brazilian artist.
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Right now he's a part of the program that Tracy Emin runs.
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So I went to visit Tracy and I met Anderson.
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I also bought one paintings recently and it was about his relationship with his mother
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and I asked him is your mother proud of you has she seen your paintings you show her your work
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and he said no I think it might disturb her
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and I don't want to upset my mother ever he told me
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that every one of his paintings were in some way about
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her I actually almost started crying I was very touched by a story
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and said goodbye to him after spending some time with him
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he came running after me with this brown paper bag and he said, I want to give you something.
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Got in the car, started driving home and I opened the bag and it was these beautiful penises.
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They're just really lovely and here they are, objects of my affection.
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I like to keep a lot of notes and mementos and I'm very sentimental and romantic, especially about my family.
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So I have a lot of things here that I just hang and tape to the wall.
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It's very informal.
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This rosary that my grandmother gave to me a few years before she died, it belonged to my mother.
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Simple rosary, it's made of wood and my mother was very religious and she prayed every day.
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Every bead of this rosary she said the Hail Mary.
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You may have noticed in the beginning of my career I wore lots of crucifixes around my neck
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which was It's more a tribute to my mother than Catholicism, to be honest.
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Here are some post-it notes that my daughter Esther wrote to me
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when she first started to write and speak in English when she was five years old.
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I am sorry, mom.
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She must have done something bad.
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I don't remember what.
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Here's a picture of her behind my back, looking very mischievous.
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Over here in this corner of priceless items is my mother's perfume called fracas.
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And whenever I miss her, I just spray it on.
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And I smell like gardenias and tuberose.
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And then finally, we have a music box that someone made for me, and it plays my favorite song,
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Bella Ciao, which is basically the song of the Italian partisans during World War II,
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who were fighting against the dictatorship against fascism,
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and that kind of spread across Europe as a kind of anthem.
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The next object of my affection is this beautiful sculpture made by my son Rocco.
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It was actually the first sculpture he's made.
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He gave it to me for my birthday last year, and I burst into tears.
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I love it when my children give me art, even if it, whether it's writing a song or painting a painting.
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And he's quite a talented painter.
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He's been painting since he's 15.
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I'm looking forward to him growing as an artist and trying out other mediums.
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And I just think this is incredible.
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He's the best person to go and see a great show with because he appreciates it as much as I do.
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I've dragged them to places all over the world and tried to share my love and knowledge and appreciation of art,
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and I think it's really rubbed off on them.
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Thank God.
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So now we are in my living room, which I call the Blue Room, because everything's blue.
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It's a bit obvious.
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And this is a very small painting over here by Frida Kahlo also.
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It's called My Birth, probably a decade after I bought the Frida Kahlo self-portrait.
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And I was at a person's house, and an elderly man came in the room, And we start talking about Frida Kahlo.
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And he said, oh, I have a small painting of hers in my cupboard, in my armoire.
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He pulls out this painting.
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I sat there holding it, thinking, oh my god, what is this doing in a cupboard?
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Eventually, he sold it to me.
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Basically, the story behind this is that Frida never felt like she was connected emotionally to her mother.
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She felt shunned by her in a way.
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Her mother didn't care whether she existed.
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So she portrays her mother in this painting with a sheet over her head, kind of detached from the whole situation, detached from Frida.
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And I grew up without a mother.
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So again, I could relate to her story immensely.
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I just love the painting.
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It's something very near and dear to me.
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The style of the painting is also really beautiful because it's based on a style of painting in Mexico called Retablo,
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where they paint martyred saints or holy figures,
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and they write underneath a whole story about the person in the painting she never finished writing on the bottom
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and above the bed
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is the virgin mary with two swords going through her neck
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so it's quite a dramatic piece it's quite violent
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because her head hanging on the sheet with the blood underneath it she's not completely out out of her mother's womb.
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Pretty powerful image.
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So now finally we are in my bedroom, and when I get to this room and I'm in this position, I'm so happy.
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I collect books, and I'm really fond of first edition books, but these two books are my favorite.
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This is an Italian book written about Lucchino Visconti, who's a filmmaker I love, adore.
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He made one of my favorite films called Rocco and his brothers.
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Because of this movie, I named my son Rocco.
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And the other book is a book by Simone de Beauvoir, the ultimate feminist.
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This is written in English, this is written in Italian, so.
