跟读练习: 8 Designs That Inspired i-D Magazine's Editor in Chief | Source Material - 通过视频学习英语口语

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Hi, I'm Tom Betridge and this... is my source material.

Okay, so your producers were like, hey, are there any magazines we can get you?

I was like, I'd really like the first issue of Joe's Magazine.

Which was this magazine, Joe McKenna, who's one of the most legendary stylists in history made.

And it was unbound, so this is just folded paper.

And the cover's this amazing painting of a sort of renaissance woman smoking a cigarette, I guess.

It's so fashion and it's so chic.

This kind of text layout I think is incredible.

You know, Marc Jacobs in conversation with Polly Mellon, Carleen Cerf.

I don't know, I think Joe's is an amazing example of how a magazine can really be almost a way of thinking out loud.

Colors Magazine was funded by United Colors of Benetton.

Technically it was kind of like a corporate branding project.

And it was created by Olivero Toscani, who is like a creative director who kind of for me

is the ultimate blueprint of like image making in the modern age.

And I thought Colors was a really incredible magazine because it almost sought to like document the world.

This tension between an image and then when you put a text on top of it, you make it something totally different.

And that's really like the core principle of magazine making.

National Geographic went to art school and was on acid.

This is a magazine, they were handing these out at this retrospective exhibition they did for Demna at the Blenciaga HQ right before he left there.

It was such a perfect expression of his thesis.

The magazine takes after the glossy People magazine kind of printing,

and even the graphic design very much refers to that kind of mass market thing.

But then inside of it you have like this really thoughtful exhibition catalogue.

Actually kind of rigid and like very Swiss looking in a lot of ways.

They had a stack of them there and I was just like...

This is like...

O3 2 C issue 33, 2017.

Frank Ocean shot by my friend Petra Collins, styled by my friend Mel Ottenberg, who was the fashion director at the time.

I just really love the cover story of this magazine, because it kind of encapsulates this sort of teenage wasteland feeling.

Frank has become such a mythical figure since then.

It's one of those things that I feel like really ages, interestingly, with time.

I also wanted to do an unboxing.

I was in Paris last week.

My friends who make this magazine called All In were launching the new issue that they made, and they also have an incredible fashion brand called August Barron.

And it was funny because when I was teaching at Central St. Martin's earlier this year, all the students, when I asked them what their favorite magazine was, they all said All In Magazine.

It's such an obscure, kind of like niche publication.

Something that really resonated with the students was this kind of like material quality to it.

It comes in this box, there's like confetti in it.

When you think about, you know, people's fatigue with the digital world, print is very much a way to kind of like counter that.

I like to think about print in the most tactile terms possible.

Obviously, they have a lot of freedom, being kind of like a boutique publication to do crazy printing techniques and stuff.

It's so fun kind of parsing through this imagery

and having to go through it in this funny way because it's not bound and stuff.

It's just a really great expression of what I think the power of magazines is today.

So this was the first issue of High Snobody magazine when I was the editor-in-chief there.

And like, I was obsessed with this idea of of having a bunch of little Migos all over the cover.

Kind of reminded me of Richard Scarry.

There's this genre called Vimmel Builder, which are images that are really ornate and have lots of detail.

Hieronymus Bosch or Where's Waldo are both Vimmel Builder.

Magazines are usually about sexy face, close-up, and soft focus or whatever, but I like the idea of having Vimmel Builder of Migos on the cover.

John and I really wanted to make a magazine that looks like a fashion magazine

and like play off the tropes of 90s GQ.

I actually have pages that have product recommendations.

16 Sandals is like, I'm like, that still kills me.

Or like, Damn Shorty for like our short shorts thing.

This is my first issue as editor-in-chief of ID.

We spent a lot of time in the archive, you know, in the early decades, 80s, 90s especially, they would just find cool people

that they met going out or whatever and they would just put them on the cover, turn them into icons.

I kind of wanted to do like the 2025 version of that.

So we did a nationwide casting call with Jen Vendetti, who's a really amazing casting director.

And Jen helped us find Enza, who was our unknown cover star.

So she was a senior in high school in suburban Cleveland, Ohio.

Was like the star actor at her school plays and aspiring model, LARPer.

We went to visit her for three days, me and Aiden Zemiri, who shot the story.

And we spent just like the first day just like hanging out

and seeing her world and where she goes with her friends.

On the shoot days, we shot her in her environment, in her room, in her living room.

This picture was like at the drama club that she's in in school.

So this was like a really special magazine for me

because it was sort of like about this idea of like the reference system.

I got really down a rabbit hole in like the ID history

and like so much of the stuff in here is a reflection of that nerd out session.

This is the second issue I did of ID.

I was really into the idea of ID being a youth culture magazine, but I was like, what's more youth culture than a baby? baby.

We had just discovered that 2025 was like the first year where like people born are gen beta.

So we wanted to kind of have like the first like gen beta magazine cover.

We did this photo shoot with this beautiful baby on the cover winking, which was really great.

What we did was we actually, in lieu of a profile, we asked like a lot of important artists and politicians

and figures in the world to give advice to someone born in 2025.

It's funny because we actually design on Figma.

You know, we kind of create sort of formulas and we kind of see how things fit in those formulas, but then we break the formulas.

