Pratica di Shadowing: Is it time to dismantle the puzzle? - Impara a parlare inglese con i video
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139 frasi
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Hello.
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I'm trying something new and I'm gonna get my son right out of my face.
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My face out of the sun.
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My son out of the face.
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I thought we could have a little chat here in front of my lemon tree because,
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I don't know, I was pondering and thinking about how I want to do videos right now in this season.
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And I feel that my videos have been getting a bit lengthy
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because there's always so much I want to include in them.
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and I thought it could be an interesting idea to post like shorter videos every now
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and then of just talking that way maybe give a little bit more context
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and like be content for the people that enjoy the catch-ups
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and the discussions on the talking and kind of like intersperse those between videos
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that take a lot more time and effort and like include capturing the process of something else.
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So that's what I'm doing.
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And the next video, at least I think the next video
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that I'll be posting is turning my dining room into an art studio.
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And this is big, okay?
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Because if you've been watching, you probably have heard me talk about how my art studio,
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which is a bedroom in our house is just really dark.
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And I've tried so many different things to get around that
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and to work with it and to bring things out onto the patio
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or get my work to fit in like a specific window where the light is okay
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or get a better artificial lighting situation that doesn't depress me and make me not want to paint.
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And some of those things I've tried have worked more or less.
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But I kind of came to this realization recently
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when I was in my dining room painting because I so often just bring all my supplies into there.
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It's the best light in the house and there's a big table.
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And so yeah, I find myself spending a lot of time carting supplies in
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and out of that room and painting in there.
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And I thought, why not just turn this into my art studio
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and bring all my supplies in here to live permanently so
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that I'm not wasting all this potential painting time moving things back and forth.
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And the things that I'll need to displace can go in that bedroom.
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We can use the bedroom for something else.
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We could use it for storage.
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So many possibilities that that opens up.
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And I really do think that I can keep the dining room like a functional dining room and also an art studio.
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As soon as I told Ethan, he was like, yeah, absolutely do that.
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That makes so much sense.
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So I got the green light, we're doing it, and I've been working on it already.
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It's quite the transition though, and it will take some time.
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And then another exciting transition that I'm making this year is I'm shifting my hours at work.
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So this was a similar kind of light bulb moment that I had where, so what I do is I wake up, I go for a run or, you know, take a shower,
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whatever I'm doing that morning in my morning routine.
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And I have my quiet time and my mornings are really sacred for me.
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Like I love the morning.
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I love having an extended period to just be in the silence, to be by myself, to write,
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to read, to pray, to do all the good things.
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Exercise too.
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I'm like not an afternoon or evening exercise person.
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Absolutely not.
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I need the morning energy.
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Okay, so that's my morning.
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And then I always just speed off to work.
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And so it also puts this kind of weird pressure on.
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I sometimes feel I have to rush my sacred morning time because for whatever reason, I've gotten a later start and I feel I have to speed off to work
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when I would like to take more time.
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And then sometimes it's like the inverse and my work suffers
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because I get there later because I was so insistent that I wanted that morning time.
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And then also another observation that I've made is that my energy right after that life-giving morning time is so good.
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Like I have just like a vibrance and an enthusiasm naturally at that time of day.
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And then I go to work and I paint.
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So I paint for work.
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So that's wonderful.
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And I love it, but it's not the type of paintings that I'm doing for myself.
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And it's not like my work, if that makes sense.
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So there's work and then there's my work.
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And when I go to work, I'm using those vital hours where I'm the most energetic
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and I'm the most inspired and like refreshed
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and I'm using them on something that doesn't necessarily need
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that part of me because that type of painting is a lot more routine.
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I paint the same thing a lot over and over or
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when I paint landscapes there it is very much like I'm told what to paint
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so I get to decide how I interpret that landscape
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but I am painting what the customer and so I don't really need inspiration in the same way.
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So I just realized I was like misallocating my resources.
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I was trying to paint in a dark room when I had a perfectly good bright room.
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And I was trying to, well, I guess I didn't finish that story.
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So when I'd get home from work, that energy would be gone, right now it's late afternoon getting into evening
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and I have no longer have that inspiration that vitality
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that creativity where I'm like wanting to work on my own paintings
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so that's been a huge struggle for me for a long time
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so anyway yes I was using a dark room
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when I had a light room I was using these hours where I'm more sluggish
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and not inspired for my own art where I kind of need more of that energy and excitement.
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So it's not that I don't have what I need.
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It's just that it's all jumbled up, you know, it's misallocated.
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And I thought of a good parallel or metaphor or analogy.
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I don't know.
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We were playing this game that my mom got for Christmas.
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It's called Uzzle, I think, like puzzle without the P.
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And basically, it's kind of like a survivor puzzle where you see, everyone sees at the same time what the puzzle is meant to look like,
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and we all are working with the same blocks that have symbols on each side.
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And you have to try to make yours look like the picture, and whoever gets it fastest wins.
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So as you're working on it, there are multiple ways where you can get it almost right,
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but I'm pretty sure in every case there's only one way where you can fully get it right.
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So you would have part of the puzzle built and you kind of grow attached to that part,
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that those pieces, that those symbols were all correct.
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And you feel this resistance to having to dismantle it even after you realize in order to win
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and actually solve the puzzle fully, I'm going to need to dismantle what I've already built.
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Because even though it's right for part of the puzzle,
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actually having those pieces where they are is preventing me from solving the puzzle for every single piece.
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So really what I have is just a half-built puzzle.
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And as I was thinking about that aspect of the game.
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I kind of thought that that's what life is like, especially in these instances where we're trying to like, put our lives together like a puzzle,
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put the hours of our day together like a puzzle.
