跟读练习: A Quiet Artist Vlog - 通过视频学习英语口语

正在创建课程...
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I know There's nothing here to hear about Is that sound better? Is that sound better?
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Okay, so I've got my afternoon coffee.
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Actually, I just finished it, so it's more of a prop, but let's get into what I did this week.
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If you did not watch my last video,
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what I'm doing is learning from the art and work and life of one of my favorite artists,
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Edouard Huillard, who was a French painter around the beginning of the 20th century.
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So this week what I focused on a lot was color.
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I feel like you can hear my dog.
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My dog's collar.
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I think I'm starting to I'm gonna let him out.
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Be right back.
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I'm gonna try to make it look like I'm holding him.
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So I'm gonna put up on the screen some of the Ruyach pieces
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that have been inspiring me the most over the past week.
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Something that I love about his work and especially these pieces is just how much he leans into simplicity.
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He's not shying away from keeping things simple and sometimes having just areas where you really only see one to two colors.
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And I think that's something that I struggle with because I always want to put so much information in there.
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And sometimes I feel like if I leave it too simple then it looks unfinished
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or just like maybe it's not impressive enough I don't know
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so that is something that I want to lean into more is just keeping things simple
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and seeing how much I can take away from a composition
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or a color palette before it starts to look like it's lacking
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because I think I I tend toward putting too much
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I feel like I'm starting to see color in a different way just
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because of these exercises I've been doing I think I'm breaking some habits
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that I've had for many years when it comes to color there are certain things
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that I just always go for and that's not necessarily a bad thing
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but I think I'm really broadening my capabilities and just my understanding of color palettes and color mixing so that's really exciting
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right That's
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uh, Blades Bold.
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Oh yeah.
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Which is another reason why I think the Blades name for a kid would be really, really cool.
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Oh, true, true, true.
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He's one of my favorite songwriters ever.
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Yeah, I love that song.
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So I've been sitting outside for a while painting.
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I think I finished the thumbnail version of the painting of my parents
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that I'm planning to do multiple multiple versions of and this time I went for a way more neutral color palette.
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I'll flip the camera around and show you what I have.
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So this is what I ended up doing.
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I wanted to go for a more neutral palette this time.
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I know in my first version the chartreuse which was my background.
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I just did a wash of it.
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That showed through a lot and I really like that, but I wanted to try something a little different with this one and keep it very neutral.
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And I really leaned into that really pretty like blue green color.
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So I'm happy with this, but I am wondering if it is not quite interesting enough.
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I'm not sure.
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So when I do the full size piece, we'll see if I end up changing it at all.
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I probably will.
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It's the last bar closer
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I'm
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going to
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go to the next one so Okay,
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so just to pause and let you in on my decision making for this piece, what I'm seeing here is
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that the color I mixed for the walls of the house is a lot closer
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or reading a lot closer to this brighter blue green that I wanted for out the window.
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However, I am really liking it.
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Like, I'm really liking this color,
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and I'm almost wondering if it would be more interesting to lighten up the value of what's out the window,
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because that's how it is in this one, and that's how it is in the original photo.
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Of course, the value in the window is much lighter and I didn't do that at all in this mini sketch.
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So I think I'm going to revert back to that
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and maybe also make it a more neutral color so
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that it just gets pushed back into the background and I'm going to minimize the amount of contrast as well, kind of how I did here,
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just so that it reads as being through the window and it's not competing for your attention with the figures it
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okay let's see what we can find
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that is still life material okay this is what i grabbed from inside
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so i got this pink vase the little wooden bowl I put the petals in there and these are some dried daffodils.
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Is that what that's called?
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Yeah.
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And then I thought the contrast of the blue book under the yellow would be nice
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so I'm going to do a little sketch of this in my sketchbook.
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the palette is so dirty right now
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and i'm honestly just too lazy to go wash the paper so we're working with it okay it'll be fine
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I'm going
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to go to the next slide.
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so I thought I would show you guys where I'm at on this piece this is it currently
