Практика Shadowing: Quentin Tarantino talks Piracy & the Hateful Eight - Изучайте разговорный английский по видео

Выберите режим практики

Каждый режим открывает полноэкранную комнату практики.

153 предложений

Если предложения слишком короткие или длинные, нажмите Edit, чтобы их изменить.

They call him the hangman.

Его называют палачом.

When the handbill says dead or alive, the rest of us just shoot you in the back, come up on top of a perch somewhere,

Когда в объявлении написано «живым или мёртвым», остальные из нас просто стреляют тебе в спину, забравшись на какую-нибудь возвышенность.

and bring you in dead over a saddle.

и привезут тебя мёртвым, перекинутым через седло.

But when John Ruth the hangman catches you, you hang.

Но когда тебя поймает Джон Рут, палач, тебя ждёт виселица.

I love the fact that you stayed in the audience at the premiere last night and watched it with the audience.

Мне очень нравится, что ты остался в зале на премьере вчера вечером и смотрел фильм вместе со всеми.

Is that just because you're a puppet master and you like to see the characters move in front of you?

Yeah, actually, I mean, that's one of the reasons, but the other reason, but there's a few other reasons,

I mean, I make my movies to watch them with an audience, you know, and frankly, to tell you the truth,

it's the, I mean, one of the things I like about cinema is it's forever, or how long forever is.

From now on, the celluloid burns up.

Yeah, yeah, exactly.

Forever seems to be getting shorter and shorter as time goes on.

But the thing about it though is,

but as far as actually watching it with an audience that's just truly investing in it in a thing that night.

I mean, even if you watch it in a revival house 20 years later, it can be fantastic.

But it also is sort of already an artifact by that time.

Now, nothing wrong with that either.

But there is this, you know, everyone who saw it that night was seeing it for the first time.

Yes, and it has a certain energy to it it has a certain energy to it

and i almost feel

that it's like um it's the missing sound element all right

you know you make the movie then you you do the sound mix

and you add the sound uh the sounds and the crushes

and the booms and the this and the that

and then you you add this uh the music and it's

that but it's missing that

that sound of the audience reacting to the movie whether it

be the laughs with whether it be um the gaps whether

that be the legitimate appreciative of laughs whether it be the horrified laughs

I mean there was like a just as a moment

there was just there was this lovely lovely moment where um

when the character the Jennifer Jason Lee plays Domergue there's a letter in the movie written by Abraham Lincoln

and she spits on the letter

and there was a literal gasp it was yeah I think the Australians give a damn about the Lincoln letter

so when you when you're editing the film

when you're editing the film do you leave spaces kind of knowing

that people are gonna have those reactions no I don't leave spaces for it

but I'm always hearing yeah I'm always hearing you know

I'm hearing the laughs as I write the movie I I'm hearing the last

when I watch the scenes I'm hearing the last as I'm editing the scenes

and so there is this aspect that this is

when I finally get what's always been in my head

and I see how right or how wrong I am of it

but the other reason that I watched it is about the fact

that every country is going to have a slightly different audience

who's going to react to the movie in a slightly different way.

And look, I'm not going to be here for three weeks so I can just watch it randomly in about,

you know, four different cinemas and just make up my own mind about how the Aussies have taken the film.

All right.

Instead, I have that screening, you know, to watch and take away.

Which audiences around the world, and you can be totally honest year which audiences in

which country are the absolute best the most responsive well

you know you know it would have to depend on the movie yeah

it would actually depend you would have you'd have to yeah about

which of all of your films

which has got the absolute best reaction

it's a two -part question yeah go two -part answer was watching Inglourious Basterds in in the the Berlin premiere

and watching Inglourious Basterds in the Tel Aviv premiere yeah

Those were absolutely positively the strongest reactions I've ever had to watching one of my movies with an audience.

Makes total sense.

Of all of your different films, which film for you personally has been the steepest learning curve?

The movie you've learned the most lessons from?

Very good question.

I would say it would have to be the Kill Bill movies.

I had never made a movie with that kind of a, on that big of a canvas before.

I had never made a movie in another country before, i .e.

China.

Which I imagine is an incredibly easy and simple thing to do.

Yeah, well, it wasn't that hard, actually, but it did require a different,

a slightly different mindset, but that actually became quite wonderful when you did it.

You just had to get there.

Yeah.

But also, you know, I'd never, I'd done little tiny action scenes, but I'd never done gigantic set piece action scenes that were meant,

you know, the House of Blue Leaves fight was meant to be like the helicopter raid in Apocalypse Now.

It was meant to be an end -all action sequence, and it took us about eight weeks to do it.

One of the best times I've ever had in my life doing something like that.

You know, but working in that kind of, that type of level of creativity and that type of level,

I mean, if you don't like the movie, maybe it wasn't that creative, but that type of level and more

or less being able to do what I want and to get it exactly the way I wanted was a real,

real lovely thing.

And there was a learning curve from that point on.

I think up until that point in time, I held on to my amateurness a little bit more.

Almost like a badge of honor, frankly.

Like the indie film.

