Shadowing Practice: S1E01 Clip | Power-hungry New York Women - Learn English Speaking with Video

Creando lección...
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It's like the riddle of the Sphinx.
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Why are there so many great unmarried women and no great unmarried men?
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I explore these sorts of issues in my column, and I have terrific sources of my friends.
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When you're a young guy in your 20s, women are controlling the relationships.
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By the time you're an eligible man in your 30s, you feel like you're being devoured by women.
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Suddenly, the guys are holding all the chips.
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I call it the mid-30s power flame.
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It's all about age and biology.
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I mean, if you want to get married, it's to have kids, right?
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And you don't want to do it with someone older than 35, because then you have to have kids right away, and that's about it.
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I think these women should just forget about marriage and have a good time.
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I have a friend who'd always gone out with extremely sexy guys and just had a good time.
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One day, she woke up and she was 41.
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She couldn't get any more dates.
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She had a complete physical breakdown, couldn't hold on to her job, and had to move back to Wisconsin to live with her mother.
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Trust me, this is not a story that makes men feel bad.
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Most men are threatened by successful women.
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If you want to get these guys, you have to keep your mouth shut and play by the rules.
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I totally believe that love conquers all.
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Sometimes you just have to give it a little space.
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And that's exactly what's missing in Manhattan.
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The space for romance.
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The problem is expectations.
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Older women don't want to settle for what's available.
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By the time you reach your mid-thirties, you think, why should I settle?
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You know?
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It's like the older we get, the more we keep self-selecting down to a smaller and smaller group.
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What women really want is Alec Baldwin.
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There's not one woman in New York who hasn't turned down ten wonderful guys
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because they were too short or too fat or too poor.
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I have been out with some of those guys, the short, fat, poor ones.
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It makes absolutely no difference.
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They are just as self-centered and unappreciative as the good-looking ones.
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Why don't these women just marry a fat guy?
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Why don't they just marry a big fat tub of lard?
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Happy birthday, dear Miranda.
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Happy birthday to you.
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Another 30-something birthday with a group of unmarried female friends.
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We would all have preferred a nice celebratory conference call.
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Thank you for saying.
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Look, if you're a successful saleswoman in this city, you have two choices.
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You can bang your head against the wall and try to find a relationship, or you can say, screw it, and just go out and have sex, like a man.
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You mean with dildos?
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No. I mean without feeling.
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Samantha Jones was a New York inspiration, a public relations executive.
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She routinely slept with good-looking guys in their 20s.
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Remember that guy that I was going out with?
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Oh, God, what was his name?
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Drew.
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I didn't feel a thing.
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It was like, hey, babe, gotta go.
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Catch you later.
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And I completely forgot about him after that.
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But are you sure that that isn't just because he didn't call you?
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Sweetheart, this is the first time in the history of Manhattan...
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...that women have had as much money and power as men.
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Plus, the equal luxury of treating men like sex objects.
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Yeah, except men in this city fail on both counts.
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I mean, they don't want to be in a relationship with you, but as soon as you only want them for sex, they don't like it.
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All of a sudden, they can't perform the way they're supposed to.
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That's when you dump them.
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Oh, come on, ladies, are we really that cynical?
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What about romance?
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It's like that guy Jeremiah, the poet.
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I mean, the sex was incredible.
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But then he wanted to read me his poetry and go out to dinner and the whole chat bit.
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And I'm like, let's not even go there.
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What are you saying?
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Are you saying you're just gonna give up on love?
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Oh, no, no, no, no, no, believe me.
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The right guy comes along and you two right here, this whole thing, right out the window.
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No, no, no, no. The right guy is an illusion, you understand that?
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You can start living your life.
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So you think it's really possible to pull off this whole, um, women having sex like men thing?
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You're forgetting the last session.
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You're obsessed with that movie.
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Okay.
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Linda Fiorentino.
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Fuck me, that guy.
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I'm never having one of those, oh my god, what have I done, epiphonies.
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I hated that movie. Was it true?
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Were women in New York really giving up on love and throttling up on power?
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What a tempting thought.

Vocabulario y notas de pronunciación para esta lección

Este vídeo tiene 83 frases y 822 palabras para practicar shadowing. La parte hablada dura 4:52. El hablante habla a un ritmo natural de unas 169 palabras por minuto, cercano a una conversación cotidiana. El 85 % de las palabras está entre las 3.000 más comunes del inglés; conviene repasar el resto antes de empezar.

