Pratique du Shadowing: Is it time to dismantle the puzzle? - Apprendre l'anglais à l'oral avec la vidéo

Hello.

I'm trying something new and I'm gonna get my son right out of my face.

My face out of the sun.

My son out of the face.

I thought we could have a little chat here in front of my lemon tree because,

I don't know, I was pondering and thinking about how I want to do videos right now in this season.

And I feel that my videos have been getting a bit lengthy

because there's always so much I want to include in them.

and I thought it could be an interesting idea to post like shorter videos every now

and then of just talking that way maybe give a little bit more context

and like be content for the people that enjoy the catch-ups

and the discussions on the talking and kind of like intersperse those between videos

that take a lot more time and effort and like include capturing the process of something else.

So that's what I'm doing.

And the next video, at least I think the next video

that I'll be posting is turning my dining room into an art studio.

And this is big, okay?

Because if you've been watching, you probably have heard me talk about how my art studio,

which is a bedroom in our house is just really dark.

And I've tried so many different things to get around that

and to work with it and to bring things out onto the patio

or get my work to fit in like a specific window where the light is okay

or get a better artificial lighting situation that doesn't depress me and make me not want to paint.

And some of those things I've tried have worked more or less.

But I kind of came to this realization recently

when I was in my dining room painting because I so often just bring all my supplies into there.

It's the best light in the house and there's a big table.

And so yeah, I find myself spending a lot of time carting supplies in

and out of that room and painting in there.

And I thought, why not just turn this into my art studio

and bring all my supplies in here to live permanently so

that I'm not wasting all this potential painting time moving things back and forth.

And the things that I'll need to displace can go in that bedroom.

We can use the bedroom for something else.

We could use it for storage.

So many possibilities that that opens up.

And I really do think that I can keep the dining room like a functional dining room and also an art studio.

As soon as I told Ethan, he was like, yeah, absolutely do that.

That makes so much sense.

So I got the green light, we're doing it, and I've been working on it already.

It's quite the transition though, and it will take some time.

And then another exciting transition that I'm making this year is I'm shifting my hours at work.

So this was a similar kind of light bulb moment that I had where, so what I do is I wake up, I go for a run or, you know, take a shower,

whatever I'm doing that morning in my morning routine.

And I have my quiet time and my mornings are really sacred for me.

Like I love the morning.

I love having an extended period to just be in the silence, to be by myself, to write,

to read, to pray, to do all the good things.

Exercise too.

I'm like not an afternoon or evening exercise person.

Absolutely not.

I need the morning energy.

Okay, so that's my morning.

And then I always just speed off to work.

And so it also puts this kind of weird pressure on.

I sometimes feel I have to rush my sacred morning time because for whatever reason, I've gotten a later start and I feel I have to speed off to work

when I would like to take more time.

And then sometimes it's like the inverse and my work suffers

because I get there later because I was so insistent that I wanted that morning time.

And then also another observation that I've made is that my energy right after that life-giving morning time is so good.

Like I have just like a vibrance and an enthusiasm naturally at that time of day.

And then I go to work and I paint.

So I paint for work.

So that's wonderful.

And I love it, but it's not the type of paintings that I'm doing for myself.

And it's not like my work, if that makes sense.

So there's work and then there's my work.

And when I go to work, I'm using those vital hours where I'm the most energetic

and I'm the most inspired and like refreshed

and I'm using them on something that doesn't necessarily need

that part of me because that type of painting is a lot more routine.

I paint the same thing a lot over and over or

when I paint landscapes there it is very much like I'm told what to paint

so I get to decide how I interpret that landscape

but I am painting what the customer and so I don't really need inspiration in the same way.

So I just realized I was like misallocating my resources.

I was trying to paint in a dark room when I had a perfectly good bright room.

And I was trying to, well, I guess I didn't finish that story.

So when I'd get home from work, that energy would be gone, right now it's late afternoon getting into evening

and I have no longer have that inspiration that vitality

that creativity where I'm like wanting to work on my own paintings

so that's been a huge struggle for me for a long time

so anyway yes I was using a dark room

when I had a light room I was using these hours where I'm more sluggish

and not inspired for my own art where I kind of need more of that energy and excitement.

So it's not that I don't have what I need.

