跟讀練習: Meryl Streep - Interview - Mamma Mia! - Rare - 通過影片學習英語口語
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136 句
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Thank you lovely Meryl absolute pleasure to meet you
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and New Zealand fans will be absolutely absolutely thrilled
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that we're getting a chance to talk to you so thank you for your time.
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Oh I'm so glad.
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And now you're putting the movie out, you're touring the world and premiering Mamma Mia! all over the place.
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It must be very exciting.
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It is.
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It's overwhelming because you realize that ABBA has fans right across the globe.
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Someone told me that One of our biggest anticipated markets is Korea and Japan.
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So, I mean, it's amazing.
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Seeing you on the red carpet with all the other members together for the first time in such a long time, how was that?
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Oh, that was a thrill.
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Because we'd worked really closely with Benny and Bjorn, But I had never met
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Frida or Agneta I met Frida in London at the London premiere and Anietta came to the Stockholm premiere.
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And she was, she's the most elusive one.
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She's the one who's stayed out of the spotlight most, I guess.
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of all the band members but she was divine and so generous and and so
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complimentary about the film and And I was really excited to see it in Stockholm because it was the first time
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I've never seen it with an audience.
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and to see it with an audience that included Agnetta and Frida was amazing.
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I mean I just was sort of bursting.
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Happiness.
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It was a high point of my life, no question.
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Well you're now part of the ABBA legacy now after the role of your daughter.
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Yeah, I felt like an honorary ABBA girl, sort of.
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I still am faux ABBA, but you know.
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Close.
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You certainly seem to be enjoying yourself on this film, Meryl, seriously.
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You seem to be loving it.
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Was it quite a fun production?
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Colin said it was pretty awesome it was really really funny
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Colin has said he he felt at certain moments he shouldn't be paid for it
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but I I'm sure he doesn't mean that but he's a It was a great group of actors that Phyllida Lloyd,
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our director, assembled.
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She put together an amazingly interesting and talented uh, cast.
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And I remember saying to her, In the earliest meeting I had with her, I said, you know, We can only do this.
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We can really only do this because it's-- It's about...
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living joyously and we can only do this if we really have fun And we really have fun doing it.
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So I said, "Just get a bunch of great people and it'll happen." you know, and she did.
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She really put together the most wonderful ebullient, witty cast.
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And so we entertained each other on and off the set.
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Another of your films I've loved recently was Prairie Home Companion.
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You were obviously comfortable in front of microphones singing.
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And did you approach the same way?
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The two boys Dominic and Colin were saying the most terrifying thing for them was thinking, you know, we're not singing in the shower here, we're singing with the two guys from ABBA.
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And they were pretty freaked.
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How did you feel?
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I was...
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I was in intimidated in the very beginning when I first met Benny.
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I met him in New York and he flew in on his own jet and sat down at a piano and said,
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"Well, will you just play through all the songs?" And I thought, God.
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because I realized that this was a little bit of an audition, you know.
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If it didn't go well, I'd probably be booted off the project, but...
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We sat there and sang all this music for two hours and just had,
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I was walking on air when I left that meeting with him and after that Because of his generous—have you met him?
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His generous spirit, you know?
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he gave us the feeling that we could do no wrong and so With that permission, the songs became ours and That was...
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That was a great gift of his.
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If you add that, these are really strong female characters
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and the character of Donna when I first saw it on stage at the West End, it really was owning a certain femininity that's very now, if you know what I mean.
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And then you bring these Abba songs and you think, you know, they were written in the 70s and they're now and they are really empowering.
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Yeah, they are.
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I mean, it's just a...
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they don't write many things about three middle -aged women in the central roles, you know.
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uh, putting Mr. Darcy and James Bond to the side.
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I mean just the cheek of that.
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It's fabulous.
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They seemed fine that they were marginalised.
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They were quite happy about it.
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Yeah, they like being sexual objects, I'm sure.
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This seems to be a good year for the Chip, but Meryl, I mean, Sex
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and the City just blew the box office out of the window and studio execs are kind of sitting up and going, "Oh, we can make movies that are
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so completely targeted towards women." Do you think Mamma Mia is a similar kind of phenomenon?
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I think that studio executives will never learn this lesson until they're all
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Half of them are women and then Bill already know that.
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Yeah.
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It's always, every year, it comes as a surprise to the executives that Last year,
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two years ago, Devil Wears Prada took them just completely by surprise.
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They couldn't believe that it was such a big hit.
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Sex and the City has taken them.
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When are they going to learn this?
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You know?
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Same with, Mamma Mia had a budget about this big compared to Spiderman, Batman any of the men.
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films, though the budget is overflowing and it's always forthcoming, no problem.
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And you've got to blow stuff up.
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It's expensive isn't it?
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Blowing stuff up.
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Yes, but a musical is expensive too,
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but we managed to do it really you know, on a diet. So Yeah.
