Shadowing Practice: Basics of Comic Shading - Learn English Speaking with Video

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The next very important topic
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that we need to cover in order to make your compositions flow and be very easy to read is lighting.
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Now lighting in its most basic form is a directional light source, an object that catches that light,
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and then a shadow on that object away from the light.
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Now that gets a little bit more complex when we have an object, our light source, a shadow away from the light
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and a surface that's going to be obscured by the object in front of it
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and so for the purposes of illustration i almost always
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and i highly recommend
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that you do too use a directional light source as opposed to a pin light which will radiate light out
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in all directions and this can be extraordinarily difficult to compensate for for really very little practical effect and
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so what i'm going to do is i'm going to draw a line from the outline of my foreground object
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and that is where i'm going to cast a shadow onto the object below it
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and one further thing to bear in mind is that
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when you have an object a surface below that object
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and a light source
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that's directional like this i'll draw a shadow across my object
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away from the light a shadow onto the surface behind where
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that surface is being obscured by the object
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but also this surface catches light and reflects light back up onto my object
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and so that creates a core shadow
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so the core shadow is where it's receiving no light at all
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this is where my main light is hitting this light source
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and then my bounce light is creating a light on the back of my surface here this is something
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that can be very effective but it can also lead to a lot of problems
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and because we're dealing with comic book illustration we're going to avoid this kind of effect for now
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and just before we move on I'm going to draw a very very simple shape for a nose
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there's my eyes over the nose
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and I've got a cheek behind it my lip just below
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it very very simple just to get the point across
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and I'm going to draw my same light source and
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so on this side of the nose away from the light
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I'm going to have a shadow I have a shadow here away from the light
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and along the bottom just like
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that very simple this is using as simple shapes as we
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possibly can we'll also have shadows where the eyes recess and we'll just draw those as simple shapes for now
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but it's important to bear in mind
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that the nose projects outward from the face and here's my lip
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and my brow draw my eye all very very simple just to get it across
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and here would be the plane of my cheek like this my nose projects out quite a bit
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and so it's going to cast a shadow just like this example here this would be my nose
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and this will be my cheek the surface of my cheek
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and now they're attached these are separate
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but it's going to cast a shadow across that surface just like this
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and so what I have here is a body shadow what I have here is a cast shadow
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and I can soften this up toward the light using a little bit of line
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but my cast shadow always needs to remain hard
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because it represents the outline of my nose cast against a surface below
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so this will be a body shadow here body shadow here body shadow here
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and then below the lip i get a cast shadow it goes out further
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and it's important to remember the distinction between the two
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when you're doing your lighting so now
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that we have a very very basic understanding of lighting established here
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we're going to start to learn how to use lighting compositionally to help our panels come together and be more readable.
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And so I'm going to start with simple shape for a figure.
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I just want this to be an outline shape.
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And here's a figure drawn into a panel.
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I'm going to light him again from the same angle that I used just over here.
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So he'll have a little bit of shadow cast here.
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And that's all fine.
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But what I really want to concentrate on is the cast shadow from this figure onto the wall behind
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and you can see that that cast shadow not only is relatively accurate
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but it also really helps to frame my figure
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and pop this figure forward because i'm using a light shape that's juxtaposed over dark shape
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and then using the rules of composition i used before
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i can just cast a shadow over the wall entirely as
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if this is a window casting the light on them and I can use that to frame my figure.
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And this is a technique you will see used over and over again in comics when you start to look for it.
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Conversely, I've got a figure fully in shadow, so he's completely in silhouette.
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And I can draw a doorway around him just like this.
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And because he's dark, he stands out against the light coming through the door behind him.
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And that dark to light to dark reads very, very easily and also serves to frame my figure just the way that I did here.
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Now I wanted to talk about the final way that I use shadow compositionally.
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And this method can be a little bit confusing
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if you think of it just in terms of using a light source and proper shadow.
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So the way that it works is I'll draw just very simple shapes.
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So I've got a rectangular shape here.
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I'm going to keep this light.
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I'm going to draw a shape behind it.
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And this shape will be dark.
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And now I'll draw another shape behind that.
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this one will be light and then a shape behind this and this will be dark
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another light shape and a dark shape and I can keep going across my panel just by layering
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light and shadow and I do try to bear in mind
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that I've got a light source coming from here and so
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if I had my light source coming from here I'd want to lay the other way around
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so at the very least I have my light portions pointing toward the light as much as possible but
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when I think in terms of my shadow
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I'm really thinking in terms of layering more than just thinking in terms of exactly where a shadow would fall.
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So a really good way to show this in practice would be to show some chimneys.
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Let me get in here and draw a chimney in the foreground
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and I'm going to keep these pretty simple just a little bit of detail just so we all know it's a chimney.
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and now behind it I'm going to draw another chimney shape and this one is just going to be dark
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and making the chimney behind my light chimney here dark really separates the two
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and then I can draw another chimney behind this one this won't be light
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and then maybe another shape just behind this and this will be dark
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and I can go all the way back through a panel and just layer my shapes like this.
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And this is a great way to use shadow to achieve
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depth in a picture just by layering lights onto darks onto lights onto darks all the way back.
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And it's a very, very simple technique to use.
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It's something that you really don't need to overthink.
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That's it for this lesson.
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If you enjoyed this video, take a look at the premium course over at proko .com slash comic page.
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See if you can apply some of these basic principles to your own work.
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Thanks so much for joining me.
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I'll see you next time.

