Pratica di Shadowing: A Quiet Artist Vlog - Impara a parlare inglese con i video

I know There's nothing here to hear about Is that sound better? Is that sound better?

Okay, so I've got my afternoon coffee.

Actually, I just finished it, so it's more of a prop, but let's get into what I did this week.

If you did not watch my last video,

what I'm doing is learning from the art and work and life of one of my favorite artists,

Edouard Huillard, who was a French painter around the beginning of the 20th century.

So this week what I focused on a lot was color.

I feel like you can hear my dog.

My dog's collar.

I think I'm starting to I'm gonna let him out.

Be right back.

I'm gonna try to make it look like I'm holding him.

So I'm gonna put up on the screen some of the Ruyach pieces

that have been inspiring me the most over the past week.

Something that I love about his work and especially these pieces is just how much he leans into simplicity.

He's not shying away from keeping things simple and sometimes having just areas where you really only see one to two colors.

And I think that's something that I struggle with because I always want to put so much information in there.

And sometimes I feel like if I leave it too simple then it looks unfinished

or just like maybe it's not impressive enough I don't know

so that is something that I want to lean into more is just keeping things simple

and seeing how much I can take away from a composition

or a color palette before it starts to look like it's lacking

because I think I I tend toward putting too much

I feel like I'm starting to see color in a different way just

because of these exercises I've been doing I think I'm breaking some habits

that I've had for many years when it comes to color there are certain things

that I just always go for and that's not necessarily a bad thing

but I think I'm really broadening my capabilities and just my understanding of color palettes and color mixing so that's really exciting

right That's

uh, Blades Bold.

Oh yeah.

Which is another reason why I think the Blades name for a kid would be really, really cool.

Oh, true, true, true.

He's one of my favorite songwriters ever.

Yeah, I love that song.

So I've been sitting outside for a while painting.

I think I finished the thumbnail version of the painting of my parents

that I'm planning to do multiple multiple versions of and this time I went for a way more neutral color palette.

I'll flip the camera around and show you what I have.

So this is what I ended up doing.

I wanted to go for a more neutral palette this time.

I know in my first version the chartreuse which was my background.

I just did a wash of it.

That showed through a lot and I really like that, but I wanted to try something a little different with this one and keep it very neutral.

And I really leaned into that really pretty like blue green color.

So I'm happy with this, but I am wondering if it is not quite interesting enough.

I'm not sure.

So when I do the full size piece, we'll see if I end up changing it at all.

I probably will.

It's the last bar closer

I'm

going to

go to the next one so Okay,

so just to pause and let you in on my decision making for this piece, what I'm seeing here is

that the color I mixed for the walls of the house is a lot closer

or reading a lot closer to this brighter blue green that I wanted for out the window.

However, I am really liking it.

Like, I'm really liking this color,

and I'm almost wondering if it would be more interesting to lighten up the value of what's out the window,

because that's how it is in this one, and that's how it is in the original photo.

Of course, the value in the window is much lighter and I didn't do that at all in this mini sketch.

So I think I'm going to revert back to that

and maybe also make it a more neutral color so

that it just gets pushed back into the background and I'm going to minimize the amount of contrast as well, kind of how I did here,

just so that it reads as being through the window and it's not competing for your attention with the figures it

okay let's see what we can find

that is still life material okay this is what i grabbed from inside

so i got this pink vase the little wooden bowl I put the petals in there and these are some dried daffodils.

Is that what that's called?

Yeah.

And then I thought the contrast of the blue book under the yellow would be nice

so I'm going to do a little sketch of this in my sketchbook.

the palette is so dirty right now

and i'm honestly just too lazy to go wash the paper so we're working with it okay it'll be fine

I'm going

to go to the next slide.

so I thought I would show you guys where I'm at on this piece this is it currently

and the bubblegum pink layer that I laid down first is really influencing the colors

that I'm veering towards it's just crazy how like I thought

I was spot on this is my color study I thought I was spot on with

that pink but no I was not I was way off which is fine because I also really like this

but I had a much warmer toned color scheme going on here

and then this more like cool toned bubble gummy pink made

me really lean into a more blue like there's turquoise I'm seeing I'm reading all of this as turquoise

which is just interesting because I never go for that color

but something about the pink was making me want to lean in that direction.