Yeah, indie film.

I was like, no, I don't want to join the Directors Guild because those are professionals.

I'm holding on to my amateur quality.

Holding on to my vaguely new wave cred.

After I did

Kill Bill, I said, I make blockbusters now.

I'm a professional filmmaker.

You've put so much effort into the look and the feel of the film, and watching it in 70mm last night was amazing.

The colours are so rich, the blacks are so black, and yet the film was leaked online.

And I wonder for you, personally, if you could say anything to the person, imagine they're sitting in front of you right now,

the person who uploaded that film, what would you say to them?

I appreciate you trying to give me that opportunity, but I kind of almost don't want to deal with it.

I mean, you know, it's like, I've tried to put it out of my mind.

Yeah, I appreciate that. That happened.

Oddly enough, if it had happened to any one of my other movies, I would have been more devastated.

100

Why is that?

101

This movie was about the movie.

102

It's not really about it even being a success, and that's not me being an irresponsible jerk.

103

I want the film to do as well as I possibly can, but at the end of the day,

104

I think it will, the course of its lifetime do very well, all right?

105

But this was about kind of the movie.

106

You know, like in the case of Inglourious Basterds, it was very, very important that we had a really great opening weekend.

107

In the case of Django, it was really important that we had a really great opening weekend.

108

This wasn't so important.

109

This was about the movie.

110

You have certain actors that you return to over time.

111

Obviously Samuel L.

112

Jackson is one of those.

113

How quickly can you tell that they're about to join the Tarantino posse?

114

Do you know it from the moment you meet them, or do you have to see them on screen first?

115

It's not so much singing them on the screen it's more about

116

and it's really and it's really not even about even auditions

117

or anything like that somebody can do a really good audition in the room

118

and whatever and yeah and they could be really interesting

119

and fun to work with ie going through rehearsal but

120

when you're actually doing the movie with them you know how secure are they with my dialogue?

121

Do they turn it into the poetry slash music slash stand -up comedy slash rap that it's supposed to be?

122

Are they able to do that?

123

Are they unable to do that?

124

Do the words stick in their throat?

125

Do they have a hard time?

126

Are they lazy about learning their lines?

127

Do they get the sense of humor going on do they

128

get the do they get the jokes even though they're not quoted as jokes do they get all the

129

and that's only a thing

130

that you can really learn by by doing it with the people yeah

131

when you hear it right does it is there a little tingle

132

that goes up the back of your neck oh it's it's the greatest feeling in the world frankly to me

133

and luckily I have you know I cast

134

I cast the right people usually it's like I have those feelings many times a day all right

135

and that's one of the things that makes it so joyous.

136

Just lastly before I leave you, when can you tell that a movie is done and you are happy with it?

137

Oh that's really interesting.

138

I don't know about other directors.

139

I actually think this is probably a problem that other directors have.

140

I know it's a problem I have.

141

In editing you usually think the movie's done

142

before it's done yeah right you kind of you kind of want it to be over I mean just

143

so far as like okay I did what I wanted to do boom

144

and now you're moving on to the next process

145

which is sound mixing by that point in time

146

but usually you're pushing it a little bit you know you're not quite done yet there is there is one

147

or two more passes literally to be done here you just want to be done

148

But it's not done.

149

Quentin Tarantino, The Hateful Eight is done and it's very good.

150

Thank you so much for your time.

151

What a lovely interview.

152

Thank you so much.

153

The pleasure was entirely wonderful.

Скачать приложение

Всё для свободной речи

ИИ-оценка произношенияОценка каждой фразы

Практика IPAОсвойте каждый звук

СловарьСоберите свой словарный запас

Игра со словамиУчитесь играя

Сканировать QR

Download on theApp Store Get it onGoogle Play

FOR YOU

Лексика и советы по произношению к этому уроку

Этот урок разговорной практики построен на видео «Quentin Tarantino talks Piracy & the Hateful Eight». Чаще всего повторяются слова: movie, film, audience. В этом видео 153 предложений и 1809 слов для шедоуинга. Речь длится 9:39. Говорящий говорит быстро, около 187 слов в минуту, поэтому звуки часто сливаются и сокращаются. 85% слов входят в 3000 самых частых слов английского языка; остальные стоит разобрать перед занятием.

Ключевая лексика этого видео

15 слов из видео, которые стоит выучить, с произношением и значением:

Слово	Произношение	Значение
edit глагол	/ˈɛdɪt/	редакти́ровать, изменя́ть
premiere существительное	/pɹəˈmɪɚ/	премье́ра
frankly наречие	/fɹæŋkli/	пря́мо, откры́то
litter существительное	/ˈlɪt.ɚ/	подсти́лка
boom глагол	/bum/	рокота́ть, грохота́ть
depend глагол	/dɪˈpɛnd/	зави́сеть
cinema существительное	/ˈsɪn.ə.mə/	кинотеа́тр, кино́
react глагол	/ɹiːˈækt/	реаги́ровать, отреаги́ровать
curve существительное	/kɚv/	изги́б, крива́я
audition существительное	/ɑˈdɪʃən/	прослу́шивание, про́ба
gap существительное	/ɡæp/	разры́в, проло́м
lesson существительное	/ˈlɛs.ən/	уро́к, ле́кция
element существительное	/ˈɛləmənt/	элеме́нт, звено́
aspect существительное	/ˈæspɛkt/	аспе́кт, вид
poetry существительное	/ˈpoʊ.ə.tɹi/	поэ́зия

