Pratica di Shadowing: Quentin Tarantino talks Piracy & the Hateful Eight - Impara a parlare inglese con i video
Scegli una modalità di pratica
Ogni modalità apre una sala di pratica a schermo intero.
153 frasi
Se le frasi sono troppo corte o troppo lunghe, clicca su Edit per modificarle.
1
They call him the hangman.
2
When the handbill says dead or alive, the rest of us just shoot you in the back, come up on top of a perch somewhere,
3
and bring you in dead over a saddle.
4
But when John Ruth the hangman catches you, you hang.
5
I love the fact that you stayed in the audience at the premiere last night and watched it with the audience.
6
Is that just because you're a puppet master and you like to see the characters move in front of you?
7
Yeah, actually, I mean, that's one of the reasons, but the other reason, but there's a few other reasons,
8
I mean, I make my movies to watch them with an audience, you know, and frankly, to tell you the truth,
9
it's the, I mean, one of the things I like about cinema is it's forever, or how long forever is.
10
From now on, the celluloid burns up.
11
Yeah, yeah, exactly.
12
Forever seems to be getting shorter and shorter as time goes on.
13
But the thing about it though is,
14
but as far as actually watching it with an audience that's just truly investing in it in a thing that night.
15
I mean, even if you watch it in a revival house 20 years later, it can be fantastic.
16
But it also is sort of already an artifact by that time.
17
Now, nothing wrong with that either.
18
But there is this, you know, everyone who saw it that night was seeing it for the first time.
19
Yes, and it has a certain energy to it it has a certain energy to it
20
and i almost feel
21
that it's like um it's the missing sound element all right
22
you know you make the movie then you you do the sound mix
23
and you add the sound uh the sounds and the crushes
24
and the booms and the this and the that
25
and then you you add this uh the music and it's
26
that but it's missing that
27
that sound of the audience reacting to the movie whether it
28
be the laughs with whether it be um the gaps whether
29
that be the legitimate appreciative of laughs whether it be the horrified laughs
30
I mean there was like a just as a moment
31
there was just there was this lovely lovely moment where um
32
when the character the Jennifer Jason Lee plays Domergue there's a letter in the movie written by Abraham Lincoln
33
and she spits on the letter
34
and there was a literal gasp it was yeah I think the Australians give a damn about the Lincoln letter
35
so when you when you're editing the film
36
when you're editing the film do you leave spaces kind of knowing
37
that people are gonna have those reactions no I don't leave spaces for it
38
but I'm always hearing yeah I'm always hearing you know
39
I'm hearing the laughs as I write the movie I I'm hearing the last
40
when I watch the scenes I'm hearing the last as I'm editing the scenes
41
and so there is this aspect that this is
42
when I finally get what's always been in my head
43
and I see how right or how wrong I am of it
44
but the other reason that I watched it is about the fact
45
that every country is going to have a slightly different audience
46
who's going to react to the movie in a slightly different way.
47
And look, I'm not going to be here for three weeks so I can just watch it randomly in about,
48
you know, four different cinemas and just make up my own mind about how the Aussies have taken the film.
49
All right.
50
Instead, I have that screening, you know, to watch and take away.
51
Which audiences around the world, and you can be totally honest year which audiences in
52
which country are the absolute best the most responsive well
53
you know you know it would have to depend on the movie yeah
54
it would actually depend you would have you'd have to yeah about
55
which of all of your films
56
which has got the absolute best reaction
57
it's a two -part question yeah go two -part answer was watching Inglourious Basterds in in the the Berlin premiere
58
and watching Inglourious Basterds in the Tel Aviv premiere yeah
59
Those were absolutely positively the strongest reactions I've ever had to watching one of my movies with an audience.
60
Makes total sense.
61
Of all of your different films, which film for you personally has been the steepest learning curve?
62
The movie you've learned the most lessons from?
63
Very good question.
64
I would say it would have to be the Kill Bill movies.
65
I had never made a movie with that kind of a, on that big of a canvas before.
66
I had never made a movie in another country before, i .e.
67
China.
68
Which I imagine is an incredibly easy and simple thing to do.