So anyway, this is it so far.

And to see the finished piece, watch my next video because I will definitely show it.

And yeah, I'm excited to see where I'm gonna take this because I feel like it could go multiple different directions.

I was playing around a lot with colors in this shirt and kind of adding a bit of a yellowish hue here, which I like.

But definitely it's unfinished, so I thought I would show you that.

Okay, I think right here I'm going to insert a clip that I took like a week ago.

It was, I was traveling, I was in Virginia, and it was right after I saw the first comments on my last video,

which I thought had like zero views.

So I just kind of sat down and recorded my reaction to that.

And then I also went through and showed you some of my sketchbook pages and stuff I'd been working on.

So I'll insert that clip here.

okay so this is weird

because in my last video I didn't feel like I was talking to anyone

100

because I honestly didn't think anybody would watch it I thought maybe like 10 people I know would watch it

101

and I saw a message on my Instagram from somebody who watched the last video saying

102

that she really loved it and was glad

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that it came up in her home feed so I went

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and looked at the video which I thought had like 10 views max

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and it had like 800 and a lot of likes

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and like really nice comments that honestly shocked me

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because I felt like making any kind of content was like just shouting to avoid like

108

when I share my art on Instagram or I share it very seldom

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because it doesn't seem like anybody sees it or like very few people see it and it can just be discouraging.

110

I don't feel entitled to having feedback.

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Um, I don't use social media that much and I don't want other people to be on it all the time,

112

just like giving me praise.

113

So yeah, it's kind of complicated.

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It's like, I want, I want to connect with people, but I'm aware that social media is not an ideal way to do so.

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So when I post something and I get no feedback, I don't usually take it hard or take it personally.

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It's just, I've kind of come to accept that that's how it is.

117

But all that to say

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that getting 10 sincere comments from people actually responding to what I was saying in the last video

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and like sharing their experience and responding to different things I said, that was so amazing.

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And that was way more than I expected.

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I think making that video.

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I really felt like I wanted to share

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and I had somewhat high hopes but really low expectations

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and my expectations have already just been so exceeded by the response that I got.

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So thank you.

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If you watched my last video, if you left a comment, thank you so much.

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I'm going to read and respond to all of them thoughtfully

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because I was just scrolling through and I'm amazed

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that people I'm just so it's so heartening

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that people are using YouTube to connect

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and to have real conversations I don't usually comment on videos

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because I always feel like it doesn't matter

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and now I realize commenting on somebody's video something sincere can really make their day

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and so I would like to do that more myself

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because there's so many people that I've found on here

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that have had such an impact on me

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and yeah I don't usually let them know that

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so anybody to anybody who commented on the last video thank you you're teaching me

139

that something like that can actually mean a lot and I just really appreciate that you took the time to do that.

140

So I am like I said in Virginia across the country from where I live

141

and I recently discovered that you can just like bring art supplies through airport security.

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I don't know why I thought you couldn't

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but I never brought acrylics anywhere until more recently and now I've been bringing them with me whenever I go somewhere.

144

so I'll show you what I've been working on.

145

One of my biggest YouTube inspirations in the world is Sandy Hester.

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I love her videos and hers is one of the channels

147

that made me feel like I really should share my art because I love, love watching what she shares.

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So I was watching an old video of hers before leaving

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and she had printed out just black and white photocopies of some family photos

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and I've been working for family photos a lot as well so I figured that was a good idea.

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There's this photo of my brother holding a chicken

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and I really want to do a painting of this

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so I brought that and then there's also this one of my niece

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picking up rocks and then there's this photo of my sister, brother-in-law, and my niece.

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So these are three that I wanted to sketch and experiment with creating compositions based on those photos.

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So I showed this briefly in the last video.

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This is a little still life of a lemon and the blue muscari plant that I have at home.

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This is a little painting I did while I was at the river, the same place that I showed last time.

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Except, well, we went to a different area near the river and, oops, gotta move that.