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and the bubblegum pink layer that I laid down first is really influencing the colors
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that I'm veering towards it's just crazy how like I thought
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I was spot on this is my color study I thought I was spot on with
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that pink but no I was not I was way off which is fine because I also really like this
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but I had a much warmer toned color scheme going on here
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and then this more like cool toned bubble gummy pink made
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me really lean into a more blue like there's turquoise I'm seeing I'm reading all of this as turquoise
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which is just interesting because I never go for that color
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but something about the pink was making me want to lean in that direction.
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So anyway, this is it so far.
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And to see the finished piece, watch my next video because I will definitely show it.
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And yeah, I'm excited to see where I'm gonna take this because I feel like it could go multiple different directions.
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I was playing around a lot with colors in this shirt and kind of adding a bit of a yellowish hue here, which I like.
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But definitely it's unfinished, so I thought I would show you that.
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Okay, I think right here I'm going to insert a clip that I took like a week ago.
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It was, I was traveling, I was in Virginia, and it was right after I saw the first comments on my last video,
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which I thought had like zero views.
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So I just kind of sat down and recorded my reaction to that.
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And then I also went through and showed you some of my sketchbook pages and stuff I'd been working on.
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So I'll insert that clip here.
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okay so this is weird
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because in my last video I didn't feel like I was talking to anyone
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because I honestly didn't think anybody would watch it I thought maybe like 10 people I know would watch it
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and I saw a message on my Instagram from somebody who watched the last video saying
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that she really loved it and was glad
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that it came up in her home feed so I went
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and looked at the video which I thought had like 10 views max
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and it had like 800 and a lot of likes
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and like really nice comments that honestly shocked me
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because I felt like making any kind of content was like just shouting to avoid like
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when I share my art on Instagram or I share it very seldom
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because it doesn't seem like anybody sees it or like very few people see it and it can just be discouraging.
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I don't feel entitled to having feedback.
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Um, I don't use social media that much and I don't want other people to be on it all the time,
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just like giving me praise.
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So yeah, it's kind of complicated.
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It's like, I want, I want to connect with people, but I'm aware that social media is not an ideal way to do so.
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So when I post something and I get no feedback, I don't usually take it hard or take it personally.
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It's just, I've kind of come to accept that that's how it is.
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But all that to say
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that getting 10 sincere comments from people actually responding to what I was saying in the last video
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and like sharing their experience and responding to different things I said, that was so amazing.
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And that was way more than I expected.
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I think making that video.
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I really felt like I wanted to share
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and I had somewhat high hopes but really low expectations
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and my expectations have already just been so exceeded by the response that I got.
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So thank you.
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If you watched my last video, if you left a comment, thank you so much.
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I'm going to read and respond to all of them thoughtfully
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because I was just scrolling through and I'm amazed
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that people I'm just so it's so heartening
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that people are using YouTube to connect
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and to have real conversations I don't usually comment on videos
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because I always feel like it doesn't matter
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and now I realize commenting on somebody's video something sincere can really make their day
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and so I would like to do that more myself
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because there's so many people that I've found on here
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that have had such an impact on me
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and yeah I don't usually let them know that
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so anybody to anybody who commented on the last video thank you you're teaching me
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that something like that can actually mean a lot and I just really appreciate that you took the time to do that.
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So I am like I said in Virginia across the country from where I live
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and I recently discovered that you can just like bring art supplies through airport security.
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I don't know why I thought you couldn't
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but I never brought acrylics anywhere until more recently and now I've been bringing them with me whenever I go somewhere.
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so I'll show you what I've been working on.
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One of my biggest YouTube inspirations in the world is Sandy Hester.
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I love her videos and hers is one of the channels
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that made me feel like I really should share my art because I love, love watching what she shares.
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So I was watching an old video of hers before leaving
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and she had printed out just black and white photocopies of some family photos
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and I've been working for family photos a lot as well so I figured that was a good idea.
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There's this photo of my brother holding a chicken
