शैडोइंग अभ्यास: Quentin Tarantino talks Piracy & the Hateful Eight - वीडियो के साथ अंग्रेजी बोलना सीखें

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153 वाक्य

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They call him the hangman.

When the handbill says dead or alive, the rest of us just shoot you in the back, come up on top of a perch somewhere,

and bring you in dead over a saddle.

But when John Ruth the hangman catches you, you hang.

I love the fact that you stayed in the audience at the premiere last night and watched it with the audience.

Is that just because you're a puppet master and you like to see the characters move in front of you?

Yeah, actually, I mean, that's one of the reasons, but the other reason, but there's a few other reasons,

I mean, I make my movies to watch them with an audience, you know, and frankly, to tell you the truth,

it's the, I mean, one of the things I like about cinema is it's forever, or how long forever is.

From now on, the celluloid burns up.

Yeah, yeah, exactly.

Forever seems to be getting shorter and shorter as time goes on.

But the thing about it though is,

but as far as actually watching it with an audience that's just truly investing in it in a thing that night.

I mean, even if you watch it in a revival house 20 years later, it can be fantastic.

But it also is sort of already an artifact by that time.

Now, nothing wrong with that either.

But there is this, you know, everyone who saw it that night was seeing it for the first time.

Yes, and it has a certain energy to it it has a certain energy to it

and i almost feel

that it's like um it's the missing sound element all right

you know you make the movie then you you do the sound mix

and you add the sound uh the sounds and the crushes

and the booms and the this and the that

and then you you add this uh the music and it's

that but it's missing that

that sound of the audience reacting to the movie whether it

be the laughs with whether it be um the gaps whether

that be the legitimate appreciative of laughs whether it be the horrified laughs

I mean there was like a just as a moment

there was just there was this lovely lovely moment where um

when the character the Jennifer Jason Lee plays Domergue there's a letter in the movie written by Abraham Lincoln

and she spits on the letter

and there was a literal gasp it was yeah I think the Australians give a damn about the Lincoln letter

so when you when you're editing the film

when you're editing the film do you leave spaces kind of knowing

that people are gonna have those reactions no I don't leave spaces for it

but I'm always hearing yeah I'm always hearing you know

I'm hearing the laughs as I write the movie I I'm hearing the last

when I watch the scenes I'm hearing the last as I'm editing the scenes

and so there is this aspect that this is

when I finally get what's always been in my head

and I see how right or how wrong I am of it

but the other reason that I watched it is about the fact

that every country is going to have a slightly different audience

who's going to react to the movie in a slightly different way.

And look, I'm not going to be here for three weeks so I can just watch it randomly in about,

you know, four different cinemas and just make up my own mind about how the Aussies have taken the film.

All right.

Instead, I have that screening, you know, to watch and take away.

Which audiences around the world, and you can be totally honest year which audiences in

which country are the absolute best the most responsive well

you know you know it would have to depend on the movie yeah

it would actually depend you would have you'd have to yeah about

which of all of your films

which has got the absolute best reaction

it's a two -part question yeah go two -part answer was watching Inglourious Basterds in in the the Berlin premiere

and watching Inglourious Basterds in the Tel Aviv premiere yeah

Those were absolutely positively the strongest reactions I've ever had to watching one of my movies with an audience.

Makes total sense.

Of all of your different films, which film for you personally has been the steepest learning curve?

The movie you've learned the most lessons from?

Very good question.

I would say it would have to be the Kill Bill movies.

I had never made a movie with that kind of a, on that big of a canvas before.

I had never made a movie in another country before, i .e.

China.

Which I imagine is an incredibly easy and simple thing to do.

Yeah, well, it wasn't that hard, actually, but it did require a different,

a slightly different mindset, but that actually became quite wonderful when you did it.

You just had to get there.

Yeah.

But also, you know, I'd never, I'd done little tiny action scenes, but I'd never done gigantic set piece action scenes that were meant,

you know, the House of Blue Leaves fight was meant to be like the helicopter raid in Apocalypse Now.

It was meant to be an end -all action sequence, and it took us about eight weeks to do it.

One of the best times I've ever had in my life doing something like that.

You know, but working in that kind of, that type of level of creativity and that type of level,

I mean, if you don't like the movie, maybe it wasn't that creative, but that type of level and more

or less being able to do what I want and to get it exactly the way I wanted was a real,

real lovely thing.

And there was a learning curve from that point on.

I think up until that point in time, I held on to my amateurness a little bit more.

Almost like a badge of honor, frankly.

Like the indie film.

Yeah, indie film.

I was like, no, I don't want to join the Directors Guild because those are professionals.

I'm holding on to my amateur quality.

Holding on to my vaguely new wave cred.

After I did

Kill Bill, I said, I make blockbusters now.

I'm a professional filmmaker.

You've put so much effort into the look and the feel of the film, and watching it in 70mm last night was amazing.

The colours are so rich, the blacks are so black, and yet the film was leaked online.

