शैडोइंग अभ्यास: Do YOU Believe These Body Language Tropes? - वीडियो के साथ अंग्रेजी बोलना सीखें
पाठ बनाया जा रहा है...
1
Well, hey there, idiots.
2
Welcome back to Observe, and in today's video, I decided to take a step back from everything that's really heavy and weighty and exhausting to do, like true crime and events going on around the world,
3
and focus some more on a video that many of you have requested repeatedly in the past,
4
and that's that I take a look at various instances of body language reading throughout TV and media, talk about how realistic they are, what they miss, what they get right, things like that.
5
That's all that I want to say about this before we roll this intro here, yeah?
6
Now it is well known that the media, TV, movies, they amplify, exaggerate,
7
oversaturate things to make things seem more of a specific way, more interesting, more engaging, flow better,
8
and that is definitely still the case when it comes to nonverbal communication analysis of style interactions in the media.
9
So throughout this, we're going to visit a number of different clips from TV
10
and movies to be able to establish kind of what we're working with when it comes to media.
11
Now, nonverbal communication is still fairly new in the realm of sciences.
12
So there's not nearly as much to be able to look at when it comes to representation in TV and movies.
13
But I've collected some of them here.
14
I have watched all of these different movies and TVs all the way through myself and am a big fan of each, so you will probably see that kind of come out here.
15
I am appreciative of the representation, although it is at times a little exaggerated.
16
Regardless, we're going to go ahead and dive into this first clip, which is from Lie to Me, and it's actually some of the first scenes of the show that you will see if you watch the show,
17
which if you're interested in this channel and the stuff that I cover here, definitely go and watch any of these series that I'm talking about
18
because it plays off of a little bit of what we talk about here, again, albeit a little bit more dramatized and entertaining.
19
Hope that makes sense.
20
Let's go ahead and just start watching these clips and breaking them down.
21
I've instructed my client to remain silent.
22
So this initial little clip that it does here where he's leaning forward and he's watching, this seems to me to be insinuating the development
23
and gathering of a baseline to be able to understand how this person behaves in general without there being pressure
24
or anything that might be implicative of them, that would cause spikes in their nonverbal communication.
25
That being said, this is such a very short, very brief interaction that they're having here that it wouldn't establish a very reliable baseline.
26
So at this point, the main character here, his name's Cal Lightman, he would be relying on the generalities of nonverbal communication in order to be able to establish whether
27
or not the convict is speaking truthfully.
28
So you kind of see him scanning around on the body there, and that is, again, that's a normal part of the analysis process.
29
However, this portion, usually, if you're doing a genuine interrogation, it takes much more time and more interaction than just this little clip.
30
So we're already seeing some of these comparisons that can exist in real life, but we haven't even gotten to the analysis portion of things.
31
Our statistically speaking average person tells three lies per 10 minutes of conversation.
32
And granted, it's just regular people.
33
We haven't studied any people who are planning to firebomb a black church.
34
could ski differently.
35
That statistic, I haven't been able to actually track that down or verify that as reliable.
36
Now, where that does start to get muddy is where you qualify a lie.
37
It's not as black and white as what you would like it to be.
38
It has a lot of variance between it.
39
Some people will refer to the even concept of manners and etiquette as, on some level, lying.
40
You're presenting something that's not totally genuine
41
or authentic to yourself as a human being another example would be the innocent or helpful or beneficial lies.
42
Say somebody gives you a gift for a birthday or any event or anything like that and you don't really like it, you're still going to say thank you,
43
I appreciate this gift even though in reality that appreciation might not go all the way.
44
A great book for this
45
if you were wanting to be able to kind of unpack
46
this a little bit more is Telling Lies by Paul Ekman
47
and he actually consulted on this show to make sure
48
that it did the most accurate it could while still being entertaining and in the Hollywood sphere of things again.
49
But telling lies helps unpack that concept of what lying actually looks like,
50
where those parameters can be found and how these sorts of numbers of that consistent of line can be
51
can be drawn out.
52
Now, in reality, in real life, the studies that were done were done on a large body of people, including students.
53
But the way that they tracked the lying was, again, self -reporting of the lies.
54
They had to report, oh, I lied XYZ a number of times.
55
And that can become hazy because of the morality and some of the cultural consequences around lying.
56
Chances are people that did report lies were probably lying in those scenarios as well
57
because they felt uncomfortable if they've lied a lot it gets really muddy
58
so just just commenting on that if you want to try to take
59
and run with
60
that statistic i don't suggest it it's not actually backed up
61
by in real life science although it is touted on the show not totally accurate
62
but now we're about to get into stuff we don't have
63
time for this scientist to talk to the guy we went at him for four hours
64
and got nothing now the fbi knows you want mass casualties
65
so right now atf is searching every inch of the two largest black churches in the state.
66
FBI got it wrong.
67
So what Cal's doing in this situation is something that's actually a mentalist technique called phishing.
68
You put out a statement and you wait for some form of feedback with it
69
that can guide you further in the future.
70
Now this is undressed so much so
71
that it's it's showing he's asking a question
72
and waiting for the non -verbal feedback from that in order to redirect from there.
73
But if you were in a mentalist show or if you were going to a fake psychic, they would dress that up dramatically and make it something to either sound supernatural
74
or to sound something that's far beyond the level that it actually is in complexity.
75
And so he puts out this statement of a specific area, a specific building that they're looking for, and he's reading to see if there's going to be any reaction from the person that he's analyzing at the time.
76
He does a flash of a smile in there
77
which is also lightly lopsided which they don't talk about in the show
78
but with this resolution it's pretty difficult to say
79
and it's also pretty difficult to get these clips onto the internet
80
if you're watching this the chances are this video is completely completely demonetized
81
because it's from different studios and whatnot so
82
if you would like to support me in making more content like this go ahead
83
and consider becoming a member to the channel
84
or heading over to patreon i will be hopefully this year
85
putting out more content in both of those areas to help justify a little bit of that extra donation, but right now, it just kind of makes it to where I can make claimed videos a little bit more possible for you.
