Shadowing-Übung: Ana de Armas Does Her Own Stunts While Eating Spicy Wings | Hot Ones - Englisch Sprechen Lernen mit Video
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Oh my gosh.
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What is this?
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Hey, what's going on everybody?
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For First We Feast, I'm Sean Evans, and you're watching Hot Ones.
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It's the show with hot questions and even hotter wings.
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And today we're joined by Ana de Armas.
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She's a Golden Globe and Oscar Award nominated actress you know from films like
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Knives Out, Blonde, No Time to Die, and many more.
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Her latest project, though, is a starring role in the fifth film of the John Wick franchise.
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It's called From the World of John Wick, Ballerina, and it's set to release in theaters on June 6th.
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Ana de Armas, welcome to the show.
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Thank you.
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How are you with spicy food before we get started?
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I'm not good at all.
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Like, I honestly, I knew this was happening, and I've been practicing a little bit, but not ready.
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Yeah, let's do it.
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Okay.
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Here we go.
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Oh, this is good.
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Oh, I like it.
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I'm doing good.
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This is great.
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It's yummy.
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So, the John Wick franchise is iconic for its imaginative use of violence, and not to give too much away,
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but I particularly enjoyed the Ice Gate Massacre and the flamethrower duel.
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What are the creative conversations like in shaping a character like
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Eve's fighting style?
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Like, were there any interesting chats about how to tailor the
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signature John Wick choreography to the skills of a ballerina turned assassin?
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Yeah, I mean, I think we wanted to just keep pushing the humor in the franchise.
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You know, you watch the John Wick films and sometimes the fights are really intense and gory.
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But it's the kind of action that you're just having so much fun with.
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Like, you put your fingers on your face, but you're looking through.
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You can't stop it.
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And also, like, adding the ballet element to it was really important.
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Like, I really wanted to, like, see her.
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She's a woman in the men's world.
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And I wanted to feel like every punch, every kick, everything was hurting.
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Like, I really wanted her to go through that pain.
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Kind of reminds me of the experience of doing hot ones, you know what I mean?
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Like, there's a certain pain that you just become familiar with.
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Yeah.
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You know what I mean?
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And that always allows you to push through, because you know, on the other side, you'll be fine.
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Yeah.
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All right, Ana, you're doing great.
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Okay.
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Are you ready to move on here to sauce number two?
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Number two.
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All right, so up next, we have Just Winging It.
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Okay.
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Still good.
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There we go.
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So, recently the Academy Awards announced a new category to recognize achievement in stunt design.
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If you were in charge of the criteria for that award, what do you think are the most important things to focus on?
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Are there elements of best of the best
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Hollywood action sequences in your opinion?
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I think yes I'd be I would say like feeling like
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it's a one like you know like a one continuous shot
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that would be cool that's important to feel like you're in the moment um
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so definitely not cuts no cuts no cuts um I would say just being original like doing things
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that you haven't seen before like surprising people what else what am I missing
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I you know what to me you nailed it that was you just pulling an arrow, hitting a bullseye.
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Right?
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Yep.
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Those two things.
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Yep.
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How are you doing so far?
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I'm good.
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I'm good.
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Whoa, I like that.
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Surprisingly good.
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From nervous to confident, I can see it already.
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It's not going to go well.
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I'm ready.
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So lately, we've been in the habit of asking actors about the scenes that they dreaded doing.
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From the second they read them in the script to when they saw it up on the call sheet scheduled.
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Yeah.
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What is it about the chaotic dinner scene in Eden, which I understand took three days to shoot,
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that made it one of the scariest things you've ever done?
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Singing.
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I hated it.
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I mean, I remember when I talked to Ron, and I was like, Ron, I really think I should lip sync.
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Like, this is not for me.
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And he just didn't want to hear.
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He was like, no, you're singing.
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You're singing.
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It's, you know, if you do it bad, it's good for the character that's what i'm like yeah
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but people don't know that um so anyways i i just couldn't I just couldn't convince him to let me lip sync,
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so I had to learn the song.
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It was horrible.
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I was terrified.