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Vocabulario y notas de pronunciación para esta lección

Esta lección de conversación se basa en el vídeo “Basics of Comic Shading”. Las palabras que más se repiten: shadow, shape, draw, dark, object. Este vídeo tiene 49 frases y 1349 palabras para practicar shadowing. La parte hablada dura 7:16. El hablante habla rápido, unas 185 palabras por minuto, así que espera sonidos enlazados y reducidos. El 83 % de las palabras está entre las 3.000 más comunes del inglés; conviene repasar el resto antes de empezar.

Vocabulario clave de este vídeo

15 palabras del vídeo que vale la pena aprender, con su pronunciación y significado:

PalabraPronunciaciónSignificado
shadow sustantivo/ˈʃædəʊ̯/sombra
chimney sustantivo/ˈt͡ʃɪmni/chimenea
layer sustantivo/ˈleɪ̯ɚ/capa, tongada
cheek sustantivo/t͡ʃiːk/descoco, papo
outline sustantivo/ˈaʊtlaɪn/contorno
technique sustantivo/tɛkˈniːk/técnica
comic sustantivo/ˈkɑmɪk/cómico, comediante
illustration sustantivo/ˌɪləsˈtɹeɪ̯ʃən/ejemplo, ilustración
obscure adjetivo/əbˈskjʊɹ/obscuro
topic sustantivo/ˈtɑpɪk/tema, tópico
practical adjetivo/ˈpɹæk.tɪ.kəl/práctico
lesson sustantivo/ˈlɛs.ən/lección
establish verbo/ɪˈstæb.lɪʃ/establecer, establir
reflect verbo/ɹɪˈflɛkt/reflejar, reflectar
angle sustantivo/ˈæŋ.ɡəl/ángulo

Phrasal verbs que vas a escuchar

PalabraPronunciaciónSignificado
come together verbo/ˈkʌm tʊˈɡɛðɚ/juntarse, concitarse
go out verbosalir

Pronunciación a tener en cuenta

El hablante usa 33 contracciones y formas reducidas, como I'm, I'll, I've. Dilas en su forma corta, tal como las oyes.

  • Los sonidos de “sh” y “zh”: shadow /ˈʃædəʊ̯/, composition /ˌkɑm.pəˈzɪʃ.ən/, illustration /ˌɪləsˈtɹeɪ̯ʃən/, establish /ɪˈstæb.lɪʃ/, distinction /dɪˈstɪŋkʃən/
  • Palabras largas — cuida el acento: composition /ˌkɑm.pəˈzɪʃ.ən/, illustration /ˌɪləsˈtɹeɪ̯ʃən/, rectangular /ɹɛkˈtæŋɡjəlɚ/, directional /dɪˈɹɛk.ʃə.nəl/

Sonidos difíciles para hispanohablantes:

  • /z/ — sonora, no /s/: composition /ˌkɑm.pəˈzɪʃ.ən/, oppose /əˈpoʊz/, confuse /kənˈfjuːz/, juxtapose /ˈd͡ʒʌk.stəˌpoʊz/

Cómo practicar con este vídeo

  1. Escucha el vídeo entero una vez sin hablar y anota las palabras que no conoces.
  2. Empieza a velocidad 0,75×, haz shadowing frase por frase y vuelve a la velocidad normal cuando te resulte fácil.
  3. Grábate y compara con el original, prestando atención a palabras como shadow, chimney, layer.

¿Qué es la Técnica de Shadowing?

Shadowing es una técnica de aprendizaje de idiomas respaldada por la ciencia, desarrollada originalmente para la formación de intérpretes profesionales y popularizada por el políglota Dr. Alexander Arguelles. El método es simple pero poderoso: escuchas audio en inglés nativo y lo repites en voz alta de inmediato, como una sombra que sigue al hablante con solo 1-2 segundos de retraso. A diferencia de la escucha pasiva o los ejercicios de gramática, el shadowing obliga a tu cerebro y músculos de la boca a procesar y reproducir simultáneamente patrones de habla reales. Las investigaciones muestran que mejora significativamente la precisión de la pronunciación, la entonación, el ritmo, el habla conectada, la comprensión auditiva y la fluidez al hablar, convirtiéndola en una de las metodologías más efectivas para la preparación del IELTS Speaking y la comunicación en inglés en el mundo real.

Técnica de shadowing: lee la guía completa paso a paso →