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and I really want to do a painting of this
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so I brought that and then there's also this one of my niece
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picking up rocks and then there's this photo of my sister, brother-in-law, and my niece.
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So these are three that I wanted to sketch and experiment with creating compositions based on those photos.
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So I showed this briefly in the last video.
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This is a little still life of a lemon and the blue muscari plant that I have at home.
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This is a little painting I did while I was at the river, the same place that I showed last time.
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Except, well, we went to a different area near the river and, oops, gotta move that.
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Um, yeah, this was with my sister and my niece
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and my brother-in-law and my sister just sat out this picnic blanket
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and they were sitting on it and there was like a charcuterie board.
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It was like too much going on.
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I wasn't going to try to paint all of it.
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So I just did the little corner of the blanket and the ducks in the river behind it.
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okay
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so I got these markers I was really wanting to experiment
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with mapping out the values in a composition before starting on it
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and I thought a cool way of doing
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that would be to get just like three different values of marker
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which I did so I picked up this Faber-Castell one because I I'm really picky about grays.
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I hate cool grays typically.
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Like I do like bluey bluey grays.
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Not bluey the show.
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I like bluish gray but if it's just just like a gray
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that seems bluish I don't like it if that makes sense at all.
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I like warmer tones in my grays so I'll show you this.
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oh wow this is awkward look at
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that nice warm toned gray it's just like there's just something subtly warm about it
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and that I really like
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and then this brand didn't have at least at my art supply store they didn't have any other gray scales
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so I went for what is this tombow marker and I got that one for the next darker.
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And then I got this one for the darkest.
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So I'm seeing a lot of like mauve undertones.
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I'm almost seeing a little green, greenish mauve in here.
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And I've been working a lot with the mixture of red
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and green to get my neutrals so that's why I went for these gray markers
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because even though I'm not planning on making any finished work with these I'm sketching out these little thumbnails
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and I have to look at them and I want them to look nice
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so these have been cool it is not what I'm used to
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so I'm not used to working with markers at all ever.
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So we'll see if I get the hang of it and if I end up really liking that.
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This is a little painting that I did of, we collect our compost and we usually just put it in the green bin,
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but we have it in a bucket before we take it out to the green bin.
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And I looked in the bucket and it was just like this beautiful array of eggshells, orange peel, and beet, like the bottoms of beets
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so I thought it was too pretty to just check out
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so I put them on this blue little plate that I have
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and created a little still life
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and I think it's pretty lovely I like the colors yeah
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I just kind of wanted to train my eye to see
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what it was like to work with these kinds of colors
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when I'm working from life this one also was really good for practicing my colors
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because typically when I'm painting from life I go way too true to color like green is green
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and it ends up too bright too green
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so I really liked this painting
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and this painting for helping me lean into those neutrals and to color combinations that I wouldn't normally reach for
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okay this is the this is a little gray scale of my brother with the chicken
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and then this is me beginning to block it out with my acrylics
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so I started this this morning I'll probably continue to work on this some more now
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and then the only other art that I've done on this trip
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so far is it was desperation art because I was
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so bored we flew standby and I'm sandwiched between these two guys
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and we're in the emergency exit row so I can't like keep my backpack under my seat.
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So I didn't have any of my drawing supplies
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and I've been into like doodling on flights so I was just like going crazy a little bit.
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It was only four and a half hours but I swear I was going crazy.
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This is a French like mystery novel I've been slowly
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but surely working on um trying to keep my French skills sharp
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so I brought this on the trip and I I doodled on the front page
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so February 28th doodles and doodles in the dark on a plane
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and then I've also been reading Confessions by St. Augustine
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which I thought was gonna be so hard to read
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and hard to understand but shockingly it's absolutely not um I've been really loving it
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and I drew that too
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so I was just like copying the cover with my little pen drawing
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that was nice that was fun and honestly i think it looks really cool
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he's not up there right now oh yeah he is Thank you.