And I wonder for you, personally, if you could say anything to the person, imagine they're sitting in front of you right now,

the person who uploaded that film, what would you say to them?

I appreciate you trying to give me that opportunity, but I kind of almost don't want to deal with it.

I mean, you know, it's like, I've tried to put it out of my mind.

Yeah, I appreciate that. That happened.

Oddly enough, if it had happened to any one of my other movies, I would have been more devastated.

100

Why is that?

101

This movie was about the movie.

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It's not really about it even being a success, and that's not me being an irresponsible jerk.

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I want the film to do as well as I possibly can, but at the end of the day,

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I think it will, the course of its lifetime do very well, all right?

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But this was about kind of the movie.

106

You know, like in the case of Inglourious Basterds, it was very, very important that we had a really great opening weekend.

107

In the case of Django, it was really important that we had a really great opening weekend.

108

This wasn't so important.

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This was about the movie.

110

You have certain actors that you return to over time.

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Obviously Samuel L.

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Jackson is one of those.

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How quickly can you tell that they're about to join the Tarantino posse?

114

Do you know it from the moment you meet them, or do you have to see them on screen first?

115

It's not so much singing them on the screen it's more about

116

and it's really and it's really not even about even auditions

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or anything like that somebody can do a really good audition in the room

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and whatever and yeah and they could be really interesting

119

and fun to work with ie going through rehearsal but

120

when you're actually doing the movie with them you know how secure are they with my dialogue?

121

Do they turn it into the poetry slash music slash stand -up comedy slash rap that it's supposed to be?

122

Are they able to do that?

123

Are they unable to do that?

124

Do the words stick in their throat?

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Do they have a hard time?

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Are they lazy about learning their lines?

127

Do they get the sense of humor going on do they

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get the do they get the jokes even though they're not quoted as jokes do they get all the

129

and that's only a thing

130

that you can really learn by by doing it with the people yeah

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when you hear it right does it is there a little tingle

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that goes up the back of your neck oh it's it's the greatest feeling in the world frankly to me

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and luckily I have you know I cast

134

I cast the right people usually it's like I have those feelings many times a day all right

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and that's one of the things that makes it so joyous.

136

Just lastly before I leave you, when can you tell that a movie is done and you are happy with it?

137

Oh that's really interesting.

138

I don't know about other directors.

139

I actually think this is probably a problem that other directors have.

140

I know it's a problem I have.

141

In editing you usually think the movie's done

142

before it's done yeah right you kind of you kind of want it to be over I mean just

143

so far as like okay I did what I wanted to do boom

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and now you're moving on to the next process

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which is sound mixing by that point in time

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but usually you're pushing it a little bit you know you're not quite done yet there is there is one

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or two more passes literally to be done here you just want to be done

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But it's not done.

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Quentin Tarantino, The Hateful Eight is done and it's very good.

150

Thank you so much for your time.

151

What a lovely interview.

152

Thank you so much.

153

The pleasure was entirely wonderful.

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इस पाठ की शब्दावली और बोलने के सुझाव

यह स्पीकिंग पाठ वीडियो “Quentin Tarantino talks Piracy & the Hateful Eight” पर आधारित है। सबसे ज़्यादा दोहराए गए शब्द ये हैं: movie, film, audience। इस वीडियो में शैडोइंग के लिए 153 वाक्य और 1809 शब्द हैं। बोला गया हिस्सा 9:39 लंबा है। वक्ता तेज़ बोलता है, लगभग 187 शब्द प्रति मिनट, इसलिए जुड़ी हुई और कमज़ोर ध्वनियाँ ज़्यादा मिलेंगी। 85% शब्द अंग्रेज़ी के 3,000 सबसे आम शब्दों में से हैं; बाकी शब्द अभ्यास से पहले देख लेना अच्छा रहेगा।

इस वीडियो की मुख्य शब्दावली

वीडियो के 15 सीखने लायक शब्द, उच्चारण और अर्थ के साथ:

शब्द	उच्चारण	अर्थ
edit क्रिया	/ˈɛdɪt/	संपादन करना
cinema संज्ञा	/ˈsɪn.ə.mə/	सिनेमा, सिनेमाघर
curve संज्ञा	/kɚv/	चक्कर, घुमाव
gap संज्ञा	/ɡæp/	अंतर
lesson संज्ञा	/ˈlɛs.ən/	पाठ, सबक़
element संज्ञा	/ˈɛləmənt/	तत्त्व
aspect संज्ञा	/ˈæspɛkt/	पक्ष
poetry संज्ञा	/ˈpoʊ.ə.tɹi/	काव्य, कविता
lifetime संज्ञा	/ˈlaɪf.taɪm/	ज़िंदगी, जिंदगी
throat संज्ञा	/ˈθɹoʊt/	गला
dialogue संज्ञा	/ˈdaɪəˌlɑɡ/	बातचीत, गुफ़्तगू
lazy विशेषण	/ˈleɪ̯zi(ː)/	आलसी, सुस्त
amateur संज्ञा	/ˈæ.mə.t͡ʃɚ/	शौक़िया, शौकिया
raid संज्ञा	/ɹeɪd/	हमला
helicopter संज्ञा	/ˈheliːˌkɔptə(ɹ)/	हेलिकॉप्टर

