Luyện nói tiếng Anh bằng Shadowing qua video: Basics of Comic Shading

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The next very important topic
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that we need to cover in order to make your compositions flow and be very easy to read is lighting.
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Now lighting in its most basic form is a directional light source, an object that catches that light,
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and then a shadow on that object away from the light.
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Now that gets a little bit more complex when we have an object, our light source, a shadow away from the light
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and a surface that's going to be obscured by the object in front of it
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and so for the purposes of illustration i almost always
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and i highly recommend
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that you do too use a directional light source as opposed to a pin light which will radiate light out
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in all directions and this can be extraordinarily difficult to compensate for for really very little practical effect and
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so what i'm going to do is i'm going to draw a line from the outline of my foreground object
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and that is where i'm going to cast a shadow onto the object below it
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and one further thing to bear in mind is that
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when you have an object a surface below that object
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and a light source
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that's directional like this i'll draw a shadow across my object
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away from the light a shadow onto the surface behind where
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that surface is being obscured by the object
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but also this surface catches light and reflects light back up onto my object
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and so that creates a core shadow
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so the core shadow is where it's receiving no light at all
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this is where my main light is hitting this light source
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and then my bounce light is creating a light on the back of my surface here this is something
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that can be very effective but it can also lead to a lot of problems
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and because we're dealing with comic book illustration we're going to avoid this kind of effect for now
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and just before we move on I'm going to draw a very very simple shape for a nose
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there's my eyes over the nose
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and I've got a cheek behind it my lip just below
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it very very simple just to get the point across
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and I'm going to draw my same light source and
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so on this side of the nose away from the light
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I'm going to have a shadow I have a shadow here away from the light
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and along the bottom just like
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that very simple this is using as simple shapes as we
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possibly can we'll also have shadows where the eyes recess and we'll just draw those as simple shapes for now
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but it's important to bear in mind
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that the nose projects outward from the face and here's my lip
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and my brow draw my eye all very very simple just to get it across
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and here would be the plane of my cheek like this my nose projects out quite a bit
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and so it's going to cast a shadow just like this example here this would be my nose
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and this will be my cheek the surface of my cheek
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and now they're attached these are separate
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but it's going to cast a shadow across that surface just like this
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and so what I have here is a body shadow what I have here is a cast shadow
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and I can soften this up toward the light using a little bit of line
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but my cast shadow always needs to remain hard
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because it represents the outline of my nose cast against a surface below
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so this will be a body shadow here body shadow here body shadow here
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and then below the lip i get a cast shadow it goes out further
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and it's important to remember the distinction between the two
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when you're doing your lighting so now
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that we have a very very basic understanding of lighting established here
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we're going to start to learn how to use lighting compositionally to help our panels come together and be more readable.
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And so I'm going to start with simple shape for a figure.
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I just want this to be an outline shape.
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And here's a figure drawn into a panel.
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I'm going to light him again from the same angle that I used just over here.
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So he'll have a little bit of shadow cast here.
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And that's all fine.
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But what I really want to concentrate on is the cast shadow from this figure onto the wall behind
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and you can see that that cast shadow not only is relatively accurate
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but it also really helps to frame my figure
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and pop this figure forward because i'm using a light shape that's juxtaposed over dark shape
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and then using the rules of composition i used before
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i can just cast a shadow over the wall entirely as
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if this is a window casting the light on them and I can use that to frame my figure.
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And this is a technique you will see used over and over again in comics when you start to look for it.
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Conversely, I've got a figure fully in shadow, so he's completely in silhouette.
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And I can draw a doorway around him just like this.
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And because he's dark, he stands out against the light coming through the door behind him.
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And that dark to light to dark reads very, very easily and also serves to frame my figure just the way that I did here.
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Now I wanted to talk about the final way that I use shadow compositionally.
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And this method can be a little bit confusing
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if you think of it just in terms of using a light source and proper shadow.
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So the way that it works is I'll draw just very simple shapes.
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So I've got a rectangular shape here.
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I'm going to keep this light.
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I'm going to draw a shape behind it.
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And this shape will be dark.
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And now I'll draw another shape behind that.
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this one will be light and then a shape behind this and this will be dark
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another light shape and a dark shape and I can keep going across my panel just by layering
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light and shadow and I do try to bear in mind
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that I've got a light source coming from here and so
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if I had my light source coming from here I'd want to lay the other way around
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so at the very least I have my light portions pointing toward the light as much as possible but
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when I think in terms of my shadow
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I'm really thinking in terms of layering more than just thinking in terms of exactly where a shadow would fall.
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So a really good way to show this in practice would be to show some chimneys.
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Let me get in here and draw a chimney in the foreground
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and I'm going to keep these pretty simple just a little bit of detail just so we all know it's a chimney.
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and now behind it I'm going to draw another chimney shape and this one is just going to be dark
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and making the chimney behind my light chimney here dark really separates the two
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and then I can draw another chimney behind this one this won't be light
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and then maybe another shape just behind this and this will be dark
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and I can go all the way back through a panel and just layer my shapes like this.
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And this is a great way to use shadow to achieve
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depth in a picture just by layering lights onto darks onto lights onto darks all the way back.
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And it's a very, very simple technique to use.
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It's something that you really don't need to overthink.
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That's it for this lesson.
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If you enjoyed this video, take a look at the premium course over at proko .com slash comic page.
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See if you can apply some of these basic principles to your own work.
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Thanks so much for joining me.
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I'll see you next time.