Vocabulario clave de este vídeo

15 palabras menos comunes del vídeo, con su pronunciación y significado:

  • marry /ˈmæɹi/ (verbo) — casar, casarse. To enter into the conjugal or connubial state; to take a husband or a wife.
  • settle /ˈsɛtəl/ (verbo) — resolver, dirimir. To determine (something which was exposed to doubt or question); to resolve conclusively; to set or fix (a time, an order of succession, etc).
  • romance /roʊˈmæn(t)s/ (sustantivo) — romance. An intimate relationship between two people; a love affair.
  • select /sɪˈlɛkt/ (verbo) — seleccionar, cribar. To choose one or more elements of a set, especially a set of options.
  • sexy /ˈsɛksi/ (adjetivo) — sexy. Having sex appeal; attractive.
  • inspiration /ˌɪn.spɪˈɹeɪ.ʃən/ (sustantivo) — inspiración. The drawing of air into the lungs, accomplished in mammals by elevation of the chest walls and flattening of the diaphragm, as part of the act of breathing.
  • poetry /ˈpoʊ.ə.tɹi/ (sustantivo) — poesía. Literature composed in verse or language exhibiting conscious attention to patterns and rhythm.
  • sudden /ˈsʌd.ən/ (adjetivo) — repentino, súbito. Occurring quickly with little or no warning or expectation; instantly.
  • luxury /ˈlʌk.ʃə.ɹi/ (sustantivo) — lujo. Very wealthy and comfortable surroundings; the state of being that they create.
  • column /ˈkɒləm/ (sustantivo) — columna, pilastra. A solid upright structure designed usually to support a larger structure above it, such as a roof or horizontal beam, but sometimes for decoration.
  • bang /ˈbæŋ/ (sustantivo) — estallido, estruendo. A sudden percussive noise.
  • chip /t͡ʃɪp/ (sustantivo) — astilla, cepa. A small piece broken from a larger piece of solid material.
  • explore /ɪkˈsploɹ/ (verbo) — explorar. To examine or investigate something systematically.
  • relation /ɹɪˈleɪʃ(ə)n/ (sustantivo) — relación. The manner in which two things may be associated.
  • eligible /ˈɛl.ɪ.d͡ʒɪ.bəl/ (adjetivo) — idóneo, eligible. Allowed to and meeting the necessary conditions required to participate in or be chosen for something.

Phrasal verbs que vas a escuchar

  • come along (verbo) — avanzar, marchar. To accompany.
  • come on /ˌkʌm ˈɒn/ — hala, vamos. Come along with me; join me in going.
  • go out (verbo) — salir. To leave, especially a building.
  • pull off (verbo) — llevarse el gato al agua, poner una pica en Flandes. To remove by pulling.
  • settle for (verbo) — conformarse con, complacerse son. To accept or allow something, especially something not entirely desirable.
  • sleep with (verbo) — acostarse con, hacerlo con. To have sexual intercourse with.
  • turn down (verbo) — rechazar. To refuse, decline, or deny.
  • wake up /ˌweɪk ˈʌp/ (verbo) — despertarse, recordar. To stop sleeping; to awake.

Pronunciación a tener en cuenta

El hablante usa 26 contracciones y formas reducidas, como you're, don't, couldn't. Dilas en su forma corta, tal como las oyes.

  • Los sonidos de “th”: thirty /ˈθɝti/, threaten /ˈθɹɛt.n̩/, throttle /ˈθɹɔ.tl̩/
  • Los sonidos de “sh” y “zh”: inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, luxury /ˈlʌk.ʃə.ɹi/, relation /ɹɪˈleɪʃ(ə)n/, expectation /ˌɛk.spɛkˈteɪ.ʃən/, illusion /ɪˈl(j)uːʒ(ə)n/
  • Palabras largas — cuida el acento: inspiration /ˌɪn.spɪˈɹeɪ.ʃən/, eligible /ˈɛl.ɪ.d͡ʒɪ.bəl/, biology /baɪˈɑ.lə.d͡ʒi/, expectation /ˌɛk.spɛkˈteɪ.ʃən/, celebratory /ˈsɛləbɹəˌtɔːɹi/

Cómo practicar con este vídeo

  1. Escucha el vídeo entero una vez sin hablar y anota las palabras que no conoces.
  2. Empieza a velocidad 0,75×, haz shadowing frase por frase y vuelve a la velocidad normal cuando te resulte fácil.
  3. Grábate y compara con el original, prestando atención a palabras como marry, settle, romance.

Gramática en este vídeo

Las estructuras que más usa el hablante, con las palabras exactas del vídeo:

EstructuraEn el vídeo
Present perfect have/has + participio pasado — una acción pasada que sigue importando ahorahasn't turned · have been · have preferred
Voz pasiva be + participio pasado — importa lo que ocurre, no quién lo hacebeing devoured · are threatened

¿Qué es la Técnica de Shadowing?

Shadowing es una técnica de aprendizaje de idiomas respaldada por la ciencia, desarrollada originalmente para la formación de intérpretes profesionales y popularizada por el políglota Dr. Alexander Arguelles. El método es simple pero poderoso: escuchas audio en inglés nativo y lo repites en voz alta de inmediato, como una sombra que sigue al hablante con solo 1-2 segundos de retraso. A diferencia de la escucha pasiva o los ejercicios de gramática, el shadowing obliga a tu cerebro y músculos de la boca a procesar y reproducir simultáneamente patrones de habla reales. Las investigaciones muestran que mejora significativamente la precisión de la pronunciación, la entonación, el ritmo, el habla conectada, la comprensión auditiva y la fluidez al hablar, convirtiéndola en una de las metodologías más efectivas para la preparación del IELTS Speaking y la comunicación en inglés en el mundo real.

Técnica de shadowing: lee la guía completa paso a paso →