86
Don't click away and do those things quite yet.
87
Stay here.
88
Do that later.
89
Well, there's a shocker.
90
Not one of those two churches.
91
Maybe you want one of the smaller churches, one of the black suburbs.
92
You know what you're talking about.
93
Don't respond.
94
What do you say ATF starts with Southbridge?
95
nah I'm only kidding we're gonna skip that one you're gonna focus on Lawton you feel good about
96
that's it Lawton that accusation has no basis what do you mean you just told me
97
all right so that's the analysis portion of things
98
and now the second part is he's going to break it
99
down like I'm about to break it down for you as well
100
when he starts mentioning the different places when the convict says, you don't know what you're talking about.
101
Afterwards, after leaning forward and saying aggressively, you don't know what you're talking about, you see the little lopsided shrug come in there.
102
That's going to be mentioned here.
103
And that is a genuine nonverbal indicator of a lack of sincerity or confidence in an area.
104
It's not universal.
105
A lot of body language reading is not universal.
106
It's based off of culture.
107
It's based off of context and it's based off of the individual themselves.
108
When speaking of micro -expressions and the representation of emotion across the face that's dealing with the seven universal emotions.
109
Now, the seven universal emotions have been established across cultures across the globe that have not been exposed to media.
110
And even in cases of people who were born completely blind, they still present these emotions in the same way,
111
letting us know that this isn't something that they have visually taken in and adapted.
112
It's something that we're born with.
113
Ergo, the seven universal emotions.
114
Body language is specific to the individual.
115
Seven universal emotions are universal to everyone, albeit there are always exceptions, especially in the realm of various mental conditions,
116
and sometimes neurodiversities can also affect that.
117
Neurodiversities more heavily affect body language reading, the rest of the body, the kinesics of the body,
118
whereas you can kind of rely on those seven universal emotions and with some outliers to go across the board regardless.
119
So those are some of the things to be able to clear up with this.
120
Now let's hear how Kyle Lightman breaks down what he's talking about and we'll talk about it as well.
121
The ATF found a pipe bomb in a church basement in Lawton an hour later.
122
DoD friend of mine said this guy's a total nut job.
123
He spent like three years in the African jungle with some primitive tribes studying their eyebrows.
124
That's a reference to Paul Ekman.
125
He did go and travel to, again, these remote places to be able to study the movements
126
of people's faces to help establish the existence of the universal emotions themselves.
127
So that's a little reference to that.
128
Cal Lightman, again, is largely based off of Paul Ekman, albeit with a lot more pizzazz and the dramatization that exists in Hollywood.
129
But that is a reference to actual scientific fieldwork that has been done to help establish some of these things.
130
What's his reaction to my statement?
131
Right now, ATF is searching every inch of the two largest flag churches in the state.
132
Now we just saw there was a brief expression of happiness on his face
133
Which he was trying his best to conceal lasted for less
134
than a fifth of a second as what we call a micro expression Now look at his mouth.
135
The suspect is secretly happy about the locations We are searching
136
which tells me we have the wrong location as I was mentioning with
137
that that little smile
138
That does flash across his face in a micro expression is also lightly lopsided
139
that could push down that possibility of it being contempt.
140
Now, contempt is an asymmetrical smile that reaches the face.
141
It indicates a feeling of moral or intellectual superiority, but it does have activation on both sides of the mouth.
142
So it is a brief smile, a micro -expression of happiness, of perhaps this level of I'm achieving some sort of knowledge over you,
143
but that does, like I said, lead right into contempt, which also is represented there.
144
Well done by the actor who's trying to present these micro -expressions, but it's also rarely so cleanly done.
145
As you can see here, it's a lot of just stagnant movement and then a little teeny tiny move and then stagnant movement.
146
That makes it easier for the general public to watch but in real life, people don't sit very, very stationary and then flash a little tiny expression and then sit very,
147
very stationary most of the time.
148
A lot of the time there's more movement, there's more context around so it's a little bit more difficult to decipher
149
when a micro expression happens like that but it is still done
150
and it is even more reliable if you establish a nonverbal baseline to go off of as well.
151
Already, we're seeing a decent amount of science in this specific clip that we're working with, but it is still dressed up for Hollywood.
152
Now I tell him of our new plan and...
153
That's what you're talking about.
154
Classic one -sided shrug.
155
Translation, I have absolutely no confidence in what I just said.
156
The body contradicts the words.
157
He's lying.
158
Yeah.
159
When you accuse a suspect and he acts surprised, Is there a way to tell if it's real or if he's just trying to look innocent?
160
Now that's real surprise lasts for less than a second
161
when it comes across space But if your suspect is surprised for more than a second, he's faking it.
162
That's loosely accurate It's not exactly accurate.
163
It doesn't necessarily surprise doesn't necessarily last for that specific period of time especially if a stimulus continues to alter,
164
what it is really reliably referring to are the emotional profiles of things.
165
And I reference these regularly on the channel here.
166
In commonality, emotions follow a profile, they have an onset and a fall off, and it usually lasts a specific duration.
167
If it does stray from that, it can start wavering into this,
168
might be play acted or hammed up or forced or altered lightly for the sake of whoever is being interacted with.
169
If it's a camera, if it's an interviewer, if it's just an instance, that would be where you can start seeing those alterations come in.
170
We're dealing with a facet of truth in nonverbal analysis, but again, the way he's referencing it and talking about it is making it much more black and white,
171
clean cut, and very, very precise without the extra effort that goes into it.
172
Decent, but, you know, a little off.
173
He's lying.
174
now i call out this target is actually lawton and watch it again concealed scorn
175
one personal tip you see this micro expression in your spouse's
176
face your marriage is coming to an end trust me that's not technically exclusively concealed scorn another thing
177
that this this show does is it simplifies the representations of things in real human social interaction,
178
the expressions that come across a person's face can be a simplistic one -only expression, but oftentimes they are mixed.