It's just that it's all jumbled up, you know, it's misallocated.

And I thought of a good parallel or metaphor or analogy.

I don't know.

We were playing this game that my mom got for Christmas.

It's called Uzzle, I think, like puzzle without the P.

And basically, it's kind of like a survivor puzzle where you see, everyone sees at the same time what the puzzle is meant to look like,

and we all are working with the same blocks that have symbols on each side.

And you have to try to make yours look like the picture, and whoever gets it fastest wins.

So as you're working on it, there are multiple ways where you can get it almost right,

but I'm pretty sure in every case there's only one way where you can fully get it right.

So you would have part of the puzzle built and you kind of grow attached to that part,

that those pieces, that those symbols were all correct.

And you feel this resistance to having to dismantle it even after you realize in order to win

100

and actually solve the puzzle fully, I'm going to need to dismantle what I've already built.

101

Because even though it's right for part of the puzzle,

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actually having those pieces where they are is preventing me from solving the puzzle for every single piece.

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So really what I have is just a half-built puzzle.

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And as I was thinking about that aspect of the game.

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I kind of thought that that's what life is like, especially in these instances where we're trying to like, put our lives together like a puzzle,

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put the hours of our day together like a puzzle.

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And sometimes I feel like I can't move it around because part of it works so well.

108

Like there are aspects of me going to work first thing in the morning or,

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you know, after my morning routine that work well and that just makes sense.

110

And so I think that's why I've never really thought to change it

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because even though it completely screwed the rest of my day, essentially,

112

it felt like an immovable piece like well I gotta somehow

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figure out the rest of the puzzle without moving this

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because it's necessary when all along

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if I just flipped it maybe I could build it a different way

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so I hope that illustration was like shining more light on this idea rather than obscuring it. But yeah.

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So I share this story

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because I think I'm going to make a whole video about turning my dining room into an art studio.

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And I want you guys to have the story behind that and to know why I'm making that decision.

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And to possibly ask yourself, is there something you could shift in your own life?

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Is there something you could shift about your workspace or your schedule

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that you've kind of been blind to that you haven't considered

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that might make it easier or more exciting

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or even just add like a freshness like a fresh start feeling

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that I think really benefits our artwork because it makes us feel excited again

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and inspired and yeah so I just thought I'd share

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that um let me know if you like this format I'm just like a short chat

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and maybe I'll do more of them

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because I know I threw around the idea of doing a podcast

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and this is kind of like that

131

so I don't know another thing I'm embracing is just trying things out instead of coming up with an idea

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and being married to that idea I'd like to feel comfortable just trying things

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and seeing what works and what doesn't and same goes for this dining room art studio video idea.

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Like there's a chance it won't work and that in my mind it's way better than it will be in real life, but I'll never know unless I try it.

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So that's my encouragement to you.

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Try something new this week and let me know what it is in the comments or maybe drop some ideas.

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I cannot wait to hear what you guys are up to and the changes that you're going to make.

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See you next time.

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Bye.

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Vocabulaire et conseils d’expression pour cette leçon

Cette leçon d’expression orale de niveau B2 s’appuie sur la vidéo « Is it time to dismantle the puzzle? ». Les mots qui reviennent le plus souvent : puzzle, paint, painting. Cette vidéo contient 139 phrases et 1759 mots à répéter en shadowing. La partie parlée dure 10:52. Le locuteur parle à un rythme naturel d’environ 162 mots par minute, proche d’une conversation courante. 84 % des mots font partie des 3 000 mots les plus courants en anglais ; le reste mérite d’être vu avant de commencer.

Vocabulaire clé de cette vidéo

Les 15 mots les plus avancés de la vidéo, avec leur prononciation et leur sens :

Mot	Prononciation	Sens
puzzle nom	/ˈpʌzəl/	énigme, mystère
dine verbe	/daɪn/	dîner
inspire verbe	/ɪnˈspaɪə(ɹ)/	inspirer
dismantle verbe	/dɪsˈmæntəl/	démonter, démanteler
excite verbe	/ɪkˈsaɪt/	exciter
depress verbe	/dɪˈpɹɛs/	appuyer
freshness nom	/ˈfɹɛʃnəs/	fraîcheur
intersperse verbe	/ˌɪntəˈspɜːs/	entremêler
inverse adjectif	/ɪnˈvɝs/	inversé
ponder verbe	/ˈpɑn.dəɹ/	songer, réfléchir
sluggish adjectif	/ˈslʌɡɪʃ/	poussif, faiblard
vitality nom	/vaɪˈtælɪti/	vitalité
workspace nom	/ˈwɝkˌspeɪs/	espace de travail
refresh verbe	/ɹɪˈfɹɛʃ/	revigorer, rafraîchir
bulb nom	/ˈbʌlb/	bulbe

