쉐도잉 연습: Video 2: Shape - 영상으로 영어 말하기 배우기
레슨 만드는 중...
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Along with lines, shapes are a major building block of composition and are critical to each storyboard and film frame.
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We begin with primitive or basic shapes which even on their own can imply emotions.
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For example, triangles can convey action, speed, or tension.
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Circles appear friendly and squares seem reliable and stable.
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Many of our characters and rules begin as two or three shapes stuck together.
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A friendly circle on top of a strong stable square body creates Mr. Incredible.
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We can take a circle which is friendly and a triangle
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which is active and we have Dash from the Incredibles who is both of those things.
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Although we may start with primitive shapes they evolve in a fluid way to look more organic as we add more details.
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And with more detail we can convey more information, meaning, or emotion.
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This leads to what we call a silhouette, which is a filled-in outline of an object.
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Each of our characters would hopefully be immediately identifiable from their silhouette.
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Check it out!
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Now let's return to the storyboards and concept art from UP and ask our artists what they see.
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With UP we thought well Carl and Ellie should play off of each other.
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They should almost be opposites in a way, even though they complement, they are opposites.
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And we thought, well, Carl would be this square shape here who's basically got these sort of drab, earth-tone colors as a square.
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And Ellie would sort of be represented by this circular, lighter shape as well.
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And she would be colored magenta.
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Again, she kind of looks at life through rose-colored glasses was the thought.
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And so we really just wanted to start with these basic shapes for Carl and Ellie.
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And so when you try to think of those elements, these end up becoming the characters.
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And Carl is still yet represented by a square and Ellie a circle.
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You know, shape does a lot for us in this composition from up.
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There's some really simple ones to spot right off the bat.
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You have kind of a circle or an oval, very primitive.
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You have a version of a triangle.
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Again, it's got a gesture to it.
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It's leaning.
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It's dynamic.
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It's moving towards Ellie.
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triangle here with Ellie, kind of accepting those pieces.
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It's almost like they're two pieces of the same sort of thought.
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That curved circle is repeated here, which kind of helps emphasize a stacked element in the same direction aiming towards Carl's face.
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Behind Carl, we have a huge,
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huge rectangle or series of rectangles that are again helping to draw your eyes straight to Carl.
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I really like this example from Ratatouille of a character whose shape is really intimidating.
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Anton Ego is the food critic who comes and kind of is known to take whole restaurants down.
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So the way that he's designed, it's interesting.
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He's like a skinny little guy, so thin and so tall, you can just see him dominating over anyone.
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And his head is leaning forward like he's coming over you like a vulture.
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And there's something very funerary about him.
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If you look at even the way that his office is designed, from above it looks like a coffin.
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And I just really love that parallel between the character and the set design that he occupies.
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So for this scene, it's the beach race scene.
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And so the way that I use shape here was to have a really large form
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that kind of blocks out exactly where you're supposed to look.
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So it feels like you're an outsider, but you also get a feel of how fast the car is
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because we're so far back and you'll see him go across screens so quickly.
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So you have like this dark shape here that really just pushes you towards McQueen.
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Even the blades of grass are all pointing towards where you're supposed to look as well as the flow of the fencing.
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We as the audience are the outsider here
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because he's not quite understanding emotionally where he should be at yet in the film.
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so the camera is also pulled away, and the shapes are boxing him in a little bit.
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So he feels boxed in in his mind as well.
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In this panel from Cars 3, Shape does a lot for us to strengthen what's happening in Lightning's life.
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That's one thing that works well in the Cars world, is this idea that the characters themselves are shapes.
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Traditionally, Lightning has rounder images, or rounder aspects to him.
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He's friendlier, he's more approachable, he's our hero.
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When you get to Jackson Storm, our new character, he's a lot more angular.
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But there's a lot more of a sharp dynamic quality to Jackson.
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And I think these lines also help him feel faster.
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The shapes, the dynamic shapes of where he's going.
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Using these sort of primitive triangle ideas, it really gives you a sense of moving forward.
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Traditionally, other cars in the Cars world are boxes.
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Or variations on boxes.
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They're not going anywhere.
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They're slow.
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but they also help frame the more dynamic characters that we're looking at, the curves of lightning and the strong angles of storm.
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As you can tell, shapes can be used in many ways to help tell a story, and it's universal.
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The use of shape to convey meaning can apply to everything, a car, a monster, a human, or even an emotion.
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In this next exercise, you'll have an opportunity to think more about shape.
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이 레슨에 대해
"Video 2: Shape"으로 쉐도잉 기법을 사용해 영어를 연습합니다.
매일 15~30분 꾸준히 연습하면 IELTS 스피킹에 대한 자신감이 길러집니다.
쉐도잉이란? 영어 실력을 빠르게 키우는 과학적 방법
쉐도잉(Shadowing)은 원래 전문 통역사 훈련을 위해 개발된 언어 학습 기법으로, 다언어 학자인 Dr. Alexander Arguelles에 의해 대중화된 방법입니다. 핵심 원리는 간단하지만 매우 강력합니다: 원어민의 영어를 들으면서 1~2초의 짧은 지연으로 즉시 소리 내어 따라 말하는 것——마치 '그림자(shadow)'처럼 화자를 따라가는 것입니다. 문법 공부나 수동적인 청취와 달리, 쉐도잉은 뇌와 입 근육이 동시에 실시간으로 영어를 처리하고 재현하도록 훈련합니다. 연구에 따르면 이 방법은 발음 정확도, 억양, 리듬, 연음, 청취력, 말하기 유창성을 크게 향상시킵니다. IELTS 스피킹 준비와 자연스러운 영어 소통을 원하는 분들에게 특히 효과적입니다.