69
Yeah, well, it wasn't that hard, actually, but it did require a different,
70
a slightly different mindset, but that actually became quite wonderful when you did it.
71
You just had to get there.
72
Yeah.
73
But also, you know, I'd never, I'd done little tiny action scenes, but I'd never done gigantic set piece action scenes that were meant,
74
you know, the House of Blue Leaves fight was meant to be like the helicopter raid in Apocalypse Now.
75
It was meant to be an end -all action sequence, and it took us about eight weeks to do it.
76
One of the best times I've ever had in my life doing something like that.
77
You know, but working in that kind of, that type of level of creativity and that type of level,
78
I mean, if you don't like the movie, maybe it wasn't that creative, but that type of level and more
79
or less being able to do what I want and to get it exactly the way I wanted was a real,
80
real lovely thing.
81
And there was a learning curve from that point on.
82
I think up until that point in time, I held on to my amateurness a little bit more.
83
Almost like a badge of honor, frankly.
84
Like the indie film.
85
Yeah, indie film.
86
I was like, no, I don't want to join the Directors Guild because those are professionals.
87
I'm holding on to my amateur quality.
88
Holding on to my vaguely new wave cred.
89
After I did
90
Kill Bill, I said, I make blockbusters now.
91
I'm a professional filmmaker.
92
You've put so much effort into the look and the feel of the film, and watching it in 70mm last night was amazing.
93
The colours are so rich, the blacks are so black, and yet the film was leaked online.
94
And I wonder for you, personally, if you could say anything to the person, imagine they're sitting in front of you right now,
95
the person who uploaded that film, what would you say to them?
96
I appreciate you trying to give me that opportunity, but I kind of almost don't want to deal with it.
97
I mean, you know, it's like, I've tried to put it out of my mind.
98
Yeah, I appreciate that. That happened.
99
Oddly enough, if it had happened to any one of my other movies, I would have been more devastated.
100
Why is that?
101
This movie was about the movie.
102
It's not really about it even being a success, and that's not me being an irresponsible jerk.
103
I want the film to do as well as I possibly can, but at the end of the day,
104
I think it will, the course of its lifetime do very well, all right?
105
But this was about kind of the movie.
106
You know, like in the case of Inglourious Basterds, it was very, very important that we had a really great opening weekend.
107
In the case of Django, it was really important that we had a really great opening weekend.
108
This wasn't so important.
109
This was about the movie.
110
You have certain actors that you return to over time.
111
Obviously Samuel L.
112
Jackson is one of those.
113
How quickly can you tell that they're about to join the Tarantino posse?
114
Do you know it from the moment you meet them, or do you have to see them on screen first?
115
It's not so much singing them on the screen it's more about
116
and it's really and it's really not even about even auditions
117
or anything like that somebody can do a really good audition in the room
118
and whatever and yeah and they could be really interesting
119
and fun to work with ie going through rehearsal but
120
when you're actually doing the movie with them you know how secure are they with my dialogue?
121
Do they turn it into the poetry slash music slash stand -up comedy slash rap that it's supposed to be?
122
Are they able to do that?
123
Are they unable to do that?
124
Do the words stick in their throat?
125
Do they have a hard time?
126
Are they lazy about learning their lines?
127
Do they get the sense of humor going on do they
128
get the do they get the jokes even though they're not quoted as jokes do they get all the
129
and that's only a thing
130
that you can really learn by by doing it with the people yeah
131
when you hear it right does it is there a little tingle
132
that goes up the back of your neck oh it's it's the greatest feeling in the world frankly to me
133
and luckily I have you know I cast
134
I cast the right people usually it's like I have those feelings many times a day all right
135
and that's one of the things that makes it so joyous.
136
Just lastly before I leave you, when can you tell that a movie is done and you are happy with it?
137
Oh that's really interesting.
138
I don't know about other directors.
139
I actually think this is probably a problem that other directors have.
140
I know it's a problem I have.
141
In editing you usually think the movie's done
142
before it's done yeah right you kind of you kind of want it to be over I mean just
143
so far as like okay I did what I wanted to do boom
144
and now you're moving on to the next process
145
which is sound mixing by that point in time
146
but usually you're pushing it a little bit you know you're not quite done yet there is there is one
147
or two more passes literally to be done here you just want to be done
148
But it's not done.