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I would rather do a hundred stunts than singing that song.
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It was terrifying.
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Because also in front of all the actors, I just felt very exposed and vulnerable.
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And it's not one of my talents, for sure.
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every time i'm so nervous they're messy they are messy and then just be careful around the eyes you know
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yeah i definitely don't want this on my eyes
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so in the spanish class snl skit that you did with Marcelo Hernandez and Carol G, you rattle off a long list of Cuban foods,
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everything from Ropa Vieja to Duro Frio.
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If you were to put together your last meal on earth, Cuban style, what would that feast look like?
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Like, what are the dishes that are most nostalgic to you?
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Ooh, Cuban food is just comfort food for me, and it's very basic, you know.
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It's rice and beans.
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The black beans are my favorite.
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Definitely Ropa Vieja, the tostones, is the picadillo is good too.
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It's minced meat in tomato sauce and with olives and all that.
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Like Cuban food is really well condimented.
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It's not spicy.
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I was going to say we're condimented over here.
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No, no, but not this kind of spice.
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It's spices, not spicy.
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So it's just, oh my gosh, I love it.
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It's so yummy.
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What would you say distinguishes a great mojito from a mediocre one?
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I think it's the, how much sugar you put it,
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like it's a fine line between making it like way too sweet and like just the right amount, you know, like, and the rum is important.
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You have to, it's white rum, Havana three.
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That's what it is.
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You can't put anything else in it.
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Rules to live by.
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Yes.
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Oh my God.
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i like the mustard it's all right you know
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i'm kind of like you i kind of like the more citrusy yeah hot sauces
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you know like a little uh fruit to undercut the heat
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this one's pretty hearty you know oh yeah oh sean i know it's another level
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but we're here yeah we got
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this i've been dealing lately with a lot of high fever
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you know allergies yeah from spring kind of clears them i know where were they
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when i needed them last week i was really congested
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and now i'm like look at this yeah well now you know
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you have this tool in the kit should you ever need it again all right
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and we're giving you the sauces to go
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so you'll have oh nice yeah your own medicine bag okay can you talk me through the level of detail
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that went in to putting together the scene in knives out where you puke on Chris Evans' face.
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Like, is it true that you and director Ryan Johnson experimented with different kinds of baby food to see which projectile had,
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like, the longest shot in the air and what looked best on camera?
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Yes, it is true.
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We had to, you know, we had the props guys, like, having, like, different textures and mixes in different cups,
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and we went outside the house while they were lighting the room, and I was just with Ryan out there and crazy.
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Pretty much everyone came out just to see.
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It was an event
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Yeah, it was an event
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And we need it
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Like on Chris's face
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Like really well
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So We did one that had
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Like was kind of chunky
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Yeah, yeah You want to be authentic
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Yeah, yeah, yeah
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Real to the floor
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You know He's so handsome
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We wanted to like really
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Yeah Mess with him I feel good
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Right, so How are you feeling?
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I'm okay if you're okay.
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But this one to me, it's like, you know how we had this tropical one at number one that you're like, oh, it's so nice.
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This has that tropical vibe, but then it has that.
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I know.
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They'll take like a little minute to like.
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Really come alive.
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Yep.
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Yeah.
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So through your career so far, you've gained admiration and support from some true heavy hitters in Hollywood.
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From Robert De Niro to Daniel Craig to Keanu Reeves.
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What, if anything, have you learned from them about what it means to be number one on the call sheet,
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the way that they command a set when they have that distinction?
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You know, going to L .A or going to Hollywood was never a plan for me.
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I moved to Spain and then from Spain to L .A., but it was just kind of happening naturally.
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I just never planned on it.
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To be on set with them was always kind of like a pinch me moment every time.
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And I've worked with, yeah, like you said, really, really amazing people.
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The project becomes the project because of the people in them and the way they collaborate and they lead by example.
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This one, right?
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Yeah, it's called Apricot.
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Emphasis on the hot.
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Is that the one you were warning me about?
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No, not yet.
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That'll be the next one.
