跟读练习: Quentin Tarantino talks Piracy & the Hateful Eight - 通过视频学习英语口语

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153 句
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They call him the hangman.
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When the handbill says dead or alive, the rest of us just shoot you in the back, come up on top of a perch somewhere,
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and bring you in dead over a saddle.
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But when John Ruth the hangman catches you, you hang.
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I love the fact that you stayed in the audience at the premiere last night and watched it with the audience.
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Is that just because you're a puppet master and you like to see the characters move in front of you?
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Yeah, actually, I mean, that's one of the reasons, but the other reason, but there's a few other reasons,
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I mean, I make my movies to watch them with an audience, you know, and frankly, to tell you the truth,
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it's the, I mean, one of the things I like about cinema is it's forever, or how long forever is.
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From now on, the celluloid burns up.
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Yeah, yeah, exactly.
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Forever seems to be getting shorter and shorter as time goes on.
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But the thing about it though is,
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but as far as actually watching it with an audience that's just truly investing in it in a thing that night.
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I mean, even if you watch it in a revival house 20 years later, it can be fantastic.
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But it also is sort of already an artifact by that time.
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Now, nothing wrong with that either.
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But there is this, you know, everyone who saw it that night was seeing it for the first time.
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Yes, and it has a certain energy to it it has a certain energy to it
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and i almost feel
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that it's like um it's the missing sound element all right
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you know you make the movie then you you do the sound mix
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and you add the sound uh the sounds and the crushes
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and the booms and the this and the that
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and then you you add this uh the music and it's
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that but it's missing that
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that sound of the audience reacting to the movie whether it
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be the laughs with whether it be um the gaps whether
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that be the legitimate appreciative of laughs whether it be the horrified laughs
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I mean there was like a just as a moment
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there was just there was this lovely lovely moment where um
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when the character the Jennifer Jason Lee plays Domergue there's a letter in the movie written by Abraham Lincoln
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and she spits on the letter
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and there was a literal gasp it was yeah I think the Australians give a damn about the Lincoln letter
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so when you when you're editing the film
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when you're editing the film do you leave spaces kind of knowing
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that people are gonna have those reactions no I don't leave spaces for it
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but I'm always hearing yeah I'm always hearing you know
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I'm hearing the laughs as I write the movie I I'm hearing the last
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when I watch the scenes I'm hearing the last as I'm editing the scenes
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and so there is this aspect that this is
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when I finally get what's always been in my head
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and I see how right or how wrong I am of it
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but the other reason that I watched it is about the fact
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that every country is going to have a slightly different audience
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who's going to react to the movie in a slightly different way.
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And look, I'm not going to be here for three weeks so I can just watch it randomly in about,
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you know, four different cinemas and just make up my own mind about how the Aussies have taken the film.
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All right.
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Instead, I have that screening, you know, to watch and take away.
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Which audiences around the world, and you can be totally honest year which audiences in
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which country are the absolute best the most responsive well
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you know you know it would have to depend on the movie yeah
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it would actually depend you would have you'd have to yeah about
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which of all of your films
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which has got the absolute best reaction
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it's a two -part question yeah go two -part answer was watching Inglourious Basterds in in the the Berlin premiere
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and watching Inglourious Basterds in the Tel Aviv premiere yeah
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Those were absolutely positively the strongest reactions I've ever had to watching one of my movies with an audience.
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Makes total sense.
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Of all of your different films, which film for you personally has been the steepest learning curve?
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The movie you've learned the most lessons from?
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Very good question.
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I would say it would have to be the Kill Bill movies.
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I had never made a movie with that kind of a, on that big of a canvas before.
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I had never made a movie in another country before, i .e.
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China.
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Which I imagine is an incredibly easy and simple thing to do.
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Yeah, well, it wasn't that hard, actually, but it did require a different,
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a slightly different mindset, but that actually became quite wonderful when you did it.
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You just had to get there.
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Yeah.
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But also, you know, I'd never, I'd done little tiny action scenes, but I'd never done gigantic set piece action scenes that were meant,
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you know, the House of Blue Leaves fight was meant to be like the helicopter raid in Apocalypse Now.