वीडियो में आने वाली फ़्रेज़ल वर्ब

शब्द	अर्थ
stand up क्रिया	उठना

दोहराने लायक वाक्य

वीडियो के छोटे, पूरे वाक्य जिन्हें आप रोज़ की बातचीत में इस्तेमाल कर सकते हैं:

The movie you've learned the most lessons from?
I'm holding on to my amateur quality.
I don't know about other directors.
I know it's a problem I have.

इस वीडियो का व्याकरण

वक्ता जिन संरचनाओं का सबसे अधिक प्रयोग करता है, वीडियो के असली शब्दों के साथ:

संरचना	वीडियो में
Present perfect have/has + past participle — बीता हुआ काम जिसका असर अभी भी है	what's always been · have taken · I've ever had
Passive voice be + past participle — ज़ोर इस पर कि क्या होता है, न कि कौन करता है	were meant · was meant · was leaked
Relative clauses who / which + उपवाक्य — व्यक्ति या वस्तु के बारे में अतिरिक्त जानकारी	everyone who saw · person who uploaded

ध्यान देने योग्य उच्चारण

वक्ता 37 बार संक्षिप्त रूपों का प्रयोग करता है, जैसे I'm, you're, don't। इन्हें वैसे ही छोटा बोलें जैसा आप सुनते हैं।

“sh” और “zh” की ध्वनियाँ: audition /ɑˈdɪʃən/, crush /kɹʌʃ/, appreciative /əˈpɹi.ʃətɪv/
लंबे शब्द — बलाघात सही रखें: incredibly /ɪŋˈkɹɛdɪbli/, legitimate /lɪˈd͡ʒɪt.ɪ.mət/, helicopter /ˈheliːˌkɔptə(ɹ)/, creativity /kri.eɪˈtɪv.ᵻ.ti/, positively /ˈpɑ.zɪ.tɪv.li/

हिंदी भाषियों के लिए मुश्किल ध्वनियाँ:

/v/ और /w/ का फ़र्क़ — /v/ में ऊपर के दाँत निचले होंठ को छूते हैं, /w/ में होंठ गोल होते हैं: curve /kɚv/, sequence /ˈsiː.kwəns/, invest /ɪnˈvɛst/, creativity /kri.eɪˈtɪv.ᵻ.ti/, canvas /ˈkæn.vəs/
/z/ — इसे “ज” (/dʒ/) न बनाएँ: lazy /ˈleɪ̯zi(ː)/, positively /ˈpɑ.zɪ.tɪv.li/
शब्द की शुरुआत में s + व्यंजन — पहले “इ” न जोड़ें: steep /stiːp/, spit /spɪt/

इस वीडियो से अभ्यास कैसे करें

पहले बिना बोले पूरा वीडियो एक बार सुनें और जो शब्द नहीं आते उन्हें लिख लें।
0.75× गति से शुरू करें, एक-एक वाक्य की शैडोइंग करें, और सहज लगने पर सामान्य गति पर लौटें।
अपनी आवाज़ रिकॉर्ड करें और मूल से तुलना करें, ख़ासकर edit, cinema, curve जैसे शब्दों पर ध्यान दें।

शैडोइंग तकनीक क्या है?

शैडोइंग (Shadowing) एक विज्ञान-समर्थित भाषा सीखने की तकनीक है जो मूल रूप से पेशेवर दुभाषिया प्रशिक्षण के लिए विकसित की गई थी। विधि सरल लेकिन शक्तिशाली है: आप मूल अंग्रेज़ी ऑडियो सुनते हैं और तुरंत इसे ज़ोर से दोहराते हैं — जैसे वक्ता की छाया 1-2 सेकंड की देरी से। शोध से पता चलता है कि यह उच्चारण सटीकता, स्वर, लय, जुड़ी हुई ध्वनियाँ, सुनने की समझ और बोलने की प्रवाहशीलता में काफ़ी सुधार करता है।

शैडोइंग तकनीक: पूरी चरण-दर-चरण गाइड पढ़ें →

शैडोइंग अभ्यास: Quentin Tarantino talks Piracy & the Hateful Eight - वीडियो के साथ अंग्रेजी बोलना सीखें

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इस पाठ की शब्दावली और बोलने के सुझाव

इस वीडियो की मुख्य शब्दावली

वीडियो में आने वाली फ़्रेज़ल वर्ब

दोहराने लायक वाक्य

इस वीडियो का व्याकरण

ध्यान देने योग्य उच्चारण

इस वीडियो से अभ्यास कैसे करें

शैडोइंग तकनीक क्या है?