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But let's take our wins where we get them here you know oh i don't like this
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what is it it's almost like a spicy lemon to me
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when i bite into it you know like it has a citrus quality to it
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but then it contends with that spice yeah a little sour little spice right Right.
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Puts us in that mode.
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So when you're watching your own performance,
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is there a technical aspect that you're always critiquing of yourself or that you're trying to take to the next level?
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Like when you watch yourself, when are you your own biggest critic?
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I hate watching myself, I have to say.
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What was the question?
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I'm curious, like when you watch yourself, when are you your own biggest critic?
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So, yeah, that also, that goes all the way through to the end.
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So I start seeing early cuts of the film.
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So I've kind of, like, gotten better at watching myself and,
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like, trying to, like, separate myself from my performance alone and just look at the whole thing,
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the whole picture and what's good for the film sometimes, you know?
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It's not what selfishly you would want to do, you know, for yourself.
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I'm very perfectionist and I like things you know they can always be improved they can always be better
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is the one yeah you know too much this is the bomb beyond insanity okay okay
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the bomb it's called beyond insanity oh my god sean this is bad yeah
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i know that look i know that look who put me here who volunteered me for this
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oh my god i know i know
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But this is as bad as it gets, okay?
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Well.
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So, I understand that in preparation for your role as Marilyn Monroe in Blonde, that you watched her filmography hundreds of times.
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Do you have a Mount Rushmore of Marilyn Monroe movies?
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Like, four movies
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that you'd recommend to maybe people in the audience who only have a casual awareness of her career in acting?
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Oh, my gosh.
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What is this?
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I know.
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It's, you know, just a habanero pepper that's concentrated.
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Oh, no. I know.
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We could only laugh through the pain of it all.
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Robert, please help.
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Definitely.
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Some lucky heart.
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It's a classic.
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So I'm like, it's hot.
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It's really amazing.
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She's wonderful in it.
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I love the prince and the showgirl.
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She's so relaxed, and you can see her, like, really enjoying that character.
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Niagara is another classic that I really loved.
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Genimal perfume blondes.
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Those are, that's a good one, too.
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And then be careful, be careful, yeah.
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It kind of, like, went away, you know?
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Yeah, yeah. But... But?
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The problem with this show is, you know, the storm clears, the clouds break, the sunshine comes in,
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and then more dark clouds start rolling in.
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What are you telling me?
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That there are two more to go.
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Oh my god, that was so bad.
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You can keep that one, I don't want it.
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I'm just numbed.
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This is good.
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You like it?
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No, I mean, it's good that I'm numbed.
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it's good yeah great as someone who had a big acting career both here
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and abroad i'm curious is there a difference between like a
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spanish movie going audience an american movie going audience like is
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there any difference in like what somebody who buys a movie
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ticket in madrid is looking for versus someone in la the
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influence of american cinema in in europe is more um it's a little stronger, I would say.
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And Europeans like European films.
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It's a kind of like...
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Yeah.
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We cannot do that. Be careful.
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No. I think
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Europeans also, or Spanish people, have a pretty wide spectrum of...
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They know about cinema.
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Right, right.
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And they have good taste.
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Yeah.
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All right, Anna.
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This is it.
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You don't have to if you don't want to.
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You can't say that to me.
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You can't say that to me.
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I love it.
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Okay.
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Good thing I did that.
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cheers and look at you all the way through i can't believe i'm doing this
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okay all right cheers cheers here we go here we go
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and with that anna de armas you have run the hot ones gauntlet
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and just one more question before we get you out of here
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and you know my favorite thing about watching the john wick films is the use of practical everyday objects in fight sequences.
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Looking around right now, if you were to storyboard out a combat scene, how might you use what's here in the studio to your advantage?
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Well, I would definitely get this bottle.
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Break it.
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And I think I would just like, you know, make sure you're close to me, like on the table.
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So I would just probably smash your head on the table, on top of the sauce and the glass.
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The shards of glass.
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Well, you know what?
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That right there sounds like it's worth the price of admission.
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And look at you, Ana de Armas, taking on the wings of death, looking to tell the tale.