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And sometimes I feel like I can't move it around because part of it works so well.
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Like there are aspects of me going to work first thing in the morning or,
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you know, after my morning routine that work well and that just makes sense.
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And so I think that's why I've never really thought to change it
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because even though it completely screwed the rest of my day, essentially,
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it felt like an immovable piece like well I gotta somehow
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figure out the rest of the puzzle without moving this
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because it's necessary when all along
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if I just flipped it maybe I could build it a different way
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so I hope that illustration was like shining more light on this idea rather than obscuring it. But yeah.
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So I share this story
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because I think I'm going to make a whole video about turning my dining room into an art studio.
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And I want you guys to have the story behind that and to know why I'm making that decision.
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And to possibly ask yourself, is there something you could shift in your own life?
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Is there something you could shift about your workspace or your schedule
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that you've kind of been blind to that you haven't considered
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that might make it easier or more exciting
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or even just add like a freshness like a fresh start feeling
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that I think really benefits our artwork because it makes us feel excited again
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and inspired and yeah so I just thought I'd share
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that um let me know if you like this format I'm just like a short chat
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and maybe I'll do more of them
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because I know I threw around the idea of doing a podcast
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and this is kind of like that
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so I don't know another thing I'm embracing is just trying things out instead of coming up with an idea
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and being married to that idea I'd like to feel comfortable just trying things
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and seeing what works and what doesn't and same goes for this dining room art studio video idea.
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Like there's a chance it won't work and that in my mind it's way better than it will be in real life, but I'll never know unless I try it.
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So that's my encouragement to you.
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Try something new this week and let me know what it is in the comments or maybe drop some ideas.
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I cannot wait to hear what you guys are up to and the changes that you're going to make.
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See you next time.
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Bye.
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Vocabolario e note di pronuncia per questa lezione
Questa lezione di conversazione di livello B2 si basa sul video “Is it time to dismantle the puzzle?”. Le parole che ritornano più spesso: puzzle, paint, painting. Questo video contiene 139 frasi e 1759 parole da ripetere con lo shadowing. Il parlato dura 10:52. Chi parla ha un ritmo naturale di circa 162 parole al minuto, vicino a una conversazione quotidiana. Il 84% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare.
Vocaboli chiave di questo video
Le 15 parole più avanzate del video, con pronuncia e significato:
| Parola | Pronuncia | Significato |
|---|---|---|
| puzzle sostantivo | /ˈpʌzəl/ | mistero, rompicapo |
| dine verbo | /daɪn/ | cenare |
| inspire verbo | /ɪnˈspaɪə(ɹ)/ | ispirare |
| dismantle verbo | /dɪsˈmæntəl/ | smontare |
| excite verbo | /ɪkˈsaɪt/ | stimolare, eccitare |
| displace verbo | /dɪsˈpleɪs/ | rimpiazzare, sostituire |
| freshness sostantivo | /ˈfɹɛʃnəs/ | freschezza |
| insistent aggettivo | /ɪnˈsɪstənt/ | insistente |
| jumble sostantivo | /ˈd͡ʒʌmbəl/ | accozzaglia, guazzabuglio |
| ponder verbo | /ˈpɑn.dəɹ/ | ponderare |
| refresh verbo | /ɹɪˈfɹɛʃ/ | rinfrescare |
| bulb sostantivo | /ˈbʌlb/ | bulbo |
| energetic aggettivo | /ˌɛn.əɹˈdʒɛt.ɪk/ | energico |
| analogy sostantivo | /əˈnæləd͡ʒi/ | analogia, somiglianza |
| realization sostantivo | /ˌɹɪə.laɪˈzeɪ.ʃən/ | presa di coscienza |
I phrasal verb che sentirai
| Parola | Pronuncia | Significato |
|---|---|---|
| come up with verbo | ideare, escogitare | |
| figure out verbo | scoprire, rendersi conto | |
| open up verbo | aprire | |
| wake up verbo | /ˌweɪk ˈʌp/ | svegliarsi |
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Present perfect continuous have/has been + -ing — un’azione iniziata prima e ancora in corso | have been getting · you've been watching · I've been working |
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | have heard · I've tried · I've gotten |
Pronuncia a cui fare attenzione
Chi parla usa 56 contrazioni e forme ridotte, come I'm, I've, don't. Pronunciale nella forma breve, così come le senti.
- I suoni “sh” e “zh”: freshness /ˈfɹɛʃnəs/, sluggish /ˈslʌɡɪʃ/, refresh /ɹɪˈfɹɛʃ/, realization /ˌɹɪə.laɪˈzeɪ.ʃən/, illustration /ˌɪləsˈtɹeɪ̯ʃən/
- Parole lunghe — attenzione all’accento: immovable /ɪˈmuːvəb(ə)l/, vitality /vaɪˈtælɪti/, energetic /ˌɛn.əɹˈdʒɛt.ɪk/, analogy /əˈnæləd͡ʒi/, realization /ˌɹɪə.laɪˈzeɪ.ʃən/
I suoni difficili per chi parla italiano:
- Consonante finale — senza aggiungere una vocale dopo: excite /ɪkˈsaɪt/, depress /dɪˈpɹɛs/, displace /dɪsˈpleɪs/, freshness /ˈfɹɛʃnəs/, insistent /ɪnˈsɪstənt/
- /æ/ — più aperta della “e”: dismantle /dɪsˈmæntəl/, vitality /vaɪˈtælɪti/, analogy /əˈnæləd͡ʒi/, attach /əˈtæt͡ʃ/, enthusiasm /ɪnˈθuziæzəm/
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
- Registrati e confronta con l’originale, facendo attenzione a parole come puzzle, dine, inspire.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.