Shadowing Practice: Video 2: Shape - Learn English Speaking with Video
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72 משפטים
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Along with lines, shapes are a major building block of composition and are critical to each storyboard and film frame.
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We begin with primitive or basic shapes which even on their own can imply emotions.
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For example, triangles can convey action, speed, or tension.
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Circles appear friendly and squares seem reliable and stable.
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Many of our characters and rules begin as two or three shapes stuck together.
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A friendly circle on top of a strong stable square body creates Mr. Incredible.
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We can take a circle which is friendly and a triangle
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which is active and we have Dash from the Incredibles who is both of those things.
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Although we may start with primitive shapes they evolve in a fluid way to look more organic as we add more details.
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And with more detail we can convey more information, meaning, or emotion.
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This leads to what we call a silhouette, which is a filled-in outline of an object.
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Each of our characters would hopefully be immediately identifiable from their silhouette.
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Check it out!
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Now let's return to the storyboards and concept art from UP and ask our artists what they see.
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With UP we thought well Carl and Ellie should play off of each other.
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They should almost be opposites in a way, even though they complement, they are opposites.
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And we thought, well, Carl would be this square shape here who's basically got these sort of drab, earth-tone colors as a square.
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And Ellie would sort of be represented by this circular, lighter shape as well.
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And she would be colored magenta.
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Again, she kind of looks at life through rose-colored glasses was the thought.
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And so we really just wanted to start with these basic shapes for Carl and Ellie.
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And so when you try to think of those elements, these end up becoming the characters.
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And Carl is still yet represented by a square and Ellie a circle.
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You know, shape does a lot for us in this composition from up.
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There's some really simple ones to spot right off the bat.
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You have kind of a circle or an oval, very primitive.
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You have a version of a triangle.
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Again, it's got a gesture to it.
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It's leaning.
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It's dynamic.
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It's moving towards Ellie.
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triangle here with Ellie, kind of accepting those pieces.
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It's almost like they're two pieces of the same sort of thought.
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That curved circle is repeated here, which kind of helps emphasize a stacked element in the same direction aiming towards Carl's face.
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Behind Carl, we have a huge,
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huge rectangle or series of rectangles that are again helping to draw your eyes straight to Carl.
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I really like this example from Ratatouille of a character whose shape is really intimidating.
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Anton Ego is the food critic who comes and kind of is known to take whole restaurants down.
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So the way that he's designed, it's interesting.
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He's like a skinny little guy, so thin and so tall, you can just see him dominating over anyone.
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And his head is leaning forward like he's coming over you like a vulture.
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And there's something very funerary about him.
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If you look at even the way that his office is designed, from above it looks like a coffin.
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And I just really love that parallel between the character and the set design that he occupies.
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So for this scene, it's the beach race scene.
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And so the way that I use shape here was to have a really large form
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that kind of blocks out exactly where you're supposed to look.
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So it feels like you're an outsider, but you also get a feel of how fast the car is
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because we're so far back and you'll see him go across screens so quickly.
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So you have like this dark shape here that really just pushes you towards McQueen.
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Even the blades of grass are all pointing towards where you're supposed to look as well as the flow of the fencing.
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We as the audience are the outsider here
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because he's not quite understanding emotionally where he should be at yet in the film.
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so the camera is also pulled away, and the shapes are boxing him in a little bit.
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So he feels boxed in in his mind as well.
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In this panel from Cars 3, Shape does a lot for us to strengthen what's happening in Lightning's life.
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That's one thing that works well in the Cars world, is this idea that the characters themselves are shapes.
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Traditionally, Lightning has rounder images, or rounder aspects to him.
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He's friendlier, he's more approachable, he's our hero.
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When you get to Jackson Storm, our new character, he's a lot more angular.
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But there's a lot more of a sharp dynamic quality to Jackson.
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And I think these lines also help him feel faster.
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The shapes, the dynamic shapes of where he's going.
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Using these sort of primitive triangle ideas, it really gives you a sense of moving forward.
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Traditionally, other cars in the Cars world are boxes.
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Or variations on boxes.
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They're not going anywhere.
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They're slow.
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but they also help frame the more dynamic characters that we're looking at, the curves of lightning and the strong angles of storm.
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As you can tell, shapes can be used in many ways to help tell a story, and it's universal.
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The use of shape to convey meaning can apply to everything, a car, a monster, a human, or even an emotion.
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In this next exercise, you'll have an opportunity to think more about shape.
הורד אפליקציה
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אוצר מילים והערות הגייה לשיעור הזה
שיעור הדיבור הזה ברמה C1 מבוסס על הסרטון “Video 2: Shape”. המילים שחוזרות הכי הרבה: shape, character, Ellie, Carl, circle. בסרטון הזה יש 72 משפטים ו-931 מילים לתרגול Shadowing. הדיבור נמשך 5:25. הדובר מדבר בקצב טבעי של כ-172 מילים בדקה, קרוב לשיחה יומיומית. רק 81% מהמילים נמצאות בין 3,000 המילים הנפוצות ביותר באנגלית, כך שאוצר המילים מאתגר.