149
Quentin Tarantino, The Hateful Eight is done and it's very good.
150
Thank you so much for your time.
151
What a lovely interview.
152
Thank you so much.
153
The pleasure was entirely wonderful.
Scarica l'app
Tutto ciò che serve per parlare fluentemente
Pronuncia con IAVoto per ogni frase
Pratica IPAPadroneggia ogni suono
VocabolarioCostruisci il tuo lessico
Gioco di vocabolarioImpara giocando
FOR YOU
Video consigliato
B21
582 frasi
Cillian Murphy talks OPPENHEIMER, PEAKY BLINDERS, BATMAN, 28 DAYS LATER I Happy Sad Confused
Daily ConversationWorking Adults
![Desperado - Quentin Tarantino - Joke [HD]](https://img.youtube.com/vi/moAZ3AsyhLU/mqdefault.jpg)
B21
60 frasi
Desperado - Quentin Tarantino - Joke [HD]
Daily ConversationWorking Adults
B22
165 frasi
Quentin Tarantino on Why He Thinks Movies Are Better Than TV Shows
Daily ConversationUniversity StudentsWorking Adults
B21
207 frasi
Top 10 Most Epic Movie Scenes of All Time
Daily ConversationWorking Adults
B22
382 frasi
Martin Scorsese Breaks Down His Most Iconic Films | GQ
Daily ConversationWorking Adults
B21
97 frasi
Michael B. Jordan Best Actor Press Room Speech | 98th Oscars (2026)
Daily ConversationWorking Adults
B21
135 frasi
“In My Mind, I Had the Perfect Album” Taylor Swift | The Life of a Showgirl
Daily ConversationWorking Adults
B21
102 frasi
Showing Your Friend a Movie | Anwar Jibawi
Daily ConversationWorking Adults
B2108 frasi
Russell T Davies And The Cast Of Tip Toe React To Your Comments | Tip Toe | Channel 4
Daily ConversationWorking Adults
B22
34 frasi
Six Feet Under - Chris Barnes Talks Horror Movies #2 - Metal Blade TV
Daily ConversationWorking Adults
B21
871 frasi
The Best Johnny Depp Moments | David Letterman
Daily ConversationWorking Adults
C12
92 frasi
Buster Keaton - The Art of the Gag
Daily ConversationUniversity StudentsWorking Adults
Vocabolario e note di pronuncia per questa lezione
Questa lezione di conversazione si basa sul video “Quentin Tarantino talks Piracy & the Hateful Eight”. Le parole che ritornano più spesso: movie, film, audience. Questo video contiene 153 frasi e 1809 parole da ripetere con lo shadowing. Il parlato dura 9:39. Chi parla va veloce, circa 187 parole al minuto: aspettati suoni legati e ridotti. Il 85% delle parole rientra nelle 3.000 più comuni dell’inglese; conviene studiare le altre prima di iniziare.
Vocaboli chiave di questo video
15 parole del video che vale la pena imparare, con pronuncia e significato:
| Parola | Pronuncia | Significato |
|---|---|---|
| edit verbo | /ˈɛdɪt/ | redigere, elaborare |
| premiere sostantivo | /pɹəˈmɪɚ/ | prima |
| frankly avverbio | /fɹæŋkli/ | francamente |
| litter sostantivo | /ˈlɪt.ɚ/ | lettiera |
| depend verbo | /dɪˈpɛnd/ | dipendere |
| cinema sostantivo | /ˈsɪn.ə.mə/ | cinema |
| react verbo | /ɹiːˈækt/ | reagire |
| curve sostantivo | /kɚv/ | curva |
| audition sostantivo | /ɑˈdɪʃən/ | audizione |
| gap sostantivo | /ɡæp/ | breccia, fessura |
| lesson sostantivo | /ˈlɛs.ən/ | lezione |
| element sostantivo | /ˈɛləmənt/ | elemento |
| aspect sostantivo | /ˈæspɛkt/ | aspetto |
| poetry sostantivo | /ˈpoʊ.ə.tɹi/ | poesia |
| lifetime sostantivo | /ˈlaɪf.taɪm/ | durata, vita utile |
I phrasal verb che sentirai
| Parola | Pronuncia | Significato |
|---|---|---|
| go through verbo | attraversare | |
| go up verbo | salire | |
| make up verbo | /ˌmeɪk ˈʌp/ | comporsi |
| stand up verbo | alzarsi in piedi | |
| take away verbo | /ˌteɪk əˈweɪ/ | togliere |
| think up verbo | ideare, inventare |
Frasi da ripetere
Frasi brevi e complete del video che puoi riutilizzare nella conversazione di tutti i giorni:
- The movie you've learned the most lessons from?