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Um, yeah, this was with my sister and my niece

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and my brother-in-law and my sister just sat out this picnic blanket

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and they were sitting on it and there was like a charcuterie board.

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It was like too much going on.

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I wasn't going to try to paint all of it.

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So I just did the little corner of the blanket and the ducks in the river behind it.

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okay

167

so I got these markers I was really wanting to experiment

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with mapping out the values in a composition before starting on it

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and I thought a cool way of doing

170

that would be to get just like three different values of marker

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which I did so I picked up this Faber-Castell one because I I'm really picky about grays.

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I hate cool grays typically.

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Like I do like bluey bluey grays.

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Not bluey the show.

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I like bluish gray but if it's just just like a gray

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that seems bluish I don't like it if that makes sense at all.

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I like warmer tones in my grays so I'll show you this.

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oh wow this is awkward look at

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that nice warm toned gray it's just like there's just something subtly warm about it

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and that I really like

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and then this brand didn't have at least at my art supply store they didn't have any other gray scales

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so I went for what is this tombow marker and I got that one for the next darker.

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And then I got this one for the darkest.

184

So I'm seeing a lot of like mauve undertones.

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I'm almost seeing a little green, greenish mauve in here.

186

And I've been working a lot with the mixture of red

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and green to get my neutrals so that's why I went for these gray markers

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because even though I'm not planning on making any finished work with these I'm sketching out these little thumbnails

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and I have to look at them and I want them to look nice

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so these have been cool it is not what I'm used to

191

so I'm not used to working with markers at all ever.

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So we'll see if I get the hang of it and if I end up really liking that.

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This is a little painting that I did of, we collect our compost and we usually just put it in the green bin,

194

but we have it in a bucket before we take it out to the green bin.

195

And I looked in the bucket and it was just like this beautiful array of eggshells, orange peel, and beet, like the bottoms of beets

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so I thought it was too pretty to just check out

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so I put them on this blue little plate that I have

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and created a little still life

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and I think it's pretty lovely I like the colors yeah

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I just kind of wanted to train my eye to see

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what it was like to work with these kinds of colors

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when I'm working from life this one also was really good for practicing my colors

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because typically when I'm painting from life I go way too true to color like green is green

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and it ends up too bright too green

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so I really liked this painting

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and this painting for helping me lean into those neutrals and to color combinations that I wouldn't normally reach for

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okay this is the this is a little gray scale of my brother with the chicken

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and then this is me beginning to block it out with my acrylics

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so I started this this morning I'll probably continue to work on this some more now

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and then the only other art that I've done on this trip

211

so far is it was desperation art because I was

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so bored we flew standby and I'm sandwiched between these two guys

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and we're in the emergency exit row so I can't like keep my backpack under my seat.

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So I didn't have any of my drawing supplies

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and I've been into like doodling on flights so I was just like going crazy a little bit.

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It was only four and a half hours but I swear I was going crazy.

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This is a French like mystery novel I've been slowly

218

but surely working on um trying to keep my French skills sharp

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so I brought this on the trip and I I doodled on the front page

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so February 28th doodles and doodles in the dark on a plane

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and then I've also been reading Confessions by St. Augustine

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which I thought was gonna be so hard to read

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and hard to understand but shockingly it's absolutely not um I've been really loving it

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and I drew that too

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so I was just like copying the cover with my little pen drawing

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that was nice that was fun and honestly i think it looks really cool

227

he's not up there right now oh yeah he is Thank you.

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Vocabolario e note di pronuncia per questa lezione

Questa lezione di conversazione di livello B1 si basa sul video “A Quiet Artist Vlog”. Questo video contiene 227 frasi e 2827 parole da ripetere con lo shadowing. Il parlato dura 22:42. Chi parla mantiene un ritmo costante di circa 125 parole al minuto, comodo per lo shadowing. Solo il 81% delle parole rientra nelle 3.000 più comuni dell’inglese, quindi il lessico è impegnativo.