179
So on the upper half of the convict's face in this area, you see the drawing together and lowering of the eyebrows.
180
That's aggression, usually in the vein of anger, disgust, and scorn.
181
You're also seeing the narrowing of the eyes.
182
That narrowing of the eyes is commonly related to scorn when coupled with the lowering of the eyebrows that way.
183
Now that also being said, it's not exclusive to scorn.
184
For people, when they focus, they can also do this there are plenty of instances
185
that can encourage the narrowing of the eyes
186
and the lowering of the eyebrows including environmental ones
187
if it's super bright out or
188
if there's a sudden gust of wind it can cause your
189
face to move in ways to kind of counteract those stimuli as well.
190
So the show makes it much more simplistic, but it does technically exist.
191
Now, on the bottom half of the face, I would not necessarily qualify that as scorn.
192
I would qualify that as disgust.
193
You can see it in the action in the corner of his nose.
194
But combined, the scorn and disgust, it still conveys the same veins of emotion, but with a little bit of extra color to it, if that makes sense.
195
So simplified, a little bit dramatized, sped up for the sake of consumability, but fairly accurate.
196
Now we're going to get to the part where he talks about the universality of things, and you might recognize a reference that I have regularly in each of my videos
197
that will come up here in a second.
198
Yeah.
199
Don't these microexpressions vary depending on the person?
200
Let's leave this up and we'll go to the Kato Kaelin footage from the OJ trial.
201
Mr. Kaelin, you got a lot of money for your appearance on Current Affair, didn't you?
202
Um, yeah.
203
Scorn.
204
Scorn.
205
Huge scorn.
206
shame shame and shame contempt these expressions are universal emotion looks the same whether you're a suburban housewife
207
or a suicide bomber the truth is written on all our faces
208
so at the very end there the the wall of faces is the inspiration for the wall of faces
209
that I have had behind me for years many people ask
210
about the wall of faces why I chose the people
211
that I did
212
and it It wasn't too much thought outside of I wanted to pick prominent people throughout history displaying emotions
213
and they have different backgrounds, they have different ethnicities, they have different upbringings, they have different wealth levels,
214
everything to be able to show kind of that everybody displays emotion.
215
And so people, they regularly try to read way too much into what my background is.
216
And realistically speaking, it's just showing that everybody shows universal emotions
217
and they can be relied upon very regularly and again, very universally.
218
That's the first little clip that we're dealing with here, dealing with Lyatomy and Cal Lightman.
219
This is the most scientifically accurate, I would feel, out of all of the clips that we'll deal with today.
220
The rest of them are going to deal with some other facets of nonverbal reading
221
that is very common and that's in mentalism.
222
We'll talk about the different mentalism techniques as we go through as mentalism was a huge hobby of mine growing up.
223
It added an extra showmanship and flair and stage presence and whatnot to just clean cut nonverbal communication reading.
224
It might even be something
225
that I bring back onto the channel of some of the mentalism techniques
226
that you can use in your day -to -day life just for fun with your friends
227
or at parties and things like that.
228
But this next clip is going to be from Now You See Me.
229
Let's go ahead and watch the mentalism act and talk about it as we go.
230
look into my eyes and sleep
231
and just hang out there wriggle a sec I'm picturing okay
232
I know we've only watched a couple seconds I am not a person who knows how to hypnotize people
233
if you would like to be able to watch a nonverbal analyst here on YouTube
234
that does know how to do this style of mentalism go
235
and watch the behavioral arts over there with Spidey he is a fantastic mentalist even before I met
236
and interacted with him in the nonverbal analysis spheres.
237
I had watched some videos of his talking about mentalism techniques.
238
He's a fantastic content creator.
239
Go and watch his stuff.
240
I cannot suggest it enough.
241
And he will be able to add some clarity to things like hypnotism, how that works and how that can work in a stage play setting.
242
But now we're going to get to the actual portion of things
243
that we're working with here where we're going to do a nonverbal analysis, albeit again with a little bit of flair, not only just the Hollywood flair for the movies,
244
but flair done by the person himself to make it seem more astounding.
245
Let's watch.
246
Beach.
247
Cocktails.
248
Florida?
249
Look, it was a business trip, maybe the oldest business.
250
You're thinking of a woman's name.
251
A, B, C.
252
Starting off with this, I'm thinking of a beach, Florida.
253
There can be a number of things that can help push you in a specific direction when interacting with somebody.
254
And this has to do with the generalities of social behaviors in general.
255
So he pulls out Florida that would fit better with the age demographic that he's working with.
256
And we see a little flash of surprise when he brings up drinks.
257
And drinks would go hand in hand with a vacation to a beach.
258
A lot of people of that age, if they go to a vacation with the beach, unless there's some sort of other external thing that makes them not want to drink, there will likely be some drinks in there.
259
And so you're working with these generalities, waiting for feedback from him.
260
Now we're gonna start digging into something a little bit differently here
261
and he's going to start doing a mentalism technique where you you list a thing
262
and could be numbers and in this case it's letters
263
and waiting for non -verbal feedback to be able to confirm
264
or deny whether or not that was an accurate tell so let's watch C.
265
D. E.
266
F. G.
267
H. I J.
268
Jean.
269
Jane.
270
Janet.
271
Who's Janet?
272
Your sister.
273
You weren't away.
274
All right.
275
So through that, you see him rapid firing this.
276
Now, the rapid firing can be very effective in overwhelming a person's ability to conceal various things, control their own nonverbal communication.
277
So as he's going down, you can kind of see a little bit of movement around G, but then he gets to J and you see a substantial movement in the eyebrows there, the lowering, drawing together the eyebrows,
278
that nonverbal feedback, that's a spike in his nonverbal communication.
279
Technically, that's in the vein of aggression, scorn, anger, frustration, something along those lines.
280
It can also be confusion.
281
And so we're seeing that come in there.
