Shadowing-Übung: Is it time to dismantle the puzzle? - Englisch Sprechen Lernen mit Video

Hello.

I'm trying something new and I'm gonna get my son right out of my face.

My face out of the sun.

My son out of the face.

I thought we could have a little chat here in front of my lemon tree because,

I don't know, I was pondering and thinking about how I want to do videos right now in this season.

And I feel that my videos have been getting a bit lengthy

because there's always so much I want to include in them.

and I thought it could be an interesting idea to post like shorter videos every now

and then of just talking that way maybe give a little bit more context

and like be content for the people that enjoy the catch-ups

and the discussions on the talking and kind of like intersperse those between videos

that take a lot more time and effort and like include capturing the process of something else.

So that's what I'm doing.

And the next video, at least I think the next video

that I'll be posting is turning my dining room into an art studio.

And this is big, okay?

Because if you've been watching, you probably have heard me talk about how my art studio,

which is a bedroom in our house is just really dark.

And I've tried so many different things to get around that

and to work with it and to bring things out onto the patio

or get my work to fit in like a specific window where the light is okay

or get a better artificial lighting situation that doesn't depress me and make me not want to paint.

And some of those things I've tried have worked more or less.

But I kind of came to this realization recently

when I was in my dining room painting because I so often just bring all my supplies into there.

It's the best light in the house and there's a big table.

And so yeah, I find myself spending a lot of time carting supplies in

and out of that room and painting in there.

And I thought, why not just turn this into my art studio

and bring all my supplies in here to live permanently so

that I'm not wasting all this potential painting time moving things back and forth.

And the things that I'll need to displace can go in that bedroom.

We can use the bedroom for something else.

We could use it for storage.

So many possibilities that that opens up.

And I really do think that I can keep the dining room like a functional dining room and also an art studio.

As soon as I told Ethan, he was like, yeah, absolutely do that.

That makes so much sense.

So I got the green light, we're doing it, and I've been working on it already.

It's quite the transition though, and it will take some time.

And then another exciting transition that I'm making this year is I'm shifting my hours at work.

So this was a similar kind of light bulb moment that I had where, so what I do is I wake up, I go for a run or, you know, take a shower,

whatever I'm doing that morning in my morning routine.

And I have my quiet time and my mornings are really sacred for me.

Like I love the morning.

I love having an extended period to just be in the silence, to be by myself, to write,

to read, to pray, to do all the good things.

Exercise too.

I'm like not an afternoon or evening exercise person.

Absolutely not.

I need the morning energy.

Okay, so that's my morning.

And then I always just speed off to work.

And so it also puts this kind of weird pressure on.

I sometimes feel I have to rush my sacred morning time because for whatever reason, I've gotten a later start and I feel I have to speed off to work

when I would like to take more time.

And then sometimes it's like the inverse and my work suffers

because I get there later because I was so insistent that I wanted that morning time.

And then also another observation that I've made is that my energy right after that life-giving morning time is so good.

Like I have just like a vibrance and an enthusiasm naturally at that time of day.

And then I go to work and I paint.

So I paint for work.

So that's wonderful.

And I love it, but it's not the type of paintings that I'm doing for myself.

And it's not like my work, if that makes sense.

So there's work and then there's my work.

And when I go to work, I'm using those vital hours where I'm the most energetic

and I'm the most inspired and like refreshed

and I'm using them on something that doesn't necessarily need

that part of me because that type of painting is a lot more routine.

I paint the same thing a lot over and over or

when I paint landscapes there it is very much like I'm told what to paint

so I get to decide how I interpret that landscape

but I am painting what the customer and so I don't really need inspiration in the same way.

So I just realized I was like misallocating my resources.

I was trying to paint in a dark room when I had a perfectly good bright room.

And I was trying to, well, I guess I didn't finish that story.

So when I'd get home from work, that energy would be gone, right now it's late afternoon getting into evening

and I have no longer have that inspiration that vitality

that creativity where I'm like wanting to work on my own paintings

so that's been a huge struggle for me for a long time

so anyway yes I was using a dark room

when I had a light room I was using these hours where I'm more sluggish

and not inspired for my own art where I kind of need more of that energy and excitement.