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Từ vựng và ghi chú luyện nói cho bài học này

Bài luyện nói này dựa trên video “Basics of Comic Shading”. Những từ được nhắc lại nhiều nhất trong bài: shadow, shape, draw, dark, object. Video này có 49 câu và 1349 từ để luyện shadowing. Phần lời nói dài 7:16. Người nói nói nhanh, khoảng 185 từ mỗi phút, nên sẽ có nhiều chỗ nối âm và nuốt âm. 83% số từ nằm trong 3.000 từ tiếng Anh thông dụng nhất; phần còn lại nên xem trước khi luyện.

Từ vựng quan trọng trong video

15 từ đáng học trong video, kèm phiên âm và nghĩa:

TừPhiên âmNghĩa
shadow danh từ/ˈʃædəʊ̯/bóng, bóng tối
chimney danh từ/ˈt͡ʃɪmni/ống khói
layer danh từ/ˈleɪ̯ɚ/lớp
cheek danh từ/t͡ʃiːk/má, đít
technique danh từ/tɛkˈniːk/kỹ thuật, kĩ thuật
comic danh từ/ˈkɑmɪk/truyện tranh
composition danh từ/ˌkɑm.pəˈzɪʃ.ən/thành phần
obscure tính từ/əbˈskjʊɹ/mờ mịt, tối tăm
topic danh từ/ˈtɑpɪk/chủ đề
lesson danh từ/ˈlɛs.ən/bài, bài học
reflect động từ/ɹɪˈflɛkt/phản chiếu
angle danh từ/ˈæŋ.ɡəl/gốc
principle danh từ/ˈpɹɪn.sɪ.pəl/nguyên lí, nguyên tắc
concentrate động từ/ˈkɑn.sən.tɹeɪt/cô
bounce động từ/baʊns/nảy

Cụm động từ bạn sẽ nghe

TừNghĩa
go out động từra, chết

Phát âm cần chú ý

Người nói dùng 33 dạng rút gọn, ví dụ I'm, I'll, I've. Hãy nói theo dạng ngắn đúng như bạn nghe.

  • Âm “sh” và “zh”: shadow /ˈʃædəʊ̯/, composition /ˌkɑm.pəˈzɪʃ.ən/, illustration /ˌɪləsˈtɹeɪ̯ʃən/, establish /ɪˈstæb.lɪʃ/, distinction /dɪˈstɪŋkʃən/
  • Từ dài — đặt trọng âm cho đúng: composition /ˌkɑm.pəˈzɪʃ.ən/, illustration /ˌɪləsˈtɹeɪ̯ʃən/, rectangular /ɹɛkˈtæŋɡjəlɚ/, directional /dɪˈɹɛk.ʃə.nəl/

Những âm người Việt thường gặp khó:

  • Cụm phụ âm cuối — đọc đủ từng âm, đừng nuốt âm cuối: reflect /ɹɪˈflɛkt/, bounce /baʊns/, foreground /ˈfɔː(ɹ)ˌɡɹaʊnd/
  • Âm /tʃ/, /dʒ/ và /ʒ/ — tiếng Việt không có, đừng đọc thành “ch” hay “gi”: chimney /ˈt͡ʃɪmni/, cheek /t͡ʃiːk/, attach /əˈtæt͡ʃ/, juxtapose /ˈd͡ʒʌk.stəˌpoʊz/
  • Âm /æ/ — mở miệng rộng hơn âm “e”: shadow /ˈʃædəʊ̯/, practical /ˈpɹæk.tɪ.kəl/, establish /ɪˈstæb.lɪʃ/, angle /ˈæŋ.ɡəl/, attach /əˈtæt͡ʃ/

Cách luyện với video này

  1. Nghe hết video một lần, chưa cần nói, và ghi lại những từ bạn chưa biết.
  2. Bắt đầu ở tốc độ 0,75×, nói đuổi từng câu, rồi quay lại tốc độ bình thường khi đã quen.
  3. Ghi âm giọng mình rồi so với bản gốc, chú ý các từ như shadow, chimney, layer.

Phương Pháp Shadowing Là Gì?

Shadowing là kỹ thuật học ngôn ngữ có cơ sở khoa học, ban đầu được phát triển cho chương trình đào tạo phiên dịch viên chuyên nghiệp và được phổ biến rộng rãi bởi nhà đa ngôn ngữ học Dr. Alexander Arguelles. Nguyên lý cốt lõi đơn giản nhưng cực kỳ hiệu quả: bạn nghe tiếng Anh của người bản xứ và lặp lại to ngay lập tức — như một "cái bóng" (shadow) đuổi theo người nói với độ trễ chỉ 1–2 giây. Khác với luyện ngữ pháp hay học từ vựng bị động, Shadowing buộc não bộ và cơ miệng phải đồng thời xử lý và tái tạo ngôn ngữ thực tế. Các nghiên cứu khoa học xác nhận phương pháp này cải thiện đáng kể phát âm, ngữ điệu, nhịp điệu, nối âm, kỹ năng nghe và độ lưu loát khi nói — đặc biệt hiệu quả cho người luyện IELTS Speaking và muốn giao tiếp tiếng Anh tự nhiên như người bản ngữ.

Phương pháp shadowing: đọc hướng dẫn từng bước đầy đủ →