אוצר מילים מרכזי בסרטון הזה
14 המילים המתקדמות ביותר בסרטון, עם ההגייה והמשמעות שלהן:
| מילה | הגייה | משמעות |
|---|---|---|
| triangle שם עצם | /ˈtɹaɪˌæŋɡəl/ | משולש \ מְשֻׁלָּשׁ |
| convey פועל | /kənˈveɪ/ | הוביל, העביר |
| rectangle שם עצם | /ˈrɛktæŋɡl̩/ | מַלְבֵּן |
| silhouette שם עצם | /ˌsɪluˈɛt/ | צְלָלִית |
| intimidate פועל | /ɪnˈtɪmɪdeɪt/ | הפחיד, איים |
| vulture שם עצם | /ˈvʌlt͡ʃɚ/ | נשר, עוזנייה |
| coffin שם עצם | /ˈkɔfɪn/ | אָרון, גְּלוֹסְקֵמָה |
| gesture שם עצם | /ˈd͡ʒɛs.t͡ʃɚ/ | מחווה \ מֶחֱוָה |
| outline שם עצם | /ˈaʊtlaɪn/ | קו מתאר |
| critic שם עצם | /ˈkɹɪt.ɪk/ | מְבַקֵּר, מְבַקֶּרֶת |
| oval שם עצם | /ˈoʊvəl/ | אוּבָל |
| skinny שם תואר | /ˈskɪni/ | רָזֶה |
| strengthen פועל | /ˈstɹɛŋ(k)θən/ | חִזֵּק |
| stack שם עצם | /stæk/ | ערמה |
דקדוק בסרטון הזה
המבנים שהדובר משתמש בהם הכי הרבה, עם המילים המדויקות מהסרטון:
| מבנה | בסרטון |
|---|---|
| סביל (Passive voice) be + past participle — הדגש הוא על מה שקורה, לא על מי שעושה את הפעולה | be represented · would be colored · is repeated |
| משפטי זיקה (Relative clauses) who / which + clause — מידע נוסף על אדם או דבר | circle which is · silhouette, which is |
הגייה ששווה לשים לב אליה
הדובר משתמש ב-10 קיצורים וצורות מקוצרות, כמו they're, you're, we're. אמרו אותם בצורה הקצרה, כפי שאתם שומעים אותם.
- הצלילים של “sh” ו-“zh”: traditionally /tɹəˈdɪʃ.ə.nə.li/, emotionally /ɪˈməʊʃənəli/, variation /ˌvɛəɹiˈeɪʃn̩/
- מילים ארוכות — שימו לב להטעמה: traditionally /tɹəˈdɪʃ.ə.nə.li/, approachable /əˈpɹəʊ.t͡ʃə.bəl/, funerary /ˈfjunəˌɹɛɹi/, intimidate /ɪnˈtɪmɪdeɪt/, emotionally /ɪˈməʊʃənəli/
צלילים שדוברי עברית מתקשים בהם:
- /æ/ — פתוח יותר מה-“אֶ” העברית, לא כמו “a” ב-“cup”: triangle /ˈtɹaɪˌæŋɡəl/, rectangle /ˈrɛktæŋɡl̩/, angular /ˈæŋ.ɡjə.lɚ/, stack /stæk/
- /r/ — הלשון לא נוגעת בשום מקום, לא ה-“ר” הגרונית: triangle /ˈtɹaɪˌæŋɡəl/, primitive /ˈpɹɪmɪtɪv/, rectangle /ˈrɛktæŋɡl̩/, outsider /ˌaʊtˈsaɪdəɹ/, traditionally /tɹəˈdɪʃ.ə.nə.li/
- עיצור קולי בסוף מילה — /b/, /d/, /g/, /z/, /v/ בלי להפוך אותם לאטומים: primitive /ˈpɹɪmɪtɪv/, emphasize /ˈɛm.fə.saɪz/, evolve /ɪˈvɑlv/
איך לתרגל עם הסרטון הזה
- הקשיבו לכל הסרטון פעם אחת בלי לדבר, ורשמו את המילים שאתם לא מכירים.
- התחילו במהירות 0.75×, תרגלו Shadowing משפט אחר משפט, וחזרו למהירות רגילה כשזה מרגיש קל.
- הקליטו את עצמכם והשוו למקור, תוך תשומת לב למילים כמו triangle, convey, rectangle.
מהי טכניקת השאדואינג?
שאדואינג היא טכניקת למידת שפה מבוססת מדע שפותחה במקור להכשרת מתורגמנים מקצועיים ופופולרית על ידי הפוליגלוט ד"ר אלכסנדר ארגואלס. השיטה פשוטה אך עוצמתית: אתה מקשיב לאודיו באנגלית ילידית וחוזר עליו בקול רם מיד — כמו צל העוקב אחרי הדובר עם עיכוב של 1–2 שניות בלבד. בניגוד להאזנה פסיבית או תרגילי דקדוק, שאדואינג מכריח את המוח והשרירים בפה לעבד ולשחזר דפוסי דיבור אמיתיים בו זמנית. מחקרים מראים שזה משפר משמעותית את דיוק ההגייה, האינטונציה, הקצב, הדיבור המחובר, הבנת השמיעה ושטף הדיבור — מה שהופך אותו לאחת השיטות היעילות ביותר להכנה לIELTS Speaking ולתקשורת באנגלית בעולם האמיתי.