282
So he knows that it's a j, a j sound.
283
And then he starts listing down the common names of j's.
284
And eventually he sees that same brief expression come across the face, letting him know he's got a hook again.
285
So this showmanship, this understanding of how to kind of orchestrate human behavior all lends to this,
286
this flurry of what seems to be extraordinary or perhaps supernatural mind -ready style of techniques, but they're not.
287
It's just relying on some nonverbal communication reading
288
and some understandings of how people behave when presented with whatever stimulus they're working with.
289
It's cool to watch.
290
It is a little bit dramatized for the sake of, you know, again, consumable television, but it is something that's based very,
291
very heavily in real -life mentalism techniques.
292
If you would like to watch a real -life mentalist outside of Spidey, go and watch Spidey stuff.
293
Some other good names to be able to go and watch would be top of the line is Darren Brown.
294
He is one of my and my biggest inspirations.
295
He's even on the wall behind me.
296
We'll even get to some shots from the show The Mentalist later on
297
and the show The Mentalist was based on Darren Brown.
298
Another person that I have enjoyed in the mentalism sphere is Lior Suchard.
299
He has a little bit more dramatization in his mentalism
300
that he touts more of the supernatural side of things which he doesn't have.
301
No mentalist does but the way
302
that he does it does push a little bit further into
303
that so it's a little different flavor but go and watch mentalists
304
if you're at all interested in this sort of thing weren't
305
away on business you are away on janet okay now she's
306
gonna get upset let's move over here you want this to go away
307
yes okay pull out your wallet so 200's unfair okay
308
and sleep now when i snap my fingers you won't remember any of this.
309
And you, every time you see or even think of Janet, you're going to picture me naked.
310
And that's not a pretty sight.
311
Yeah.
312
All right.
313
So again, that flash hypnosis like that.
314
Darren Brown knows how to do it very well.
315
Again, I've seen Spidey do it as well.
316
Go and check out the different channels to be able to see how that's done a little bit better.
317
I still have not figured that one out.
318
The Mendelism community is hard to break into.
319
So everything that I have done, I have just learned from my own experience or have developed myself. So
320
if you would like to be able to understand a little
321
bit more about those with people with a little bit more experience, check that out.
322
But it is effective in ways like this, not necessarily to the degree that it's showing there,
323
but a pretty fun example in movies about how mentalism
324
and nonverbal communication reading can be used in your day -to -day life.
325
He uses it for kind of like a blackmail situation, but you can use it for much less nefarious means than that.
326
It can be a very fun party trick, especially if you have any props to go along with it to add some magic into it as well.
327
You can really work some stuff up pretty quickly as long as you're diligent with your study and with your practice.
328
But now we're about to move on to a next clip here, which is going to go on for a bit, and I am all but a thousand percent positive is going to be claimed.
329
It's from the BBC Sherlock show, and it's dealing with another aspect of non -verbal -ish communication,
330
but a field of mentalism that is regularly called deductionism.
331
We'll talk about that in a second.
332
Well, a bit different from my day.
333
You have no idea.
334
Mike, can I borrow your phone?
335
There's no signal on mine.
336
What's wrong with the landline?
337
I prefer to text.
338
Sorry.
339
It's in my car.
340
Uh, here.
341
Here's mine.
342
Oh, thank you.
343
It's an old friend of mine, John Watson.
344
Afghanistan or Iraq?
345
Sorry?
346
Which was it, Afghanistan or Iraq?
347
Afghanistan, sorry, how did you...
348
Ah, Molly, coffee, thank you.
349
What happened to the lipstick?
350
it wasn't working for me really i thought it was a big improvement math's too small now okay
351
how do you feel about the violin obviously we're not dealing with non -verbal body language communications
352
but we are dealing with observation and extracting information guesses realistically from
353
that information now in sherlock it's called a deduction
354
but it really isn't when you go into like a logic class and look at how that is specifically designated.
355
This is not deduction.
356
You're drawing inferences rather than cold hard.
357
This is the only thing that can happen.
358
And in the shows and in the books, it says once you have eliminated all of the impossibilities, whatever is left has to be the truth by process of elimination.
359
So kind of, but that's not really what's happening here.
360
But growing up, I really appreciated many aspects of it, especially being diagnosed now later with ADHD.
361
Seeing the world and the way that Sherlock presented it made much more sense to me.
362
It was, you see a thing, you were able to kind of conclude a very specific thing.
363
It boxed things up very nicely, put things into packaging that made it consumable for me.
364
But as you continue to grow older and get more experience, a lot of that, it highlights that there's not so much black and white, there's a lot of gray.
365
So when he comes up here and he's already talking about the Afghanistan or Iraq side of things, it's pulling in, like I said these elements of a mentalism style called deductionism.
366
We'll actually talk about all of those
367
when we get to the second half where he explains it himself and highlight some of the issues around it, some of the strengths of it,
368
and how it actually had shaped and changed how I perceive the world in general as well.
369
Let's watch.
370
Sorry, what?
371
I play the violin when I'm thinking.
372
Sometimes I don't talk for days on, and would that bother you?
373
Potential flatmates should know the worst about each other.
374
You told him about me?
375
None of a word.
376
Then who said anything about flatmates?
377
I did.
378
Told Mike this morning that I must be a difficult man to find a flatmate for.
379
And now here he is, just after lunch with an old friend, clearly just home for military service in Afghanistan.
380
Wasn't that a difficult leap?
381
How did you know about Afghanistan?
382
Got my eye on a nice little place in central London.
383
Together we ought to be able to afford it.
384
We'll meet there tomorrow evening, 7 o 'clock.
385
Sorry, I've got to dash.
386
I think I left my riding crop in the mortuary. Is that it? Is that what?
387
We've only just met, and we're gonna go look at a flat.
388
Problem?
389
We don't know a thing about each other.
390
I don't know where we're meeting.
391
I don't even know your name.
392
I know you're an army doctor, and you've been admitted home from Afghanistan.