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This one I can only admire and look at the pictures and hold it in my hands.
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This one I can read.
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And over here, this beautiful blanket that my daughter Esther crocheted for me.
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During quarantine, my daughters learned how to knit and crochet when everybody was locked in their houses.
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She made it for my birthday.
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I love it, it's so soft.
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Everybody should touch it.
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Now that she plays football, she just doesn't crochet for me anymore.
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And now I am ready for bed.
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This is my doo-doo.
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Her name is Octavia.
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I sleep with her every night.
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A couple of years ago, I was really sick in the hospital.
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I was in a coma and this beautiful nurse that was taking care of me, her name was Olivia.
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She was screaming at me every day, telling me I needed to get up, I needed to get out of the ICU, and she really gave me a lot of courage and hope.
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When I got out of the hospital and came home, my sister gave me this octopus.
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I looked at her, and all I could think about was my nurse who took care of me.
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So I didn't want to name her Olivia exactly after her, so I called her Octavia.
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She's been with me ever since.
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Stuffing is starting to get kind of gross, but I love her, I adore her.
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These have been the objects of my affection.
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And now I'm going to go to sleep.
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So, good night everybody.
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Get out of my bedroom.
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Para quem é este vídeo?
Este vídeo é ideal para aprendizes de inglês intermediários e avançados que querem aprimorar a compreensão de fala coloquial e a pronúncia natural. Se seu objetivo é dominar expressões idiomáticas, aprender a usar a intonação de forma confiante e praticar o shadowing em inglês com um discurso fluido e variado, ele é perfeito. A conversa de Madonna é informal, repleta de histórias pessoais e detalhes que tornam o aprendizado divertido e contextualizado.
Palavras e expressões para roubar (e usar!)
- "Vibe": Sensação ou atmosfera. Exemplo: "I light some incense and vibe" (Ligo incenso e me sinto na vibe).
- "Stood the test of time": Durou bem ao longo dos anos. Exemplo: "These boots really stood the test of time" (Essas botas resistiram bem ao tempo).
- "Don't fuck with me": Expressão informal que significa "não me enrole" ou "não me atrapalhe". Frida é descrita como "so like don't fuck with me" (tão "não me enrole").
- "Mothership": Usado aqui de forma metafórica para se referir a um local central. "This is the mothership" (Este é o centro principal).
Como acertar o sotaque nesse vídeo
Madonna tem uma pronúncia clara, com ritmo moderado e intonação expressiva, o que a torna excelente para shadowing. Para imitá-la, preste atenção aos seguintes pontos: - Entonação nas histórias: Ela usa subidas e descidas de tom para enfatizar detalhes emocionantes, como na parte sobre Frida Kahlo. Repita frases como "she became a kind of eternal muse for me" com a mesma emoção. - Redução de palavras: Nas expressões coloquiais, ela reduz palavras, como "it's kind of the only room" (é tipo o único quarto). Pratique essas reduções para soar mais natural. - Ritmo: A pausa após frases-chave, como "Cut to 11 years later", cria suspense. Imite essas pausas para melhorar a fluidez. Use um shadowing site para repetir trechos várias vezes, focando em combinar o tom e o ritmo. Com prática, você vai notar que sua fala ganha mais confiança e naturalidade, como se estivesse conversando como uma nativa.
Gramática neste vídeo
As estruturas que o falante mais usa, com as palavras exatas do vídeo:
| Estrutura | No vídeo |
|---|---|
| Voz passiva be + particípio passado — o foco está no que acontece, não em quem faz | is also referred · was called · was really drawn |
| Present perfect have/has + particípio passado — uma ação passada que ainda importa agora | has now become · I've worn · I've dragged |
| Orações relativas who / which + oração — informação extra sobre uma pessoa ou coisa | bathroom, which is · hallway which has · Ciao, which is |
O que é a Técnica de Shadowing?
Shadowing é uma técnica de aprendizado de idiomas com base científica, originalmente desenvolvida para o treinamento de intérpretes profissionais. O método é simples, mas poderoso: você ouve áudio em inglês nativo e repete imediatamente em voz alta — como uma sombra seguindo o falante com 1-2 segundos de atraso. Pesquisas mostram melhora significativa na precisão da pronúncia, entonação, ritmo, sons conectados, compreensão auditiva e fluência na fala.