本课的词汇与口语要点

这节 B1 级别的口语课以视频“A Quiet Artist Vlog”为素材。 这段视频共有 227 个句子、2827 个单词可供跟读。 讲话部分时长为 22:42。 说话人语速平稳,每分钟约 125 个词,很适合跟读。 只有 81% 的单词属于英语最常用的 3,000 词,词汇难度较高。

视频中的重点词汇

视频中最难的 15 个单词,附发音和释义:

单词发音释义
lean 动词/ˈliːn/傾斜 /倾斜
neutral 形容词/ˈnuː.tɹəl/中立
palette 名词/ˈpælɪt/調色板 /调色板
doodle 名词/ˈdud(ə)l/塗鴉 /涂鸦
sketch 名词/ˈskɛt͡ʃ/草拟, 速写
niece 名词/nis/侄女, 姪女 /侄女
acrylic 形容词/əˈkɹɪl.ɪk/丙烯酸的
beet 名词/biːt/莙薘菜 /莙荙菜, 牛皮菜
mauve 名词/məʊv/藕荷色, 藕合色
sketchbook 名词/ˈskɛt͡ʃˌbʊk/素描本
thumbnail 名词/ˈθʌm.neɪl/拇指指甲
turquoise 名词/ˈtɝ.k(w)ɔɪz/綠松石 /绿松石
sincere 形容词/sɪnˈsɪɹ/虔诚, 真誠 /真诚
expectation 名词/ˌɛk.spɛkˈteɪ.ʃən/等待
insert 动词/ɪnˈsɝt/插入, 插上

视频中出现的短语动词

单词释义
end up 动词到达
pick up 动词拾取, 撿 /捡
check out 动词退房
go through 动词通過 /通过
sit down 动词坐下, 坐

值得反复跟读的句子

视频中简短而完整的句子,可以直接用在日常对话里:

  • He's one of my favorite songwriters ever.
  • Is that what that's called?
  • I don't feel entitled to having feedback.

视频中的语法

说话人最常用的结构,并附上视频中的原话:

结构视频中的用法
现在完成进行时 have/has been + -ing — 以前开始、现在仍在继续的动作have been inspiring · I've been doing · I've been sitting
现在完成时 have/has + 过去分词 — 过去发生但与现在仍有关联的事have already just been · I've found · have been
定语从句 who / which + 从句 — 补充说明人或事物chartreuse which was · off which is · somebody who watched
过去进行时 was/were + -ing — 过去某一时刻正在进行的动作was making · was playing · was traveling

需要注意的发音

说话人用了 96 次缩略和弱读形式,例如 I'm, I've, don't。请按听到的简短形式来说。

  • “th” 音: thumbnail /ˈθʌm.neɪl/, thoughtfully /ˈθɔtfəli/
  • “sh” 和 “zh” 音: bluish /ˈbluːɪʃ/, unfinished /ʌnˈfɪnɪʃt/, expectation /ˌɛk.spɛkˈteɪ.ʃən/, charcuterie /ʃɑɹˈkutəɹi/, chartreuse /ʃɑɹˈtɹuːz/
  • 长单词——注意重音位置: expectation /ˌɛk.spɛkˈteɪ.ʃən/, charcuterie /ʃɑɹˈkutəɹi/, photocopy /ˈfəʊtəˌkɒpi/, desperation /ˌdɛspəˈɹeɪʃən/, simplicity /sɪmˈplɪsɪti/

中文母语者容易读错的音:

  • /v/ — 不要读成 /w/,上齿轻触下唇: mauve /məʊv/, revert /ɹɪˈvɝt/, vase /veɪ̯s/
  • 词尾辅音 — 要读清楚,后面不要加元音: palette /ˈpælɪt/, sketch /ˈskɛt͡ʃ/, niece /nis/, acrylic /əˈkɹɪl.ɪk/, beet /biːt/
  • /r/ 和 /l/ 的区别: neutral /ˈnuː.tɹəl/, acrylic /əˈkɹɪl.ɪk/, scroll /skɹoʊl/, briefly /ˈbɹiːfli/

如何用这段视频练习

  1. 先完整听一遍视频,不要开口,记下不认识的单词。
  2. 用正常速度逐句跟读,每句重复到你的节奏与说话人一致为止。
  3. 录下自己的声音并与原声对比,特别注意 lean, neutral, palette 这类单词。

什么是跟读法?

跟读法 (Shadowing) 是一种有科学依据的语言学习技巧,最初开发用于专业口译员的培训,并由多语言者Alexander Arguelles博士普及。这个方法简单而强大:您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同,跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性,语调,节奏,连读,听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。

影子跟读法: 阅读完整分步指南 →