So it's not that I don't have what I need.

It's just that it's all jumbled up, you know, it's misallocated.

And I thought of a good parallel or metaphor or analogy.

I don't know.

We were playing this game that my mom got for Christmas.

It's called Uzzle, I think, like puzzle without the P.

And basically, it's kind of like a survivor puzzle where you see, everyone sees at the same time what the puzzle is meant to look like,

and we all are working with the same blocks that have symbols on each side.

And you have to try to make yours look like the picture, and whoever gets it fastest wins.

So as you're working on it, there are multiple ways where you can get it almost right,

but I'm pretty sure in every case there's only one way where you can fully get it right.

So you would have part of the puzzle built and you kind of grow attached to that part,

that those pieces, that those symbols were all correct.

And you feel this resistance to having to dismantle it even after you realize in order to win

100

and actually solve the puzzle fully, I'm going to need to dismantle what I've already built.

101

Because even though it's right for part of the puzzle,

102

actually having those pieces where they are is preventing me from solving the puzzle for every single piece.

103

So really what I have is just a half-built puzzle.

104

And as I was thinking about that aspect of the game.

105

I kind of thought that that's what life is like, especially in these instances where we're trying to like, put our lives together like a puzzle,

106

put the hours of our day together like a puzzle.

107

And sometimes I feel like I can't move it around because part of it works so well.

108

Like there are aspects of me going to work first thing in the morning or,

109

you know, after my morning routine that work well and that just makes sense.

110

And so I think that's why I've never really thought to change it

111

because even though it completely screwed the rest of my day, essentially,

112

it felt like an immovable piece like well I gotta somehow

113

figure out the rest of the puzzle without moving this

114

because it's necessary when all along

115

if I just flipped it maybe I could build it a different way

116

so I hope that illustration was like shining more light on this idea rather than obscuring it. But yeah.

117

So I share this story

118

because I think I'm going to make a whole video about turning my dining room into an art studio.

119

And I want you guys to have the story behind that and to know why I'm making that decision.

120

And to possibly ask yourself, is there something you could shift in your own life?

121

Is there something you could shift about your workspace or your schedule

122

that you've kind of been blind to that you haven't considered

123

that might make it easier or more exciting

124

or even just add like a freshness like a fresh start feeling

125

that I think really benefits our artwork because it makes us feel excited again

126

and inspired and yeah so I just thought I'd share

127

that um let me know if you like this format I'm just like a short chat

128

and maybe I'll do more of them

129

because I know I threw around the idea of doing a podcast

130

and this is kind of like that

131

so I don't know another thing I'm embracing is just trying things out instead of coming up with an idea

132

and being married to that idea I'd like to feel comfortable just trying things

133

and seeing what works and what doesn't and same goes for this dining room art studio video idea.

134

Like there's a chance it won't work and that in my mind it's way better than it will be in real life, but I'll never know unless I try it.

135

So that's my encouragement to you.

136

Try something new this week and let me know what it is in the comments or maybe drop some ideas.

137

I cannot wait to hear what you guys are up to and the changes that you're going to make.

138

See you next time.

139

Bye.

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Wortschatz und Sprechhinweise zu dieser Lektion

Diese Sprechübung auf Niveau B2 basiert auf dem Video „Is it time to dismantle the puzzle?“. Diese Wörter kommen am häufigsten vor: puzzle, paint, painting. Dieses Video enthält 139 Sätze und 1759 Wörter zum Nachsprechen. Der gesprochene Teil dauert 10:52. Der Sprecher spricht in natürlichem Tempo, etwa 162 Wörter pro Minute, ähnlich wie im Alltagsgespräch. 84 % der Wörter gehören zu den 3.000 häufigsten im Englischen; den Rest solltest du dir vor dem Üben ansehen.