393
I know you've got a brother who's worried about you, but you won't go to him for help because you don't approve of him.
394
Possibly because he's an alcoholic.
395
More likely because he recently walked out on his wife.
396
And I know that your therapist thinks you're limp psychosomatic quite correctly, I'm afraid.
397
It's enough to be going on with, don't you think?
398
The name's Sherlock Holmes and the address is 221B Baker Street.
399
Impressive, right?
400
It seems very impressive.
401
Again, it's a fantastic party trick as mentalism can be.
402
Now we're going to break, he's going to break it down and we'll break down what he's breaking down, talk about kind of the shortcomings, the parts where this was obviously made for Hollywood.
403
Yeah, well, yeah, let's watch.
404
When I met you for the first time yesterday, I said Afghanistan or Iraq.
405
You looked surprised.
406
How did you know?
407
I didn't know.
408
I saw.
409
The haircut, the way you hold yourself, says military.
410
And your conversation is you entered the room.
411
A bit different from my day.
412
Said trained at Bath, so army doctor, obvious.
413
Your face is tanned, but no tan above the wrists.
414
Starting off initially, the haircut.
415
Haircuts can be a decent indicator, but you're working with a probability not an exact science with it, and that's where it falls apart.
416
He says, your haircut said military.
417
His haircut said that he liked his hair short.
418
That little extrapolation there, it could quickly fall apart.
419
You have to either one, be much more confident before you draw and present a tell that way, or two, you have to be comfortable with the idea of failing
420
or getting something wrong and being able to re -steer it from there.
421
So he says military because of the haircut, not necessarily.
422
We're talking also about tan lines now.
423
No tan above the wrists.
424
You've been abroad, but not sunbathing.
425
So he's saying he sees the tan lines, but they're down here.
426
His hands are tan.
427
So he wasn't out sunbathing, wearing a long -sleeved shirt.
428
So that kind of backs up this military side of things in the sun.
429
Possibly.
430
Another really large probability is
431
that it's just a short -haired person with long -sleeved tan lines because he likes to wear long sleeves, and it has nothing to do with military again.
432
It's still a guess.
433
It's an educated guess and it's a guess with a lot of flair, but it is still just a guess.
434
Now we're talking about the limp side of things.
435
Your limp's really bad when you walk.
436
You don't ask for a chairman.
437
You stand like you've forgotten about it.
438
So he's partly psychosomatic.
439
That says the original circumstances of the injury were traumatic, wounded in action then.
440
Wounded in action, Santan, Afghanistan, or Iraq.
441
Some of these are nonverbal where he's saying you limp while you're moving, but when you're standing still, you seem to kind of fade away from that needing for a limp.
442
You also don't ask for a chair.
443
If your leg was legitimately hurting that way, then, you know, you would ask for a chair.
444
Maybe.
445
Possibly.
446
That does make some sense.
447
And then it gets around to the portion where he's saying that it's psychosomatic.
448
It fades in and out like that.
449
So it's likely a traumatic injury, aka war.
450
Okay, but that's not the only time that you can get a psychosomatic injury.
451
Sure, trauma can inspire it, but trauma doesn't exclusively come from a war.
452
There are enough other possibilities that it's not an exact science.
453
You have to be able to lean into the theatrics of things to be able to sell this a lot more reasonably.
454
Now we're about to start breaking down another portion of this, highlighting some of these issues.
455
You said I had a therapist.
456
You've got a psychosomatic limp, of course you've got a therapist.
457
then there's your brother the phone was expensive email enabled mp3
458
player are you looking for a flat share you wouldn't waste
459
money on this it's a gift then scratch is not one
460
many over time it's been in the same pocket as keys
461
and coins massively next people wouldn't treat as one luxury item like this
462
so it's had a previous owner next bit's easy you know
463
it already the engraving harry watson clearly family member who's given
464
you his old phone not your father this is a young man's gadget could be a cousin
465
but you're a war hero who can't find a place to
466
live unlikely you've got an extended family certainly not one you're close to
467
so brother it is now clara who's clara three kisses says
468
there's a romantic attachment expense the phone says wife not girlfriend
469
she's also given it to him recently this model's only six
470
months old marriage in trouble then six months only's just giving it away
471
if she left him he would have kept it people do
472
sentiment no he wanted rid of it he left her he gave the phone to you
473
that says he wants you to stay in touch you're looking for cheap accommodation
474
and you're not going to your brother for help it says
475
you've problems with him maybe you liked his wife maybe you
476
don't like his drinking how can you possibly know about the
477
drinking shot in the dark good one though power connection table
478
scuff marks around the edge of it every night goes to plug it into charge
479
but his hands are shaking you never see those marks on
480
the sober man's phone never see a drunks without them there
481
you go see you were right i was right right about what the police don't consult amateurs
482
so many issues with that last little spiel again working on generalities looking at
483
that like this is a young man's phone no
484
that the phones have no limitations everybody uses every single thing the scratches everything like
485
that that does make some sense you could kind of pull some of
486
that information out of there it also is the possibility
487
that like John doesn't take care of his phones very well engraving side of things it also turns out
488
that the the Harry Watson is is John's sister not brother and Sherlock says, you know, there's always something wrong with it, which also pushes you down that mindset of it's not,
489
it's not an exact science.
490
It's not deduction.
491
It's just, it's inferences.
492
I love the line with the shot in the dark with the drinking and saying like, oh, you never see a sober man's phone with scratches around the port,
493
but you always see it around a drunks.
494
And that's simply not the case.
495
It ended up being correct for the show.
496
It's not necessarily how that works in real life again with enough flair, enough showmanship, and a few other techniques to be able to help kind of solidify some of these guesses,
497
it can become something that seems extraordinary and very cool to look at.
498
If you'd like to be able to watch a deductionist actually function, go and watch Ben Cardle.
499
He is a UK deductionist.
500
He has kind of made a career out of showcasing Sherlock style inferences in a very entertaining way.