Vocaboli chiave di questo video

Le 15 parole più avanzate del video, con pronuncia e significato:

Parola	Pronuncia	Significato
lean verbo	/ˈliːn/	pendere
neutral aggettivo	/ˈnuː.tɹəl/	neutrale
palette sostantivo	/ˈpælɪt/	tavolozza
doodle sostantivo	/ˈdud(ə)l/	scarabocchio, scarabocchi
sketch sostantivo	/ˈskɛt͡ʃ/	schizzo
niece sostantivo	/nis/	nipote
acrylic aggettivo	/əˈkɹɪl.ɪk/	acrilico
beet sostantivo	/biːt/	bietola, bieta
bluish aggettivo	/ˈbluːɪʃ/	bluastro, azzurrastro
mauve sostantivo	/məʊv/	malva
thumbnail sostantivo	/ˈθʌm.neɪl/	anteprima, miniatura
turquoise sostantivo	/ˈtɝ.k(w)ɔɪz/	turchese
unfinished aggettivo	/ʌnˈfɪnɪʃt/	incompleto
sincere aggettivo	/sɪnˈsɪɹ/	sincero, fervido
expectation sostantivo	/ˌɛk.spɛkˈteɪ.ʃən/	attesa

I phrasal verb che sentirai

Parola	Significato
end up verbo	andare a finire, finire
pick up verbo	tirare su, sollevare
check out verbo	investigare
go through verbo	attraversare
sit down verbo	sedersi, accomodarsi

Frasi da ripetere

Frasi brevi e complete del video che puoi riutilizzare nella conversazione di tutti i giorni:

He's one of my favorite songwriters ever.
Is that what that's called?
I don't feel entitled to having feedback.

La grammatica di questo video

Le strutture che chi parla usa di più, con le parole esatte del video:

Struttura	Nel video
Present perfect continuous have/has been + -ing — un’azione iniziata prima e ancora in corso	have been inspiring · I've been doing · I've been sitting
Present perfect have/has + participio passato — un’azione passata che conta ancora adesso	have already just been · I've found · have been
Frasi relative who / which + frase — un’informazione in più su una persona o una cosa	chartreuse which was · off which is · somebody who watched
Past continuous was/were + -ing — un’azione in corso in un momento del passato	was making · was playing · was traveling

Pronuncia a cui fare attenzione

Chi parla usa 96 contrazioni e forme ridotte, come I'm, I've, don't. Pronunciale nella forma breve, così come le senti.

I suoni “th”: thumbnail /ˈθʌm.neɪl/, thoughtfully /ˈθɔtfəli/
I suoni “sh” e “zh”: bluish /ˈbluːɪʃ/, unfinished /ʌnˈfɪnɪʃt/, expectation /ˌɛk.spɛkˈteɪ.ʃən/, charcuterie /ʃɑɹˈkutəɹi/, chartreuse /ʃɑɹˈtɹuːz/
Parole lunghe — attenzione all’accento: expectation /ˌɛk.spɛkˈteɪ.ʃən/, charcuterie /ʃɑɹˈkutəɹi/, photocopy /ˈfəʊtəˌkɒpi/, desperation /ˌdɛspəˈɹeɪʃən/, simplicity /sɪmˈplɪsɪti/

I suoni difficili per chi parla italiano:

/h/ — va soffiata, non è muta: hearten /ˈhɑɹtn̩/, habit /ˈhæb.ɪt/
Consonante finale — senza aggiungere una vocale dopo: palette /ˈpælɪt/, sketch /ˈskɛt͡ʃ/, niece /nis/, acrylic /əˈkɹɪl.ɪk/, beet /biːt/
/æ/ — più aperta della “e”: palette /ˈpælɪt/, blanket /ˈblæŋ.kɪt/, feedback /ˈfiːdˌbæk/, daffodil /ˈdæfəˌdɪl/, standby /ˈstændˌbaɪ̯/

Come esercitarsi con questo video

Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
Fai shadowing frase per frase a velocità normale, ripetendo ognuna finché il tuo ritmo coincide con quello di chi parla.
Registrati e confronta con l’originale, facendo attenzione a parole come lean, neutral, palette.

Cos'è la tecnica dello Shadowing?

Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.

Tecnica dello shadowing: leggi la guida completa passo dopo passo →

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