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It was meant to be an end -all action sequence, and it took us about eight weeks to do it.
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One of the best times I've ever had in my life doing something like that.
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You know, but working in that kind of, that type of level of creativity and that type of level,
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I mean, if you don't like the movie, maybe it wasn't that creative, but that type of level and more
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or less being able to do what I want and to get it exactly the way I wanted was a real,
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real lovely thing.
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And there was a learning curve from that point on.
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I think up until that point in time, I held on to my amateurness a little bit more.
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Almost like a badge of honor, frankly.
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Like the indie film.
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Yeah, indie film.
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I was like, no, I don't want to join the Directors Guild because those are professionals.
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I'm holding on to my amateur quality.
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Holding on to my vaguely new wave cred.
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After I did
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Kill Bill, I said, I make blockbusters now.
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I'm a professional filmmaker.
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You've put so much effort into the look and the feel of the film, and watching it in 70mm last night was amazing.
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The colours are so rich, the blacks are so black, and yet the film was leaked online.
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And I wonder for you, personally, if you could say anything to the person, imagine they're sitting in front of you right now,
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the person who uploaded that film, what would you say to them?
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I appreciate you trying to give me that opportunity, but I kind of almost don't want to deal with it.
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I mean, you know, it's like, I've tried to put it out of my mind.
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Yeah, I appreciate that. That happened.
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Oddly enough, if it had happened to any one of my other movies, I would have been more devastated.
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Why is that?
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This movie was about the movie.
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It's not really about it even being a success, and that's not me being an irresponsible jerk.
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I want the film to do as well as I possibly can, but at the end of the day,
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I think it will, the course of its lifetime do very well, all right?
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But this was about kind of the movie.
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You know, like in the case of Inglourious Basterds, it was very, very important that we had a really great opening weekend.
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In the case of Django, it was really important that we had a really great opening weekend.
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This wasn't so important.
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This was about the movie.
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You have certain actors that you return to over time.
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Obviously Samuel L.
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Jackson is one of those.
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How quickly can you tell that they're about to join the Tarantino posse?
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Do you know it from the moment you meet them, or do you have to see them on screen first?
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It's not so much singing them on the screen it's more about
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and it's really and it's really not even about even auditions
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or anything like that somebody can do a really good audition in the room
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and whatever and yeah and they could be really interesting
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and fun to work with ie going through rehearsal but
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when you're actually doing the movie with them you know how secure are they with my dialogue?
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Do they turn it into the poetry slash music slash stand -up comedy slash rap that it's supposed to be?
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Are they able to do that?
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Are they unable to do that?
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Do the words stick in their throat?
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Do they have a hard time?
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Are they lazy about learning their lines?
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Do they get the sense of humor going on do they
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get the do they get the jokes even though they're not quoted as jokes do they get all the
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and that's only a thing
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that you can really learn by by doing it with the people yeah
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when you hear it right does it is there a little tingle
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that goes up the back of your neck oh it's it's the greatest feeling in the world frankly to me
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and luckily I have you know I cast
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I cast the right people usually it's like I have those feelings many times a day all right
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and that's one of the things that makes it so joyous.
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Just lastly before I leave you, when can you tell that a movie is done and you are happy with it?
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Oh that's really interesting.
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I don't know about other directors.
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I actually think this is probably a problem that other directors have.
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I know it's a problem I have.
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In editing you usually think the movie's done
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before it's done yeah right you kind of you kind of want it to be over I mean just
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so far as like okay I did what I wanted to do boom
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and now you're moving on to the next process
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which is sound mixing by that point in time
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but usually you're pushing it a little bit you know you're not quite done yet there is there is one
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or two more passes literally to be done here you just want to be done
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But it's not done.
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Quentin Tarantino, The Hateful Eight is done and it's very good.
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Thank you so much for your time.
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What a lovely interview.
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Thank you so much.
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The pleasure was entirely wonderful.