501
I'll link all of these people in the description of this video so you can go watch all of them.
502
He is quite cool to watch and he brings a lot of realism to his interactions, to his mentalism shows.
503
He also wrote a book called Monographs.
504
It helps you with a little bit of that understanding of how to work with these generalities.
505
So if you would like to go and check him out, I do suggest going and doing that.
506
Now we're about to get into the show that was perhaps the most inspirational for me growing up, especially in setting up this channel and it is the mentalist with Patrick Jane.
507
There are a couple different clips that we're going to be working through here.
508
We'll break down what we see, talk about the techniques, and then we'll wrap up the video.
509
I'm not going to let you guys come in and mess up our investigation until that person has been identified and arrested.
510
Do you got me?
511
Fine. Where is he going?
512
Can I have your attention, please?
513
Thank you.
514
There are these things called micro expressions.
515
They are what shows on your face when you feel something.
516
They're automatic.
517
You can't control them.
518
So when I tell you that Jeremy Geist was an FBI agent working undercover, everyone, yes, there they are,
519
showed a brief expression of surprise.
520
What the hell?
521
His was bigger than most.
522
But when I tell you that Jeremy Geist was investigating a...
523
So with that, unfortunately, the camera does not show the micro expressions of surprise that come across Peebles' faces in that time.
524
It's focusing on Patrick himself.
525
But what he's talking about with it, I mean, yeah, that's micro expressions they only come on for a very small fraction of a second, fade off pretty quickly.
526
They are a reliable indicator of your subconscious emotional state.
527
So now let's go ahead and continue this part.
528
Investigating a gang selling illegal firearms out of this bar, only one person will show fear.
529
The person who is afraid of being caught.
530
And that person is...
531
it's you tish what it's literally on your face there is your salesman the ex expression of fear across her face.
532
The things that I was able to see her eyebrows are lightly turned upwards on the inside
533
and her eyes are fairly open.
534
That's the most that I can get to as far as fear represented across her face.
535
And I think the show is probably trying to imply that she showed that a little bit more prevalently at another time.
536
But those are the two indicators there.
537
And they stand out from the rest of the group.
538
The rest of the group kind of has this expression of confusion focus, she has that ever so slight tinge of fear.
539
And so with that, that would be enough as a mentalist, a person who is into the showmanship side of things and likes to kind of ham up that drama a bit,
540
that is enough for them to be able to start behaving more confidently towards that.
541
Some things that he did do within that to help inspire this was, again, the shock factor that we even saw from Now You See Me of intensifying certain aspects of things.
542
He gave away a certain crucial piece of information that was surprising to everybody, including the agent, and this disrupts their psychological mindset at that time.
543
Now they're focusing on these different aspects rather than trying to focus on controlling their own body and how they present, and then Patrick continues on with the rest of his stuff, and he's again fishing.
544
He's throwing out information and watching for people who bite, and she's the only one who bit on that instance.
545
That's a very dramatized version of a non -verbal read.
546
It's very quick, very short.
547
He didn't do any baseline establishing.
548
So a lot of this is working off a probability, not actual exact science.
549
It's very fun, but it is an art.
550
It's not a science.
551
And so now we're about to get to a second deal here, and then we'll wrap up.
552
I got nothing to say.
553
Why were you going to murder him?
554
What about the tattoo?
555
What's it mean?
556
You're not a big talker.
557
I got it.
558
Lose lips and chips and all that.
559
The bad news is you have a lousy poker face.
560
So we're going to play a little game of show and tell.
561
I'm going to tell you something and you're going to show me with your face whether I'm right or not.
562
That sound fun?
563
You ever steal anything?
564
Did you ever cheat on your girlfriend?
565
Hit her?
566
You like causing pain?
567
I never had a woman in my life.
568
You belong to a secret organization of cops and other government officials.
569
Yes.
570
He's set the premise.
571
He's setting the stage, and this is also psychologically priming the person
572
that he's talking to to be a little bit less in control of what they're doing.
573
He's throwing out some red herrings.
574
He's throwing out some other details.
575
He's gathering information as he does it.
576
So he starts in, man's all closed up and ready to go, and as he starts the questioning,
577
he settles into, he's reposturing into his new position that initial shift is because the role of the conversation has changed.
578
This happens all the time everywhere.
579
You'll see reposturing happen from everyone.
580
And it can sometimes be explained a way of like, oh, maybe they're just uncomfortable.
581
They've been sitting in the same position for a while and they want to move around.
582
Sometimes if you watch, you can almost guaranteed tell when there is a role switch or a tone switch in a conversation,
583
even when a scene is muted due to this reposturing.
584
A person will reposture if the tone of the conversation changes.
585
They will reposture, especially if they're going to switch from the role of listening to the role of speaking.
586
That will be another area of reposturing.
587
You can even see reposturing as people are introduced into various scenarios.
588
Like say you're interacting with somebody and then somebody comes into the room and you see the other person reposture.
589
Pay attention to reposturing.
590
It is indicative of a change of role in the social interaction that's happening there.
591
When Patrick is talking about, hmm, what about this and this and this and this?
592
You know, did you ever do this?
593
Do you appreciate pain?
594
Did you ever hit your girlfriend?
595
He's watching to see how the guy reacts.
596
And so during that time, there's not a lot of nonverbal movement that would push in any direction.
597
This is just gathering some information.
598
However, it gets to the point of he locks in and he leans forward a little bit and he's, I never hit a woman, that sort of thing.
599
It's delivered confidently.
600
There's no stutters or stammers.
601
We're not seeing any micro expressions of anything else come across the face
602
if you saw something perhaps like a bit of disgust
603
or a contempt smile come in there you would want to continue picking at
604
that but none of
605
that really happened it's just confident delivery then he asked this thing are you a part of the secret organization
606
and a spike happens in his nonverbal communication he looks away
607
he has a little bit of a contempt smile he has a prolonged eye blink in there as well
608
that eye blocking gesture so coupled with those other things that's a spike in his nonverbal communication
609
that would push towards oh that's a hit something happened there
610
and he's not feeling good about it and judging by the tells that he's delivered with it, it means that that's an accurate statement.
