쉐도잉 연습: Basics of Comic Shading - 영상으로 영어 말하기 배우기

연습 모드 선택

각 모드는 전체 화면 연습실로 열립니다.

105 문장

문장이 너무 짧거나 길면 Edit를 눌러 조정하세요.

The next very important topic

that we need to cover in order to make your compositions flow and be very easy to read is lighting.

Now lighting in its most basic form is a directional light source, an object that catches that light,

and then a shadow on that object away from the light.

Now that gets a little bit more complex when we have an object, our light source, a shadow away from the light

and a surface that's going to be obscured by the object in front of it

and so for the purposes of illustration i almost always

and i highly recommend

that you do too use a directional light source as opposed to a pin light which will radiate light out

in all directions and this can be extraordinarily difficult to compensate for for really very little practical effect and

so what i'm going to do is i'm going to draw a line from the outline of my foreground object

and that is where i'm going to cast a shadow onto the object below it

and one further thing to bear in mind is that

when you have an object a surface below that object

and a light source

that's directional like this i'll draw a shadow across my object

away from the light a shadow onto the surface behind where

that surface is being obscured by the object

but also this surface catches light and reflects light back up onto my object

and so that creates a core shadow

so the core shadow is where it's receiving no light at all

this is where my main light is hitting this light source

and then my bounce light is creating a light on the back of my surface here this is something

that can be very effective but it can also lead to a lot of problems

and because we're dealing with comic book illustration we're going to avoid this kind of effect for now

and just before we move on I'm going to draw a very very simple shape for a nose

there's my eyes over the nose

and I've got a cheek behind it my lip just below

it very very simple just to get the point across

and I'm going to draw my same light source and

so on this side of the nose away from the light

I'm going to have a shadow I have a shadow here away from the light

and along the bottom just like

that very simple this is using as simple shapes as we

possibly can we'll also have shadows where the eyes recess and we'll just draw those as simple shapes for now

but it's important to bear in mind

that the nose projects outward from the face and here's my lip

and my brow draw my eye all very very simple just to get it across

and here would be the plane of my cheek like this my nose projects out quite a bit

and so it's going to cast a shadow just like this example here this would be my nose

and this will be my cheek the surface of my cheek

and now they're attached these are separate

but it's going to cast a shadow across that surface just like this

and so what I have here is a body shadow what I have here is a cast shadow

and I can soften this up toward the light using a little bit of line

but my cast shadow always needs to remain hard

because it represents the outline of my nose cast against a surface below

so this will be a body shadow here body shadow here body shadow here

and then below the lip i get a cast shadow it goes out further

and it's important to remember the distinction between the two

when you're doing your lighting so now

that we have a very very basic understanding of lighting established here

we're going to start to learn how to use lighting compositionally to help our panels come together and be more readable.

And so I'm going to start with simple shape for a figure.

I just want this to be an outline shape.

And here's a figure drawn into a panel.

I'm going to light him again from the same angle that I used just over here.

So he'll have a little bit of shadow cast here.

And that's all fine.

But what I really want to concentrate on is the cast shadow from this figure onto the wall behind

and you can see that that cast shadow not only is relatively accurate

but it also really helps to frame my figure

and pop this figure forward because i'm using a light shape that's juxtaposed over dark shape

and then using the rules of composition i used before

i can just cast a shadow over the wall entirely as

if this is a window casting the light on them and I can use that to frame my figure.

And this is a technique you will see used over and over again in comics when you start to look for it.

Conversely, I've got a figure fully in shadow, so he's completely in silhouette.

And I can draw a doorway around him just like this.

And because he's dark, he stands out against the light coming through the door behind him.

And that dark to light to dark reads very, very easily and also serves to frame my figure just the way that I did here.

Now I wanted to talk about the final way that I use shadow compositionally.

And this method can be a little bit confusing

if you think of it just in terms of using a light source and proper shadow.

So the way that it works is I'll draw just very simple shapes.

So I've got a rectangular shape here.

I'm going to keep this light.

I'm going to draw a shape behind it.

And this shape will be dark.

And now I'll draw another shape behind that.

this one will be light and then a shape behind this and this will be dark

another light shape and a dark shape and I can keep going across my panel just by layering

light and shadow and I do try to bear in mind

that I've got a light source coming from here and so

if I had my light source coming from here I'd want to lay the other way around

so at the very least I have my light portions pointing toward the light as much as possible but

when I think in terms of my shadow

I'm really thinking in terms of layering more than just thinking in terms of exactly where a shadow would fall.

So a really good way to show this in practice would be to show some chimneys.

Let me get in here and draw a chimney in the foreground

and I'm going to keep these pretty simple just a little bit of detail just so we all know it's a chimney.

and now behind it I'm going to draw another chimney shape and this one is just going to be dark

and making the chimney behind my light chimney here dark really separates the two

and then I can draw another chimney behind this one this won't be light

and then maybe another shape just behind this and this will be dark

and I can go all the way back through a panel and just layer my shapes like this.

And this is a great way to use shadow to achieve

depth in a picture just by layering lights onto darks onto lights onto darks all the way back.

And it's a very, very simple technique to use.

100

It's something that you really don't need to overthink.

101

That's it for this lesson.

102

If you enjoyed this video, take a look at the premium course over at proko .com slash comic page.

103

See if you can apply some of these basic principles to your own work.

104

Thanks so much for joining me.

105

I'll see you next time.