Wichtiger Wortschatz in diesem Video

Die 15 anspruchsvollsten Wörter aus dem Video, mit Aussprache und Bedeutung:

Wort	Aussprache	Bedeutung
puzzle Substantiv	/ˈpʌzəl/	Rätsel
dine Verb	/daɪn/	speisen
inspire Verb	/ɪnˈspaɪə(ɹ)/	inspirieren
dismantle Verb	/dɪsˈmæntəl/	abbauen
excite Verb	/ɪkˈsaɪt/	erregen
depress Verb	/dɪˈpɹɛs/	deprimieren
displace Verb	/dɪsˈpleɪs/	umsiedeln, vertreiben
freshness Substantiv	/ˈfɹɛʃnəs/	Frische
immovable Adjektiv	/ɪˈmuːvəb(ə)l/	unbeweglich
intersperse Verb	/ˌɪntəˈspɜːs/	abwechseln, mischen
inverse Adjektiv	/ɪnˈvɝs/	entgegengesetzt
jumble Substantiv	/ˈd͡ʒʌmbəl/	Durcheinander, Mischmasch
ponder Verb	/ˈpɑn.dəɹ/	grübeln
sluggish Adjektiv	/ˈslʌɡɪʃ/	faul, schwach
vitality Substantiv	/vaɪˈtælɪti/	Vitalität, Lebenskraft

Phrasal Verbs, die du hören wirst

Wort	Aussprache	Bedeutung
come up with Verb		ausdenken
figure out Verb		herausfinden
open up Verb		öffnen
wake up Verb	/ˌweɪk ˈʌp/	aufwachen, erwachen

Grammatik in diesem Video

Die Strukturen, die der Sprecher am häufigsten verwendet, mit den genauen Worten aus dem Video:

Struktur	Im Video
Present Perfect Continuous have/has been + -ing – eine Handlung, die früher begann und noch andauert	have been getting · you've been watching · I've been working
Present Perfect have/has + Partizip Perfekt – eine vergangene Handlung, die jetzt noch wichtig ist	have heard · I've tried · I've gotten
Passiv be + Partizip Perfekt – wichtig ist, was geschieht, nicht wer es tut	are really sacred · is meant

Aussprache, auf die du achten solltest

Der Sprecher verwendet 56 Kurzformen und abgeschwächte Formen, zum Beispiel I'm, I've, don't. Sprich sie in der kurzen Form, so wie du sie hörst.

Die Laute „sh“ und „zh“: freshness /ˈfɹɛʃnəs/, sluggish /ˈslʌɡɪʃ/, refresh /ɹɪˈfɹɛʃ/, realization /ˌɹɪə.laɪˈzeɪ.ʃən/, illustration /ˌɪləsˈtɹeɪ̯ʃən/
Lange Wörter – auf die Betonung achten: immovable /ɪˈmuːvəb(ə)l/, vitality /vaɪˈtælɪti/, energetic /ˌɛn.əɹˈdʒɛt.ɪk/, analogy /əˈnæləd͡ʒi/, realization /ˌɹɪə.laɪˈzeɪ.ʃən/

Laute, die Deutschsprachigen schwerfallen:

/w/ — mit runden Lippen, nicht wie das deutsche „w“ (/v/): workspace /ˈwɝkˌspeɪs/, artwork /ˈɑɹtˌwɝk/
/æ/ — offener als „ä“: dismantle /dɪsˈmæntəl/, vitality /vaɪˈtælɪti/, analogy /əˈnæləd͡ʒi/, attach /əˈtæt͡ʃ/, enthusiasm /ɪnˈθuziæzəm/
/dʒ/ — stimmhaft, nicht „tsch“: jumble /ˈd͡ʒʌmbəl/, energetic /ˌɛn.əɹˈdʒɛt.ɪk/, analogy /əˈnæləd͡ʒi/, encouragement [ɪnˈkʌɹɪd͡ʒmənt]

So übst du mit diesem Video

Höre dir das ganze Video einmal an, ohne zu sprechen, und notiere die Wörter, die du nicht kennst.
Beginne mit 0,75-facher Geschwindigkeit, sprich Satz für Satz nach und wechsle zur normalen Geschwindigkeit, sobald es leichtfällt.
Nimm dich auf und vergleiche mit dem Original; achte dabei auf Wörter wie puzzle, dine, inspire.

Was ist die Shadowing-Technik?

Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.

Shadowing-Technik: die vollständige Schritt-für-Schritt-Anleitung lesen →

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