611
So that would be how that quick flash nonverbal communication read can happen.
612
A little bit of that baseline gathering with the other questions.
613
Let's continue.
614
Yes.
615
You've committed crimes on behalf of that organization before.
616
Right.
617
Agent Smith is a member also.
618
Right.
619
The organization sent you to the doctor's office to kill him.
620
Right.
621
CPI Director Gail Bertram is also a member.
622
You don't know.
623
Too low on the totem pole, huh?
624
Agent Reed Smith is Red John.
625
Don't know.
626
Gail Bertram's Red John.
627
Don't know.
628
This is so, this is so fun to watch.
629
As he's going through, I believe the tell that Patrick is picking up on mostly is the eye direction as he's asking.
630
Now, I do not use directional IQs.
631
They cannot be established universally.
632
They can be used on an individual basis, especially if you establish a baseline.
633
Which, for those of you that do not know, directional IQs is the concept of you look in a specific direction in your field of view to tell
634
if you're remembering a real, actual memory, be it auditory, visual, sensory, or if it's a fabricated side of things or if it's an internal monologue that can exist.
635
And on some levels, there are some generalities that encourage that.
636
It is not universal, though.
637
It can change from individual to individual.
638
So he's not using that from what I can tell either.
639
But every time that he says something that is true, you see a diversion of gaze.
640
This would be an individual situation as well, though.
641
That's not a universal emotion thing.
642
Just because somebody breaks eye contact when you say something, that does not mean that they're lying or trying to hide or cover up something.
643
That would be just this individual case.
644
You have to establish it individually before you rely on it in this sort of scenario.
645
Then the portions where he comes around to the you don't knows, you see the narrowing of the eyes.
646
Now, that narrowing of the eyes, it's focused and it can be related again to the universal emotion of scorn or frustration.
647
That could be confusion when that comes in there.
648
If that, oh, I'm not, I'm not sure, not sure on that kind of thing.
649
So maybe that's what he's pulling from that.
650
That happens repeatedly.
651
And even on the last one where you could tell the guy's trying to like look away
652
and not not be read to filth like he's being even
653
still he does a little narrowing of the eyes before he looks away
654
and so again
655
that indicator of i'm not really sure how to handle this
656
i don't actually know this information let's wrap this up a
657
tattoo on your shoulder is the membership sign i don't know what you're talking about right again
658
there's a password to something you say as a greeting or a distress signal tiger tiger
659
get out of my head and there we are
660
so again you saw those last two hits
661
that patrick got the lookaways i think that's the tale
662
that we're being told as the audience to rely on for him
663
and so that's it those are some of the non -verbal communication reading examples
664
that i have throughout tv and media
665
that i have at least come across myself
666
if you have other ones this is where you can kind of come in here.
667
If you have other ones, I am turning on the community aspect of my page here.
668
Go ahead and head over there.
669
If you have other clips that you know
670
that I should take a look at
671
or would like me to take a look at in movies
672
and TV that show nonverbal communication or even just ones that you would like me to look at in general, it doesn't have to be for this series.
673
It's going to be for everything.
674
Head over to the community tab and let me know there and I will hopefully be able to keep up on that.
675
Yeah, I stay pretty busy so I don't know that I I will always monitor it, but at least there is a chance of me being able to come across it there.
676
I'm also considering opening up a subreddit.
677
If that's something that you would be interested in, let me know in the comments of this video.
678
Again, this video is almost certainly claimed by however many studios, so if you would like to make more videos like this possible, memberships, Patreon, all of it helps.
679
Consider those if you can.
680
If you cannot, I very much understand.
681
And if you've just watched this video, thank you.
682
If you would like more, go ahead and subscribe, do all those things.
683
But, but without further ado, that's all that I've got for the day.
684
My name is Logan, and you have been oh so awesome as you always are, and I will see you in the next video.
685
Cheers, guys.
📺 उसी चैनल से
B21
Travis Scott's Body Language In His Apology Leaves Us Wanting Something Else | Why?