앱 다운로드

유창하게 말하는 데 필요한 모든 것

AI 발음 평가문장마다 점수 확인

IPA 발음 연습모든 소리 마스터

단어 학습나만의 단어장 만들기

단어 게임놀면서 외우기

QR 스캔

Download on theApp Store Get it onGoogle Play

같은 채널

Kim Jung Gi - How to Become a Master

Daily ConversationWorking Adults

FOR YOU

이 레슨의 어휘와 말하기 포인트

이 말하기 레슨은 영상 “Basics of Comic Shading”을(를) 바탕으로 합니다. 가장 자주 반복되는 단어는 다음과 같습니다: shadow, shape, draw, dark, object. 이 영상에는 섀도잉할 문장 49개와 단어 1349개가 있습니다. 말하는 구간의 길이는 7:16입니다. 화자는 분당 약 185단어로 빠르게 말하므로 연음과 약하게 발음되는 소리가 많습니다. 단어의 83%가 영어에서 가장 많이 쓰이는 3,000단어에 속합니다. 나머지는 연습 전에 미리 확인해 두세요.

이 영상의 핵심 어휘

영상에 나오는 익혀 둘 만한 단어 15개를 발음, 뜻과 함께 정리했습니다.

단어	발음	뜻
shadow 명사	/ˈʃædəʊ̯/	그림자, 음영
chimney 명사	/ˈt͡ʃɪmni/	굴뚝
layer 명사	/ˈleɪ̯ɚ/	층
cheek 명사	/t͡ʃiːk/	뻔뻔
technique 명사	/tɛkˈniːk/	기술
comic 명사	/ˈkɑmɪk/	만화, 코믹스
composition 명사	/ˌkɑm.pəˈzɪʃ.ən/	작곡
obscure 형용사	/əbˈskjʊɹ/	애매한
topic 명사	/ˈtɑpɪk/	화제, 주제
practical 형용사	/ˈpɹæk.tɪ.kəl/	실질적인
lesson 명사	/ˈlɛs.ən/	수업, 과
reflect 동사	/ɹɪˈflɛkt/	반사(反射)하다
angle 명사	/ˈæŋ.ɡəl/	각, 각도
principle 명사	/ˈpɹɪn.sɪ.pəl/	원리, 원칙
attach 동사	/əˈtæt͡ʃ/	첨부하다, 붙이다

영상에 나오는 구동사

단어	뜻
go out 동사	나가다

주의할 발음

화자는 I'm, I'll, I've 같은 축약형과 약화된 형태를 33번 사용합니다. 들리는 대로 짧게 발음하세요.

“sh”와 “zh” 소리: shadow /ˈʃædəʊ̯/, composition /ˌkɑm.pəˈzɪʃ.ən/, illustration /ˌɪləsˈtɹeɪ̯ʃən/, establish /ɪˈstæb.lɪʃ/, distinction /dɪˈstɪŋkʃən/
긴 단어 — 강세 위치에 주의: composition /ˌkɑm.pəˈzɪʃ.ən/, illustration /ˌɪləsˈtɹeɪ̯ʃən/, rectangular /ɹɛkˈtæŋɡjəlɚ/, directional /dɪˈɹɛk.ʃə.nəl/

한국어 화자가 어려워하는 소리:

/f/ — ㅍ(/p/)으로 바꾸지 말고 윗니를 아랫입술에 대기: reflect /ɹɪˈflɛkt/, confuse /kənˈfjuːz/, foreground /ˈfɔː(ɹ)ˌɡɹaʊnd/, soften /ˈsɑfən/
/z/ — ㅈ이 아니라 성대를 울리는 /s/: composition /ˌkɑm.pəˈzɪʃ.ən/, oppose /əˈpoʊz/, confuse /kənˈfjuːz/, juxtapose /ˈd͡ʒʌk.stəˌpoʊz/
/r/과 /l/ 구별하기: illustration /ˌɪləsˈtɹeɪ̯ʃən/, practical /ˈpɹæk.tɪ.kəl/, reflect /ɹɪˈflɛkt/, principle /ˈpɹɪn.sɪ.pəl/, rectangular /ɹɛkˈtæŋɡjəlɚ/

이 영상으로 연습하는 방법

먼저 말하지 않고 영상을 끝까지 듣고 모르는 단어를 적어 둡니다.
0.75배속으로 한 문장씩 섀도잉을 시작하고, 익숙해지면 보통 속도로 돌아갑니다.
자신의 목소리를 녹음해 원본과 비교하고, shadow, chimney, layer 같은 단어에 특히 주의합니다.

쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법

쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.

섀도잉 방법: 단계별 전체 가이드 읽기 →

쉐도잉 연습: Basics of Comic Shading - 영상으로 영어 말하기 배우기

연습 모드 선택

앱 다운로드

같은 채널

Kim Jung Gi - How to Become a Master

추천 영상

Video 2: Shape

Introduction to Optoelectronics and Photonics

The Art of Sfumato: An In-Depth Oil Painting Masterclass

Blender Donut Tutorial Part 1 (2026)

Use these CSS features instead of JavaScript

Buster Keaton - The Art of the Gag

Colorful eyeshadow Do's and Don'ts

How I Learned Procedural Generation

Art Direction Techniques You Can Use

NEW- Micro Unit 1 Summary- Basic Economic Concepts

LET THERE BE... Voltage? | Maxwell's Equation #2 Explained for Beginners

Diodes Explained - The basics how diodes work working principle pn junction