Les verbes à particule que vous entendrez

Mot	Prononciation	Sens
come up with verbe		inventer, imaginer
figure out verbe		cerner
open up verbe		ouvrir
wake up verbe	/ˌweɪk ˈʌp/	se réveiller

La grammaire de cette vidéo

Les structures que le locuteur utilise le plus, avec les mots exacts de la vidéo :

Structure	Dans la vidéo
Present perfect continu have/has been + -ing — une action commencée avant et toujours en cours	have been getting · you've been watching · I've been working
Present perfect have/has + participe passé — une action passée qui compte encore maintenant	have heard · I've tried · I've gotten
Voix passive be + participe passé — l’accent est mis sur ce qui arrive, pas sur qui le fait	are really sacred · is meant

Prononciation à surveiller

Le locuteur utilise 56 contractions et formes réduites, comme I'm, I've, don't. Prononcez-les sous leur forme courte, telles que vous les entendez.

Les sons « sh » et « zh »: freshness /ˈfɹɛʃnəs/, sluggish /ˈslʌɡɪʃ/, refresh /ɹɪˈfɹɛʃ/, realization /ˌɹɪə.laɪˈzeɪ.ʃən/, illustration /ˌɪləsˈtɹeɪ̯ʃən/
Mots longs — placez bien l’accent: immovable /ɪˈmuːvəb(ə)l/, vitality /vaɪˈtælɪti/, energetic /ˌɛn.əɹˈdʒɛt.ɪk/, analogy /əˈnæləd͡ʒi/, realization /ˌɹɪə.laɪˈzeɪ.ʃən/

Les sons difficiles pour les francophones :

/tʃ/ et /dʒ/ — à ne pas adoucir en « ch » et « j »: jumble /ˈd͡ʒʌmbəl/, energetic /ˌɛn.əɹˈdʒɛt.ɪk/, analogy /əˈnæləd͡ʒi/, attach /əˈtæt͡ʃ/, encouragement [ɪnˈkʌɹɪd͡ʒmənt]
/r/ anglais — langue recourbée, sans frotter la gorge: inspire /ɪnˈspaɪə(ɹ)/, depress /dɪˈpɹɛs/, freshness /ˈfɹɛʃnəs/, ponder /ˈpɑn.dəɹ/, refresh /ɹɪˈfɹɛʃ/

Comment s’entraîner avec cette vidéo

Écoutez la vidéo en entier une fois sans parler et notez les mots que vous ne connaissez pas.
Commencez à la vitesse 0,75×, répétez phrase par phrase, puis revenez à la vitesse normale quand cela devient facile.
Enregistrez-vous et comparez avec l’original, en faisant attention à des mots comme puzzle, dine, inspire.

Qu'est-ce que la technique du Shadowing ?

Le Shadowing est une technique d'apprentissage des langues fondée sur la science, développée à l'origine pour la formation des interprètes professionnels. Le principe est simple mais puissant : vous écoutez de l'anglais natif et le répétez immédiatement à voix haute — comme une ombre suivant le locuteur avec un décalage de 1 à 2 secondes. Les recherches montrent une amélioration significative de la précision de la prononciation, de l'intonation, du rythme, des liaisons, de la compréhension orale et de la fluidité.

Technique du shadowing : lire le guide complet étape par étape →

Pratique du Shadowing: Is it time to dismantle the puzzle? - Apprendre l'anglais à l'oral avec la vidéo

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Vocabulaire et conseils d’expression pour cette leçon

Vocabulaire clé de cette vidéo

Les verbes à particule que vous entendrez

La grammaire de cette vidéo

Prononciation à surveiller

Comment s’entraîner avec cette vidéo

Qu'est-ce que la technique du Shadowing ?