Daily ConversationUniversity StudentsWorking Adults
B21
What Susan Clancy's Body Language Tells Us
Business EnglishUniversity StudentsWorking Adults
C13
This Is A Big Problem
Daily ConversationUniversity StudentsWorking Adults
✨ अनुशंसित वीडियो
B21
53 वाक्य
The epic opening scene of Lie To Me
Business EnglishDaily ConversationUniversity Students
B21
51 वाक्य
Non-verbal Communication, it's types, & Importance #education
Business EnglishDaily ConversationUniversity Students
B2444 वाक्य
people you should watch out for (how to spot toxic friends)
Business EnglishDaily ConversationUniversity Students
B21
165 वाक्य
Philomena Cunk vs Prof. Jim Al Khalili CBE (2025 Edition)
British AccentDaily ConversationUniversity StudentsWorking Adults
B21
29 वाक्य
Subtitles On or Off? Learning English from Films
British AccentDaily ConversationUniversity StudentsWorking Adults
B22
135 वाक्य
Anne Hathaway and Drew Barrymore Bond Over Sobriety and Daytime Dance Clubs | Drew Barrymore Show
Business EnglishDaily ConversationUniversity Students
B21
105 वाक्य
How To Read People Without Them Knowing
Business EnglishDaily ConversationUniversity Students
B21
57 वाक्य
Why We’re Scared of Things That Look Too Human (Uncanny Valley)
Daily ConversationUniversity StudentsWorking Adults
B21
45 वाक्य
The TV is called: The Good Doctor S01-E02 #shorts
Business EnglishDaily ConversationUniversity Students
B21
18 वाक्य
Penn Badgley on Being Insecure About His Body
Daily ConversationUniversity StudentsWorking Adults
B22
112 वाक्य
How Your Favourite Movie Affects Your Brain | The Psychological Impact
Daily ConversationUniversity StudentsWorking Adults
इस पाठ की शब्दावली और बोलने के सुझाव
इस वीडियो में शैडोइंग के लिए 685 वाक्य और 8341 शब्द हैं। बोला गया हिस्सा 43:51 लंबा है। वक्ता तेज़ बोलता है, लगभग 190 शब्द प्रति मिनट, इसलिए जुड़ी हुई और कमज़ोर ध्वनियाँ ज़्यादा मिलेंगी। 83% शब्द अंग्रेज़ी के 3,000 सबसे आम शब्दों में से हैं; बाकी शब्द अभ्यास से पहले देख लेना अच्छा रहेगा।
इस वीडियो की मुख्य शब्दावली
वीडियो के 15 सीखने लायक शब्द, उच्चारण और अर्थ के साथ:
| शब्द | उच्चारण | अर्थ |
|---|---|---|
| emotion संज्ञा | /ɪˈməʊ.ʃən/ | भावना, जज़्बा |
| microwave संज्ञा | /ˈmaɪkɹoʊˌweɪv/ | माइक्रोवेव, सूक्ष्मतरंग |
| establish क्रिया | /ɪˈstæb.lɪʃ/ | स्थापना |
| necessarily क्रिया विशेषण | /ˌnɛs.əˈsɛɹ.ə.li/ | अवश्य, अनिवार्यतः |
| verbal विशेषण | /ˈvɜː.bəl/ | शाब्दिक |
| contempt संज्ञा | /kənˈtɛmpt/ | अवमानना |
| feedback संज्ञा | /ˈfiːdˌbæk/ | प्रतिपुष्टि, प्रतिक्रिया |
| reliable विशेषण | /ɹɪˈlaɪəbl̩/ | निष्ठावान |
| albeit | /ɔlˈbi.ɪt/ | किन्तु, परन्तु |
| conceal क्रिया | /kənˈsil/ | छिपाना |
| decent विशेषण | /ˈdiː.sənt/ | शोभनीय, उचित |
| genuine विशेषण | /ˈd͡ʒɛn.juˌɪn/ | सच, वास्तविक |
| representation संज्ञा | /ˌɹɛp.ɹə.zɛnˈteɪ.ʃən/ | निरूपण, चित्रण |
| wrap क्रिया | /ɹæp/ | लपेटना |
| confusion संज्ञा | /kənˈfjuːʒən/ | गड़बड़ |
वीडियो में आने वाली फ़्रेज़ल वर्ब
| शब्द | उच्चारण | अर्थ |
|---|---|---|
| go ahead क्रिया | /ˌɡoʊ əˈhɛd/ | आगे बढ़ना |
इस वीडियो का व्याकरण
वक्ता जिन संरचनाओं का सबसे अधिक प्रयोग करता है, वीडियो के असली शब्दों के साथ:
| संरचना | वीडियो में |
|---|---|
| शर्त वाले वाक्य if + उपवाक्य, will/would + क्रिया — शर्त और उसका नतीजा | if it's just an instance, that would be · if she left him he would have · If that's something that you would be |
| Present perfect have/has + past participle — बीता हुआ काम जिसका असर अभी भी है | have requested · I've collected · have watched |
| Passive voice be + past participle — ज़ोर इस पर कि क्या होता है, न कि कौन करता है | being said · can be found · can be drawn |
| Relative clauses who / which + उपवाक्य — व्यक्ति या वस्तु के बारे में अतिरिक्त जानकारी | clip, which is · people who are · people who were |
ध्यान देने योग्य उच्चारण
वक्ता 182 बार संक्षिप्त रूपों का प्रयोग करता है, जैसे you're, we're, don't। इन्हें वैसे ही छोटा बोलें जैसा आप सुनते हैं।
- “th” की ध्वनियाँ: gather /ˈɡæðɚ/, therapist /ˈθɛɹəpɪst/, bother /ˈbɑðɚ/
- “sh” और “zh” की ध्वनियाँ: emotion /ɪˈməʊ.ʃən/, establish /ɪˈstæb.lɪʃ/, flash /flæʃ/, interaction /ˌɪn.təˈɹæk.ʃən/, representation /ˌɹɛp.ɹə.zɛnˈteɪ.ʃən/
- लंबे शब्द — बलाघात सही रखें: universal /ˌjunəˈvɜɹs(ə)l/, necessarily /ˌnɛs.əˈsɛɹ.ə.li/, interaction /ˌɪn.təˈɹæk.ʃən/, indicator /ˈɪn.dɪˌkeɪ.tə(ɹ)/, representation /ˌɹɛp.ɹə.zɛnˈteɪ.ʃən/
इस वीडियो से अभ्यास कैसे करें
- पहले बिना बोले पूरा वीडियो एक बार सुनें और जो शब्द नहीं आते उन्हें लिख लें।
- 0.75× गति से शुरू करें, एक-एक वाक्य की शैडोइंग करें, और सहज लगने पर सामान्य गति पर लौटें।
- अपनी आवाज़ रिकॉर्ड करें और मूल से तुलना करें, ख़ासकर emotion, microwave, establish जैसे शब्दों पर ध्यान दें।
शैडोइंग तकनीक क्या है?
शैडोइंग (Shadowing) एक विज्ञान-समर्थित भाषा सीखने की तकनीक है जो मूल रूप से पेशेवर दुभाषिया प्रशिक्षण के लिए विकसित की गई थी। विधि सरल लेकिन शक्तिशाली है: आप मूल अंग्रेज़ी ऑडियो सुनते हैं और तुरंत इसे ज़ोर से दोहराते हैं — जैसे वक्ता की छाया 1-2 सेकंड की देरी से। शोध से पता चलता है कि यह उच्चारण सटीकता, स्वर, लय, जुड़ी हुई ध्वनियाँ, सुनने की समझ और बोलने की प्रवाहशीलता में काफ़ी सुधार करता है।