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And now there's nothing left to do but roll out the red carpet for you.
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This camera, this camera, this camera, let the people know what you have going on in your life.
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What do I have?
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What?
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If you have like a movie coming out or something.
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Oh, yes, I do.
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So, yeah, I have my movie Ballerina coming out on June 6th in theaters.
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Please watch it.
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You're going to like it.
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Yeah.
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Thank you.
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Great job.
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Oh, my God.
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Oh, this is insane.
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My lawyer came all the way here just to see me.
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Just to see me.
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Yeah, to serve me.
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Going through it.
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I'm like, are you here to support me or to?
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Oh, my God.
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Hey, what's going on, Hot Ones fans?
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By now, you know the drill.
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If you'd like to taste the show at home, well, I've got good news for you.
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The Hot Ones Season 27 10 -pack is now available.
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That's hotones .com hotones .com, hotones .com to get your hands on this box right here.
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Ten sauces, one box, your doorstep.
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Be careful around the eyes.
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Wortschatz und Sprechhinweise zu dieser Lektion
Diese Sprechübung basiert auf dem Video „Ana de Armas Does Her Own Stunts While Eating Spicy Wings“. Dieses Video enthält 225 Sätze und 3034 Wörter zum Nachsprechen. Der gesprochene Teil dauert 18:36. Der Sprecher spricht in natürlichem Tempo, etwa 163 Wörter pro Minute, ähnlich wie im Alltagsgespräch. Nur 76 % der Wörter gehören zu den 3.000 häufigsten im Englischen, der Wortschatz ist also anspruchsvoll. 62 der 225 Sätze sind Fragen – gut, um Frageintonation und kurze Antworten zu üben.
Wichtiger Wortschatz in diesem Video
15 lernenswerte Wörter aus dem Video, mit Aussprache und Bedeutung:
| Wort | Aussprache | Bedeutung |
|---|---|---|
| spicy Adjektiv | /ˈspaɪsi/ | scharf |
| sauce Substantiv | /sɔːs/ | Soße, Sauce |
| franchise Substantiv | /ˈfɹænt͡ʃaɪ̯z/ | Wahlrecht |
| spouse Substantiv | /spaʊ̯s/ | Gatte, Gattin |
| cloud Substantiv | /ˈklaʊ̯d/ | Wolke, Gewölk |
| curious Adjektiv | /ˈkjʊɹ.i.əs/ | neugierig |
| sheet Substantiv | /ʃit/ | Blatt, Bogen |
| sequence Substantiv | /ˈsiː.kwəns/ | Reihenfolge |
| theater Substantiv | /ˈθi(ə)tɚ/ | Theater, Schauspielhaus |
| tropical Adjektiv | /ˈtɹɑ.pɪ.kəl/ | tropisch |
| cinema Substantiv | /ˈsɪn.ə.mə/ | Kino, Filmtheater |
| bean Substantiv | /ˈbi(ː)n/ | Bohnenpflanze, Bohne |
| critic Substantiv | /ˈkɹɪt.ɪk/ | Kritiker |
| feast Substantiv | /ˈfiːst/ | Fest |
| messy Adjektiv | /ˈmɛsi/ | chaotisch, unordentlich |
Phrasal Verbs, die du hören wirst
| Wort | Aussprache | Bedeutung |
|---|---|---|
| come out Verb | /ˌkʌm ˈaʊt/ | herauskommen |
| put together Verb | zusammenfügen | |
| go away Verb | weggehen, fortgehen | |
| look around Verb | sich umsehen, sich umschauen | |
| roll out Verb | ausliefern |
Sätze zum Wiederholen
Kurze, vollständige Sätze aus dem Video, die du im Alltag wiederverwenden kannst:
- You know what I mean?
- What am I missing?
- How are you doing so far?
- Where were they when I needed them last week?
- Who volunteered me for this?