Фразовые глаголы, которые вы услышите

Слово	Произношение	Значение
go up глагол		поднима́ться, подня́ться
make up глагол	/ˌmeɪk ˈʌp/	составля́ть, соста́вить
stand up глагол		встава́ть, встать
think up глагол		приду́мывать, приду́мать

Фразы, которые стоит повторять

Короткие законченные фразы из видео, которые пригодятся в повседневном разговоре:

The movie you've learned the most lessons from?
I'm holding on to my amateur quality.
I don't know about other directors.
I know it's a problem I have.

Грамматика в этом видео

Конструкции, которые говорящий использует чаще всего, с точными словами из видео:

Конструкция	В видео
Present Perfect have/has + причастие прошедшего времени — прошлое действие, важное сейчас	what's always been · have taken · I've ever had
Пассивный залог be + причастие прошедшего времени — важно, что происходит, а не кто это делает	were meant · was meant · was leaked
Придаточные определительные who / which + предложение — уточнение о человеке или предмете	everyone who saw · person who uploaded

Произношение, на которое стоит обратить внимание

Говорящий использует 37 сокращённых и редуцированных форм, например I'm, you're, don't. Произносите их коротко, так, как слышите.

Звуки «sh» и «zh»: audition /ɑˈdɪʃən/, crush /kɹʌʃ/, appreciative /əˈpɹi.ʃətɪv/
Длинные слова — следите за ударением: incredibly /ɪŋˈkɹɛdɪbli/, legitimate /lɪˈd͡ʒɪt.ɪ.mət/, helicopter /ˈheliːˌkɔptə(ɹ)/, creativity /kri.eɪˈtɪv.ᵻ.ti/, positively /ˈpɑ.zɪ.tɪv.li/

Звуки, трудные для русскоязычных:

/h/ — лёгкий выдох, а не русское «х»: helicopter /ˈheliːˌkɔptə(ɹ)/, humour /ˈhjuːmɚ/, rehearsal /ɹɪˈhɝsl̩/, hangman /ˈhæŋˌmæn/, horrify /ˈhɒɹɪfaɪ/
Звонкие согласные в конце слова — не оглушайте их: depend /dɪˈpɛnd/, curve /kɚv/, dialogue /ˈdaɪəˌlɑɡ/, raid /ɹeɪd/, badge /bæd͡ʒ/

Как заниматься с этим видео

Прослушайте всё видео один раз молча и выпишите незнакомые слова.
Начните со скорости 0,75×, повторяйте предложение за предложением и вернитесь к обычной скорости, когда станет легко.
Запишите себя и сравните с оригиналом, обращая внимание на такие слова, как edit, premiere, frankly.

Что такое техника Shadowing?

Shadowing — это научно обоснованная техника изучения языка, изначально разработанная для подготовки профессиональных переводчиков и популяризированная полиглотом доктором Александром Аргуэльесом. Метод прост, но эффективен: вы слушаете аудио на английском от носителей языка и немедленно повторяете вслух — как тень, следующая за говорящим с задержкой в 1–2 секунды. В отличие от пассивного прослушивания или грамматических упражнений, Shadowing заставляет мозг и мышцы рта одновременно обрабатывать и воспроизводить реальные речевые паттерны. Исследования показывают, что это значительно улучшает точность произношения, интонацию, ритм, связную речь, понимание на слух и беглость речи — что делает его одним из самых эффективных методов для подготовки к IELTS Speaking и реального общения на английском.

Техника шедоуинга: читать полное пошаговое руководство →

Практика Shadowing: Quentin Tarantino talks Piracy & the Hateful Eight - Изучайте разговорный английский по видео

Выберите режим практики

Скачать приложение

Рекомендуемое видео

Cillian Murphy talks OPPENHEIMER, PEAKY BLINDERS, BATMAN, 28 DAYS LATER I Happy Sad Confused

Desperado - Quentin Tarantino - Joke [HD]

Quentin Tarantino on Why He Thinks Movies Are Better Than TV Shows

Top 10 Most Epic Movie Scenes of All Time

Martin Scorsese Breaks Down His Most Iconic Films | GQ

Michael B. Jordan Best Actor Press Room Speech | 98th Oscars (2026)

“In My Mind, I Had the Perfect Album” Taylor Swift | The Life of a Showgirl

Showing Your Friend a Movie | Anwar Jibawi

Russell T Davies And The Cast Of Tip Toe React To Your Comments | Tip Toe | Channel 4

Six Feet Under - Chris Barnes Talks Horror Movies #2 - Metal Blade TV

The Best Johnny Depp Moments | David Letterman

Buster Keaton - The Art of the Gag