You know, because graphic design can be very systematic.

I think something

that was a real innovation for ID was it used graphic design in this very expressive way

and this very DIY kind of way.

Collaborative tools where you can just drag and drop stuff

and multiple people can feast on it at once is like a really fun way to design a magazine

and like not the way I came up designing magazines.

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本课的词汇与口语要点

这节 B2 级别的口语课以视频“8 Designs That Inspired i-D Magazine's Editor in Chief”为素材。视频中反复出现的词有：magazine, cover, issue, design。这段视频共有 88 个句子、1236 个单词可供跟读。讲话部分时长为 6:50。说话人语速较快，每分钟约 181 个词，会出现较多连读和弱读。 83% 的单词属于英语最常用的 3,000 词，其余的词建议在练习前先学一下。

视频中的重点词汇

视频中最难的 15 个单词，附发音和释义：

单词	发音	释义
aspire 动词	/əˈspaɪɚ/	熱望 /热望, 渴望
blueprint 名词	/ˈbluːˌpɹɪnt/	藍圖 /蓝图
confetti 名词	/kənˈfɛ.ti/	五彩紙屑 /五彩纸屑
encapsulate 动词	/ɪnˈkæps(j)ʊˌleɪt/	概括, 梗概
glossy 形容词	/ˈɡlɔsi/	光澤 /光泽
obsess 动词	/əbˈsɛs/	迷住, 著魔
retrospective 形容词	/ˌɹɛt.ɹə(ʊ)ˈspɛk.tɪv/	懷舊的 /怀旧的
sandal 名词	/ˈsændəl/	涼鞋 /凉鞋, 草鞋
wasteland 名词	/ˈweɪs(t)ˌlænd/	荒地, 廢土 /废土
boutique 名词	/buˈtik/	時裝店 /时装店, 精品店
chic 形容词	/ʃik/	優美 /优美
rigid 形容词	/ˈɹɪd͡ʒ.ɪd/	硬性, 僵硬
collaborative 形容词	/kəˈlæb.ə.ɹə.tɪv/	協作的 /协作的
thoughtful 形容词	/ˈθɔːtfəl/	周到
obscure 形容词	/əbˈskjʊɹ/	不清楚, 陰暗 /阴暗

视频中出现的短语动词

单词	释义
come up 动词	上來 /上来
go out 动词	出, 出口
go through 动词	通過 /通过

视频中的语法

说话人最常用的结构，并附上视频中的原话：

结构	视频中的用法
被动语态 be + 过去分词 — 强调发生了什么，而不是谁做的	is just folded · was funded · was created
定语从句 who / which + 从句 — 补充说明人或事物	friends who make · Builder, which are · winking, which was

需要注意的发音

说话人用了 4 次缩略和弱读形式，例如 I'm, don't, I'd。请按听到的简短形式来说。

“th” 音: mythical /ˈmɪθɪkəl/, thoughtful /ˈθɔːtfəl/, thesis /ˈθisɪs/
“sh” 和 “zh” 音: chic /ʃik/, nationwide /ˌneɪ.ʃənˈwaɪd/, recommendation /ˌɹɛkəmɛnˈdeɪʃən/, politician /ˌpɑ.ləˈtɪʃ.ən/, reflection /ɹɪˈflɛkʃən/
长单词——注意重音位置: encapsulate /ɪnˈkæps(j)ʊˌleɪt/, retrospective /ˌɹɛt.ɹə(ʊ)ˈspɛk.tɪv/, collaborative /kəˈlæb.ə.ɹə.tɪv/, systematic /ˌsɪs.tɪˈmæt.ɪk/, recommendation /ˌɹɛkəmɛnˈdeɪʃən/

中文母语者容易读错的音：

/v/ — 不要读成 /w/，上齿轻触下唇: expressive /ɪkˈspɹɛsɪv/, retrospective /ˌɹɛt.ɹə(ʊ)ˈspɛk.tɪv/, collaborative /kəˈlæb.ə.ɹə.tɪv/, archive /ˈɑɹˌkaɪv/
词尾辅音 — 要读清楚，后面不要加元音: blueprint /ˈbluːˌpɹɪnt/, encapsulate /ɪnˈkæps(j)ʊˌleɪt/, expressive /ɪkˈspɹɛsɪv/, obsess /əbˈsɛs/, ornate /ɔɹˈneɪt/
/r/ 和 /l/ 的区别: blueprint /ˈbluːˌpɹɪnt/, collaborative /kəˈlæb.ə.ɹə.tɪv/, reflection /ɹɪˈflɛkʃən/

如何用这段视频练习

先完整听一遍视频，不要开口，记下不认识的单词。
先用 0.75 倍速逐句跟读，熟练之后再回到正常速度。
录下自己的声音并与原声对比，特别注意 aspire, blueprint, confetti 这类单词。

什么是跟读法？

跟读法 (Shadowing) 是一种有科学依据的语言学习技巧，最初开发用于专业口译员的培训，并由多语言者Alexander Arguelles博士普及。这个方法简单而强大：您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同，跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性，语调，节奏，连读，听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。

影子跟读法: 阅读完整分步指南 →

跟读练习: 8 Designs That Inspired i-D Magazine's Editor in Chief | Source Material - 通过视频学习英语口语

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