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推荐视频

本课的词汇与口语要点

这节口语课以视频“Quentin Tarantino talks Piracy & the Hateful Eight”为素材。 视频中反复出现的词有:movie, film, audience。 这段视频共有 153 个句子、1809 个单词可供跟读。 讲话部分时长为 9:39。 说话人语速较快,每分钟约 187 个词,会出现较多连读和弱读。 85% 的单词属于英语最常用的 3,000 词,其余的词建议在练习前先学一下。

视频中的重点词汇

视频中 15 个值得学习的单词,附发音和释义:

单词发音释义
edit 动词/ˈɛdɪt/編輯 /编辑
premiere 名词/pɹəˈmɪɚ/首演, 初次的演出
litter 名词/ˈlɪt.ɚ/垫料
depend 动词/dɪˈpɛnd/信任, 信賴 /信赖
cinema 名词/ˈsɪn.ə.mə/電影院 /电影院, 影院
curve 名词/kɚv/彎子 /弯子
audition 名词/ɑˈdɪʃən/試演 /试演
gap 名词/ɡæp/間隙 /间隙
lesson 名词/ˈlɛs.ən/課業 /课业, -課 /-课
element 名词/ˈɛləmənt/要素
aspect 名词/ˈæspɛkt/方面
poetry 名词/ˈpoʊ.ə.tɹi/詩歌 /诗歌, 詩 /诗
lifetime 名词/ˈlaɪf.taɪm/一生, 一輩子 /一辈子
sequence 名词/ˈsiː.kwəns/序列, 順序 /顺序
invest 动词/ɪnˈvɛst/耗費 /耗费, 投資 /投资

视频中出现的短语动词

单词发音释义
go through 动词通過 /通过
go up 动词上昇 /上升, 上去
make up 动词/ˌmeɪk ˈʌp/組成 /组成
stand up 动词站起來 /站起来, 起來 /起来

值得反复跟读的句子

视频中简短而完整的句子,可以直接用在日常对话里:

  • The movie you've learned the most lessons from?
  • I'm holding on to my amateur quality.
  • I don't know about other directors.
  • I know it's a problem I have.

视频中的语法

说话人最常用的结构,并附上视频中的原话:

结构视频中的用法
现在完成时 have/has + 过去分词 — 过去发生但与现在仍有关联的事what's always been · have taken · I've ever had
被动语态 be + 过去分词 — 强调发生了什么,而不是谁做的were meant · was meant · was leaked
定语从句 who / which + 从句 — 补充说明人或事物everyone who saw · person who uploaded

需要注意的发音

说话人用了 37 次缩略和弱读形式,例如 I'm, you're, don't。请按听到的简短形式来说。

  • “sh” 和 “zh” 音: audition /ɑˈdɪʃən/, crush /kɹʌʃ/, appreciative /əˈpɹi.ʃətɪv/
  • 长单词——注意重音位置: incredibly /ɪŋˈkɹɛdɪbli/, legitimate /lɪˈd͡ʒɪt.ɪ.mət/, helicopter /ˈheliːˌkɔptə(ɹ)/, creativity /kri.eɪˈtɪv.ᵻ.ti/, positively /ˈpɑ.zɪ.tɪv.li/

中文母语者容易读错的音:

  • /v/ — 不要读成 /w/,上齿轻触下唇: curve /kɚv/, invest /ɪnˈvɛst/, creativity /kri.eɪˈtɪv.ᵻ.ti/, canvas /ˈkæn.vəs/, revival /ɹɪˈvaɪ̯vəl/
  • 词尾辅音 — 要读清楚,后面不要加元音: edit /ˈɛdɪt/, depend /dɪˈpɛnd/, react /ɹiːˈækt/, curve /kɚv/, gap /ɡæp/
  • /r/ 和 /l/ 的区别: frankly /fɹæŋkli/, incredibly /ɪŋˈkɹɛdɪbli/, helicopter /ˈheliːˌkɔptə(ɹ)/, randomly /ˈɹændm̩li/, revival /ɹɪˈvaɪ̯vəl/

如何用这段视频练习

  1. 先完整听一遍视频,不要开口,记下不认识的单词。
  2. 先用 0.75 倍速逐句跟读,熟练之后再回到正常速度。
  3. 录下自己的声音并与原声对比,特别注意 edit, premiere, litter 这类单词。

什么是跟读法?

跟读法 (Shadowing) 是一种有科学依据的语言学习技巧,最初开发用于专业口译员的培训,并由多语言者Alexander Arguelles博士普及。这个方法简单而强大:您在听英语母语原声的同时立即大声重复——就像是一个延迟1-2秒紧跟说话者的影子。与被动听力或语法练习不同,跟读法强迫您的大脑和口腔肌肉同时处理并模仿真实的讲话模式。研究表明它能显着提高发音准确性,语调,节奏,连读,听力理解和口语流利度——使其成为雅思口语备考和真实英语交流最有效的方法之一。

影子跟读法: 阅读完整分步指南 →