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I'm hopeful that they'll learn that there will be a market for these entertainments.
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Thank you.
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They seem to learn, need to learn the lesson every year.
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With a woman with such an extraordinary resume as yours, Meryl, do you find you are getting those scripts
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that are coming across that you are still finding appealing with roles that you really want to take?
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You know, I've never worked more in my whole life than I have this last year.
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I can't really figure out why.
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but I've made six films this year.
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I didn't do that when I was 29 or 34 or young and hot and happening.
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I don't know why it is, but, and they've been very big sort of difficult roles.
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It's .
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sort of mystifying.
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and very gratifying
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but I'm not looking looking the gift horse in the mouth you know could be a real drought next year.
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No, unlikely.
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Now we haven't had you down to New Zealand yet
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but apparently Sam Neill's been threatening to get you down is that right?
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No I've been threatening Sam Neill that I'll show up on his doorstep because I heard about the vineyard.
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It's a good one too.
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You make some very very good Pinot Noir.
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Yes, no I've always wanted to
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to visit New Zealand and I thought I was going to be able to get there on this trip.
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But now we have to rush back because they've moved are opening up in New York.
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Oh right, so from here it's on to the onslaught in the States.
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Yes.
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So it opens down under before it does in New York.
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Nice.
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We'll be grateful for that.
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So are you taking your family along to the opening in New York?
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Yes.
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My family hasn't seen it yet.
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My middle daughter saw it in London because she's working in Rome this summer.
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So she came up for the opening and she was dancing in the aisle.
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So I'm hopeful that the others will be pleased, but you never know.
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There's great disapproval, especially from the youngest ones.
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Disapproval?
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That doesn't sound fair.
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Well, it's the spandex they're all afraid of.
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Right.
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But, you know.
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You have to live with these things.
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You do.
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So Donna and the Dynamise isn't going on tour anytime soon?
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I don't think so.
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Meryl, thank you so much.
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You've been an excellent delight.
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Thank you.
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為什麼這個片段適合用來練習口語？
這段梅麗爾·斯特里普的訪談影片是看YouTube學英語的絕佳素材！對話自然流暢，充滿日常口語表達，比如“overwhelming”“elusive”等詞彙，既能積累雅思口語高頻詞，又能學習 native speaker 的語氣和節奏。訪談中的互動感強，適合用來練習shadow speak——跟著影片模仿發音、語調甚至肢體語言，快速提升口語流利度。
拆解自然表達，學習地道口語
- “It's overwhelming because you realize that ABBA has fans right across the globe.” 這裡“overwhelming”用得精妙，準確傳達“驚喜到不知所措”的感覺，比“very exciting”更生動。雅思口語中用這類高階詞彙能加分。
- “She's the most elusive one.” “elusive”形容人“低調神秘”，替換了“shy”或“quiet”，讓表達更有層次。模仿時注意重音放在“e-lu-sive”上，體現自然節奏。
- “We can only do this if we really have fun.” 句子結構簡單，但“only if”的用法的強調了“樂趣”的重要性。口語中適當使用連線詞，能讓表達更連貫。
簡單實用的練習步驟：repeat-and-record
用shadowspeak法練習，效果事半功倍！首先播放影片1-2句，暫停後立刻跟讀，注意模仿語氣和停頓；然後用手機錄音，對比自己和原音的差異，重點糾正發音和語調。每天花15分鐘，針對3-5句反覆練習。比如“it was a high point of my life”，原音中“high point”的升調體現了激動情緒，模仿時要抓住這點。堅持一週，你會發現口語更自然，應對雅思口語練習也更有信心！
影片中的語法
說話人最常用的結構，並附上影片中的原話：
| 結構 | 影片中的用法 |
|---|---|
| 現在完成進行時 have/has been + -ing — 以前開始、現在仍在繼續的動作 | Neill's been threatening · I've been threatening |
| 現在完成時 have/has + 過去分詞 — 過去發生但與現在仍有關聯的事 | I've never seen · has said · I've loved |
| 被動語態 be + 過去分詞 — 強調發生了什麼，而不是誰做的 | will be absolutely absolutely thrilled · be paid · be booted |
什麼是跟讀法？
跟讀法 (Shadowing) 是一種有科學依據的語言學習技巧，最初開發用於專業口譯員的培訓，並由多語言者Alexander Arguelles博士普及。這個方法簡單而強大：您在聽英語母語原聲的同時立即大聲重複——就像是一個延遲1-2秒緊跟說話者的影子。與被動聽力或語法練習不同，跟讀法強迫您的大腦和口腔肌肉同時處理並模模擬實的講話模式。研究表明它能顯著提高發音準確性，語調，節奏，連讀，聽力理解和口語流利度——使其成為雅思口語備考和真實英語交流最有效的方法之一。