- I'm holding on to my amateur quality.
- I don't know about other directors.
- I know it's a problem I have.
La grammatica di questo video
Le strutture che chi parla usa di più, con le parole esatte del video:
| Struttura | Nel video |
|---|---|
| Present perfect have/has + participio passato — un’azione passata che conta ancora adesso | what's always been · have taken · I've ever had |
| Forma passiva be + participio passato — conta ciò che accade, non chi lo fa | were meant · was meant · was leaked |
| Frasi relative who / which + frase — un’informazione in più su una persona o una cosa | everyone who saw · person who uploaded |
Pronuncia a cui fare attenzione
Chi parla usa 37 contrazioni e forme ridotte, come I'm, you're, don't. Pronunciale nella forma breve, così come le senti.
- I suoni “sh” e “zh”: audition /ɑˈdɪʃən/, crush /kɹʌʃ/, appreciative /əˈpɹi.ʃətɪv/
- Parole lunghe — attenzione all’accento: incredibly /ɪŋˈkɹɛdɪbli/, legitimate /lɪˈd͡ʒɪt.ɪ.mət/, helicopter /ˈheliːˌkɔptə(ɹ)/, creativity /kri.eɪˈtɪv.ᵻ.ti/, positively /ˈpɑ.zɪ.tɪv.li/
I suoni difficili per chi parla italiano:
- /h/ — va soffiata, non è muta: helicopter /ˈheliːˌkɔptə(ɹ)/, humour /ˈhjuːmɚ/, rehearsal /ɹɪˈhɝsl̩/, hangman /ˈhæŋˌmæn/, horrify /ˈhɒɹɪfaɪ/
- Consonante finale — senza aggiungere una vocale dopo: edit /ˈɛdɪt/, depend /dɪˈpɛnd/, react /ɹiːˈækt/, curve /kɚv/, gap /ɡæp/
- /æ/ — più aperta della “e”: frankly /fɹæŋkli/, react /ɹiːˈækt/, gap /ɡæp/, aspect /ˈæspɛkt/, amateur /ˈæ.mə.t͡ʃɚ/
Come esercitarsi con questo video
- Ascolta tutto il video una volta senza parlare e annota le parole che non conosci.
- Inizia a velocità 0,75×, fai shadowing frase per frase e torna alla velocità normale quando diventa facile.
- Registrati e confronta con l’originale, facendo attenzione a parole come edit, premiere, frankly.
Cos'è la tecnica dello Shadowing?
Shadowing è una tecnica di apprendimento delle lingue supportata da studi scientifici, originariamente sviluppata per la formazione dei traduttori professionisti e resa popolare dal poliglotta Dr. Alexander Arguelles. Il metodo è semplice ma potente: ascolti un audio in inglese di madrelingua e lo ripeti immediatamente ad alta voce — come un'ombra che segue il parlante con un ritardo di solo 1–2 secondi. A differenza dell'ascolto passivo o degli esercizi di grammatica, lo shadowing costringe il tuo cervello e i muscoli della bocca a elaborare e riprodurre simultaneamente i modelli di discorso reale. La ricerca dimostra che migliora significativamente la precisione della pronuncia, l'intonazione, il ritmo, il discorso connesso, la comprensione dell'ascolto e la fluidità del parlato — rendendolo uno dei metodi più efficaci per la preparazione alla prova di speaking dell'IELTS e per la comunicazione reale in inglese.