Grammatik in diesem Video
Die Strukturen, die der Sprecher am häufigsten verwendet, mit den genauen Worten aus dem Video:
| Struktur | Im Video |
|---|---|
| Present Perfect Continuous have/has been + -ing – eine Handlung, die früher begann und noch andauert | I've been practicing · i've been dealing |
| Present Perfect have/has + Partizip Perfekt – eine vergangene Handlung, die jetzt noch wichtig ist | haven't seen · we've been · you've ever done |
| Relativsätze who / which + Satz – eine Zusatzinformation über eine Person oder Sache | one that had · someone who had · somebody who buys |
| Passiv be + Partizip Perfekt – wichtig ist, was geschieht, nicht wer es tut | was really congested · be improved |
Aussprache, auf die du achten solltest
Der Sprecher verwendet 73 Kurzformen und abgeschwächte Formen, zum Beispiel I'm, you're, don't. Sprich sie in der kurzen Form, so wie du sie hörst.
- Die „th“-Laute: theater /ˈθi(ə)tɚ/, authentic /ɔˈθɛn.tɪk/, flamethrower /ˈfleɪmˌθɹoʊ.ɚ/
- Die Laute „sh“ und „zh“: sheet /ʃit/, preparation /ˌpɹɛpəˈɹeɪʃ(ə)n/, casual /ˈkæʒ(u)əl/, dish /dɪʃ/, sunshine /ˈsʌnʃaɪn/
- Lange Wörter – auf die Betonung achten: naturally /ˈnæt͡ʃ.(ə.)ɹə.li/, experiment /ɪkˈspɛɹ.ə.mənt/, preparation /ˌpɹɛpəˈɹeɪʃ(ə)n/, continuous /kənˈtɪn.juː.əs/, surprisingly /səˈpɹaɪzɪŋli/
Laute, die Deutschsprachigen schwerfallen:
- /w/ — mit runden Lippen, nicht wie das deutsche „w“ (/v/): sequence /ˈsiː.kwəns/, awareness /əˈwɛɹ.nəs/, anyways /ˈɛn.iˌweɪz/, distinguish /dɪˈstɪŋ.ɡwɪʃ/
- Stimmhafter Auslaut — /b/, /d/, /g/, /z/, /v/ am Wortende nicht verhärten: franchise /ˈfɹænt͡ʃaɪ̯z/, cloud /ˈklaʊ̯d/, abroad /əˈbɹɔːd/, remind /ɹəˈmaɪnd/, olive /ˈɑ.lɪv/
- /æ/ — offener als „ä“: franchise /ˈfɹænt͡ʃaɪ̯z/, naturally /ˈnæt͡ʃ.(ə.)ɹə.li/, practical /ˈpɹæk.tɪ.kəl/, actress /ˈæk.tɹɪs/, aspect /ˈæspɛkt/
So übst du mit diesem Video
- Höre dir das ganze Video einmal an, ohne zu sprechen, und notiere die Wörter, die du nicht kennst.
- Beginne mit 0,75-facher Geschwindigkeit, sprich Satz für Satz nach und wechsle zur normalen Geschwindigkeit, sobald es leichtfällt.
- Nimm dich auf und vergleiche mit dem Original; achte dabei auf Wörter wie spicy, sauce, franchise.
Was ist die Shadowing-Technik?
Shadowing ist eine wissenschaftlich fundierte Sprachlerntechnik, die ursprünglich für die professionelle Dolmetscherausbildung entwickelt und durch den Polyglotten Dr. Alexander Arguelles populär gemacht wurde. Die Methode ist einfach aber wirkungsvoll: Du hörst englisches Audio von Muttersprachlern und wiederholst es sofort laut — wie ein Schatten, der dem Sprecher mit nur 1–2 Sekunden Verzögerung folgt. Anders als passives Hören oder Grammatikübungen zwingt Shadowing dein Gehirn und deine Mundmuskulatur, gleichzeitig echte Sprachmuster zu verarbeiten und zu reproduzieren. Studien zeigen, dass es Aussprachegenauigkeit, Intonation, Rhythmus, verbundene Sprache, Hörverständnis und Sprechflüssigkeit signifikant verbessert — was es zu einer der effektivsten Methoden für die IELTS Speaking-Vorbereitung und reale englische Kommunikation macht.